Anyone else not have that FOMO feeling anymore while this band is on the DM tour?
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D-Day said:💡? How many SUVs are on the parking lots around us arena shows?
edit: and how many scrap cars?
XX%
So I think there is hope for the US."Mostly I think that people react sensitively because they know you’ve got a point"0 -
It feels like they have become victim of their past greatness.
People became used to epic 3 hours show, where you did not have a clue about what songs you would hear on each concert. Many, like me, was addicted to following the set list treads. When you become a more "normal" act with more "normal" set lists, many that have been serious addicted to the surpirse element will definetly lose the FOMO element.
Taking into account the ridicolous high prices (at least here in Europe), you sell an inferiour product (compared to the past) to a higher price, no wonder this has a huge effect on the interest.
The huge "pop-mart" screen is also far from what their concept has been in the past.
It is still the greatest live band on earth, but wow, their business plan for this European tour was truly a disaster.Post edited by HK103094 on2000 Oslo
2007 Venezia
2010 London
2012 Oslo
2014 Milano
2018 Milano
2018 Krakow
2019 Barolo (Ed)
2022 Berlin
2022 Frankfurt
2022 Krakow
2024 London0 -
I've seen them nine times, but always have FOMO as being from NZ you hardly get anything. Having seen them more times than they've played in my country is a blessing.
I guess we did get used to the 30 plus song sets. They were an exception rather than the rule which our greedy arses wished was not true. First time I saw them in Wellington was 23 I think. I've had up to 34 I think but reckon 25 now is good and solid.
Anyone else want them to do a Metallica like two gig stint in a city with 25 songs and no repeats? That'd mean increased demand for the second gigs.
Ed sounds awesome on the new album especially the highs and from what I've read he sounds great on this tour. Sounds like he's singing highs slightly different on DM and I'd love to hear him sing In Hiding to hear any differences.
I thought the FOMO of them being late in their career would be enough to offset the loss of FOMO due to the shorter and less varied sets. But hey we're all different and have all had different exposure to live PJ so views on here that surprise us shouldn't be so few and far between.Stars are suns to other people.
Wellington 1998
London 2007
Brisbane 2009
Stockholm 2012Amsterdam 1 & 2 2014
EV Dublin 2017
Milan 2018
Padova 2018
Boston 2 2018
Auckland 1 & 2 20240 -
lastexitlondon said:Abe Froman said:BF25394 said:Abe Froman said:Lots of good points all around here. I am only doing the makeup Indy show in August. I’ve had no FOMO. For me I think it’s been many things over the past few years. They do sound amazing (saw both St. Paul shows last tour and 30+ since 92). And I’m so thankful and happy they’re still going strong, we are lucky our favorite band is still doing it and putting out unbelievable music like Dark Matter. BUT…the negatives have kinda made my excitement just a little less.Ticket prices
The whole merch thing
Shorter shows
The set lists (still great but chances of seeing our favorites, not even deep cuts, just great songs is so much less
Cancellations (I realize there isn’t anything you can do about illness but it’s still a thing)
I still can’t wait for Indy but my expectations are not even close to the same as they were just a short time ago.Still the best band in the world!
Merch has gone too far.0 -
The post-COVID shows are pretty interchangeable. There have been a few standouts, but we are talking 2-3 songs putting a show over another one. I'm trying to hit new states and new countries, but starting probably in 2018, I don't get jealous about shows I don't go to. Maybe an album show would be cool, but there is no FOMO (granted seeing 10 shows), but if I were seeing 2 I'd feel the same way.0
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coco butter said:I was kind of thinking this just the past weekend while I was comparing some of the YouTube live songs from Minneapolis and Chicago from 2023 and then watched some of Barcelona and Seattle songs from 2024. Something seemed a little off for this year. Could not put my finger on it. They still sound great and I LOVE the new album, but they seemed to have more energy last year. The setlists for both 2023 and 2024 are around 25 songs a night so it wasn't the band is more tired this year. Just seems like something is a little off. Maybe I need to stop sniffing glue.
Still looking forward to both Wrigley shows! Maybe I'll quit amphetamines that week as well.0 -
bootlegger10 said:The post-COVID shows are pretty interchangeable. There have been a few standouts, but we are talking 2-3 songs putting a show over another one. I'm trying to hit new states and new countries, but starting probably in 2018, I don't get jealous about shows I don't go to. Maybe an album show would be cool, but there is no FOMO (granted seeing 10 shows), but if I were seeing 2 I'd feel the same way.
I would be in for hearing DM fully any day of the week but i wonder if by pre announcing it it might kill ticket sales because fans wouldnt be buying multiple dates in the hopes of finishing the record0 -
lastexitlondon said:Abe Froman said:BF25394 said:Abe Froman said:Lots of good points all around here. I am only doing the makeup Indy show in August. I’ve had no FOMO. For me I think it’s been many things over the past few years. They do sound amazing (saw both St. Paul shows last tour and 30+ since 92). And I’m so thankful and happy they’re still going strong, we are lucky our favorite band is still doing it and putting out unbelievable music like Dark Matter. BUT…the negatives have kinda made my excitement just a little less.Ticket prices
The whole merch thing
Shorter shows
The set lists (still great but chances of seeing our favorites, not even deep cuts, just great songs is so much less
Cancellations (I realize there isn’t anything you can do about illness but it’s still a thing)
I still can’t wait for Indy but my expectations are not even close to the same as they were just a short time ago.Still the best band in the world!
Merch has gone too far.0 -
rangers72 said:lastexitlondon said:Abe Froman said:BF25394 said:Abe Froman said:Lots of good points all around here. I am only doing the makeup Indy show in August. I’ve had no FOMO. For me I think it’s been many things over the past few years. They do sound amazing (saw both St. Paul shows last tour and 30+ since 92). And I’m so thankful and happy they’re still going strong, we are lucky our favorite band is still doing it and putting out unbelievable music like Dark Matter. BUT…the negatives have kinda made my excitement just a little less.Ticket prices
The whole merch thing
Shorter shows
The set lists (still great but chances of seeing our favorites, not even deep cuts, just great songs is so much less
Cancellations (I realize there isn’t anything you can do about illness but it’s still a thing)
I still can’t wait for Indy but my expectations are not even close to the same as they were just a short time ago.Still the best band in the world!
Merch has gone too far.0 -
Everyone just seems blinkered by the 2013/14 and 2016 tours where they played longer set lists full of rarities. Looking back at my older attended shows like Manchester 2000 and Wembley 2007, they weren’t too dissimilar to now at 27 songs… I really think that mid 2010s period was unusual
I agree though it would be nice to have 5-6 rarities on each show rather than 1-20 -
pdalowsky said:bootlegger10 said:The post-COVID shows are pretty interchangeable. There have been a few standouts, but we are talking 2-3 songs putting a show over another one. I'm trying to hit new states and new countries, but starting probably in 2018, I don't get jealous about shows I don't go to. Maybe an album show would be cool, but there is no FOMO (granted seeing 10 shows), but if I were seeing 2 I'd feel the same way.
I would be in for hearing DM fully any day of the week but i wonder if by pre announcing it it might kill ticket sales because fans wouldnt be buying multiple dates in the hopes of finishing the record0 -
I wonder if they knew the longer 3+hr shows wouldnt be a thing as they got older so had a couple years while they had it in them to do it.
And regarding the rarities, I also wonder how many in the crowd would love it. Obviously those here likely would, if we're posting on a message board its fair to say we are all super fans more than a high percentage in the audience. You dont want too many 'rare' songs 90% of the crowd dont know or get into as much as I'd love it.
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pdalowsky said:bootlegger10 said:The post-COVID shows are pretty interchangeable. There have been a few standouts, but we are talking 2-3 songs putting a show over another one. I'm trying to hit new states and new countries, but starting probably in 2018, I don't get jealous about shows I don't go to. Maybe an album show would be cool, but there is no FOMO (granted seeing 10 shows), but if I were seeing 2 I'd feel the same way.
I would be in for hearing DM fully any day of the week but i wonder if by pre announcing it it might kill ticket sales because fans wouldnt be buying multiple dates in the hopes of finishing the record2010: Cleveland
2012: Atlanta
2013: London ONT / Wrigley Field / Pittsburgh / Buffalo / San Diego / Los Angeles I / Los Angeles II
2014: Cincinnati / St. Louis / Tulsa / Lincoln / Detroit / Denver
2015: New York City
2016: Ft. Lauderdale / Miami / Jacksonville / Greenville / Hampton / Columbia / Lexington / Philly II / New York City II / Toronto II / Bonnaroo / Telluride / Fenway I / Wrigley I / Wrigley - II / TOTD - Philadelphia, San Francisco
2017: Ohana Fest (EV)
2018: Amsterdam I / Amsterdam II / Seattle I / Seattle II / Boston I / Boston II
2021: Asbury Park / Ohana Encore 1 / Ohana Encore 2
2022: Phoenix / LA I / LA II / Quebec City / Ottawa / New York City / Camden / Nashville / St. Louis / Denver
2023: St. Paul II
2024: Las Vegas I / Las Vegas II / New York City I / New York City II / Philly I / Philly II / Baltimore0 -
drfox said:Everyone just seems blinkered by the 2013/14 and 2016 tours where they played longer set lists full of rarities. Looking back at my older attended shows like Manchester 2000 and Wembley 2007, they weren’t too dissimilar to now at 27 songs… I really think that mid 2010s period was unusual
I agree though it would be nice to have 5-6 rarities on each show rather than 1-22010: Cleveland
2012: Atlanta
2013: London ONT / Wrigley Field / Pittsburgh / Buffalo / San Diego / Los Angeles I / Los Angeles II
2014: Cincinnati / St. Louis / Tulsa / Lincoln / Detroit / Denver
2015: New York City
2016: Ft. Lauderdale / Miami / Jacksonville / Greenville / Hampton / Columbia / Lexington / Philly II / New York City II / Toronto II / Bonnaroo / Telluride / Fenway I / Wrigley I / Wrigley - II / TOTD - Philadelphia, San Francisco
2017: Ohana Fest (EV)
2018: Amsterdam I / Amsterdam II / Seattle I / Seattle II / Boston I / Boston II
2021: Asbury Park / Ohana Encore 1 / Ohana Encore 2
2022: Phoenix / LA I / LA II / Quebec City / Ottawa / New York City / Camden / Nashville / St. Louis / Denver
2023: St. Paul II
2024: Las Vegas I / Las Vegas II / New York City I / New York City II / Philly I / Philly II / Baltimore0 -
Force Of Nature said:I wonder if they knew the longer 3+hr shows wouldnt be a thing as they got older so had a couple years while they had it in them to do it.
And regarding the rarities, I also wonder how many in the crowd would love it. Obviously those here likely would, if we're posting on a message board its fair to say we are all super fans more than a high percentage in the audience. You dont want too many 'rare' songs 90% of the crowd dont know or get into as much as I'd love it.
Plus...it has to be hard to tour on a new album and have multiple other songs ready to play at the level they likely want to deliver them at. It might seem easy to think that they can just play every song they have ever recorded live upon request but it just doesn't work that way.Remember the Thomas Nine !! (10/02/2018)
The Golden Age is 2 months away. And guess what….. you’re gonna love it! (teskeinc 11.19.24)
1998: Noblesville; 2003: Noblesville; 2009: EV Nashville, Chicago, Chicago
2010: St Louis, Columbus, Noblesville; 2011: EV Chicago, East Troy, East Troy
2013: London ON, Wrigley; 2014: Cincy, St Louis, Moline (NO CODE)
2016: Lexington, Wrigley #1; 2018: Wrigley, Wrigley, Boston, Boston
2020: Oakland, Oakland: 2021: EV Ohana, Ohana, Ohana, Ohana
2022: Oakland, Oakland, Nashville, Louisville; 2023: Chicago, Chicago, Noblesville
2024: Noblesville, Wrigley, Wrigley, Ohana, Ohana; 2025: Pitt1, Pitt20 -
The “predictability” of the DM material is a feature not a bug to me. For my tastes this is their best album since No Code and late period albums tend to die off as soon as their album tours end so I want as much DM as I can get before it fades away. I’m doing both MSG and hoping for all 11 at least once and Stevie, Upper & Setting twice.0
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Gern Blansten said:Force Of Nature said:I wonder if they knew the longer 3+hr shows wouldnt be a thing as they got older so had a couple years while they had it in them to do it.
And regarding the rarities, I also wonder how many in the crowd would love it. Obviously those here likely would, if we're posting on a message board its fair to say we are all super fans more than a high percentage in the audience. You dont want too many 'rare' songs 90% of the crowd dont know or get into as much as I'd love it.
Plus...it has to be hard to tour on a new album and have multiple other songs ready to play at the level they likely want to deliver them at. It might seem easy to think that they can just play every song they have ever recorded live upon request but it just doesn't work that way.0 -
pdalowsky said:Gern Blansten said:Force Of Nature said:I wonder if they knew the longer 3+hr shows wouldnt be a thing as they got older so had a couple years while they had it in them to do it.
And regarding the rarities, I also wonder how many in the crowd would love it. Obviously those here likely would, if we're posting on a message board its fair to say we are all super fans more than a high percentage in the audience. You dont want too many 'rare' songs 90% of the crowd dont know or get into as much as I'd love it.
Plus...it has to be hard to tour on a new album and have multiple other songs ready to play at the level they likely want to deliver them at. It might seem easy to think that they can just play every song they have ever recorded live upon request but it just doesn't work that way.Remember the Thomas Nine !! (10/02/2018)
The Golden Age is 2 months away. And guess what….. you’re gonna love it! (teskeinc 11.19.24)
1998: Noblesville; 2003: Noblesville; 2009: EV Nashville, Chicago, Chicago
2010: St Louis, Columbus, Noblesville; 2011: EV Chicago, East Troy, East Troy
2013: London ON, Wrigley; 2014: Cincy, St Louis, Moline (NO CODE)
2016: Lexington, Wrigley #1; 2018: Wrigley, Wrigley, Boston, Boston
2020: Oakland, Oakland: 2021: EV Ohana, Ohana, Ohana, Ohana
2022: Oakland, Oakland, Nashville, Louisville; 2023: Chicago, Chicago, Noblesville
2024: Noblesville, Wrigley, Wrigley, Ohana, Ohana; 2025: Pitt1, Pitt20 -
kmcmanus said:The “predictability” of the DM material is a feature not a bug to me. For my tastes this is their best album since No Code and late period albums tend to die off as soon as their album tours end so I want as much DM as I can get before it fades away. I’m doing both MSG and hoping for all 11 at least once and Stevie, Upper & Setting twice.Remember the Thomas Nine !! (10/02/2018)
The Golden Age is 2 months away. And guess what….. you’re gonna love it! (teskeinc 11.19.24)
1998: Noblesville; 2003: Noblesville; 2009: EV Nashville, Chicago, Chicago
2010: St Louis, Columbus, Noblesville; 2011: EV Chicago, East Troy, East Troy
2013: London ON, Wrigley; 2014: Cincy, St Louis, Moline (NO CODE)
2016: Lexington, Wrigley #1; 2018: Wrigley, Wrigley, Boston, Boston
2020: Oakland, Oakland: 2021: EV Ohana, Ohana, Ohana, Ohana
2022: Oakland, Oakland, Nashville, Louisville; 2023: Chicago, Chicago, Noblesville
2024: Noblesville, Wrigley, Wrigley, Ohana, Ohana; 2025: Pitt1, Pitt20 -
The “merch thing” is completely optional for everyone though. If there is a market for it then can’t really blame the band for putting it out there. I guess unless you have some type of OCD where you’ve got to collect them all, but what are they supposed to do not offer it because some can’t control themselves?0
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