“PJ Premium” on Ticketmaster?

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Comments

  • Boston's MetroWest Posts: 19,598
    Sir Paul at Fenway had $3,500 seats on the field. It was the most ridiculous thing I had ever seen. 

    Pearl Jam topped that price a few weeks later. 
    ___________________________________________

    "...I changed by not changing at all..."
  • Posts: 14,120
    Poncier said:

    Perfect! :)

  • Posts: 4,631
    mattcoz said:
    That's called good planning. Scheduling a show during the Final Four when you're a North Carolina fan? Not so much.
    Agreed.  
    Turn this anger into
    Nuclear fission
  • Chicago Posts: 2,243
    Poncier said:
    Possibly true. But when tickets pop up at $5,000 each it's a bad look.
    Just bump every ticket on the tour a reasonable amount ($10, $20 whatever makes the numbers work), keep restricting resale by using mobile tickets with only F2F transfer (I know MSG and Denver would be an issue but all other shows you basically quash most of the secondary market), and it doesn't come across like you are gouging fans. Especially this band and all they said in the past about ticket prices and Ticketmaster.
    Just a very bad look in my insignificant opinion.
    Agreed, it's a bad look when people look up tickets and that's all they see, which is why naming it PJ Premium instead of Platinum made it worse. That had to be part of the negotiation. Before Platinum, people would have seen no tickets at all, it just would have been sold out. The band didn't look bad, but it wasn't any better for fans either as they would have just had to pay the inflated prices to resellers instead. I doubt the band really cares how it looks though. If they think they made the best deal possible, and they're the ones that end up looking bad, I can see them being fine with that.

    1998: East Troy 2000: East Troy, Rosemont 2003: Champaign 2006: Chicago (UC), Milwaukee 2007: Chicago (Lolla) 2009: Chicago (UC), Chicago (UC) 2010: Noblesville 2011: East Troy (PJ20), East Troy (PJ20) 2013: Chicago (WF), Seattle 2014: St. Louis 2016: Chicago (WF), Chicago (WF) 2018: Chicago (WF), Chicago (WF) 2022: St. Louis 2023: Chicago (UC), Chicago (UC) 2024: Chicago (WF), Chicago (WF)
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  • Posts: 19
    Poncier said:
    Yet they have managed to run their business without doing PJ Premium for 30 years until now. Just moderately increasing ticket prices at a fair and reasonable rate as time has gone on. Are you saying that the business model they used for 3 decades was faulty?
    My hunch is that given inflation, the "moderately increasing ticket prices at a fair and reasonable rate" method you describe would put tickets at around $150-$200 range (vs the $108 they're charging). Since so many ppl probably got refunds in 2020 and are now attempting to buy again, I'm guessing that PJ wanted to keep prices looking like they did in 2020 for the vast majority (and defray the difference with a few Premium seats) vs doubling the price for everyone.

    And while I do love the old model... even this current model (mostly low cost tickets + a smattering of premium) is honestly not that bad compared to most other artists. If
     we're ranking all bands/artists on a spectrum of "fair pricing policies", even the "PJ Premium" method is better and more fair than 99% of the other bands out there. Honestly can't think of a single band or artist that has kept prices this low.

    Most of these arenas seat around 17,000 ppl. I'm seeing about 50-100 Premium seats per show. I hate dynamic pricing as much as the next guy, but it's wild to me that ppl are getting this angry about the 0.5% of overpriced tickets while not appreciating that the other 99.5% are by far the lowest most reasonable you will find in any band/artist of Pearl Jam's level.
  • Posts: 2,636
    brarble said:
    My hunch is that given inflation, the "moderately increasing ticket prices at a fair and reasonable rate" method you describe would put tickets at around $150-$200 range (vs the $108 they're charging). Since so many ppl probably got refunds in 2020 and are now attempting to buy again, I'm guessing that PJ wanted to keep prices looking like they did in 2020 for the vast majority (and defray the difference with a few Premium seats) vs doubling the price for everyone.

    And while I do love the old model... even this current model (mostly low cost tickets + a smattering of premium) is honestly not that bad compared to most other artists. If we're ranking all bands/artists on a spectrum of "fair pricing policies", even the "PJ Premium" method is better and more fair than 99% of the other bands out there. Honestly can't think of a single band or artist that has kept prices this low.

    Most of these arenas seat around 17,000 ppl. I'm seeing about 50-100 Premium seats per show. I hate dynamic pricing as much as the next guy, but it's wild to me that ppl are getting this angry about the 0.5% of overpriced tickets while not appreciating that the other 99.5% are by far the lowest most reasonable you will find in any band/artist of Pearl Jam's level.
    It isn't about the 0.5% of overpriced tickets......it is about a persona created over nearly 30 years and then obliterated in one business transaction in 2022. That is the point. The hypocrisy rings loud as can be. 
  • Posts: 687
    You're not seeing all the tickets TM has held back.  I wish it was just 50-100/show.  That might not be so bad.  If they sell this wave of PJ Premium, there is another wave of PJ Premiums behind them.  We saw this with Ed's tour.  When Platinum didn't sell, they dumped a large inventory of some of the best seats days before the show (and sold many tickets below face, undercutting F2F sales). 
    I've seen quite a few Pearl Jam shows.
  • Posts: 4,631
    cmalisze said:
    It isn't about the 0.5% of overpriced tickets......it is about a persona created over nearly 30 years and then obliterated in one business transaction in 2022. That is the point. The hypocrisy rings loud as can be. 
    I dont quite get your point.  You are saying they should lose money on the tour based on some persona?
    Or are you saying charge EVERYONE more, so that there are no premium seats?
    Turn this anger into
    Nuclear fission
  • Posts: 161
    Do you really think that in March 2020, when TM/LN had lost ALL of their business, they really sat down and told Pearl Jam that they'd only let them reschedule their shows if they paid them a shit ton more money?
    Absolutely yes - I would bet my left arm that TM was able to void their original contracts due to the unforeseen, drastic effects of Covid - and then there was surely aggressive negotiation from both sides after that, one for PJ to keep as much as they could, while at the same time securing all that they could for their fans at the new shows, two for TM to recoup what they could, while not losing the revenue a PJ tour brings - simple business really, not at all building rockets here
  • CT Posts: 361
    ddeschler said:
    You're not seeing all the tickets TM has held back.  I wish it was just 50-100/show.  That might not be so bad.  If they sell this wave of PJ Premium, there is another wave of PJ Premiums behind them.  We saw this with Ed's tour.  When Platinum didn't sell, they dumped a large inventory of some of the best seats days before the show (and sold many tickets below face, undercutting F2F sales). 

    This is true. I have been monitoring MSG all day and there are new ones since last night. And that's something given the original sell date for this concert was 2 years ago and I would have thought returns were minimal. I haven't looked at Vegas but it is probably worse.
  • Boston's MetroWest Posts: 19,598
    ddeschler said:
    You're not seeing all the tickets TM has held back.  I wish it was just 50-100/show.  That might not be so bad.  If they sell this wave of PJ Premium, there is another wave of PJ Premiums behind them.  We saw this with Ed's tour.  When Platinum didn't sell, they dumped a large inventory of some of the best seats days before the show (and sold many tickets below face, undercutting F2F sales). 
    Yep. Ed's tour was a shit show in that regard. Doubtful those numbers of tickets exist for the rescheduled shows, but Camden and Vegas? We'll see. 
    ___________________________________________

    "...I changed by not changing at all..."
  • Posts: 2,636
    edited March 2022
    Vedd Hedd said:
    I dont quite get your point.  You are saying they should lose money on the tour based on some persona?
    Or are you saying charge EVERYONE more, so that there are no premium seats?
    Define "losing money." Aside from their actual music their persona is likely why many fell in love with them, I would imagine. I am saying don't criticize scalpers/scalping and then condone it only when it benefits you. I would be all for consistent tiered pricing. GA $$$ lower level $$ upper level $. If the band/TM has a number to reach there are many ways to obtain it. The "elite" mentality of PJ Premium is NOT the mentality the band exhibited during the years of establishing their persona....you know when Stone and Jeff went to Congress...

    Pearl Jammers Testify Before Congress : Pop music: Before a House panel, members of the Seattle band allege monopolistic practices by Ticketmaster, whose chief executive counters the charges. - Los Angeles Times (latimes.com)
    Post edited by cmalisze on
  • Manhattan, NY Posts: 3,409
    uglybabo said:
    I’ve seen it mentioned but I think the one adjustment needed is that the PJ premium seats need to be transferable. 

    If I buy a fan club ticket for $125-150, and I can sell it for face if I can’t go, there’s a good chance it’ll sell and at worst I’m out $150. 

    But if I buy a premium seat for $2000+ and my only recourse is to list at $2000+ There’s a good chance it won’t sell, and I’ll lose $2000+. 

    Ticketmaster/the band has their $2000, that they consider market value, so what I do with that ticket shouldn’t matter to them. 
    Easy change would be to allow face or lower on F2F. There is no reason to limit the bottom except to give TM an edge on selling on their tickets. Consumer gets screwed.
    DC '03 - Reading '04 - Philly '05 - Camden 1 '06 - DC '06 - E. Rutherford '06 - The Vic '07 - Lollapalooza '07 - DC '08 - EV DC 1 & 2 '08 (Met Ed!!) - EV Baltimore 1 & 2 '09 - EV NYC 1 '11 (Met Ed!) - Hartford '13 - GCF '15 - MSG 2 '16 - TOTD MSG '16 - Boston 1 & 2 '18 - SHN '21 - EV NYC 1 & 2 '22 - MSG '22
  • Manhattan, NY Posts: 3,409
    Real question is how many fans are being alienated by the shuts outs and platinum sticker shock? If I was a casual fan and logged on to see $5,000 tickets I might not bother next time a tour is announced. Maybe TM doesn’t care if they get their max return each time but you think the band would care. 
    DC '03 - Reading '04 - Philly '05 - Camden 1 '06 - DC '06 - E. Rutherford '06 - The Vic '07 - Lollapalooza '07 - DC '08 - EV DC 1 & 2 '08 (Met Ed!!) - EV Baltimore 1 & 2 '09 - EV NYC 1 '11 (Met Ed!) - Hartford '13 - GCF '15 - MSG 2 '16 - TOTD MSG '16 - Boston 1 & 2 '18 - SHN '21 - EV NYC 1 & 2 '22 - MSG '22
  • Posts: 687
    edited March 2022
    I hate TM manufacturing scarcity, by only showing a portion of the PJ Premium tickets they are holding back.  It messes with your head, and can cause desperate decision making.  If you think these are the last good tickets, you may irrationally pay $1,000+ for a good seat.  That's not "market pricing."  That's mindfuckery and monopoly pricing.
    Post edited by ddeschler on
    I've seen quite a few Pearl Jam shows.
  • Posts: 4,631
    cmalisze said:
    Define "losing money." Aside from their actual music their persona is likely why many fell in love with them, I would imagine. I am saying don't criticize scalpers/scalping and then condone it only when it benefits you. I would be all for consistent tiered pricing. GA $$$ lower level $$ upper level $. If the band/TM has a number to reach there are many ways to obtain it. The "elite" mentality of PJ Premium is NOT the mentality the band exhibited during the years of establishing their persona....you know when Stone and Jeff went to Congress...

    Pearl Jammers Testify Before Congress : Pop music: Before a House panel, members of the Seattle band allege monopolistic practices by Ticketmaster, whose chief executive counters the charges. - Los Angeles Times (latimes.com)
    I dont think that "elite" is necessarily the mentality. 

    I think the options were "Raise prices significantly across all levels to cover TM's requests" or "Keep some prices moderate, while allowing TM to keep some back and charge more, and in the process, the band gets more too"

    I am ok with that.

    Also, yeah, I think things change over the course of 30+ years. They did their time drudging through clubs, paying for their own travel and booking, charging 20 bucks a ticket, etc.  They lasted, and they are a massively popular band whom everyone wants to see, and they dont have the energy or desire to tour 80 dates a year.  
    Turn this anger into
    Nuclear fission
  • Posts: 4,631
    Real question is how many fans are being alienated by the shuts outs and platinum sticker shock? If I was a casual fan and logged on to see $5,000 tickets I might not bother next time a tour is announced. Maybe TM doesn’t care if they get their max return each time but you think the band would care. 
    As a fan of other bands, seeing Platinum on nearly every other band I go to see, it would not phase me.  I always check my favorite bands and I always see those ridiculous prices, but I keep coming back and trying to get lower cost tickets.  
    Turn this anger into
    Nuclear fission
  • Posts: 4,631
    ddeschler said:
    I hate TM manufacturing scarcity, by only showing a portion of the PJ Premium tickets they are holding back.  It messes with your head, and can cause desperate decision making.  If you think these are the last good tickets, you may irrationally pay $1,000+ for a good seat.  That's not "market pricing."  That's mindfuckery and monopoly pricing.
    this
    Turn this anger into
    Nuclear fission
  • Posts: 2,636
    edited March 2022
    Vedd Hedd said:
    I dont think that "elite" is necessarily the mentality. 

    I think the options were "Raise prices significantly across all levels to cover TM's requests" or "Keep some prices moderate, while allowing TM to keep some back and charge more, and in the process, the band gets more too"

    I am ok with that.

    Also, yeah, I think things change over the course of 30+ years. They did their time drudging through clubs, paying for their own travel and booking, charging 20 bucks a ticket, etc.  They lasted, and they are a massively popular band whom everyone wants to see, and they dont have the energy or desire to tour 80 dates a year.  
    For me "elite" = "premium." 
    To be clear, I am not actually mad with the band or the 10c for doing whatever it is they wish to do. More power to them. They deserve it. We all wish to be in their position in our careers. 
    However, the hypocrisy in the overall circumstance is too overwhelming. To not be able to see it is to have blind loyalty, in my opinion. 

  • Posts: 14,120
    cmalisze said:
    Define "losing money." Aside from their actual music their persona is likely why many fell in love with them, I would imagine. I am saying don't criticize scalpers/scalping and then condone it only when it benefits you. I would be all for consistent tiered pricing. GA $$$ lower level $$ upper level $. If the band/TM has a number to reach there are many ways to obtain it. The "elite" mentality of PJ Premium is NOT the mentality the band exhibited during the years of establishing their persona....you know when Stone and Jeff went to Congress...

    Pearl Jammers Testify Before Congress : Pop music: Before a House panel, members of the Seattle band allege monopolistic practices by Ticketmaster, whose chief executive counters the charges. - Los Angeles Times (latimes.com)

    You are missing the point and PJ lost that battle if you recall. The days of fixed prices for the entire event are gone. It is market based pricing through TM now.  It is actually quite smart even though it is the fan that loses out. There is nothing "elite" about it.  It is a monopoly in motion. The same monopoly is squeezing every artist out there. This has been going on for many years in different forms.  It will only get worse until there is competition in the market.

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