Gigaton revisited
First off, I love this album, but does anyone have a tough time listening to it sometimes? Specifically, in reference to the timing of its release around the pandemic. When the shit was hitting the fan, I was glad to have to have a new PJ record. During the lockdowns, I spent a lot of time alone listening to help take my mind off things. It felt like the soundtrack to the pandemic, eerily prophetic. Now when I listen, the music sometimes conjures up difficult memories and old feelings of the confusion and fear of the unknowns we were facing.
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Plenty of the songs still hold up. Glad to have heard most of them at Ohana because I doubt many people will get a chance to hear more than a few of them live, and they all sound great at a show.
The tone of the album was more serious than the past few, and the timing of the release couldn't have been any more perfect (not with respect to touring, unfortunately). In some perverse way, I'm glad Gigaton isn't written off as an election year album and the messages and feelings from it are tied to a larger world event.
2020 was the worst year of my life. My relationship ended right as Gigaton came out, and a couple of months later, I lost my job, and was unemployed for almost a year. Combine those two things with COVID isolation, and the end result was me immersing myself in Gigaton even more than I normally would have.
There are so many things in it that parallel what was going on in my life at the time that it's eerie.
No Code is the record that, for me, changed PJ from a band that I really liked to something more, something greater and more meaningful.
Gigaton is on a similar level. It will forever be associated with the worst year of my life, but it will also forever be associated with me continuing to dig out from where I was, getting back to higher ground,
And even after all of that, there was one more kick in the pills lol. I fainted during Wishlist at Sea Hear Now, missed the rest of the show, and missed the next night. PJ and the Pumpkins, my 2 fav bands, on the same bill. And I missed 75% of it all.
But I went to all 4 Canadian shows last year, and had a great time. Even met a girl in Quebec, and hung out with her for a bit.
I am in a much, much better place now.
- Once, you were somewhere. And now, you're everywhere.
- If your heart still beats free, keep it for yourself.
- Would some love be best had it not appeared?
- Swim sideways from this undertow, and do not be deterred.
- Accelerate the change.
Join the fight to prevent suicide at www.afsp.org
2004 Boston I
2006 Boston I
2008 Bonnaroo, Hartford, Mansfield I
2010 Hartford
2013 Worcester I, Worcester II, Hartford
2016 Bonnaroo, Fenway I, Fenway II
2018 Fenway I, Fenway II
2021 Sea.Hear.Now
2022 Camden
2024 MSG I, Fenway I, Fenway II
That line still gives me chills in some way. Great album.
www.cluthelee.com
www.cluthe.com
I can't believe its been 3 years though.
It's weird when we talk about it and I'm like yea I stopped drinking and got a divorce from the pandemic, all good things. Cue the weird looks lol.
Melbourne #2 '03
Melbourne #3 '03
Melbourne #1 '06
Melbourne #3 '06
Melbourne '09
Melbourne '14
”They giveth and they taketh and fight to keep that what you’ve earned.”
And then the overall aura of fear, anxiety of the unknown. Gigaton really sets that mood in general. I find DOTC spooky like Ed predicting the future. Obscure reference is the opening lines to Tool’s Fear Inoculum: “Immunity, long overdue. Contagion, I exhale you.”
Mansfield '08
Hartford '10
Worcester, Hartford '13
Global Citizen, NY '15
Just as there are some albums that automatically transport me back to particular times in my life, like childhood or college or my first year in a new city, this album will always bring me back to that extremely stressful period in the spring of 2020. I though that seeing the songs performed live at Ohana in 2021, and then again on the 2022 tour, had shaken this "taint," but it's still there. It's a shame because it's such a fantastic record notwithstanding that exogenous factor.
and SBWM is one of those tracks that has grown since the release
I think alot of the other "good songs" like Seven O Clock and Quick Escape are just way too wordy and jumbled for me to enjoy on a regular basis. Sometimes, simpler is truly better.
Long term, I see myself preferring Backspacer and Lightning Bolt over Gigaton just due to ease of listening
2012: Atlanta
2013: London ONT / Wrigley Field / Pittsburgh / Buffalo / San Diego / Los Angeles I / Los Angeles II
2014: Cincinnati / St. Louis / Tulsa / Lincoln / Detroit / Denver
2015: New York City
2016: Ft. Lauderdale / Miami / Jacksonville / Greenville / Hampton / Columbia / Lexington / Philly II / New York City II / Toronto II / Bonnaroo / Telluride / Fenway I / Wrigley I / Wrigley - II / TOTD - Philadelphia, San Francisco
2017: Ohana Fest (EV)
2018: Amsterdam I / Amsterdam II / Seattle I / Seattle II / Boston I / Boston II
2021: Asbury Park / Ohana Encore 1 / Ohana Encore 2
2022: Phoenix / LA I / LA II / Quebec City / Ottawa / New York City / Camden / Nashville / St. Louis / Denver
2023: St. Paul II
2024: Las Vegas I / Las Vegas II / New York City I / New York City II / Philly I / Philly II / Baltimore
astoria 06
albany 06
hartford 06
reading 06
barcelona 06
paris 06
wembley 07
dusseldorf 07
nijmegen 07
this song is meant to be called i got shit,itshould be called i got shit tickets-hartford 06 -
A fantastic record!
Dance
WES
7
Alright
The rest are honestly forgettable to me (save maybe the last 2 mins of Retrograde). I am shocked at how poorly River Cross evolved for me. Outside of the final chorus, I could never listen to the rest of that track and be perfectly content.
Do I think it's a special album? Yes, but it only ranks above the lowly LB and barely better BS in my view.
Quick Escape
Retrograde
Are really the only songs I care to hear live again if at all.
Gutted: London 2 2018, Sacramento 2022, Noblesville 2023