challenge
 
            
                
                    olderman                
                
                    Posts: 1,765                
            
                        
            
                    I challenge all to write here a sonnet,
Restricted in the prose the poet rhymes,
Must be metred, patterns with love to let,
Or allude to the lust from your youth times,
Surpass in depth this crass challenge of mine,
Lest you cannot seize the moment - so quit,
Or take this challenge - show your awesome grit,
Let words flow within a structure of prime.
And when you have composed yourself clearly,
To entertain this thread - the wolves in the woods,
The vampyres, seeming to love you dearly,
With wanton lust we claim your mind and moods,
You will surrender your free prose merely,
To satisfy my challenge made of words.
                Restricted in the prose the poet rhymes,
Must be metred, patterns with love to let,
Or allude to the lust from your youth times,
Surpass in depth this crass challenge of mine,
Lest you cannot seize the moment - so quit,
Or take this challenge - show your awesome grit,
Let words flow within a structure of prime.
And when you have composed yourself clearly,
To entertain this thread - the wolves in the woods,
The vampyres, seeming to love you dearly,
With wanton lust we claim your mind and moods,
You will surrender your free prose merely,
To satisfy my challenge made of words.
Down the street you can hear her scream youre a disgrace
As she slams the door in his drunken face
And now he stands outside
And all the neighbours start to gossip and drool
He cries oh, girl you must be mad,
What happened to the sweet love you and me had?
Against the door he leans and starts a scene,
And his tears fall and burn the garden green
As she slams the door in his drunken face
And now he stands outside
And all the neighbours start to gossip and drool
He cries oh, girl you must be mad,
What happened to the sweet love you and me had?
Against the door he leans and starts a scene,
And his tears fall and burn the garden green
Post edited by Unknown User on 
0
            Comments
- 
            I think of Spenser's Astrophel, his doubt
 that he might woo fair Stella not expressed
 directly to her but in roundabout
 third person discourse. Wyatt could not test
 his bravery in loving Ann Boleyn
 through sounding that plain word, the simple 'you'
 to speak the raw desire held within:
 this, many suns before Anne Henry knew.
 It fell to Shakespeare in his Sonnet One
 to tell the one he loved to share his light
 by fatherhood. Immediate in tone,
 and using second-person language, might
 we say that Shakespeare taught us how to praise
 our lover, named in joyous heart-displays?0
- 
            Bumping this up. Olderman offers the noblest challenge of all. Who's up for it? 0 0
- 
            I had this lecturer in 'ninety-three
 For my Renaissance Studies class, and he
 Seemed intent, as far as I could see
 To claim all sonnet-writers had to be
 Sex-starved virgin soldiers in the years
 of courtly England. "W*nking sonneteers"
 was what he called them. He had had some beers
 before the lecture, surely. There were tears
 of laughter from the lecture hall at that
 pronouncement on a bunch of poets. What
 could we do but picture Sidney flat-
 Backed and writhing as he held his hat
 over his face, whilst crying for his Queen?
 Great lovers have these sonnet-writers been! 0 0
- 
            .It's all yellow.0
- 
            I always loved this one. Shakespeare, Sonnet 65. Maybe Shakey Baby's presence on this thread might inspire us all some more. 
 Since brass, nor stone, nor earth, nor boundless sea,
 But sad mortality o'er-sways their power,
 How with this rage shall beauty hold a plea,
 Whose action is no stronger than a flower?
 O, how shall summer's honey breath hold out
 Against the wreckful siege of battering days,
 When rocks impregnable are not so stout,
 Nor gates of steel so strong, but Time decays?
 O fearful meditation! where, alack,
 Shall Time's best jewel from Time's chest lie hid?
 Or what strong hand can hold his swift foot back?
 Or who his spoil of beauty can forbid?
 O, none, unless this miracle have might,
 That in black ink my love may still shine bright.0
- 
             
 that fekka roits way betta-n-i-doIt's all yellow.0
- 
            I never thought of love as a flower
 Until the little bud began to bloom in my heart,
 And it's embedding it's roots and gaining power,
 It's getting strong and fast becoming a part.
 I feel it shooting right on through me,
 It's pleasant and welcomed like a warm embrace,
 And if you could look inside me, you'd see
 I was watering and feeding and giving it place.
 Oh my love, to feel the leaves unfurling,
 Sends vibrations that rock my very core.
 To feel the petals slowly, gently uncurling,
 The beauty of it makes me want so much more.
 When I long for you I can smell the sweet scent,
 My everything, my all, for you it is meant.
 Hmmmm, sappy enough? Forget your perfect offering, there is a crack in everything, that's how the light gets in. - Leonard Cohen0 Forget your perfect offering, there is a crack in everything, that's how the light gets in. - Leonard Cohen0
- 
            thanks fins and yellow... i'll write another when i get focused . love shakes sonnets also.. and this one by Swinburne as well..
 Sonnet for a Picture
 That nose is out of drawing. With a gasp,
 She pants upon the passionate lips that ache
 With the red drain of her own mouth, and make
 A monochord of colour. Like an asp,
 One lithe lock wriggles in his rutilant grasp.
 Her bosom is an oven of myrrh, to bake
 Love's white warm shewbread to a browner cake.
 The lock his fingers clench has burst its hasp.
 The legs are absolutely abominable.
 Ah! what keen overgust of wild-eyed woes
 Flags in that bosom, flushes in that nose?
 Nay! Death sets riddles for desire to spell,
 Responsive. What red hem earth's passion sews,
 But may be ravenously untripped in hell?Down the street you can hear her scream youre a disgrace
 As she slams the door in his drunken face
 And now he stands outside
 And all the neighbours start to gossip and drool
 He cries oh, girl you must be mad,
 What happened to the sweet love you and me had?
 Against the door he leans and starts a scene,
 And his tears fall and burn the garden green0
- 
            the sonnet is such an intensive little format...
 nice one, miss enlightened...It's all yellow.0
- 
            Originally posted by Being Enlightened
 I never thought of love as a flower
 Until the little bud began to bloom in my heart,
 And it's embedding it's roots and gaining power,
 It's getting strong and fast becoming a part.
 I feel it shooting right on through me,
 It's pleasant and welcomed like a warm embrace,
 And if you could look inside me, you'd see
 I was watering and feeding and giving it place.
 Oh my love, to feel the leaves unfurling,
 Sends vibrations that rock my very core.
 To feel the petals slowly, gently uncurling,
 The beauty of it makes me want so much more.
 When I long for you I can smell the sweet scent,
 My everything, my all, for you it is meant.
 Hmmmm, sappy enough? 
 *bows down to the goddess of LURVE*0
- 
            In a vision full music I did see
 Jimi stretching strings, psychedelic blues,
 Silk shadows, dance reflections of blue sea,
 Colorful coral reefs of many hues,
 The which would have been hidden if not for
 Jimi's intense sonic whispers and screams,
 His mermaid swimming on the ocean floor,
 Castles on the beach, wash waves foam - the streams
 In high mountains where his red house did stand,
 Run clear, cool like rapids create vortex,
 Waterfalls like crashing cymbals accent
 The music in this vision of his band,
 The circus mind, the textures will now flex
 As I waken from the scene truly spent.
 a bit rough but i have alot of fun with sonnets!!Down the street you can hear her scream youre a disgrace
 As she slams the door in his drunken face
 And now he stands outside
 And all the neighbours start to gossip and drool
 He cries oh, girl you must be mad,
 What happened to the sweet love you and me had?
 Against the door he leans and starts a scene,
 And his tears fall and burn the garden green0
- 
            Octavia drenched deep in axis fuzz
 suspended in a two-note bending wail
 Soars ever-reaching over Marshall buzz
 throughout the Fillmore East, to prize and hail
 a new-beginning decade. Fingers blur
 upon a maple fretboard, angled high.
 "Auld Lang Syne" roars in this birthing year.
 The light show pulses life's first lighted eye.
 Nineteen-seventy. Come the fall
 The notes are searing still the reddened skies
 above Bill Graham's venue. Echoes shall
 sprawl in axis rainbow flooding cries
 landwide, to Greenwood where the man who played
 That never-waning sound of love is laid.
 That's one for you, olderman. And for Jimi too. 0 0
- 
            Originally posted by FinsburyParkCarrots
 Octavia drenched deep in axis fuzz
 suspended in a two-note bending wail
 Soars ever-reaching over Marshall buzz
 throughout the Fillmore East, to prize and hail
 a new-beginning decade in New York.
 Jimi's fingers fly, a spotlit blur
 upon a maple fretboard, angled high.
 And "Auld Lang Syne" roars in this birthing year.
 The light show pulses life's first lighted eye.
 Nineteen-seventy. Come the fall
 The notes are searing still the reddened skies
 above Bill Graham's venue. Echoes shall
 sprawl in axis rainbow flooding cries
 landwide, to Greenwood where the man who played
 That never-waning sound of love is laid.
 That's one for you, olderman. And for Jimi too. 
 thank you fins, thank you very much, indeedDown the street you can hear her scream youre a disgrace
 As she slams the door in his drunken face
 And now he stands outside
 And all the neighbours start to gossip and drool
 He cries oh, girl you must be mad,
 What happened to the sweet love you and me had?
 Against the door he leans and starts a scene,
 And his tears fall and burn the garden green0
- 
            Originally posted by olderman
 thank you fins, thank you very much, indeed
 I had to change it because I had nine lines in the octet! I think I managed to condense the imagery okay, I hope, in the edit above. It didn't need the mention of New York if I said 'Fillmore East', really.
 Cheers! 0 0
- 
            I imagine you as western skies,
 As twilit seas that ferry waking dreams,
 As emerald and blue reflective eyes
 (Mirror-dancing starblaze-simple gleams).
 I hear songs: seductive; torrid; calm:
 “Come to me! Come here”. Here ends my quest!
 Breath, ageless, sings our shared, eternal psalm:
 Birth, death, years yielding to a needled breast;
 I, born of providence on Swedish Hill,
 conceive you as sound-image enters me:
 Loud choir-dreams sound deeply to instill
 Love's beautiful revealed simplicity.
 I paint the night as songs you breathe to me.
 I flourish in unscripted destiny.'..... Ah! A perfect illustration of the poststructuralist paradox. Does the signifier "Merlot" correspond with the 'truth' of the bottle I polished off last night, or do we hold in our thoughts a different "signified" of bottle-of-Merlot-ness? Perhaps we're dreaming of the same bottle!" -FinsburyParkCarrots0
- 
            Originally posted by dyaogirl
 I imagine you as western skies,
 As twilit seas that ferry waking dreams,
 As emerald and blue reflective eyes
 (Mirror-dancing starblaze-simple gleams).
 I hear songs: seductive; torrid; calm:
 “Come to me! Come here”. Here ends my quest!
 Breath, ageless, sings our shared, eternal psalm:
 Birth, death, years yielding to a needled breast;
 I, born of providence on Swedish Hill,
 conceive you as sound-image enters me:
 Loud choir-dreams sound deeply to instill
 Love's beautiful revealed simplicity.
 I paint the night as songs you breathe to me.
 I flourish in unscripted destiny.
 You're in another league, my love. 0 0
- 
            Originally posted by dyaogirl
 I imagine you as western skies,
 As twilit seas that ferry waking dreams,
 As emerald and blue reflective eyes
 (Mirror-dancing starblaze-simple gleams).
 I hear songs: seductive; torrid; calm:
 “Come to me! Come here”. Here ends my quest!
 Breath, ageless, sings our shared, eternal psalm:
 Birth, death, years yielding to a needled breast;
 I, born of providence on Swedish Hill,
 conceive you as sound-image enters me:
 Loud choir-dreams sound deeply to instill
 Love's beautiful revealed simplicity.
 I paint the night as songs you breathe to me.
 I flourish in unscripted destiny.
 WOW is all i can say.. Down the street you can hear her scream youre a disgrace Down the street you can hear her scream youre a disgrace
 As she slams the door in his drunken face
 And now he stands outside
 And all the neighbours start to gossip and drool
 He cries oh, girl you must be mad,
 What happened to the sweet love you and me had?
 Against the door he leans and starts a scene,
 And his tears fall and burn the garden green0
- 
            this thread funking blows
 and I think I'm the only one who knowsI say what I want, when I want. It's freedom of fucking speech.
 Sperm, It's in you to give.
 I used to have something to say... now I'm just a caricature of who I was... it's sad, that the one piece of me I wanted for you, is nothing but a misrepresentation of everything I am.0
- 
            Many would
 write prose of indifferent portent
 and
 arrange it
 typographically on a page
 and pass it off as verse
 saying it reaches the essence
 of true soul
 more than skilled versifying.
 In this big deconstructed ether
 Quality of expression
 balanced in form and content
 isn't paramount.
 Is it?
 Is it?0
- 
            all poets must adhere to this structure
 of prose and rhyme for tis history sure
 as it is your demon and obligation
 to poetry's beauty and tradition,
 words painted with black chalk on white paper
 yet portraits are written on blank vapor,
 whilst the princess doth not shine about us
 instead her love is missing perhaps must
 depart for a brighter shore perhaps love
 has caught her heart and so drawn her away
 to a place much like passions' paradise
 as will happen when those in lovers grove
 fly to some height not attained by some play -
 words are both lovers shout and love's demise.Down the street you can hear her scream youre a disgrace
 As she slams the door in his drunken face
 And now he stands outside
 And all the neighbours start to gossip and drool
 He cries oh, girl you must be mad,
 What happened to the sweet love you and me had?
 Against the door he leans and starts a scene,
 And his tears fall and burn the garden green0
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