“PJ Premium” on Ticketmaster?
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Fair enough!Vedd Hedd said:As a fan of other bands, seeing Platinum on nearly every other band I go to see, it would not phase me. I always check my favorite bands and I always see those ridiculous prices, but I keep coming back and trying to get lower cost tickets.DC '03 - Reading '04 - Philly '05 - Camden 1 '06 - DC '06 - E. Rutherford '06 - The Vic '07 - Lollapalooza '07 - DC '08 - EV DC 1 & 2 '08 (Met Ed!!) - EV Baltimore 1 & 2 '09 - EV NYC 1 '11 (Met Ed!) - Hartford '13 - GCF '15 - MSG 2 '16 - TOTD MSG '16 - Boston 1 & 2 '18 - SHN '21 - EV NYC 1 & 2 '22 - MSG '220 -
Fair point, but I dont see it as hypocrisy.cmalisze said:For me "elite" = "premium."
To be clear, I am not actually mad with the band or the 10c for doing whatever it is they wish to do. More power to them. They deserve it. We all wish to be in their position in our careers.
However, the hypocrisy in the overall circumstance is too overwhelming. To not be able to see it is to have blind loyalty, in my opinion.
First, I think this is more of a TM thing than a 10C or band thing.
But even in light of that...those days 30 years ago are long gone, as someone said. Trying to hold them to some idealistic standard that was set way back then is just unfair. If they want to tour, they have to play by the system that is in place. I'm sure they would rather play by a different set of rules, but they have to do what they can.
Remember the disaster when they tried to tour without TM? It was nearly impossible for people to get tickets. Forget fan clubs for a moment, just actually anyone getting to see them was a disaster.Turn this anger into
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Just generally, you are definitely wrong. Ed's tour is a perfect example. When promoters bid on shows, the artist normally asks for a guarantee. The artist could take less money and then there is less need for platinum ticketing. All involved are making more money. In Ed's case, he had a band that was no doubt very expensive to tour with and he was playing small venues. For him to make lots of money, the promoters needed the Platinum Tickets.Lifted said:If you read my whole post, I did mention the benefit in signing off on this. I just suspect that the benefit doesn't equate to more cash in the bank accounts of Eddie Vedder and co.
You're suggesting it does, and perhaps it's possible you are right. Based on my knowledge of how ticketmaster operates as a business however, I highly doubt that is the case. Can you prove the band is receiving extra revenue from inflated platinum ticket sales? Do you know this for a fact?
Now it is true, on a Pearl Jam tour, the fan club tickets do become another factor that has to be considered and is something that is a part of the negotiation. But at the end of the day, it is 100 percent sure that Pearl Jam is making more money from the Platinum Ticketing.
And as far as how Ticketmaster operates as a business, that is a notion fans use to console themselves when an artist does something they don't like. Ticketmaster doesn't set pricing. Promoters and the artist do as part of the negotiations mentioned above. Of course, sometimes Live Nation is the promoter so that makes it murkier but TM does not set prices.0 -
That’s a good idea as well. I’ve seen Ticketmaster purposefully undercut as the show draws near, ie. releasing tickets one row closer, $50 cheaper.OceansJenny said:Easy change would be to allow face or lower on F2F. There is no reason to limit the bottom except to give TM an edge on selling on their tickets. Consumer gets screwed.0 -
Agree there should be no Floor for selling tickets on fan2fan.0
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Fascinating thread. Clearly a polarizing topic. In the end, the most transparent way to do it is to just come out and charge higher ticket prices, at FIXED prices, throughout the venue. GA and best seats get Tier 1, whatever that may be. Good seats get Tier 2. Nosebleeds get Tier 3. They surely have a target revenue number going into each show and tour, so price the tickets accordingly. It is really that simple. No more smoke and mirror bullshit with the variable Platinum, I mean PJ, Pricing. And no more artificial scarcity.
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If they make GA the most, and then 100 Level tier 2, etc....then they are pricing out a bunch of fans. I like they way they did this better, to be honest.Turn this anger into
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I was under the impression TM doesn't force platinum. Not all artists use it. Most do now, but not all. TM invented platinum as a way to earn more concert revenue which benefits everyone (TM, promoter, band, etc...). But you don't need to use it, but it's going to get you a larger gaurantee from the promoter as it allows them to create more revenue.Get_Right said:
You are missing the point and PJ lost that battle if you recall. The days of fixed prices for the entire event are gone. It is market based pricing through TM now. It is actually quite smart even though it is the fan that loses out. There is nothing "elite" about it. It is a monopoly in motion. The same monopoly is squeezing every artist out there. This has been going on for many years in different forms. It will only get worse until there is competition in the market.
I kind of felt like because the recording aspect of the business pays bunk now, that they're figuring out how to make more touring. One of those things was.. how do we dip into what the scalpers make off our tickets.
That's my thoughts. I think it'll continue because everyone gets paid more from it, but I'm not entirely convinced it's mandatory, but I would say it's hard to pass up in a world where you barely get paid to record music.0 -
Fair enough. Getting everyone to agree is never going to happen. There will always be a segment of the fan base that bitches no matter what they decide. It is trying to find which option leads to the least amount of bitching. Not easy though.Vedd Hedd said:If they make GA the most, and then 100 Level tier 2, etc....then they are pricing out a bunch of fans. I like they way they did this better, to be honest.
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That is also a good point. Albums are basically a gift. I mean, I know they make money, esp vinyl. But I assume they have to front the money to get the album made....studios, recording, mixing, then making the physical media, which means paying for all that in advance, etc. That much has not changed, but the fact that physical (and even digital) album sales are basically a dead thing....touring is even more important to a band than ever.Zod said:I was under the impression TM doesn't force platinum. Not all artists use it. Most do now, but not all. TM invented platinum as a way to earn more concert revenue which benefits everyone (TM, promoter, band, etc...). But you don't need to use it, but it's going to get you a larger gaurantee from the promoter as it allows them to create more revenue.
I kind of felt like because the recording aspect of the business pays bunk now, that they're figuring out how to make more touring. One of those things was.. how do we dip into what the scalpers make off our tickets.
That's my thoughts. I think it'll continue because everyone gets paid more from it, but I'm not entirely convinced it's mandatory, but I would say it's hard to pass up in a world where you barely get paid to record music.
That is also why you see newer artists...."Selling out" early...I hate to use that term, but radio is dead. Algorithims sometimes dictate what songs are played to you and they usually pick repeats...so some of these newer artists need to have their music heard in commercials or movies/tv/games, etc.
But yeah, touring is really the only thing the artist fully controls and can make real money off of.Turn this anger into
Nuclear fission0 -
Yeah, agreed.bbiggs said:Fair enough. Getting everyone to agree is never going to happen. There will always be a segment of the fan base that bitches no matter what they decide. It is trying to find which option leads to the least amount of bitching. Not easy though.Turn this anger into
Nuclear fission0 -
I'll admit...when I saw the premium stuff for Ed's shows, I was like, "Hmm", but i didnt give it much more thought than that. With recent events, I'm just happy I get to still see them play live from time to time. Nothing is guaranteed.
Turn this anger into
Nuclear fission0 -
There will also always be a segment that throws themselves on a proverbial grenade defending whatever happens, too. Pleasing either group isn't the goal. Finding the option that makes the most sense for the business, the band's reputation, and the customer base they are trying to serve is what they need to do. I don't agree that labelling Platinum tickets PJ Premium was the best option, but they didn't ask me.bbiggs said:Fair enough. Getting everyone to agree is never going to happen. There will always be a segment of the fan base that bitches no matter what they decide. It is trying to find which option leads to the least amount of bitching. Not easy though.
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"...I changed by not changing at all..."0 -
Zod said:I was under the impression TM doesn't force platinum. Not all artists use it. Most do now, but not all. TM invented platinum as a way to earn more concert revenue which benefits everyone (TM, promoter, band, etc...). But you don't need to use it, but it's going to get you a larger gaurantee from the promoter as it allows them to create more revenue.
I kind of felt like because the recording aspect of the business pays bunk now, that they're figuring out how to make more touring. One of those things was.. how do we dip into what the scalpers make off our tickets.
That's my thoughts. I think it'll continue because everyone gets paid more from it, but I'm not entirely convinced it's mandatory, but I would say it's hard to pass up in a world where you barely get paid to record music.
I believe, without actually knowing, that it is very close to, if not, absolutely mandatory. They do not want to lose a nickel to the resellers and that is what is driving this. Not simply getting more for each show. They want to put stubhub out of business. This is all TM business strategy and modeling. TM withholds the seats from public sale and resellers cannot obtain them at the lower cost. Its that simple. It is not about the band, the fans or anything else. It is about selling tickets at the highest possible market price instead of a fixed pre-determined price.
They do not want to sell a ticket for $200 when someone will pay $600 for the same ticket. TM has very sophisticated and automated algorithms to understand the market prices and the exact timing to raise or lower prices based on demand. It is very smart from a business perspective. Hedge fund strategy being executed by a monopoly where the fan/consumer is the loser.
Edit: Live Nation is the promoter for most TM events. Guess who owns them? TM.Post edited by Get_Right on0 -
Just did a count at Fresno for shits & giggles, there's 224 on the map currently and you can tell where others near them have sold. Plus as others mentioned, what we saw with EdVed and the Martians means we'll likely see more added.brarble said:
Most of these arenas seat around 17,000 ppl. I'm seeing about 50-100 Premium seats per show. I hate dynamic pricing as much as the next guy, but it's wild to me that ppl are getting this angry about the 0.5% of overpriced tickets while not appreciating that the other 99.5% are by far the lowest most reasonable you will find in any band/artist of Pearl Jam's level.
So while it's not thousands upon thousands, it's not 50-100, and also its the specific seats that used to be verbatim promised to 10 clubbers (floor directly behind pit, and best seats in lower bowl).This weekend we rock Portland0 -
Once again ticket issues have come up. Why doesn't the ten club just be open and honest about ticketing. Rationale adults can handle the truth. Most posts I read are all speculation or from people "who know how the business works".0
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Are you doubting people who say trust me on the internet? I'm shocked! ;-)smile6680 said:___________________________________________
"...I changed by not changing at all..."0 -
smile6680 said:
NDA. Non-disclosure agreement. People have been trying to get visibility into TM for many years. With no luck. I have been saying for a very long time that is probably the only way to fight TM. Full public disclosure. Even then most governments have bigger problems.0 -
Maybe I have not been as clear as I could have. The hypocrisy I refer to is this.....in this instance the band and TM are telling us as fans "what's good for me is not good for thee" they can dynamically price their PJ premium seats which, let's call it what it is is SCALPING, is perfectly fine and dandy. We, as fans, cannot even transfer a ticket to a friend coming with us to a show if they are running late, let alone sell it. The persona I refer to that was established over 30 years is the speak truth to power....intolerant of being taken advantage of attitude I believed still existed. We cannot even post a 2 for 1 ticket trade on the board without being chastised. If both parties are happy what is the issue? If I want to buy a PJ Premium ticket and I am happy then what is the issue? No issue in one instance.Vedd Hedd said:Fair point, but I dont see it as hypocrisy.
First, I think this is more of a TM thing than a 10C or band thing.
But even in light of that...those days 30 years ago are long gone, as someone said. Trying to hold them to some idealistic standard that was set way back then is just unfair. If they want to tour, they have to play by the system that is in place. I'm sure they would rather play by a different set of rules, but they have to do what they can.
Remember the disaster when they tried to tour without TM? It was nearly impossible for people to get tickets. Forget fan clubs for a moment, just actually anyone getting to see them was a disaster.
I am NOT criticizing the business aspect of this tour or any for that matter. In fact, I hope they make a boat load of money, as they should because they are the greatest rock and roll band ever, in my mind. We all "work" and strive for a better life and I hold them to the same standard as I do myself. I wish I had a boat load of money too.
However, as I grew up and learned with Pearl Jam is that.....it is not OK being taken advantage of no matter what and certainly when it is for the benefit of profit. This is EXACTLY how this feels. It is ok to call out hypocrisy as you see it even to something or someone you love.
All I think we in the ten club could ask for is to be treated the same way the band wishes to be treated because this is what they helped instill in us, as fans.
I will be in Oakland come hell or high water.....still looking for a GA each night.Post edited by cmalisze on0 -
I guess. Nothing is stopping the ten club from saying what percentage of tickets they receive for members or are they knowing in on scalped tickets such as "pearl jam premium tickets". It's wierd they don't come out with a statement to clear the air on these type of tickets. Unless they are in on it and making more money themselves.Get_Right said:
NDA. Non-disclosure agreement. People have been trying to get visibility into TM for many years. With no luck. I have been saying for a very long time that is probably the only way to fight TM. Full public disclosure. Even then most governments have bigger problems.0
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