“PJ Premium” on Ticketmaster?
Comments
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Sir Paul at Fenway had $3,500 seats on the field. It was the most ridiculous thing I had ever seen.
Pearl Jam topped that price a few weeks later.___________________________________________
"...I changed by not changing at all..."0 -
Poncier said:Get_Right said:cmalisze said:JH6056 said:pjl44 said:Yeah, issuing fully transferable Ten Club tickets couldn't possibly lead to any undesirable unintended consequences
$300 tickets are more and more common. Sucks, yes, but some of the comments remind me of my grandfather, "I remember when gas a nickel a gallon."
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mattcoz said:Vedd Hedd said:JP218404 said:Cropduster-80 said:JP218404 said:This slot could be worst. Look what Eric church just did to his fansPJ announced with the tour announcement that this was going to happen. It’s not a surprise and it was done for a specific reasonEddie do this for a Cubs game!?!!Turn this anger into
Nuclear fission0 -
Poncier said:mattcoz said:Poncier said:mattcoz said:Poncier said:mattcoz said:Poncier said:mattcoz said:bbiggs said:pjl44 said:bbiggs said:cmalisze said:"In its recent earnings report Live Nation cited the increased use of platinum pricing as a key driver of its record-breaking revenue."Interesting.
Want to buy this bridge I own in Brooklyn?
Simply put: They are.
But as I said in my post above this one, the band definitely makes money off platinum tickets, all artists do, unless Pearl Jam decided to be the exception and let Ticketmaster keep all the added profit.
Just bump every ticket on the tour a reasonable amount ($10, $20 whatever makes the numbers work), keep restricting resale by using mobile tickets with only F2F transfer (I know MSG and Denver would be an issue but all other shows you basically quash most of the secondary market), and it doesn't come across like you are gouging fans. Especially this band and all they said in the past about ticket prices and Ticketmaster.
Just a very bad look in my insignificant opinion.
1998: East Troy 2000: East Troy, Rosemont 2003: Champaign 2006: Chicago (UC), Milwaukee 2007: Chicago (Lolla) 2009: Chicago (UC), Chicago (UC) 2010: Noblesville 2011: East Troy (PJ20), East Troy (PJ20) 2013: Chicago (WF), Seattle 2014: St. Louis 2016: Chicago (WF), Chicago (WF) 2018: Chicago (WF), Chicago (WF) 2022: St. Louis 2023: Chicago (UC), Chicago (UC) 2024: Chicago (WF), Chicago (WF)2025: Pittsburgh, Pittsburgh0 -
Poncier said:JR86440 said:People who complain about premium have never tried to run a business. There are sooooo many costs that go into running a business that people don’t see. It’s not as simple as multiplying 20k seats by $100 and dividing by 6 band members… counting Boom of course! Benefits for employees, liability insurance, salaries, rent, taxes, travel, crew, etc. Plus they need to Maher a profit. It’s not a non profit organization. $100 for 95% of the crowd for a band of PJ’s caliber is dirt cheap in my mind. And they aren’t the chili peppers who play 18 songs. Either need to accept premium or accept $150 tickets. Add in the fact that they have families to support I feel what they are doing is more than reasonable
And while I do love the old model... even this current model (mostly low cost tickets + a smattering of premium) is honestly not that bad compared to most other artists. If we're ranking all bands/artists on a spectrum of "fair pricing policies", even the "PJ Premium" method is better and more fair than 99% of the other bands out there. Honestly can't think of a single band or artist that has kept prices this low.
Most of these arenas seat around 17,000 ppl. I'm seeing about 50-100 Premium seats per show. I hate dynamic pricing as much as the next guy, but it's wild to me that ppl are getting this angry about the 0.5% of overpriced tickets while not appreciating that the other 99.5% are by far the lowest most reasonable you will find in any band/artist of Pearl Jam's level.0 -
brarble said:Poncier said:JR86440 said:People who complain about premium have never tried to run a business. There are sooooo many costs that go into running a business that people don’t see. It’s not as simple as multiplying 20k seats by $100 and dividing by 6 band members… counting Boom of course! Benefits for employees, liability insurance, salaries, rent, taxes, travel, crew, etc. Plus they need to Maher a profit. It’s not a non profit organization. $100 for 95% of the crowd for a band of PJ’s caliber is dirt cheap in my mind. And they aren’t the chili peppers who play 18 songs. Either need to accept premium or accept $150 tickets. Add in the fact that they have families to support I feel what they are doing is more than reasonable
And while I do love the old model... even this current model (mostly low cost tickets + a smattering of premium) is honestly not that bad compared to most other artists. If we're ranking all bands/artists on a spectrum of "fair pricing policies", even the "PJ Premium" method is better and more fair than 99% of the other bands out there. Honestly can't think of a single band or artist that has kept prices this low.
Most of these arenas seat around 17,000 ppl. I'm seeing about 50-100 Premium seats per show. I hate dynamic pricing as much as the next guy, but it's wild to me that ppl are getting this angry about the 0.5% of overpriced tickets while not appreciating that the other 99.5% are by far the lowest most reasonable you will find in any band/artist of Pearl Jam's level.0 -
You're not seeing all the tickets TM has held back. I wish it was just 50-100/show. That might not be so bad. If they sell this wave of PJ Premium, there is another wave of PJ Premiums behind them. We saw this with Ed's tour. When Platinum didn't sell, they dumped a large inventory of some of the best seats days before the show (and sold many tickets below face, undercutting F2F sales).
I've seen quite a few Pearl Jam shows.0 -
cmalisze said:brarble said:Poncier said:JR86440 said:People who complain about premium have never tried to run a business. There are sooooo many costs that go into running a business that people don’t see. It’s not as simple as multiplying 20k seats by $100 and dividing by 6 band members… counting Boom of course! Benefits for employees, liability insurance, salaries, rent, taxes, travel, crew, etc. Plus they need to Maher a profit. It’s not a non profit organization. $100 for 95% of the crowd for a band of PJ’s caliber is dirt cheap in my mind. And they aren’t the chili peppers who play 18 songs. Either need to accept premium or accept $150 tickets. Add in the fact that they have families to support I feel what they are doing is more than reasonable
And while I do love the old model... even this current model (mostly low cost tickets + a smattering of premium) is honestly not that bad compared to most other artists. If we're ranking all bands/artists on a spectrum of "fair pricing policies", even the "PJ Premium" method is better and more fair than 99% of the other bands out there. Honestly can't think of a single band or artist that has kept prices this low.
Most of these arenas seat around 17,000 ppl. I'm seeing about 50-100 Premium seats per show. I hate dynamic pricing as much as the next guy, but it's wild to me that ppl are getting this angry about the 0.5% of overpriced tickets while not appreciating that the other 99.5% are by far the lowest most reasonable you will find in any band/artist of Pearl Jam's level.
Or are you saying charge EVERYONE more, so that there are no premium seats?Turn this anger into
Nuclear fission0 -
aisleseats said:rmwatson said:aisleseats said:rmwatson said:aisleseats said:Poncier said:JR86440 said:People who complain about premium have never tried to run a business. There are sooooo many costs that go into running a business that people don’t see. It’s not as simple as multiplying 20k seats by $100 and dividing by 6 band members… counting Boom of course! Benefits for employees, liability insurance, salaries, rent, taxes, travel, crew, etc. Plus they need to Maher a profit. It’s not a non profit organization. $100 for 95% of the crowd for a band of PJ’s caliber is dirt cheap in my mind. And they aren’t the chili peppers who play 18 songs. Either need to accept premium or accept $150 tickets. Add in the fact that they have families to support I feel what they are doing is more than reasonable
So those of you who are making excuses for and defending PJ for caving in can go try to sell that BS elsewhere. Because I'm not buying it.0 -
ddeschler said:You're not seeing all the tickets TM has held back. I wish it was just 50-100/show. That might not be so bad. If they sell this wave of PJ Premium, there is another wave of PJ Premiums behind them. We saw this with Ed's tour. When Platinum didn't sell, they dumped a large inventory of some of the best seats days before the show (and sold many tickets below face, undercutting F2F sales).
This is true. I have been monitoring MSG all day and there are new ones since last night. And that's something given the original sell date for this concert was 2 years ago and I would have thought returns were minimal. I haven't looked at Vegas but it is probably worse.
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ddeschler said:You're not seeing all the tickets TM has held back. I wish it was just 50-100/show. That might not be so bad. If they sell this wave of PJ Premium, there is another wave of PJ Premiums behind them. We saw this with Ed's tour. When Platinum didn't sell, they dumped a large inventory of some of the best seats days before the show (and sold many tickets below face, undercutting F2F sales).___________________________________________
"...I changed by not changing at all..."0 -
Vedd Hedd said:cmalisze said:brarble said:Poncier said:JR86440 said:People who complain about premium have never tried to run a business. There are sooooo many costs that go into running a business that people don’t see. It’s not as simple as multiplying 20k seats by $100 and dividing by 6 band members… counting Boom of course! Benefits for employees, liability insurance, salaries, rent, taxes, travel, crew, etc. Plus they need to Maher a profit. It’s not a non profit organization. $100 for 95% of the crowd for a band of PJ’s caliber is dirt cheap in my mind. And they aren’t the chili peppers who play 18 songs. Either need to accept premium or accept $150 tickets. Add in the fact that they have families to support I feel what they are doing is more than reasonable
And while I do love the old model... even this current model (mostly low cost tickets + a smattering of premium) is honestly not that bad compared to most other artists. If we're ranking all bands/artists on a spectrum of "fair pricing policies", even the "PJ Premium" method is better and more fair than 99% of the other bands out there. Honestly can't think of a single band or artist that has kept prices this low.
Most of these arenas seat around 17,000 ppl. I'm seeing about 50-100 Premium seats per show. I hate dynamic pricing as much as the next guy, but it's wild to me that ppl are getting this angry about the 0.5% of overpriced tickets while not appreciating that the other 99.5% are by far the lowest most reasonable you will find in any band/artist of Pearl Jam's level.
Or are you saying charge EVERYONE more, so that there are no premium seats?
Pearl Jammers Testify Before Congress : Pop music: Before a House panel, members of the Seattle band allege monopolistic practices by Ticketmaster, whose chief executive counters the charges. - Los Angeles Times (latimes.com)
Post edited by cmalisze on0 -
uglybabo said:I’ve seen it mentioned but I think the one adjustment needed is that the PJ premium seats need to be transferable.If I buy a fan club ticket for $125-150, and I can sell it for face if I can’t go, there’s a good chance it’ll sell and at worst I’m out $150.But if I buy a premium seat for $2000+ and my only recourse is to list at $2000+ There’s a good chance it won’t sell, and I’ll lose $2000+.Ticketmaster/the band has their $2000, that they consider market value, so what I do with that ticket shouldn’t matter to them.DC '03 - Reading '04 - Philly '05 - Camden 1 '06 - DC '06 - E. Rutherford '06 - The Vic '07 - Lollapalooza '07 - DC '08 - EV DC 1 & 2 '08 (Met Ed!!) - EV Baltimore 1 & 2 '09 - EV NYC 1 '11 (Met Ed!) - Hartford '13 - GCF '15 - MSG 2 '16 - TOTD MSG '16 - Boston 1 & 2 '18 - SHN '21 - EV NYC 1 & 2 '22 - MSG '220
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Real question is how many fans are being alienated by the shuts outs and platinum sticker shock? If I was a casual fan and logged on to see $5,000 tickets I might not bother next time a tour is announced. Maybe TM doesn’t care if they get their max return each time but you think the band would care.DC '03 - Reading '04 - Philly '05 - Camden 1 '06 - DC '06 - E. Rutherford '06 - The Vic '07 - Lollapalooza '07 - DC '08 - EV DC 1 & 2 '08 (Met Ed!!) - EV Baltimore 1 & 2 '09 - EV NYC 1 '11 (Met Ed!) - Hartford '13 - GCF '15 - MSG 2 '16 - TOTD MSG '16 - Boston 1 & 2 '18 - SHN '21 - EV NYC 1 & 2 '22 - MSG '220
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I hate TM manufacturing scarcity, by only showing a portion of the PJ Premium tickets they are holding back. It messes with your head, and can cause desperate decision making. If you think these are the last good tickets, you may irrationally pay $1,000+ for a good seat. That's not "market pricing." That's mindfuckery and monopoly pricing.
Post edited by ddeschler onI've seen quite a few Pearl Jam shows.0 -
cmalisze said:Vedd Hedd said:cmalisze said:brarble said:Poncier said:JR86440 said:People who complain about premium have never tried to run a business. There are sooooo many costs that go into running a business that people don’t see. It’s not as simple as multiplying 20k seats by $100 and dividing by 6 band members… counting Boom of course! Benefits for employees, liability insurance, salaries, rent, taxes, travel, crew, etc. Plus they need to Maher a profit. It’s not a non profit organization. $100 for 95% of the crowd for a band of PJ’s caliber is dirt cheap in my mind. And they aren’t the chili peppers who play 18 songs. Either need to accept premium or accept $150 tickets. Add in the fact that they have families to support I feel what they are doing is more than reasonable
And while I do love the old model... even this current model (mostly low cost tickets + a smattering of premium) is honestly not that bad compared to most other artists. If we're ranking all bands/artists on a spectrum of "fair pricing policies", even the "PJ Premium" method is better and more fair than 99% of the other bands out there. Honestly can't think of a single band or artist that has kept prices this low.
Most of these arenas seat around 17,000 ppl. I'm seeing about 50-100 Premium seats per show. I hate dynamic pricing as much as the next guy, but it's wild to me that ppl are getting this angry about the 0.5% of overpriced tickets while not appreciating that the other 99.5% are by far the lowest most reasonable you will find in any band/artist of Pearl Jam's level.
Or are you saying charge EVERYONE more, so that there are no premium seats?
Pearl Jammers Testify Before Congress : Pop music: Before a House panel, members of the Seattle band allege monopolistic practices by Ticketmaster, whose chief executive counters the charges. - Los Angeles Times (latimes.com)
I think the options were "Raise prices significantly across all levels to cover TM's requests" or "Keep some prices moderate, while allowing TM to keep some back and charge more, and in the process, the band gets more too"
I am ok with that.
Also, yeah, I think things change over the course of 30+ years. They did their time drudging through clubs, paying for their own travel and booking, charging 20 bucks a ticket, etc. They lasted, and they are a massively popular band whom everyone wants to see, and they dont have the energy or desire to tour 80 dates a year.Turn this anger into
Nuclear fission0 -
OceansJenny said:Real question is how many fans are being alienated by the shuts outs and platinum sticker shock? If I was a casual fan and logged on to see $5,000 tickets I might not bother next time a tour is announced. Maybe TM doesn’t care if they get their max return each time but you think the band would care.Turn this anger into
Nuclear fission0 -
ddeschler said:I hate TM manufacturing scarcity, by only showing a portion of the PJ Premium tickets they are holding back. It messes with your head, and can cause desperate decision making. If you think these are the last good tickets, you may irrationally pay $1,000+ for a good seat. That's not "market pricing." That's mindfuckery and monopoly pricing.Turn this anger into
Nuclear fission0 -
Vedd Hedd said:cmalisze said:Vedd Hedd said:cmalisze said:brarble said:Poncier said:JR86440 said:People who complain about premium have never tried to run a business. There are sooooo many costs that go into running a business that people don’t see. It’s not as simple as multiplying 20k seats by $100 and dividing by 6 band members… counting Boom of course! Benefits for employees, liability insurance, salaries, rent, taxes, travel, crew, etc. Plus they need to Maher a profit. It’s not a non profit organization. $100 for 95% of the crowd for a band of PJ’s caliber is dirt cheap in my mind. And they aren’t the chili peppers who play 18 songs. Either need to accept premium or accept $150 tickets. Add in the fact that they have families to support I feel what they are doing is more than reasonable
And while I do love the old model... even this current model (mostly low cost tickets + a smattering of premium) is honestly not that bad compared to most other artists. If we're ranking all bands/artists on a spectrum of "fair pricing policies", even the "PJ Premium" method is better and more fair than 99% of the other bands out there. Honestly can't think of a single band or artist that has kept prices this low.
Most of these arenas seat around 17,000 ppl. I'm seeing about 50-100 Premium seats per show. I hate dynamic pricing as much as the next guy, but it's wild to me that ppl are getting this angry about the 0.5% of overpriced tickets while not appreciating that the other 99.5% are by far the lowest most reasonable you will find in any band/artist of Pearl Jam's level.
Or are you saying charge EVERYONE more, so that there are no premium seats?
Pearl Jammers Testify Before Congress : Pop music: Before a House panel, members of the Seattle band allege monopolistic practices by Ticketmaster, whose chief executive counters the charges. - Los Angeles Times (latimes.com)
I think the options were "Raise prices significantly across all levels to cover TM's requests" or "Keep some prices moderate, while allowing TM to keep some back and charge more, and in the process, the band gets more too"
I am ok with that.
Also, yeah, I think things change over the course of 30+ years. They did their time drudging through clubs, paying for their own travel and booking, charging 20 bucks a ticket, etc. They lasted, and they are a massively popular band whom everyone wants to see, and they dont have the energy or desire to tour 80 dates a year.
To be clear, I am not actually mad with the band or the 10c for doing whatever it is they wish to do. More power to them. They deserve it. We all wish to be in their position in our careers.
However, the hypocrisy in the overall circumstance is too overwhelming. To not be able to see it is to have blind loyalty, in my opinion.
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cmalisze said:Vedd Hedd said:cmalisze said:brarble said:Poncier said:JR86440 said:People who complain about premium have never tried to run a business. There are sooooo many costs that go into running a business that people don’t see. It’s not as simple as multiplying 20k seats by $100 and dividing by 6 band members… counting Boom of course! Benefits for employees, liability insurance, salaries, rent, taxes, travel, crew, etc. Plus they need to Maher a profit. It’s not a non profit organization. $100 for 95% of the crowd for a band of PJ’s caliber is dirt cheap in my mind. And they aren’t the chili peppers who play 18 songs. Either need to accept premium or accept $150 tickets. Add in the fact that they have families to support I feel what they are doing is more than reasonable
And while I do love the old model... even this current model (mostly low cost tickets + a smattering of premium) is honestly not that bad compared to most other artists. If we're ranking all bands/artists on a spectrum of "fair pricing policies", even the "PJ Premium" method is better and more fair than 99% of the other bands out there. Honestly can't think of a single band or artist that has kept prices this low.
Most of these arenas seat around 17,000 ppl. I'm seeing about 50-100 Premium seats per show. I hate dynamic pricing as much as the next guy, but it's wild to me that ppl are getting this angry about the 0.5% of overpriced tickets while not appreciating that the other 99.5% are by far the lowest most reasonable you will find in any band/artist of Pearl Jam's level.
Or are you saying charge EVERYONE more, so that there are no premium seats?
Pearl Jammers Testify Before Congress : Pop music: Before a House panel, members of the Seattle band allege monopolistic practices by Ticketmaster, whose chief executive counters the charges. - Los Angeles Times (latimes.com)
You are missing the point and PJ lost that battle if you recall. The days of fixed prices for the entire event are gone. It is market based pricing through TM now. It is actually quite smart even though it is the fan that loses out. There is nothing "elite" about it. It is a monopoly in motion. The same monopoly is squeezing every artist out there. This has been going on for many years in different forms. It will only get worse until there is competition in the market.0
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