Brother the Cloud is 100% about CC. And also his own brother.
I thought he confirmed it was not Cornell. Not sure where I read that now though.
Yeah I think there are reasons he is not publicly saying it’s about CC. Usually when people ask about the song he generalizes or mentions his brother. The lyrics plus the NYT article and especially opening the song live talking about suicide tells me CC is the primary subject. I don’t doubt his own brother is in there though but I don’t think his brother’s climbing accident would solicit the emotional anger in the song. That is my take.
I dunno, the death of my brother elicits more feeling than that of friends... but whatEV, my attributions were from EV interviews, rather than the masses.
Regardless, the song is heart-wrenching with him searching "the sky for a glimpse of his blue eyes".
Oh, understand it was not easy for my friend No promises even to yourself cannot be kept Enlarge the hole in my heart, rising river in the dark Erodes the shore 'til our shores were far apart
We know Comes Then Goes is about CC even though EV won’t claim it. I am seeing similar themes here. I feel like if it weren’t for the estate EV could be more honest but won’t get into that.
Either way agree it’s a great song!
DC '03 - Reading '04 - Philly '05 - Camden 1 '06 - DC '06 - E. Rutherford '06 - The Vic '07 - Lollapalooza '07 - DC '08 - EV DC 1 & 2 '08 (Met Ed!!) - EV Baltimore 1 & 2 '09 - EV NYC 1 '11 (Met Ed!) - Hartford '13 - GCF '15 - MSG 2 '16 - TOTD MSG '16 - Boston 1 & 2 '18 - SHN '21 - EV NYC 1 & 2 '22 - MSG '22
^ ugh Ed voice comments make me sad. But I also love Chad and his energy. I hope I can get tickets for RHCP this summer at a reasonable price and I am most excited to see Chad.
DC '03 - Reading '04 - Philly '05 - Camden 1 '06 - DC '06 - E. Rutherford '06 - The Vic '07 - Lollapalooza '07 - DC '08 - EV DC 1 & 2 '08 (Met Ed!!) - EV Baltimore 1 & 2 '09 - EV NYC 1 '11 (Met Ed!) - Hartford '13 - GCF '15 - MSG 2 '16 - TOTD MSG '16 - Boston 1 & 2 '18 - SHN '21 - EV NYC 1 & 2 '22 - MSG '22
Wasn't planning on weighing in, and dont want to in full now. Lil background... fan since '92 became big fan '96, and with Yield superfan. 50+ shows. Have a bunch of posters, but won't fight anyone for it or stand in line for days. Have all the vinyl, but not a vinyl freak. Almost any interview, or release Ed or Pearl Jam have done I've had the ears open. Just saw both NYC. Ive heard the singles, and Invincible. After the live shows (still haven't wholly reviewed that, tough going into NYC on work nights and then doing it again, and bringing it) I thought... how do I want to listen to this album. Wasn't leaked... There's just not alot of good shit getting released, and after COVID with the 5 year wait for Gigaton... I wanted to make hearing the album/songs for the first time cool. Have some fun with it!
*First, wholeheartedly agree with thought EVERYONE is entitled to an opinion on here (politely) or what are we doing? My thought before going through this discussion was Brother is greatness, Long Way a classy tribute to Petty esp. with Benmont on it. So cool, its a fluffy song, but Ed sounds great, and its for Tom, really. Haves I felt he was trying to sing, I wanted to like a ballad (haven't really had one, an no not Sirens!). I get it, its genuine, from the heart, I'll still give it some listens. Now, Invincible blew me away. I loved the intro, the lyrics, and the band is just a storm! They sound tight! But it does have some of that production gloss...
Now I am going to pick up the record tomorrow at a record store in person, and do like I did when I was 15 and hear some songs in the car. Until then, gonna keep lookin at the interviews etc. Following through all of the articles, podcasts!, you'd be a dummy not to realize Ed was putting himself out there. Seems as if the cloud over his head has moved a bit, and there's some light shining through. Just overall, in a good place, and hearing the live songs once I know its upbeat, and I think its gonna be good. For now another new song tonight, maybe two from iTunes. Check back in on you Earthlings later. Looks like consensus here was that the minority thinks its great. Rest like some stuff, some like none at all. Interesting. I will say as a parting note that NYC 2 was one of the best live shows I have ever seen, lucky to be there.
mic drop
This wasn’t weighing in “in full”? How long will that post be???
Oh, understand it was not easy for my friend No promises even to yourself cannot be kept Enlarge the hole in my heart, rising river in the dark Erodes the shore 'til our shores were far apart
We know Comes Then Goes is about CC even though EV won’t claim it. I am seeing similar themes here. I feel like if it weren’t for the estate EV could be more honest but won’t get into that.
Either way agree it’s a great song!
Fair. But, how singing a song about another person factors into estate is beyond me.
Oh, understand it was not easy for my friend No promises even to yourself cannot be kept Enlarge the hole in my heart, rising river in the dark Erodes the shore 'til our shores were far apart
We know Comes Then Goes is about CC even though EV won’t claim it. I am seeing similar themes here. I feel like if it weren’t for the estate EV could be more honest but won’t get into that.
Either way agree it’s a great song!
I'd be surprised if there are many friends who Eddie has that considers a brother AND committed suicide AND "I can hear him sing". Usually the obvious answer is the correct one.
I dig it ... It's just a journey without any explanation owed to anyone that's all over the place. It's refreshing to hear some music all in one place somewhere in-between the atmosphere. An album you can play that you don't have to explain, just listen..... very cool.... Eddie V, doing what he does best...
1998 Dallas (7/5) 2006 San Fran (7/15,7/16) 2009 San Fran (8/28) 2010 Bristow (5/13) NY (5/21) 2011 Alpine Valley (9/3,9/4) 2012 Missoula (9/30) 2013 Chicago (7/19) Pittsburgh (10/11) Buffalo (10/12) Baltimore (10/27) Dallas (11/15) 2014 Austin (10/12) Memphis (10/14) St. Paul (10/19) Milwaukee (10/20) Denver (10/22) 2016 Ft. Lauderdale (4/8) Miami (4/9) Hampton (4/18) Philly (4/28,4/29) NY (5/1,5/2) 2018 Seattle (8/10) Missoula (8/13) 2022 Nashville (9/16) E.V. - 2008 Berkeley (4/8) 2012 Austin (11/9,11/12) Temple of the Dog - 2016 Upper Darby
The mere existence of this album caught me off guard when Long Way was released. As a guy who was raised on Petty, I took to that song right away. The Haves didn’t land with me but I dug Brother the Cloud. That being said, I didn’t know what to expect from this record. Not caring for the second single much and a huge change in production style had me prepared for an album I was only lukewarm about. And perhaps worse.
I put in my headphones and went for a run and hit play. The very first notes of Invincible were not at all what I expected and I got the Peter Gabriel/Talking Heads vibes that have already been mentioned for sure. Have to say with this and Dance of the Clairvoyants, I’m enjoying Eddie exploring his 80’s influences.
This album sounds shiny and huge to me. Eddie isn’t shying away from melody or big choruses. In fact he seems to be seeking them out, but not in a cheap or pandering way.
I fully expected this to be more mid tempo but was surprised by how upbeat it is and how much it rocks (relative term, I know, but I’m nearing 40 and have 2 kids. This easily falls in the “fucking rocks” territory as far as I’m concerned). The weakest link for me is still The Haves, but coupled with the context of the album as well as the inspiration for the song from the Springsteen interview, it’s grown on me at least a little. This was a long ass way of saying I love this record. Pearl Jam has been my favorite band since I was 10 years old. I’ve gotten older, just as they have and I shouldn’t have doubted Eddie. After a couple times through with this record, I’m excited to see what Watt brings to the next PJ record, and hopefully we don’t have to wait too long to find out.
Also, the new Spoon record came out today and it kicks ass too.
Funny to see so much negative feedback but hey can’t please everyone, especially old school pj fans I guess haha
I’m only 27 and have been a super fan since 17 so maybe I’m not so jaded about Eddie’s voice, or how it’s too soft sounding, or how it’s all over the place, or too poppy or whatever else.
To me it’s just a master class by an aged rocker who still has a lot to offer this world musically. His voice is still great to me, the lyrics are unbelievably refreshing to me, and the sound is both unique and new while also uniquely Eddie.
But then again Eddie and company are literally my childhood heroes, always will be. I love these men, I love their music, and I love this forum for allowing us fans to debate all this shit!!
So thank you PJ, thank you moderators and pj workers, and mostly.. thank you mr Eddie fucking Jerome vedder!!!
Funny to see so much negative feedback but hey can’t please everyone, especially old school pj fans I guess haha
I’m only 27 and have been a super fan since 17 so maybe I’m not so jaded about Eddie’s voice, or how it’s too soft sounding, or how it’s all over the place, or too poppy or whatever else.
To me it’s just a master class by an aged rocker who still has a lot to offer this world musically. His voice is still great to me, the lyrics are unbelievably refreshing to me, and the sound is both unique and new while also uniquely Eddie.
But then again Eddie and company are literally my childhood heroes, always will be. I love these men, I love their music, and I love this forum for allowing us fans to debate all this shit!!
So thank you PJ, thank you moderators and pj workers, and mostly.. thank you mr Eddie fucking Jerome vedder!!!
I'm with you, friend. Grateful that he's still going strong and making the music he wants to make.
Does anyone know who’s playing on the tracks with Ed? Is it his Earthlings band? I grabbed it on iTunes so I don’t have the liner notes.
Here's the EV_CDPackage_Copy from Universal Music's Asset Promo. Which also included all the lyrics to the album.
..
1. INVINCIBLE Written by Eddie Vedder, Andrew Watt, Josh Klinghoffer Eddie Vedder: Vocals, Background Vocals, Guitar, Keyboards Chad Smith: Drums Andrew Watt: Bass, Guitar, Keyboards Josh Klinghoffer: Piano, Guitar, Keyboards, Percussion
2. POWER OF RIGHT Written by Eddie Vedder, Andrew Watt, Josh Klinghoffer Eddie Vedder: Vocals Chad Smith: Drums Andrew Watt: Bass, Guitar Josh Klinghoffer: Bass, Piano, Guitar, Percussion
3. LONG WAY Written by Eddie Vedder, Andrew Watt, Josh Klinghoffer, Chad Smith Eddie Vedder: Vocals, Background Vocals, Guitar Harper Vedder: Background Vocals Chad Smith: Drums, Percussion Andrew Watt: Bass, Guitar, Background Vocals Josh Klinghoffer: Piano, Keyboards, Guitar Benmont Tench: Hammond Organ
4. BROTHER THE CLOUD Written by Eddie Vedder, Andrew Watt, Josh Klinghoffer, Chad Smith Eddie Vedder: Vocals, Background Vocals Chad Smith: Drums Andrew Watt: Bass, Guitar, Background Vocals Josh Klinghoffer: Guitar
5. FALLOUT TODAY Written by Eddie Vedder, Andrew Watt, Josh Klinghoffer, Chad Smith Eddie Vedder: Vocals, Guitar Chad Smith: Drums, Percussion Andrew Watt: Bass, Guitar, Background Vocals Josh Klinghoffer: Piano, Organ, Guitar, Background Vocals
6. THE DARK Written by Eddie Vedder, Andrew Watt, Josh Klinghoffer, Chad Smith Eddie Vedder: Vocals, Background Vocals, Guitar Chad Smith: Drums Andrew Watt: Bass, Guitar, Percussion, Background Vocals Josh Klinghoffer: Piano, Keyboards
7. THE HAVES Written by Eddie Vedder, Andrew Watt, Josh Klinghoffer Eddie Vedder: Vocals, Drums Andrew Watt: Bass, Guitar, Percussion Josh Klinghoffer: Piano, Guitar, Keyboards
8. GOOD AND EvIL Written by Eddie Vedder, Andrew Watt, Josh Klinghoffer, Chad Smith Eddie Vedder: Vocals, Ukelin Chad Smith: Drums Andrew Watt: Guitar Josh Klinghoffer: Bass, Keyboards
9. ROSE OF JERICHO Written by Eddie Vedder, Andrew Watt, Josh Klinghoffer, Chad Smith Eddie Vedder: Vocals, Background Vocals Chad Smith: Drums Andrew Watt: Bass Josh Klinghoffer: Piano, Guitar, Keyboards, Percussion
10. TRY Written by Eddie Vedder, Andrew Watt, Josh Klinghoffer, Chad Smith Eddie Vedder: Vocals, Background Vocals, Guitar Stevie Wonder: Harmonica Olivia Vedder: Background Vocals Chad Smith: Drums Andrew Watt: Bass, Percussion, Background Vocals Josh Klinghoffer: Guitar
11. PICTURE Written by Eddie Vedder, Elton John, Andrew Watt Eddie Vedder: Vocals, Background Vocals Elton John: Vocals, Background Vocals, Piano Abe Laboriel Jr.: Drums, Percussion Andrew Watt: Bass, Guitar, Drums Benmont Tench: Hammond Organ
12. MRS. MILLS Written by Eddie Vedder, Andrew Watt, Josh Klinghoffer Eddie Vedder: Vocals, Piano Ringo Starr: Drums, Percussion Andrew Watt: Bass, Guitar Josh Klinghoffer: Keyboards
13. ON MY WAY Written by Eddie Vedder, Andrew Watt, Josh Klinghoffer Eddie Vedder: Vocals, Guitar, Percussion Edward Severson Jr.: Vocals Danny Long: Piano Andrew Watt: Guitar, Bass, Drum Machine, Keyboards Josh Klinghoffer: Keyboards
Produced by: Andrew Watt Lyrics by: Eddie Vedder Engineered by: Paul LaMalfa and Marco Sonzini Additional Engineer: John Burton Recorded and Tracked at: Gold Tooth Music (Los Angeles, CA) and Jump Site Studios (Seattle, WA) Mixed by: Serban Ghenea Mixed at: MixStar Studios (Virginia Beach, VA) Engineer for Mix: Bryce Bordone Mix Engineer for “Long Way” and “The Haves”: John Hanes Mix Assistant for “Long Way” and “The Haves”: Bryce Bordone Mastered by: Randy Merrill at Sterling Sound (Edgewater, NJ)
Strings and Horns arranged by David Campbell and Andrew Watt Conductor: David Campbell Orchestra Contractor: Suzie Katayama Orchestra Engineer: Steve Churchyard Orchestra Assistant Engineer: Scott Moore Music Preparation: Bettie Ross Violins: Alyssa Park (Concertmaster), Tammy Hatwan, Sara Parkins, Josefina Vergara Cellos: Jacob Braun (Principal), Paula Hochhalter Piccolo Trumpet: Thomas Hooten French Horn: Dylan Hart Flute: Steve Kujala Clarinet: Joshua Ranz
Album Concept by Jerome Turner Layout Design and Earthling Typeface by Jerome Turner and Joe Spix Photography by Danny Clinch All photos taken at Casa Batllo’ - Barcelona, Spain
Gave it a listen today. Made it two songs in. Immediately cancelling my vinyl preorder and possibly trading off my first press thingy. Won’t be listening to this ever again.
try again. start at track 4, skip tracks 7 and 11.
I honestly don’t know if I can put myself through it again, lol! It’s just so boring. Just emailed 10c to cancel my vinyl order. I’ll wait a few days and try to give it a start at track 4. Personally I’m just so meh towards him these days, feel like all the reasons I fell so hard into these guys in the early 90’s is gone and the new stuff just doesn’t rock at all- definitely not interested in Pearl Jam or Eddie leaning towards pop. If they don’t rock or lean alternative, I just can’t do it.
Invincible sounds like The Killers or some of those newer "making rock anthems" type bands. Unimaginative chorus that verge on cringy.
Good and Evil is fun.
Rose of Jericho too.
After listening to the full album i think Invincible and the first few track are really good, i like everything up to G & E and RoJ. Mrs Mills sounds like a Beatles song, the Elton track is too Eltony.Overall, Im happy Ive ordered this album but still prefer Water on the Road/Into the Wild music. I noticed this album and Flag Day are finally for sale in the PJ UK shop for £10.99 after Id found them both at a reasonable price on ebay a few weeks ago. Typical!
Funny to see so much negative feedback but hey can’t please everyone, especially old school pj fans I guess haha
I’m only 27 and have been a super fan since 17 so maybe I’m not so jaded about Eddie’s voice, or how it’s too soft sounding, or how it’s all over the place, or too poppy or whatever else.
To me it’s just a master class by an aged rocker who still has a lot to offer this world musically. His voice is still great to me, the lyrics are unbelievably refreshing to me, and the sound is both unique and new while also uniquely Eddie.
But then again Eddie and company are literally my childhood heroes, always will be. I love these men, I love their music, and I love this forum for allowing us fans to debate all this shit!!
So thank you PJ, thank you moderators and pj workers, and mostly.. thank you mr Eddie fucking Jerome vedder!!!
Hey man good to see another younger fan! Glad you like the album.
DC '03 - Reading '04 - Philly '05 - Camden 1 '06 - DC '06 - E. Rutherford '06 - The Vic '07 - Lollapalooza '07 - DC '08 - EV DC 1 & 2 '08 (Met Ed!!) - EV Baltimore 1 & 2 '09 - EV NYC 1 '11 (Met Ed!) - Hartford '13 - GCF '15 - MSG 2 '16 - TOTD MSG '16 - Boston 1 & 2 '18 - SHN '21 - EV NYC 1 & 2 '22 - MSG '22
I actually didn’t expect to like this because I didn’t like the singles and wasn’t all that into Into The Wild or Ukulele Songs anyway. But I really like it. Easily my favorite of the three Ed solo albums. I’m just not into a guy strumming his guitar (or for that matter, his ukulele) and singing. But this has some fun arrangements and instrumentations. And riffs for that matter. Pleasantly surprised.
Does anyone know who’s playing on the tracks with Ed? Is it his Earthlings band? I grabbed it on iTunes so I don’t have the liner notes.
Thank you!! Looks like it was Ed and Andrew, with lots of Josh and Chad. I bet it was fun for Chad to step outside the norm as well. The man seems to just love to drum. He’s my type of energy.
Probably nice for him to play with Josh again as well. Josh is just a super musician.
"...though my problems are meaningless....that don't make them go away...."
I’ve had multiple friends reach out to me yesterday telling me how much they enjoy the new EV album. These are all friends who have no interest in Pearl Jam. Earthling seems to be a hit with the “non PJ” crowd.
2010: Cleveland 2012: Atlanta 2013: London ONT / Wrigley Field / Pittsburgh / Buffalo / San Diego / Los Angeles I / Los Angeles II 2014: Cincinnati / St. Louis / Tulsa / Lincoln / Detroit / Denver 2015: New York City 2016: Ft. Lauderdale / Miami / Jacksonville / Greenville / Hampton / Columbia / Lexington / Philly II / New York City II / Toronto II / Bonnaroo / Telluride / Fenway I / Wrigley I / Wrigley - II / TOTD - Philadelphia, San Francisco 2017: Ohana Fest (EV) 2018: Amsterdam I / Amsterdam II / Seattle I / Seattle II / Boston I / Boston II 2021: Asbury Park / Ohana Encore 1 / Ohana Encore 2 2022: Phoenix / LA I / LA II / Quebec City / Ottawa / New York City / Camden / Nashville / St. Louis / Denver 2023: St. Paul II 2024: Las Vegas I / Las Vegas II / New York City I / New York City II / Philly I / Philly II / Baltimore
Funny to see so much negative feedback but hey can’t please everyone, especially old school pj fans I guess haha
I’m only 27 and have been a super fan since 17 so maybe I’m not so jaded about Eddie’s voice, or how it’s too soft sounding, or how it’s all over the place, or too poppy or whatever else.
To me it’s just a master class by an aged rocker who still has a lot to offer this world musically. His voice is still great to me, the lyrics are unbelievably refreshing to me, and the sound is both unique and new while also uniquely Eddie.
But then again Eddie and company are literally my childhood heroes, always will be. I love these men, I love their music, and I love this forum for allowing us fans to debate all this shit!!
So thank you PJ, thank you moderators and pj workers, and mostly.. thank you mr Eddie fucking Jerome vedder!!!
Hey man good to see another younger fan! Glad you like the album.
Funny to see so much negative feedback but hey can’t please everyone, especially old school pj fans I guess haha
I’m only 27 and have been a super fan since 17 so maybe I’m not so jaded about Eddie’s voice, or how it’s too soft sounding, or how it’s all over the place, or too poppy or whatever else.
To me it’s just a master class by an aged rocker who still has a lot to offer this world musically. His voice is still great to me, the lyrics are unbelievably refreshing to me, and the sound is both unique and new while also uniquely Eddie.
But then again Eddie and company are literally my childhood heroes, always will be. I love these men, I love their music, and I love this forum for allowing us fans to debate all this shit!!
So thank you PJ, thank you moderators and pj workers, and mostly.. thank you mr Eddie fucking Jerome vedder!!!
Agreed, great to see another young fan enjoying the album as much as I am. I’m 29, started with PJ in 2006 and started following shows in 2010 at 18
2010: Cleveland 2012: Atlanta 2013: London ONT / Wrigley Field / Pittsburgh / Buffalo / San Diego / Los Angeles I / Los Angeles II 2014: Cincinnati / St. Louis / Tulsa / Lincoln / Detroit / Denver 2015: New York City 2016: Ft. Lauderdale / Miami / Jacksonville / Greenville / Hampton / Columbia / Lexington / Philly II / New York City II / Toronto II / Bonnaroo / Telluride / Fenway I / Wrigley I / Wrigley - II / TOTD - Philadelphia, San Francisco 2017: Ohana Fest (EV) 2018: Amsterdam I / Amsterdam II / Seattle I / Seattle II / Boston I / Boston II 2021: Asbury Park / Ohana Encore 1 / Ohana Encore 2 2022: Phoenix / LA I / LA II / Quebec City / Ottawa / New York City / Camden / Nashville / St. Louis / Denver 2023: St. Paul II 2024: Las Vegas I / Las Vegas II / New York City I / New York City II / Philly I / Philly II / Baltimore
Just took a 40 min car ride Had a nice cappuccino was a lil jacked up on caffeine got really into the record, was great. Being at the 2nd Beacon show and seeing how good these sound live is affirming that this album is a gem in my eyes.
Ed can't sing like he used to, all of his Verses are mostly him just talking in a breathy voice, same on Gigaton, it's a little tired the Golden Baritone is long gone... Two packs of Cigarettes a day has taken it's toll...
Damn! Is he really smoking that much per day? Not to mention he probably drinks 2 full bottles of wine per show. Ugh....
As for my take on the album. Gave it a listen last night with my wife. We both kinda came away with the same opinion. A good song or two, Some decent songs, some cheesy songs, and some more cheesy songs.
It's just all over the place. Did they throw darts on a wall to determine the track listing??
Funny to see so much negative feedback but hey can’t please everyone, especially old school pj fans I guess haha
I’m only 27 and have been a super fan since 17 so maybe I’m not so jaded about Eddie’s voice, or how it’s too soft sounding, or how it’s all over the place, or too poppy or whatever else.
To me it’s just a master class by an aged rocker who still has a lot to offer this world musically. His voice is still great to me, the lyrics are unbelievably refreshing to me, and the sound is both unique and new while also uniquely Eddie.
But then again Eddie and company are literally my childhood heroes, always will be. I love these men, I love their music, and I love this forum for allowing us fans to debate all this shit!!
So thank you PJ, thank you moderators and pj workers, and mostly.. thank you mr Eddie fucking Jerome vedder!!!
Yep...the return of Jerome
Remember the Thomas Nine !! (10/02/2018) The Golden Age is 2 months away. And guess what….. you’re gonna love it! (teskeinc 11.19.24)
1998: Noblesville; 2003: Noblesville; 2009: EV Nashville, Chicago, Chicago 2010: St Louis, Columbus, Noblesville; 2011: EV Chicago, East Troy, East Troy 2013: London ON, Wrigley; 2014: Cincy, St Louis, Moline (NO CODE) 2016: Lexington, Wrigley #1; 2018: Wrigley, Wrigley, Boston, Boston 2020: Oakland, Oakland:2021: EV Ohana, Ohana, Ohana, Ohana 2022: Oakland, Oakland, Nashville, Louisville; 2023: Chicago, Chicago, Noblesville 2024: Noblesville, Wrigley, Wrigley, Ohana, Ohana; 2025: Pitt1, Pitt2
Comments
I dunno, the death of my brother elicits more feeling than that of friends... but whatEV, my attributions were from EV interviews, rather than the masses.
Regardless, the song is heart-wrenching with him searching "the sky for a glimpse of his blue eyes".
Full article at MOJO.
No promises even to yourself cannot be kept
Enlarge the hole in my heart, rising river in the dark
Erodes the shore 'til our shores were far apart
We know Comes Then Goes is about CC even though EV won’t claim it. I am seeing similar themes here. I feel like if it weren’t for the estate EV could be more honest but won’t get into that.
astoria 06
albany 06
hartford 06
reading 06
barcelona 06
paris 06
wembley 07
dusseldorf 07
nijmegen 07
this song is meant to be called i got shit,itshould be called i got shit tickets-hartford 06 -
2012 Missoula (9/30) 2013 Chicago (7/19) Pittsburgh (10/11) Buffalo (10/12) Baltimore (10/27) Dallas (11/15)
2014 Austin (10/12) Memphis (10/14) St. Paul (10/19) Milwaukee (10/20) Denver (10/22)
2016 Ft. Lauderdale (4/8) Miami (4/9) Hampton (4/18) Philly (4/28,4/29) NY (5/1,5/2) 2018 Seattle (8/10) Missoula (8/13) 2022 Nashville (9/16)
E.V. - 2008 Berkeley (4/8) 2012 Austin (11/9,11/12)
Temple of the Dog - 2016 Upper Darby
Melbourne #2 '03
Melbourne #3 '03
Melbourne #1 '06
Melbourne #3 '06
Melbourne '09
Melbourne '14
But then again Eddie and company are literally my childhood heroes, always will be. I love these men, I love their music, and I love this forum for allowing us fans to debate all this shit!!
So thank you PJ, thank you moderators and pj workers, and mostly.. thank you mr Eddie fucking Jerome vedder!!!
Written by Eddie Vedder,
Andrew Watt, Josh Klinghoffer
Eddie Vedder: Vocals, Background Vocals, Guitar, Keyboards
Chad Smith: Drums
Andrew Watt: Bass, Guitar, Keyboards
Josh Klinghoffer: Piano, Guitar,
Keyboards, Percussion
2. POWER OF RIGHT
Written by Eddie Vedder,
Andrew Watt, Josh Klinghoffer
Eddie Vedder: Vocals
Chad Smith: Drums
Andrew Watt: Bass, Guitar
Josh Klinghoffer: Bass, Piano,
Guitar, Percussion
3. LONG WAY
Written by Eddie Vedder, Andrew Watt, Josh Klinghoffer, Chad Smith
Eddie Vedder: Vocals,
Background Vocals, Guitar
Harper Vedder: Background Vocals
Chad Smith: Drums, Percussion
Andrew Watt: Bass, Guitar,
Background Vocals
Josh Klinghoffer: Piano, Keyboards, Guitar
Benmont Tench: Hammond Organ
4. BROTHER THE CLOUD
Written by Eddie Vedder, Andrew Watt, Josh Klinghoffer, Chad Smith
Eddie Vedder: Vocals, Background Vocals
Chad Smith: Drums
Andrew Watt: Bass, Guitar,
Background Vocals
Josh Klinghoffer: Guitar
5. FALLOUT TODAY
Written by Eddie Vedder, Andrew Watt,
Josh Klinghoffer, Chad Smith
Eddie Vedder: Vocals, Guitar
Chad Smith: Drums, Percussion
Andrew Watt: Bass, Guitar,
Background Vocals
Josh Klinghoffer: Piano, Organ, Guitar, Background Vocals
6. THE DARK
Written by Eddie Vedder, Andrew Watt,
Josh Klinghoffer, Chad Smith
Eddie Vedder: Vocals,
Background Vocals, Guitar
Chad Smith: Drums
Andrew Watt: Bass, Guitar, Percussion, Background Vocals
Josh Klinghoffer: Piano, Keyboards
7. THE HAVES
Written by Eddie Vedder,
Andrew Watt, Josh Klinghoffer
Eddie Vedder: Vocals, Drums
Andrew Watt: Bass, Guitar, Percussion
Josh Klinghoffer: Piano, Guitar, Keyboards
8. GOOD AND EvIL
Written by Eddie Vedder, Andrew Watt,
Josh Klinghoffer, Chad Smith
Eddie Vedder: Vocals, Ukelin
Chad Smith: Drums
Andrew Watt: Guitar
Josh Klinghoffer: Bass, Keyboards
9. ROSE OF JERICHO
Written by Eddie Vedder, Andrew Watt,
Josh Klinghoffer, Chad Smith
Eddie Vedder: Vocals, Background Vocals
Chad Smith: Drums
Andrew Watt: Bass
Josh Klinghoffer: Piano, Guitar,
Keyboards, Percussion
10. TRY
Written by Eddie Vedder, Andrew Watt,
Josh Klinghoffer, Chad Smith
Eddie Vedder: Vocals,
Background Vocals, Guitar
Stevie Wonder: Harmonica
Olivia Vedder: Background Vocals
Chad Smith: Drums
Andrew Watt: Bass, Percussion,
Background Vocals
Josh Klinghoffer: Guitar
11. PICTURE
Written by Eddie Vedder,
Elton John, Andrew Watt
Eddie Vedder: Vocals, Background Vocals
Elton John: Vocals,
Background Vocals, Piano
Abe Laboriel Jr.: Drums, Percussion
Andrew Watt: Bass, Guitar, Drums
Benmont Tench: Hammond Organ
12. MRS. MILLS
Written by Eddie Vedder,
Andrew Watt, Josh Klinghoffer
Eddie Vedder: Vocals, Piano
Ringo Starr: Drums, Percussion
Andrew Watt: Bass, Guitar
Josh Klinghoffer: Keyboards
13. ON MY WAY
Written by Eddie Vedder,
Andrew Watt, Josh Klinghoffer
Eddie Vedder: Vocals, Guitar, Percussion
Edward Severson Jr.: Vocals
Danny Long: Piano
Andrew Watt: Guitar, Bass,
Drum Machine, Keyboards
Josh Klinghoffer: Keyboards
Produced by: Andrew Watt
Lyrics by: Eddie Vedder
Engineered by: Paul LaMalfa and Marco Sonzini
Additional Engineer: John Burton
Recorded and Tracked at: Gold Tooth Music (Los Angeles, CA)
and Jump Site Studios (Seattle, WA)
Mixed by: Serban Ghenea
Mixed at: MixStar Studios (Virginia Beach, VA)
Engineer for Mix: Bryce Bordone
Mix Engineer for “Long Way” and “The Haves”: John Hanes
Mix Assistant for “Long Way” and “The Haves”: Bryce Bordone
Mastered by: Randy Merrill at Sterling Sound (Edgewater, NJ)
Strings and Horns arranged by David Campbell and Andrew Watt
Conductor: David Campbell
Orchestra Contractor: Suzie Katayama
Orchestra Engineer: Steve Churchyard
Orchestra Assistant Engineer: Scott Moore
Music Preparation: Bettie Ross
Violins: Alyssa Park (Concertmaster), Tammy Hatwan, Sara Parkins, Josefina Vergara
Cellos: Jacob Braun (Principal), Paula Hochhalter
Piccolo Trumpet: Thomas Hooten
French Horn: Dylan Hart
Flute: Steve Kujala
Clarinet: Joshua Ranz
Album Concept by Jerome Turner
Layout Design and Earthling Typeface by Jerome Turner and Joe Spix
Photography by Danny Clinch
All photos taken at Casa Batllo’ - Barcelona, Spain
Fellow Earthlings..., as always,
Thank YOU.
Probably nice for him to play with Josh again as well. Josh is just a super musician.
2012: Atlanta
2013: London ONT / Wrigley Field / Pittsburgh / Buffalo / San Diego / Los Angeles I / Los Angeles II
2014: Cincinnati / St. Louis / Tulsa / Lincoln / Detroit / Denver
2015: New York City
2016: Ft. Lauderdale / Miami / Jacksonville / Greenville / Hampton / Columbia / Lexington / Philly II / New York City II / Toronto II / Bonnaroo / Telluride / Fenway I / Wrigley I / Wrigley - II / TOTD - Philadelphia, San Francisco
2017: Ohana Fest (EV)
2018: Amsterdam I / Amsterdam II / Seattle I / Seattle II / Boston I / Boston II
2021: Asbury Park / Ohana Encore 1 / Ohana Encore 2
2022: Phoenix / LA I / LA II / Quebec City / Ottawa / New York City / Camden / Nashville / St. Louis / Denver
2023: St. Paul II
2024: Las Vegas I / Las Vegas II / New York City I / New York City II / Philly I / Philly II / Baltimore
2012: Atlanta
2013: London ONT / Wrigley Field / Pittsburgh / Buffalo / San Diego / Los Angeles I / Los Angeles II
2014: Cincinnati / St. Louis / Tulsa / Lincoln / Detroit / Denver
2015: New York City
2016: Ft. Lauderdale / Miami / Jacksonville / Greenville / Hampton / Columbia / Lexington / Philly II / New York City II / Toronto II / Bonnaroo / Telluride / Fenway I / Wrigley I / Wrigley - II / TOTD - Philadelphia, San Francisco
2017: Ohana Fest (EV)
2018: Amsterdam I / Amsterdam II / Seattle I / Seattle II / Boston I / Boston II
2021: Asbury Park / Ohana Encore 1 / Ohana Encore 2
2022: Phoenix / LA I / LA II / Quebec City / Ottawa / New York City / Camden / Nashville / St. Louis / Denver
2023: St. Paul II
2024: Las Vegas I / Las Vegas II / New York City I / New York City II / Philly I / Philly II / Baltimore
Had a nice cappuccino
was a lil jacked up on caffeine
got really into the record, was great. Being at the 2nd Beacon show and seeing how good these sound live is affirming that this album is a gem in my eyes.
astoria 06
albany 06
hartford 06
reading 06
barcelona 06
paris 06
wembley 07
dusseldorf 07
nijmegen 07
this song is meant to be called i got shit,itshould be called i got shit tickets-hartford 06 -
As for my take on the album. Gave it a listen last night with my wife. We both kinda came away with the same opinion. A good song or two, Some decent songs, some cheesy songs, and some more cheesy songs.
It's just all over the place. Did they throw darts on a wall to determine the track listing??
The Golden Age is 2 months away. And guess what….. you’re gonna love it! (teskeinc 11.19.24)
1998: Noblesville; 2003: Noblesville; 2009: EV Nashville, Chicago, Chicago
2010: St Louis, Columbus, Noblesville; 2011: EV Chicago, East Troy, East Troy
2013: London ON, Wrigley; 2014: Cincy, St Louis, Moline (NO CODE)
2016: Lexington, Wrigley #1; 2018: Wrigley, Wrigley, Boston, Boston
2020: Oakland, Oakland: 2021: EV Ohana, Ohana, Ohana, Ohana
2022: Oakland, Oakland, Nashville, Louisville; 2023: Chicago, Chicago, Noblesville
2024: Noblesville, Wrigley, Wrigley, Ohana, Ohana; 2025: Pitt1, Pitt2