Harry Styles, PJ MSG
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JH6056 said:Selling out 1 or 2 nights is one thing. Selling out 15 in one place is entirely different. And no one said it had to sell out in 2 min, the question is would it sell out at all. 15 nights is 300,000 tix in 1 city. And Rage even with not selling behind the stage didn't sell out, although I don't know if that was about demand or the insanely expensive prices the 1st time tix went onsale.
Pearl Jam has fans that travel. Even when they don't have tickets. If they do 15 shows in a 2 month period. You have the die hards that might do 2-4+ shows. The casual fan. The tourists. Someone's plus one. Then you might have someone who goes for their first show and loves it and wants to go again. And then when they find out they'll do different songs might go to another. If could do 2 Fenway or Wrigley shoes at 60k or at the time SafeCo with 80k for 2 nights. And there were still people who got shutout. I think they can do it. Otherwise we are a doomed society.
I miss igotid880 -
With New York’s resell laws there is no question PJ would sell out 15 nights at MSG because the ticket agencies and scalpers would be buying up thousands of them: go on stub hub a day or two after a new Billy Joel show goes on sale there are thousands on sale with tickets in every section available.0
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Renfield said:errrr… I’m a Harry Styles cougar fan?? Learn something new everyday 😍 I only know 1 song, but I had to see him! The show I saw at MSG on 9. 7 was sold-out, packed to the rafters. There’s no curtain, his stage is a large rectangle on center floor.
The sound of 20,000 teenagers screeching made my ears bleed once Harry came out. I much prefer the roar of the crowd at a PJ concert, like on 9.11. I live 10 blocks away from MSG-would I go to 15 PJ shows? 🤔0 -
Easy for Harry Styles to sell out that many shows when it’s the parents of his fans that are financing the ticket purchases to his gigs. Teenage girls aren’t the most logical herd of people…they’ll gladly go to see the same show 4 times if someone else is paying.
Obviously, it’s not just that but I think that’s part of it. Harry Styles might be the biggest draw in music right now and Pearl Jam (despite being the best live band around and far more talented) falls more into the legacy rock act category so hard to compare the two at this stage of their careers. As others have said, if it’s the mid 90s and assuming no battle with TM? PJ could easily sell out MSG that many times.0 -
The Phish MSG Bakers Dozen run was summer 2017. Dates had a rhythm of Fri-Sat-Sun-Tues-Wed.There may have been a few shows early in the run, like the first Tues, Wed that didn’t sell out (although wouldn’t have missed by much). I was able to get a ticket to the 2nd Friday show a couple days before. That run definitely gained momentum as fans figured out what they were doing with the no repeats and different donut themed nights (ie red velvet donut night through in some Velvet Underground covers; jam filled night had a few songs that they normally don’t stretch out go from 5 minutes to 25 minutes; Boston Cream night had a mashup of greatest hits by bands Boston and Cream at one point). By the end of the run tickets were very pricey on the secondary market. It ended up being one of the defining runs in Phish’s now ~40 year run of playing.I think Phish can still sell out a 13 (plus) night run at MSG. They do annual 4 night runs there around New Years (this year moved to April because of COVID) that sell out right away and have a huge fan base in Northeast, within train distance. Their style much different than other bands like Pearl Jam where it’s not just the unique sets but each song has the potential to be played differently the way they improv/jam off of them. One night a song might be 10 minutes. A couple shows later could be 20 where it goes in a whole different musical direction for stretches. That’s what keeps people coming back to multiple shows per tour/run. Pearl Jam will mix up the sets ~80-85% night to night but save for few exceptions in songs like Evenflow, Porch, RVM, Daughter tag, there’s not a lot of variation from one version to the next. Phish might do ~15 songs per show but easily stretch that out to a 2:45-2:55 long show.
I don’t think Pearl Jam would be able to sell out double-digit MSG run (unless tickets came with unique merch poster/shirt/hat/sticker bundle for each night but that’s a different debate…). I would say probably closer to 7 nights realistically. Would end up with too many repeats or some duds that a lot of people just don’t want to hear.Just looked at my Pearl Jam stats with 192 unique songs filling most albums and popular B-sides and covers over 35 shows since 1998. Some back of the napkin math let’s round that up to 200 songs. 25 songs per show based on most recent tour. Gives you 8 shows with no repeats.TFC '97, TFC '98, Pittsburgh '98, Camden I,II '98, Camden I,II '00, Pittsburgh '00, Philly '03, Camden I,II '03, MSG I,II '03, Hershey '03, Reading '04, Philly '05, Camden I,II '06, Meadowlands I '06, Camden I,II '08, DC '08, Spectrum I,II,III,IV '09, Made in America '12, Philly I,II '13, GCF '15, Philly I,II '16, MSG I '16, Apollo ‘22, MSG ‘22, Camden ‘22, MSG I,II '24, Philly I,II '240 -
Living in the northeast, I selfishly wish PJ was less of a draw. Every tour it becomes harder to get tickets for me and it’s unnecessarily stressful.0
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kosteva2 said:The Phish MSG Bakers Dozen run was summer 2017. Dates had a rhythm of Fri-Sat-Sun-Tues-Wed.There may have been a few shows early in the run, like the first Tues, Wed that didn’t sell out (although wouldn’t have missed by much). I was able to get a ticket to the 2nd Friday show a couple days before. That run definitely gained momentum as fans figured out what they were doing with the no repeats and different donut themed nights (ie red velvet donut night through in some Velvet Underground covers; jam filled night had a few songs that they normally don’t stretch out go from 5 minutes to 25 minutes; Boston Cream night had a mashup of greatest hits by bands Boston and Cream at one point). By the end of the run tickets were very pricey on the secondary market. It ended up being one of the defining runs in Phish’s now ~40 year run of playing.I think Phish can still sell out a 13 (plus) night run at MSG. They do annual 4 night runs there around New Years (this year moved to April because of COVID) that sell out right away and have a huge fan base in Northeast, within train distance. Their style much different than other bands like Pearl Jam where it’s not just the unique sets but each song has the potential to be played differently the way they improv/jam off of them. One night a song might be 10 minutes. A couple shows later could be 20 where it goes in a whole different musical direction for stretches. That’s what keeps people coming back to multiple shows per tour/run. Pearl Jam will mix up the sets ~80-85% night to night but save for few exceptions in songs like Evenflow, Porch, RVM, Daughter tag, there’s not a lot of variation from one version to the next. Phish might do ~15 songs per show but easily stretch that out to a 2:45-2:55 long show.
I don’t think Pearl Jam would be able to sell out double-digit MSG run (unless tickets came with unique merch poster/shirt/hat/sticker bundle for each night but that’s a different debate…). I would say probably closer to 7 nights realistically. Would end up with too many repeats or some duds that a lot of people just don’t want to hear.Just looked at my Pearl Jam stats with 192 unique songs filling most albums and popular B-sides and covers over 35 shows since 1998. Some back of the napkin math let’s round that up to 200 songs. 25 songs per show based on most recent tour. Gives you 8 shows with no repeats.
I still don't see PJ ever doing a 5+ run anywhere (not saying they wouldn't sell it out, just saying it's hard to see it being something they want to do), but now that you've described the Phish thing and also watching the Taylor Hawkins London benefit show again and the magic & fun that comes from throwing so many amazing musicians together, some legendary, some less known but awesome... I CAN see PJ doing a THEATER multi-night run, like 5 nights at Radio City Music Hall (6,000 capacity) or maybe even the Beacon Theater (3,000 capacity), and doing that combo of "no repeats" PJ songs (which means casual fans would have to be on notice they might not get Alive or Betterman or Evenflow depending on night),but also surprise special guests and maybe a theme for each night that affects the music. It could go in so many directions... It is fun just thinking about something like that with PJ.
But a 10 or 15 night run of straight powerful PJ shows at MSG... I still don't see the band ever having any interest in it, don't see it selling sufficiently, and I see fans everywhere else in the US and world who can't get to MSG being really bummed that instead of 15 NYC shows there weren't 2 in NYC and then 1 in 13 other cities (but yes, I know, a LOT of PJ fans CAN get to MSG. I'm talking about the millions that cannot get to MSG or NYC).Post edited by JH6056 on0 -
JH6056 said:Thanks, that's fascinating info. I absolutely love the donut-to-bands theme, that's so damn funny & cool! I could never really get into Phish (saw them twice) but I get that when you are into them and not only is every show different but most songs are different every time, that is a very cool dynamic. And that "mystery theme" element, not knowing where the donut will take you each show, I CAN understand how that gets both passionate fans and also casual curious fans coming back night after night for a multi-night stand.
I still don't see PJ ever doing a 5+ run anywhere (not saying they wouldn't sell it out, just saying it's hard to see it being something they want to do), but now that you've described the Phish thing and also watching the Taylor Hawkins London benefit show again and the magic & fun that comes from throwing so many amazing musicians together, some legendary, some less known but awesome... I CAN see PJ doing a THEATER multi-night run, like 5 nights at Radio City Music Hall (6,000 capacity) or maybe even the Beacon Theater (3,000 capacity), and doing that combo of "no repeats" PJ songs (which means casual fans would have to be on notice they might not get Alive or Betterman or Evenflow depending on night),but also surprise special guests and maybe a theme for each night that affects the music. It could go in so many directions... It is fun just thinking about something like that with PJ.
But a 10 or 15 night run of straight powerful PJ shows at MSG... I still don't see the band ever having any interest in it, don't see it selling sufficiently, and I see fans everywhere else in the US and world who can't get to MSG being really bummed that instead of 15 NYC shows there weren't 2 in NYC and then 1 in 13 other cities (but yes, I know, a LOT of PJ fans CAN get to MSG. I'm talking about the millions that cannot get to MSG or NYC).I miss igotid880 -
Selling out MSG has to be the easiest arena in the world to sell out.0
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bootlegger10 said:Selling out MSG has to be the easiest arena in the world to sell out.I miss igotid880
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bootlegger10 said:Selling out MSG has to be the easiest arena in the world to sell out.
To me your comment only makes sense if bands who otherwise are NOT selling out arenas on the rest of their tour, regularly sell out MSG. Do you have examples of that, or what are you basing "easiest arena to sell out" on?0 -
JH6056 said:Bands who are selling out arenas all over on their current tours, no one should be surprised they sell out MSG. Most arenas are about the same size, 20,000 people. So when you say "MSG has to be the easiest arena in the world to sell out", what do you mean? Sure everyone wants to play it, it's literally the most famous arena in the world. But you also usually only get booked there when promoters & bookers believe you have that much demand that it will sell well if not sell out.
To me your comment only makes sense if bands who otherwise are NOT selling out arenas on the rest of their tour, regularly sell out MSG. Do you have examples of that, or what are you basing "easiest arena to sell out" on?
I don't think KISS sold out MSG now on the End of the Road tour. Ace joked about it."Mostly I think that people react sensitively because they know you’ve got a point"0 -
Spiritual_Chaos said:I believe he means that the New York area has a lot of people.
I don't think KISS sold out MSG now on the End of the Road tour. Ace joked about it.
MSG is only easy to sell out if you're a band in high demand, and if you are, you're likely selling out most other arenas on your tour as well. So still curious what makes MSG "the easiest in the world to sell out" as compared to any others.0 -
JH6056 said:It's true, it does have a lot of people, but I'm a New Yorker and the other side of that coin is that New Yorkers are also spoiled as hell. Many bands make multiple runs through NYC on the same tour, and we also have ridiculous amount of choices for who we see in that NYC is one city just about EVERY band wants to play. Nothing about that makes MSG particularly "easy" to sell out, and since in the greater NYC area we also have whatever the Meadowlands is called now in NJ and Barclay's Center in Brooklyn, there are also 3 immediate area arenas for bands to play.
MSG is only easy to sell out if you're a band in high demand, and if you are, you're likely selling out most other arenas on your tour as well. So still curious what makes MSG "the easiest in the world to sell out" as compared to any others.
1996: Randall's Island 2 1998: East Rutherford | MSG 1 & 2 2000: Cincinnati | Columbus | Jones Beach 1, 2, & 3 | Boston 1 | Camden 1 & 2 2003: Philadelphia | Uniondale | MSG 1 & 2 | Holmdel 2005: Atlantic City 1 2006: Camden 1 | East Rutherford 1 & 2 2008: Camden 1 & 2 | MSG 1 & 2 (#25) | Newark (EV) 2009: Philadelphia 1, 2 & 4 2010: Newark | MSG 1 & 2 2011: Toronto 1 2013: Wrigley Field | Brooklyn 2 | Philadelphia 1 & 2 | Baltimore 2015: Central Park 2016: Philadelphia 1 & 2 | MSG 1 & 2 | Fenway Park 2 | MSG (TOTD) 2017: Brooklyn (RnR HOF) 2020: MSG | Asbury Park 2021: Asbury Park 2022: MSG | Camden | Nashville 2024: MSG 1 & 2 (#50) | Philadelphia 1 & 2 | Baltimore 2025: Raleigh0 -
on2legs said:The Izod Center closed in 2015.Post edited by JH6056 on0
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Aside from the population and it being a destination venue, It is the easiest arena to "sell out" because the lowest percentage of tickets are available to the public. It has the highest number of "holds" due to the large media market. With TM/LN's pricing methods what does it even mean to "sell out" these days?0
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I think they would have zero problem selling out 15 shows. Between tourists, fans seeking multiple shows and fans just trying to get in the door for one show it wouldn’t be hard to do.1996: Randall's Island 2 1998: East Rutherford | MSG 1 & 2 2000: Cincinnati | Columbus | Jones Beach 1, 2, & 3 | Boston 1 | Camden 1 & 2 2003: Philadelphia | Uniondale | MSG 1 & 2 | Holmdel 2005: Atlantic City 1 2006: Camden 1 | East Rutherford 1 & 2 2008: Camden 1 & 2 | MSG 1 & 2 (#25) | Newark (EV) 2009: Philadelphia 1, 2 & 4 2010: Newark | MSG 1 & 2 2011: Toronto 1 2013: Wrigley Field | Brooklyn 2 | Philadelphia 1 & 2 | Baltimore 2015: Central Park 2016: Philadelphia 1 & 2 | MSG 1 & 2 | Fenway Park 2 | MSG (TOTD) 2017: Brooklyn (RnR HOF) 2020: MSG | Asbury Park 2021: Asbury Park 2022: MSG | Camden | Nashville 2024: MSG 1 & 2 (#50) | Philadelphia 1 & 2 | Baltimore 2025: Raleigh0
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Get_Right said:Aside from the population and it being a destination venue, It is the easiest arena to "sell out" because the lowest percentage of tickets are available to the public. It has the highest number of "holds" due to the large media market. With TM/LN's pricing methods what does it even mean to "sell out" these days?
Is any of that what you were talking about when you said "What does it even mean to sell out these days?", or what do you mean?0 -
JPPJ84 said:You’re my favouritest most favourite cougar if that helps0
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