Im not saying this is definititively the best song theyve done since then, but its the most impressive single ive heard them put out since 98. At this point in time, i have no expectations of being impressed by a pearl jam album. After hearing this song, i have high expectations for this album. Wow wow wow. Thats my initial reaction.
According to Stone on Sirius....this started as Matt's electronic drum beat. Stone added a bass line to it, then Jeff added the keyboards. Mike put guitar on top of it and Ed added lyrics. Matt then decided to do live drums with a digital hi-hat added.
It's different....but they were just screwing around here. I'm excited for the new album.
Remember the Thomas Nine !! (10/02/2018) The Golden Age is 2 months away. And guess what….. you’re gonna love it! (teskeinc 11.19.24)
1998: Noblesville; 2003: Noblesville; 2009: EV Nashville, Chicago, Chicago 2010: St Louis, Columbus, Noblesville; 2011: EV Chicago, East Troy, East Troy 2013: London ON, Wrigley; 2014: Cincy, St Louis, Moline (NO CODE) 2016: Lexington, Wrigley #1; 2018: Wrigley, Wrigley, Boston, Boston 2020: Oakland, Oakland:2021: EV Ohana, Ohana, Ohana, Ohana 2022: Oakland, Oakland, Nashville, Louisville; 2023: Chicago, Chicago, Noblesville 2024: Noblesville, Wrigley, Wrigley, Ohana, Ohana; 2025: Pitt1, Pitt2
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10/20/14 Milwaukee-Bradley center (Yield)
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Better than Let the Records Play Worse than Given to Fly
I need a few more listens to develop a stronger opinion. I did not love it on first listen but that may be because it is so different than what they have done in the past.
I hear some Peter Gabriel here. The vocals grabbed me on first listen, music is starting to grow on me. The chorus kind of deflates the momentum a bit that Ed built in the verse but overall I'm excited for the return of some weird PJ!
Not my cup of tea. @JPPJ84 I don't feel like the song really goes anywhere. I was waiting for that mccready or gossard shred and it never apperared. The pattern of the son kind of reminds me of swallowed whole.
WEBN in Cincinnati premiered the song this morning - stopped the song about 30 seconds in and finished it off w a mix of Cannonball and Talking Heads.
Next song they played, Yellowledbetter.
Yikes.
that's what they call a sick burn
First time I'd ever heard a city's major rock radio station stop a premiere song 30 seconds in (while talking through the first part ripping it up). Take a phone call from a listener destroying the song. Then play Yellowledbetter right after.
That's brutal - especially in drive time after all this PR work the PJ team did. That's rough.
Radio? What’s that? The days of radio defining popular music is in the distant past. I would say they may be doing this to cater to their aging audience.
My daughter is 16 and she’s blown away by it. Now granted she’s a PJ fan. Her first show was Fenway night 1 2016. But she’s going to expose her friends to it.
My personal theory is that if you like an artist (musical or otherwise) buckle up and take the ride. They are still a group of artists that want to stretch themselves and create. That’s what I hear on this first single and I dig it.
Better than Let the Records Play Worse than Given to Fly
I need a few more listens to develop a stronger opinion. I did not love it on first listen but that may be because it is so different than what they have done in the past.
At this point in their careers, I don't expect them to write another Given to Fly, RVM, Corduroy etc.. This song is cool and that works for me
Better than Let the Records Play Worse than Given to Fly
I need a few more listens to develop a stronger opinion. I did not love it on first listen but that may be because it is so different than what they have done in the past.
At this point in their careers, I don't expect them to write another Given to Fly, RVM, Corduroy etc.. This song is cool and that works for me
Do you mean that you don't expect them to write something as good as those songs or do you mean that you do not expect them to write that type of song again?
Not my cup of tea. @JPPJ84 I don't feel like the song really goes anywhere. I was waiting for that mccready or gossard shred and it never apperared. The pattern of the son kind of reminds me of swallowed whole.
Fair enough. Tastes are different and so they should be. I’m really happy with it
Well said! I didn't really know what to expect. I like it. I think it's got a cool vibe to it. I am pondering the different influences and it definitely gets me curious to hear the rest of the record. Can't wait!
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Digging the shit out of this and agree with everyone referencing Talking Heads. I get a DFA/The Rapture/LCD Soundsystem vibe off it as well, with the "keep on keepin on" drum loop styled beat. That crowd is pretty explicitly inspired by Talking Heads as well. Will be interesting to hear how this evovles in live performance.
Related : Would love to hear a James Murphy remix stretch this out another five minutes and really dig deep into that groove.
I'll probably share an unpopular opinion here . . . but to me this song is way better than anything the band put out the last couple of years. I would even go as far that for me it's better and more special then anything on Backspacer and Lightningbolt. Sounds new and fresh with Ed's vocals and lyrics being as good as ever. I didn't expect it to be THIS good. Really love it and I hope the rest of the album keeps this sound going and builds further upon it because I truly like this direction.
What initially hits is how different it is to previous Pearl Jam tracks, mainly because this 80s new wave sound is so prevalent. Sure they've had plenty of influences in their music over the years, but they've absorbed them into their main sound. This is more like Pearl Jam fitting into a genre, a bit like Gremmie Out Of Control (surf rock) or perhaps Sleeping By Myself (country). It doesn't sound like an 80s track by accident, the instruments used and Ed's delivery are deliberate. I'd argue that it's not influenced by the likes of Talking Heads, Bowie, etc (all the bands that have been thrown around since it dropped), but intentionally evokes them. But why and what is the point being made here?
Expecting perfection, Leaves a lot to ignore When the past is the present, And the future's no more When every tomorrow, Is the same as before
So we have nostalgia (to the sounds of the 80s), being used to emphasize the cyclical nature of human life. We're back. And you may ask yourself, well how did I get here? We're still dealing with the same questions, same problems, same as it ever was. The song feels like it's treading similar ground to Do The Evolution, but rather than rallying against the notion that we are evolving takes a more measured approach to the situation. Imperceptibly big, As big as the ocean, And equally hard to control.
I love the marriage of mysticism and the 80s sound on this song, putting the synthetic together with talk of clairvoyants and spirits, the superficial with the supernatural. It speaks to a lost understanding of wonder, while exposing what we do with it as small, tragic and limiting.
We’re stuck in our boxes, Window’s open no more
Collecting up the forget-me-nots, Not recalling what they’re for
I also like the journey that the Ed/the positive person goes on, feels like they're rising up and their perspective switches from the mortal to the ethereal, the more distance they get the more scathing towards humanity they become, the more damning as they lose their own sense of self.
I know the girls want to dance, Away their circumstance
I know the boys want to grow, Their dicks and fix and file things
No doubt I'll have a completely different reading on this song as time goes on though.
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2010 Cleveland
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2014 Detroit
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2018 Wrigley 1, Wrigley 2
2022 Hamilton
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2024 Las Vegas 1, Las Vegas 2, Wrigley 1, Wrigley 2
It's different....but they were just screwing around here. I'm excited for the new album.
The Golden Age is 2 months away. And guess what….. you’re gonna love it! (teskeinc 11.19.24)
1998: Noblesville; 2003: Noblesville; 2009: EV Nashville, Chicago, Chicago
2010: St Louis, Columbus, Noblesville; 2011: EV Chicago, East Troy, East Troy
2013: London ON, Wrigley; 2014: Cincy, St Louis, Moline (NO CODE)
2016: Lexington, Wrigley #1; 2018: Wrigley, Wrigley, Boston, Boston
2020: Oakland, Oakland: 2021: EV Ohana, Ohana, Ohana, Ohana
2022: Oakland, Oakland, Nashville, Louisville; 2023: Chicago, Chicago, Noblesville
2024: Noblesville, Wrigley, Wrigley, Ohana, Ohana; 2025: Pitt1, Pitt2
6/18/03 Chicago-United Center
5/17/06 Chicago-United Center
7/19/13 Chicago-Wrigley Field
10/11/13 Pittsburgh-Consol Energy Center
10/17/14 Moline-IWireless Center (No Code)
10/20/14 Milwaukee-Bradley center (Yield)
4/26/16 Lexington-Rupp Arena
8/20/16 Chicago-Wrigley Field
8/22/16 Chicago-Wrigley Field
8/18/18 Chicago-Wrigley Field
8/20/18 Chicago-Wrigley Field
9/5/23 Chicago-United Center
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Cincinnati 2006
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Worse than Given to Fly
I need a few more listens to develop a stronger opinion. I did not love it on first listen but that may be because it is so different than what they have done in the past.
I dig the song (I also got tickets last week).
I don't feel like the song really goes anywhere. I was waiting for that mccready or gossard shred and it never apperared. The pattern of the son kind of reminds me of swallowed whole.
Related : Would love to hear a James Murphy remix stretch this out another five minutes and really dig deep into that groove.
igotid_8 said: I get some of that as well, especially that "Only/Discipline/Echoplex" vein.
When the past is the present, And the future's no more
When every tomorrow, Is the same as before
-EV 8/14/93
'00 - Jones Beach (x2)
'03 - Nassau Coliseum/Tweeter Center/ MSG (x2)
'04 - Reading, PA
'05 - Wachovia Center
'06 - Irving Plaza; Continental Airlines Arena (x2)
'08 - MSG (x2); Beacon Theater
'09 - Philly Spectrum (x2)
'10 - XL Center; Prudential Center; MSG (x2)
'11 - Alpine Valley (x2)
'12 - Made In America
'13 - Wrigley Field; DCU Center; Barclay Center (x2); Wells Fargo Center; XL Center
'15 - Ed Sullivan Theater
'16 - MSG (x2)
'17 - Barclay Center (R&RHOF)
'18 - Fenway Park
'22 - MSG
'24 - MSG (x2)