2024 Tour Merch Thread-Any Info or Pictures to share
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KM73780 said:People seem to want the posters to say “Pearl Jam” clearly, and if it’s difficult to tell what band it’s for, they seem to like it less.My Pearl Jam Road: 10/22/90 Seattle | 12/22/90 Seattle, Moore Theater | 9/29/92 Seattle, Magnusson Park, Drop in the Park | 9/5/93 The Gorge, with Neil Young and Blind Melon | 7/20/06 Portland, Arlene Schnitzer Concert Hall with Sleater-Kinney | 7/22/06 The Gorge, 10/21/06 Mountain View, Shoreline Ampitheatre, Bridge School Benefit | 9/21/09 Seattle | 9/22/09 Seattle | 9/26/09 Portland, OR | 7/14/2011 Eddie Vedder, Portland, OR | 11/29/13 Portland, OR0
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motleygunner said: Ibradklausen said:on2legs said:Artists want and need people to flip their posters. It’s a market force that drives a poster to sell out a moment after it goes on sale.
as an artist I do not want people to flip my posters nor need them to... as much as fans may not like flippers, the fan is merely missing out on not being able to acquire a work of art they would like to own or forced to pay more then it was originally... as an artist, the flipper is making money off my work that they had no part in and deserve no amount of money from work they had nothing to do with.
As artists we often get used all the time.... we get hired on the basis of "this will be good exposure for you, look good in your portfolio, so we don't have to pay you very much or at all" and / or "theres's a line of people behind you who will do it for free, so take it or leave it".... we pour our creativity, time and energy into work and believe it or not, in the big internationally famous spectacle of the music industry, artists often don't get paid great... ask any major band how they feel about how little they get paid from streaming services... before that it was how badly music artists get screwed by record labels (i too think ticket sales have become ridiculous but bands are losing avenues to make money, so I can understand it partially).... like all aspects the 1% of artists are the multi millionaires, be they musician or artist or actor or any medium,.. people see the top and assume it's that way for all... it's not.. there's a reason why there's the cliche about "the starving artist"...
so when some random dude gets to profit $100-300 bucks off flipping one of my posters, they are a leech, slithering up after all the work has been done, contributing zero in any shape or form to the piece of art that was made, and THEY get to make money.......???? It's not a lot of money, a few hundred bucks here and there but no one except the artist should be able to profit at ALL... so on top of pouring your heart and soul into your work and 8 out of 10 times not getting remotely compensated fairly for your time and energy, some other jack asses are making money off your work on the side?? gtfoh
I don't want that... not only that, flippers add more of a headache to my job.... on top of the job i was hired to do, creating the artwork for weeks, before i get paid, I then have to sell my posters... I have to become customer service, the mail room staff, the store manager, and then I have to now police and look for flippers and then field emails from people complaining about flippers or crying about how they are not a flipper after I refund their order... so for being hired to make art for a poster, it also comes with a side dish of handling unnecessary drama from grown adults.
And it's not market force that drives a poster to sell out a moment after it goes on sale.... it's the quality of the work and if it resonates with fans.I know this because I've had posters sell out in a moment and posters that are still in my flat file drawers years and years later. Sure some buy them because they know they can flip it immediately and make a couple hundred bucks right away but most people are not flippers. The extremes, in probably almost everything, are not the standard. Most people just want the poster. And that too is why they sell out in a moment after they go on sale... you at times have thousands of people all vying for 100 - 200 of the same thing... people from all over the world all black fridaying a website looking for a known limited item at exactly the same time.
I partially apologize for the rant, I've been packing posters this weekend and the flipper thing is fresh on my brain and irritation as it just causes me more work and more headache... and this post caught the raw end of that irritation....
the sad reality: flipping is an ever present never going away aspect of this interest / passion / hobby we all love... until we solve the whole no longer interested in greed as a species, flipping will always be here and a part of this as it has been the whole time. It's the same conversation / complaints about flippers every time, year after year... they are not going away today or tomorrow or next year or ever.
I have several of your signed prints on my wall and they will never be sold.
I am about as far from a "crypto bro" as there is out there, but one aspect of that digital art world that I find pretty interesting is the artist often gets a built in royalty any time a piece of their digital art on the blockchain is bought or sold. Whenever you hear about these picture of apes or whatever being sold for a ridiculous amount of money, it is hardwired in to the smart contract that the creator of it gets anywhere from 5-10% (whatever they set it up at when creating it) of the transaction automatically moved to their linked crypto wallet without having to depend on any sort of human intervention, etc. It just happens instantly.
Have you ever considered doing NFT's of your work? I don't play in that world, I am just curious.My Pearl Jam Road: 10/22/90 Seattle | 12/22/90 Seattle, Moore Theater | 9/29/92 Seattle, Magnusson Park, Drop in the Park | 9/5/93 The Gorge, with Neil Young and Blind Melon | 7/20/06 Portland, Arlene Schnitzer Concert Hall with Sleater-Kinney | 7/22/06 The Gorge, 10/21/06 Mountain View, Shoreline Ampitheatre, Bridge School Benefit | 9/21/09 Seattle | 9/22/09 Seattle | 9/26/09 Portland, OR | 7/14/2011 Eddie Vedder, Portland, OR | 11/29/13 Portland, OR0 -
I received my Buhler Seattle AP today in a crushed tube which resulted in creases on the poster.
I emailed the artist and waiting to hear back.
Did anybody else experience this with their Buhler AP? If so, any response from the artist?
Seems like a thin/flimsy tube it was shipped in, so wouldn't be surprised if others arrived damaged.
Cheers!0 -
bicyclejoe said:motleygunner said: Ibradklausen said:on2legs said:Artists want and need people to flip their posters. It’s a market force that drives a poster to sell out a moment after it goes on sale.
as an artist I do not want people to flip my posters nor need them to... as much as fans may not like flippers, the fan is merely missing out on not being able to acquire a work of art they would like to own or forced to pay more then it was originally... as an artist, the flipper is making money off my work that they had no part in and deserve no amount of money from work they had nothing to do with.
As artists we often get used all the time.... we get hired on the basis of "this will be good exposure for you, look good in your portfolio, so we don't have to pay you very much or at all" and / or "theres's a line of people behind you who will do it for free, so take it or leave it".... we pour our creativity, time and energy into work and believe it or not, in the big internationally famous spectacle of the music industry, artists often don't get paid great... ask any major band how they feel about how little they get paid from streaming services... before that it was how badly music artists get screwed by record labels (i too think ticket sales have become ridiculous but bands are losing avenues to make money, so I can understand it partially).... like all aspects the 1% of artists are the multi millionaires, be they musician or artist or actor or any medium,.. people see the top and assume it's that way for all... it's not.. there's a reason why there's the cliche about "the starving artist"...
so when some random dude gets to profit $100-300 bucks off flipping one of my posters, they are a leech, slithering up after all the work has been done, contributing zero in any shape or form to the piece of art that was made, and THEY get to make money.......???? It's not a lot of money, a few hundred bucks here and there but no one except the artist should be able to profit at ALL... so on top of pouring your heart and soul into your work and 8 out of 10 times not getting remotely compensated fairly for your time and energy, some other jack asses are making money off your work on the side?? gtfoh
I don't want that... not only that, flippers add more of a headache to my job.... on top of the job i was hired to do, creating the artwork for weeks, before i get paid, I then have to sell my posters... I have to become customer service, the mail room staff, the store manager, and then I have to now police and look for flippers and then field emails from people complaining about flippers or crying about how they are not a flipper after I refund their order... so for being hired to make art for a poster, it also comes with a side dish of handling unnecessary drama from grown adults.
And it's not market force that drives a poster to sell out a moment after it goes on sale.... it's the quality of the work and if it resonates with fans.I know this because I've had posters sell out in a moment and posters that are still in my flat file drawers years and years later. Sure some buy them because they know they can flip it immediately and make a couple hundred bucks right away but most people are not flippers. The extremes, in probably almost everything, are not the standard. Most people just want the poster. And that too is why they sell out in a moment after they go on sale... you at times have thousands of people all vying for 100 - 200 of the same thing... people from all over the world all black fridaying a website looking for a known limited item at exactly the same time.
I partially apologize for the rant, I've been packing posters this weekend and the flipper thing is fresh on my brain and irritation as it just causes me more work and more headache... and this post caught the raw end of that irritation....
the sad reality: flipping is an ever present never going away aspect of this interest / passion / hobby we all love... until we solve the whole no longer interested in greed as a species, flipping will always be here and a part of this as it has been the whole time. It's the same conversation / complaints about flippers every time, year after year... they are not going away today or tomorrow or next year or ever.
I have several of your signed prints on my wall and they will never be sold.
I am about as far from a "crypto bro" as there is out there, but one aspect of that digital art world that I find pretty interesting is the artist often gets a built in royalty any time a piece of their digital art on the blockchain is bought or sold. Whenever you hear about these picture of apes or whatever being sold for a ridiculous amount of money, it is hardwired in to the smart contract that the creator of it gets anywhere from 5-10% (whatever they set it up at when creating it) of the transaction automatically moved to their linked crypto wallet without having to depend on any sort of human intervention, etc. It just happens instantly.
Have you ever considered doing NFT's of your work? I don't play in that world, I am just curious.0 -
InHiding406 said:bradklausen said:the supply and demand aspect.... you'll never know the full demand... you could say the band could take pre orders but then what about all the people who aren't part of the ten club, who just show up to the concert and walk past the merch tables and go "on hey cool poster, I am going to buy one"... so if you only print enough for those who pre ordered them, the band misses out on possible sales from any one who didn't pre order and the fan who didn't know they had to pre order one misses out... and the pre order would most likely be done without getting to see the poster first hand, so if you pre-ordered and got a design you truly did not like, you'd be mad you paid for it.
if you print say 10,000... what if the design doesn't resonate with people and they don't sell well, then you are stuck with and paid for posters you can't sell. There's stacks of old posters that didn't sell well at the ten club warehouse, same for all bands who make posters as merch... most certainly stacks of old posters that didn't sell well in phish's warehouse or dmb's warehouse
if you charge more, you might price out flippers but then you also price out everyone else... I know this first hand as this is what I did with the 2005 South America poster... I made them $300 to deter flippers, and I deterred regular people too.. for years... then I had posters that were not selling and later I'd drop the price of that poster twice throughout the years just to try and get them out of my flat files.
the posters are a crap shoot... you never know exactly how they will sell... I was super stoked on my 3 2022 poster set, very proud of the illustrations and couldn't wait for the fans to see them... I still have a stack of Werchter and Amsterdam posters... I've had PJ posters not sell out before, but not to the level those two posters did not sell out. You just never know... so how do you plan in advance for an unknown outcome? Jeff is an artist and likes all kinds of different art and artists, he might love what an artist submits for their design and think it is killer, doesn't mean you all will...
art is subjective right... we all have our own tastes... so you just don't know what the demand will be... you don't know who will impulsively buy the poster upon walking past it at the show.
Every pj poster sale I am never entirely sure how it will go... I see these other new artists come in and charge more and they sell all their prints, so I think I should raise my prices... I raise a price of a poster and it doesn't sell as well... so next sale I think "I over charged and left money on the table", so the sale after that one I undercharge and it sells out immediately and I think "I charged too little and left money on the table"... the napa poster for example, other artists were charging $120.. I charged $100... sold out in a minute...and I thought I shoulda sold them for $120.. I could have charged $150 and I am pretty sure they would still have sold out just as quick... if I had charged $150 that would have made me 10k more (before taxes) and as a feast or famine starving artist that's a lot to leave on the table and to not have to pay my mortgage and buy food and pay bills for a few more months... point being every pj poster I do I am never 100% sure how you all will respond... I have designs I have done for pj and other bands that I think are the best thing I have ever done... and they don't sell well... sometimes I think i have my finger on the pulse of the pj poster fan / collector community and sometimes I am right and sometimes I am wrong....
it's all a crap shoot... unless the design is right out the gate stunning and mind blowing and done by a big name artist, you just don't know how people are going to react
as I mentioned, there is no solution, solutions have been tried and people get around the solutions... it's greed and making a quick buck, so until we fix that aspect of human nature, it's never going away.
While I have never and would never flipped merch or invested in art with the objective of making a profit, I have a hard time vilifying those who do (as long as they are operating within the law, paying taxes on their profits, and following the same rules as everyone else). Someone who can identify an undervalued company/stock is a genius and as a result turn a profit is a smart investor, but someone who does the same with art is a villain? Doesn’t sit right with me. I think the emotional nature of art & fandom and the relationship to the music make this very complicated (everyone - for the most part - can access PJ’s music (recorded anyway) as equals, but we can’t all have posters…how is that fair?? (rhetorical question to be clear))
Your stock analogy I don't think is a fair comparison, and I am no stock trader, but as far as I am aware you purchasing a stock is not making it so someone else cannot purchase the same stock, and then you are not reselling that stock to the person who was unable to get it.
A more accurate analogy to art collecting and stock trading would be investing in an undervalued company/stock (you don't invest in the undervalued company then sell it right away, you have to wait for the undervalued company to grow) and sitting on it for years until a decade or three later that stock has become more valuable and you sell the stock and make a profit... people invest in art like this all the time, you buy art you like or know will have value later, then 5, 10, 50 years later you could have a million dollar painting. Investing in art or stocks I don't see as being equivalent to buying something knowing you can sell it to the people in line behind you who missed out on buying it because you bought multiples to resell. If you bought an undervalued stock then resold it immediately, you would not be considered a genius, you'd be considered an impatient fool.
as far as fairness... if you went to a pearl jam concert and went to the concessions and they sold out of the beer you like, and everyone else got the beer you like, you could say "that's not fair"... but you'd probably realize sometimes things run out before you are able to buy them if they are in a limited quantity and lots of people in the same place you do like the same beer you do, gnome sayin... nothing in this life on this rock hurtling through the vast cosmos is fair.. fairness is something we as a species try and cultivate and grant towards one another but life is not fair.. ask the gazelle running from the lion who can't run as fast as the others because they were born with slightly shorter legs about fairness! ask the person who doesn't get the poster but the flipper does... ask the artist who makes $100 per poster and even keeps the price down a little cause they are thinking about the customer while the flipper makes $400 who is thinking about how they can milk more money out of the customer... fairness is a gift we offer one another and everyone gives differently
I need to learn to be more concise!
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bicyclejoe said:motleygunner said: Ibradklausen said:on2legs said:Artists want and need people to flip their posters. It’s a market force that drives a poster to sell out a moment after it goes on sale.
as an artist I do not want people to flip my posters nor need them to... as much as fans may not like flippers, the fan is merely missing out on not being able to acquire a work of art they would like to own or forced to pay more then it was originally... as an artist, the flipper is making money off my work that they had no part in and deserve no amount of money from work they had nothing to do with.
As artists we often get used all the time.... we get hired on the basis of "this will be good exposure for you, look good in your portfolio, so we don't have to pay you very much or at all" and / or "theres's a line of people behind you who will do it for free, so take it or leave it".... we pour our creativity, time and energy into work and believe it or not, in the big internationally famous spectacle of the music industry, artists often don't get paid great... ask any major band how they feel about how little they get paid from streaming services... before that it was how badly music artists get screwed by record labels (i too think ticket sales have become ridiculous but bands are losing avenues to make money, so I can understand it partially).... like all aspects the 1% of artists are the multi millionaires, be they musician or artist or actor or any medium,.. people see the top and assume it's that way for all... it's not.. there's a reason why there's the cliche about "the starving artist"...
so when some random dude gets to profit $100-300 bucks off flipping one of my posters, they are a leech, slithering up after all the work has been done, contributing zero in any shape or form to the piece of art that was made, and THEY get to make money.......???? It's not a lot of money, a few hundred bucks here and there but no one except the artist should be able to profit at ALL... so on top of pouring your heart and soul into your work and 8 out of 10 times not getting remotely compensated fairly for your time and energy, some other jack asses are making money off your work on the side?? gtfoh
I don't want that... not only that, flippers add more of a headache to my job.... on top of the job i was hired to do, creating the artwork for weeks, before i get paid, I then have to sell my posters... I have to become customer service, the mail room staff, the store manager, and then I have to now police and look for flippers and then field emails from people complaining about flippers or crying about how they are not a flipper after I refund their order... so for being hired to make art for a poster, it also comes with a side dish of handling unnecessary drama from grown adults.
And it's not market force that drives a poster to sell out a moment after it goes on sale.... it's the quality of the work and if it resonates with fans.I know this because I've had posters sell out in a moment and posters that are still in my flat file drawers years and years later. Sure some buy them because they know they can flip it immediately and make a couple hundred bucks right away but most people are not flippers. The extremes, in probably almost everything, are not the standard. Most people just want the poster. And that too is why they sell out in a moment after they go on sale... you at times have thousands of people all vying for 100 - 200 of the same thing... people from all over the world all black fridaying a website looking for a known limited item at exactly the same time.
I partially apologize for the rant, I've been packing posters this weekend and the flipper thing is fresh on my brain and irritation as it just causes me more work and more headache... and this post caught the raw end of that irritation....
the sad reality: flipping is an ever present never going away aspect of this interest / passion / hobby we all love... until we solve the whole no longer interested in greed as a species, flipping will always be here and a part of this as it has been the whole time. It's the same conversation / complaints about flippers every time, year after year... they are not going away today or tomorrow or next year or ever.
I have several of your signed prints on my wall and they will never be sold.
I am about as far from a "crypto bro" as there is out there, but one aspect of that digital art world that I find pretty interesting is the artist often gets a built in royalty any time a piece of their digital art on the blockchain is bought or sold. Whenever you hear about these picture of apes or whatever being sold for a ridiculous amount of money, it is hardwired in to the smart contract that the creator of it gets anywhere from 5-10% (whatever they set it up at when creating it) of the transaction automatically moved to their linked crypto wallet without having to depend on any sort of human intervention, etc. It just happens instantly.
Have you ever considered doing NFT's of your work? I don't play in that world, I am just curious.0 -
I’m not sure buying and selling a poster is quite the same as hoarding food from a food bank and selling it to hungry people.1996: Randall's Island 2 1998: East Rutherford | MSG 1 & 2 2000: Cincinnati | Columbus | Jones Beach 1, 2, & 3 | Boston 1 | Camden 1 & 2 2003: Philadelphia | Uniondale | MSG 1 & 2 | Holmdel 2005: Atlantic City 1 2006: Camden 1 | East Rutherford 1 & 2 2008: Camden 1 & 2 | MSG 1 & 2 (#25) | Newark (EV) 2009: Philadelphia 1, 2 & 4 2010: Newark | MSG 1 & 2 2011: Toronto 1 2013: Wrigley Field | Brooklyn 2 | Philadelphia 1 & 2 | Baltimore 2015: Central Park 2016: Philadelphia 1 & 2 | MSG 1 & 2 | Fenway Park 2 | MSG (TOTD) 2017: Brooklyn (RnR HOF) 2020: MSG | Asbury Park 2021: Asbury Park 2022: MSG | Camden | Nashville 2024: MSG 1 & 2 (#50) | Philadelphia 1 & 2 | Baltimore 2025: Raleigh0
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on2legs said:I’m not sure buying and selling a poster is quite the same as hoarding food from a food bank and selling it to hungry people.
to me it seems the same... interchange food and food bank with any other limited good or commodity
didn't people do this during covid with toilet paper? took more then they needed knowing they could resell it to people who didn't get any at a marked up price... if you are taking more then your share of a limited item with the intention of reselling it to the same people you took the opportunity away from to get one normally, it's the same if it's posters or food or toilet paper or whatever
i dunno seems the same to me0 -
Love seeing you on the board Brad Klausen. Keep up the great work on the posters.2000 - Chicago, IL
2003 - Champaign, IL
2006 - Chicago, IL 1 & 2
2007 - Chicago, IL Lollapalooza
2009 - Chicago, IL 1 & 2
2010 - St. Louis, MO
2011 - East Troy, WI 1 & 2 (PJ20 Destination Weekend)
2012 - Atlanta, GA, Missoula, MT
2013 - Chicago, IL (Wrigley Field), Dallas, TX, Oklahoma City, OK
2014 - St. Louis, MO, Tulsa, OK, Moline, IL (No Code, IL), Saint Paul, MN, Milwaukee, WI (Yield, WI)
2016 - Greenville, SC (Vs, SC), Raleigh, NC, Columbia, SC, Boston, MA (Fenway Park 1), Chicago, IL (Wrigley Field 1 & 2)2018 - Seattle, WA (Safeco Field 2), Chicago, IL (Wrigley Field 1 & 2), Boston, MA (Fenway Park 2)2020 - Nashville, TN, St. Louis, MO, Oklahoma City, OK, Phoenix, AZ, ??
2022 - Nashville, TN, St. Louis, MO, Oklahoma City, OK, Phoenix, AZ, Las Vegas, NV
2023 - St. Paul, MN 2, Fort Worth, TX 2, Austin, TX 1, and Austin, TX 22024 - Portland, OR and Chicago, IL (Wrigley Field 1 & 2)2025 - Pittsburgh, PA1 & Pittsburgh PA22012 - Temple of the Dog East Troy, WI (PJ20 Destination Weekend)
2014 - Soundgarden Tinley Park, IL (with Nine Inch Nails)2014 - Alice in Chains Davenport, IA2016 - Chris Cornell Solo Madison, WI and Peoria, IL (official hometown show)2016 - Temple of the Dog San Francisco, CA (both shows)
2017 - Soundgarden Dallas (cancelled) RIP Chris Cornell2018 - Smashing Pumpkins Chicago, IL (first show)2019 - Alice in Chains Milwaukee, WI2022 - Jerry Cantrell Chicago, IL
2023 - Jerry Cantrell Milwaukee, WIRIP Andrew Wood, Kurt Cobain, Layne Staley, and Chris CornellRIP Mom (may your star shine the brightest in the sky, our family loves and misses you very much, we'll meet again)0 -
I think the ethics of buying a poster for the purpose of selling it for a profit is a topic that you provided a lot of insight to today from the artists point of view. It was a really good conversation. But I’m going to disagree with the food bank analogy. Posters aren’t a necessity like food and toilet paper.1996: Randall's Island 2 1998: East Rutherford | MSG 1 & 2 2000: Cincinnati | Columbus | Jones Beach 1, 2, & 3 | Boston 1 | Camden 1 & 2 2003: Philadelphia | Uniondale | MSG 1 & 2 | Holmdel 2005: Atlantic City 1 2006: Camden 1 | East Rutherford 1 & 2 2008: Camden 1 & 2 | MSG 1 & 2 (#25) | Newark (EV) 2009: Philadelphia 1, 2 & 4 2010: Newark | MSG 1 & 2 2011: Toronto 1 2013: Wrigley Field | Brooklyn 2 | Philadelphia 1 & 2 | Baltimore 2015: Central Park 2016: Philadelphia 1 & 2 | MSG 1 & 2 | Fenway Park 2 | MSG (TOTD) 2017: Brooklyn (RnR HOF) 2020: MSG | Asbury Park 2021: Asbury Park 2022: MSG | Camden | Nashville 2024: MSG 1 & 2 (#50) | Philadelphia 1 & 2 | Baltimore 2025: Raleigh0
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'Fair is foul and foul is fair'
Got ur poster from 10 club sale bk. Ultrahot and definitely appreciate your perspective.
I do wish that bands would pay the artist too. Even if it was only a percentage of the poster sales. I'm glad this poster worked out for you.
Enjoying the fresh poster scent filling my room.
Way to go!
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Received the Napa poster today too. Love it! Just gotta figure out how I’m gonna frame it.0
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bradklausen said:InHiding406 said:bradklausen said:the supply and demand aspect.... you'll never know the full demand... you could say the band could take pre orders but then what about all the people who aren't part of the ten club, who just show up to the concert and walk past the merch tables and go "on hey cool poster, I am going to buy one"... so if you only print enough for those who pre ordered them, the band misses out on possible sales from any one who didn't pre order and the fan who didn't know they had to pre order one misses out... and the pre order would most likely be done without getting to see the poster first hand, so if you pre-ordered and got a design you truly did not like, you'd be mad you paid for it.
if you print say 10,000... what if the design doesn't resonate with people and they don't sell well, then you are stuck with and paid for posters you can't sell. There's stacks of old posters that didn't sell well at the ten club warehouse, same for all bands who make posters as merch... most certainly stacks of old posters that didn't sell well in phish's warehouse or dmb's warehouse
if you charge more, you might price out flippers but then you also price out everyone else... I know this first hand as this is what I did with the 2005 South America poster... I made them $300 to deter flippers, and I deterred regular people too.. for years... then I had posters that were not selling and later I'd drop the price of that poster twice throughout the years just to try and get them out of my flat files.
the posters are a crap shoot... you never know exactly how they will sell... I was super stoked on my 3 2022 poster set, very proud of the illustrations and couldn't wait for the fans to see them... I still have a stack of Werchter and Amsterdam posters... I've had PJ posters not sell out before, but not to the level those two posters did not sell out. You just never know... so how do you plan in advance for an unknown outcome? Jeff is an artist and likes all kinds of different art and artists, he might love what an artist submits for their design and think it is killer, doesn't mean you all will...
art is subjective right... we all have our own tastes... so you just don't know what the demand will be... you don't know who will impulsively buy the poster upon walking past it at the show.
Every pj poster sale I am never entirely sure how it will go... I see these other new artists come in and charge more and they sell all their prints, so I think I should raise my prices... I raise a price of a poster and it doesn't sell as well... so next sale I think "I over charged and left money on the table", so the sale after that one I undercharge and it sells out immediately and I think "I charged too little and left money on the table"... the napa poster for example, other artists were charging $120.. I charged $100... sold out in a minute...and I thought I shoulda sold them for $120.. I could have charged $150 and I am pretty sure they would still have sold out just as quick... if I had charged $150 that would have made me 10k more (before taxes) and as a feast or famine starving artist that's a lot to leave on the table and to not have to pay my mortgage and buy food and pay bills for a few more months... point being every pj poster I do I am never 100% sure how you all will respond... I have designs I have done for pj and other bands that I think are the best thing I have ever done... and they don't sell well... sometimes I think i have my finger on the pulse of the pj poster fan / collector community and sometimes I am right and sometimes I am wrong....
it's all a crap shoot... unless the design is right out the gate stunning and mind blowing and done by a big name artist, you just don't know how people are going to react
as I mentioned, there is no solution, solutions have been tried and people get around the solutions... it's greed and making a quick buck, so until we fix that aspect of human nature, it's never going away.
While I have never and would never flipped merch or invested in art with the objective of making a profit, I have a hard time vilifying those who do (as long as they are operating within the law, paying taxes on their profits, and following the same rules as everyone else). Someone who can identify an undervalued company/stock is a genius and as a result turn a profit is a smart investor, but someone who does the same with art is a villain? Doesn’t sit right with me. I think the emotional nature of art & fandom and the relationship to the music make this very complicated (everyone - for the most part - can access PJ’s music (recorded anyway) as equals, but we can’t all have posters…how is that fair?? (rhetorical question to be clear))
Your stock analogy I don't think is a fair comparison, and I am no stock trader, but as far as I am aware you purchasing a stock is not making it so someone else cannot purchase the same stock, and then you are not reselling that stock to the person who was unable to get it.
A more accurate analogy to art collecting and stock trading would be investing in an undervalued company/stock (you don't invest in the undervalued company then sell it right away, you have to wait for the undervalued company to grow) and sitting on it for years until a decade or three later that stock has become more valuable and you sell the stock and make a profit... people invest in art like this all the time, you buy art you like or know will have value later, then 5, 10, 50 years later you could have a million dollar painting. Investing in art or stocks I don't see as being equivalent to buying something knowing you can sell it to the people in line behind you who missed out on buying it because you bought multiples to resell. If you bought an undervalued stock then resold it immediately, you would not be considered a genius, you'd be considered an impatient fool.
as far as fairness... if you went to a pearl jam concert and went to the concessions and they sold out of the beer you like, and everyone else got the beer you like, you could say "that's not fair"... but you'd probably realize sometimes things run out before you are able to buy them if they are in a limited quantity and lots of people in the same place you do like the same beer you do, gnome sayin... nothing in this life on this rock hurtling through the vast cosmos is fair.. fairness is something we as a species try and cultivate and grant towards one another but life is not fair.. ask the gazelle running from the lion who can't run as fast as the others because they were born with slightly shorter legs about fairness! ask the person who doesn't get the poster but the flipper does... ask the artist who omakes $100 per poster and even keeps the price down a little cause they are thinking about the customer while the flipper makes $400 who is thinking about how they can milk more money out of the customer... fairness is a gift we offer one another and everyone gives differently
I need to learn to be more concise!
1. Regarding the stock analogy, there is a finite amount of stock - if no one is selling, there is none to buy. If everyone who owns it hoards it no matter the price, no one else can get it. The distinction is that few view stock as collectable (ie worthy of holding for reasons beyond intrinsic value), so stock is always for sale for the right price. The value of collectability is non-zero, however, in case of the posters (alternatively no sane person collects stock in a company for the sake of collecting it). In fact, it probably correlates with wealth - ie a rich person may know a poster has the same intrinsic value as someone else does (they both know it is ink/paint/whatever on paper), but the rich person assigns different monetary value to hanging it on their wall. A rich person (or anyone else), however, does not assign value to a stock simply because they own it or can own it.2. How long should someone have to hold art (say your art) before they can materially profit from it? 5 hours, 5 years, 5 decades? Those who can hold it for 50 years until it may or may not be a million dollar painting may be in the fortunate position of not needing to realize their return simply because they have other means of putting food on the table. Should they be able to hold on to the same investment when someone with lesser means must sell to maintain their livelihood?Again, thank you for the dialogue. I say this as someone who did not attempt to buy your AP or standard poster for the Napa show - despite how rad it is, little value for me, sentimental or otherwise - as I did not attend in person.0 -
bradklausen said:Kwieneke said:This is a very interesting look behind the curtain for us! Since we're on the topic, do you have a favorite print you have done for PJ?Athens 2006. Dusseldorf 2007. Berlin 2009. Venice 2010. Amsterdam 1 2012. Amsterdam 1+2 2014. Buenos Aires 2015.
Prague Krakow Berlin 2018. Berlin 2022
EV, Taormina 1+2 2017.
I wish i was the souvenir you kept your house key on..0 -
23scidoo said:bradklausen said:Kwieneke said:This is a very interesting look behind the curtain for us! Since we're on the topic, do you have a favorite print you have done for PJ?
this song is meant to be called i got shit,itshould be called i got shit tickets-hartford 06 -0 -
Didn't go to Dusselsdorf in 2007. But for that tour it was for sure the most talked about and appreciated poster.
I have Brads Copenhagen poster from that year. And Ames London poster with the elephant. Because those were the two shows I saw. My 2nd and 3rd PJ show. The elephant later was used for a t-shirt. And Brads anvil-hitter was used on a poloshirt.Post edited by Spiritual_Chaos on"Mostly I think that people react sensitively because they know you’ve got a point"0 -
lastexitlondon said:23scidoo said:bradklausen said:Kwieneke said:This is a very interesting look behind the curtain for us! Since we're on the topic, do you have a favorite print you have done for PJ?Athens 2006. Dusseldorf 2007. Berlin 2009. Venice 2010. Amsterdam 1 2012. Amsterdam 1+2 2014. Buenos Aires 2015.
Prague Krakow Berlin 2018. Berlin 2022
EV, Taormina 1+2 2017.
I wish i was the souvenir you kept your house key on..0 -
Really love your insight @bradklausen. Big fan of your work! One of my favorites is your Ft. Lauderdale poster you did, proudly displaying it on my wall.
2005 - London
2009 - Toronto
2010 - Buffalo
2011 - Toronto 1&2
2013 - London, Pittsburgh, Buffalo
2014 - Cincinnati, St. Louis, Detroit
2016 - Ft. Lauderdale, Miami, Ottawa, Toronto 1
2018 - Fenway 1&2
2022 - Hamilton, Toronto
2023 - Chicago 1&2
2024 - Las Vegas 1&20 -
Beauty^^bk is building quite the legacy of artwork that will last forever ❤️
Looking forward to what posters pop up next on tour. Fun times0 -
lastexitlondon said:23scidoo said:bradklausen said:Kwieneke said:This is a very interesting look behind the curtain for us! Since we're on the topic, do you have a favorite print you have done for PJ?Post edited by shecky on0
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