Vinyl _____ Show your best/worst sounding!
Comments
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I thought the Superunknown box from RSD from a few years back sounded pretty good to me - maybe time for a re-visit0
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I have the 2014 reissue of Superunknown too, I like it, sounds pretty good to these ears, nice separation of instruments, just different. But, if you're used to the sound of the original CD like me which sounded perfect, then the vinyl version is distinctly different. Seems the bass is up more in the mix and the vocals too on the last reissue, which means the guitars and drums are pushed back a bit, so different, but still good. And, much better than a brand new copy I brought off Ebay about 5 years ago that I later found out was a bootleg, sounded absolutely terrible.A wop bop a loo bop a lop bam boom.0
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Shitty. I never bought it because I thought they overpriced it and I was mad about it, lol. I did get that 10" Superunknown RSD boxset though, and luckily that sounds very good (despite the utterly ridiculous remix of Spoonman that's included on it, hahaha). It also has the worst packaging of any boxset i have ever seen. I feel like it wouldn't have been too much worse if it had been made of napkins, lol.Tim Simmons said:Yeah, I just did a quick test. I think its brickwalled to shit. The vinyl itself is perfect. Flat quiet. But Matts cymbals are all tinney and the guitar crunch just gets crackly which I believe are signs of brickwalling.
Too double check I took my test LPs (Miles Davis - Kind of Blue mono pressing and Stereolab - Emperor Tomato Ketchup duophonic pressing) and they sound crisp as fuck. So its not my setup.Post edited by PJ_Soul onWith all its sham, drudgery, and broken dreams, it is still a beautiful world. Be careful. Strive to be happy. ~ Desiderata0 -
Nevermind, German Pallas pressing is excellent. I've owned a few different ones and this is dead quiet and has a nice bottom end. .
Neil Young Massey Hall is probably my highest quality. Of course the cd is phenomenal too.0 -
Massive Attack - Heligoland.
This record sounds absolutely amazing, so much sonic depth, bass and vocals are so clear and distinctive, the album is synth heavy of course too. This comes with a couple of remix's of the album tracks that sound fantastic as a bonus.A wop bop a loo bop a lop bam boom.0 -
After some chat on these boards regarding the Nirvana - Nevermind pressings I thought I'd do my own comparison tests...
I recently brought the Nirvana - Nevermind 2013 Pallas version...
https://www.discogs.com/Nirvana-Nevermind/release/4819086
to compare to my Nevermind 20th Anniversary 4LP edition...
https://www.discogs.com/Nirvana-Nevermind/release/3124989
To my surprise I could not hear any discernible difference between the two pressings. I was under the illusion the Pallas version would be the definitive sounding pressing, so thought I must hear this and compare. Well I always thought the 20th anniversary edition sounded superb, but was expecting the 2013 pressing to sound better as I'd read so many great comments about it, but no difference here, both sound absolutely wonderful, great separation and I'd highly recommend either of these two pressings...A wop bop a loo bop a lop bam boom.0 -
Not being elitist and I'm not doubting you, but more curious. Equipment does make a difference. Can you share what your TT, amp and speakers?reesdog said:After some chat on these boards regarding the Nirvana - Nevermind pressings I thought I'd do my own comparison tests...
I recently brought the Nirvana - Nevermind 2013 Pallas version...
https://www.discogs.com/Nirvana-Nevermind/release/4819086
to compare to my Nevermind 20th Anniversary 4LP edition...
https://www.discogs.com/Nirvana-Nevermind/release/3124989
To my surprise I could not hear any discernible difference between the two pressings. I was under the illusion the Pallas version would be the definitive sounding pressing, so thought I must hear this and compare. Well I always thought the 20th anniversary edition sounded superb, but was expecting the 2013 pressing to sound better as I'd read so many great comments about it, but no difference here, both sound absolutely wonderful, great separation and I'd highly recommend either of these two pressings...0 -
When I did my test I usedmrussel1 said:
Not being elitist and I'm not doubting you, but more curious. Equipment does make a difference. Can you share what your TT, amp and speakers?reesdog said:After some chat on these boards regarding the Nirvana - Nevermind pressings I thought I'd do my own comparison tests...
I recently brought the Nirvana - Nevermind 2013 Pallas version...
https://www.discogs.com/Nirvana-Nevermind/release/4819086
to compare to my Nevermind 20th Anniversary 4LP edition...
https://www.discogs.com/Nirvana-Nevermind/release/3124989
To my surprise I could not hear any discernible difference between the two pressings. I was under the illusion the Pallas version would be the definitive sounding pressing, so thought I must hear this and compare. Well I always thought the 20th anniversary edition sounded superb, but was expecting the 2013 pressing to sound better as I'd read so many great comments about it, but no difference here, both sound absolutely wonderful, great separation and I'd highly recommend either of these two pressings...
Black Ortofon Cartridge
Acry-lit platter
Project speed box
Project debut 2 turntable
Marantz amp
Monster cable high performance bi wire
Bowers and Wilkens tower speakers
-Seattle,Wash-Key Arena-9/21/9 -Vancouver,B.C-Rogers Arena-12/4/13 -Vancouver,BC-Rogers Arena-5/6/24
-Seattle,Wash-Key Arena-9/22/9 -Pemberton,B.C-7/17/16
-Vancouver,B.C-GM Place -9/25/9 -Seattle,Wash-Safeco Field-8/8/18
-Vancouver,B.C-Pacific Coliseum-9/25/11 -Seattle,Wash-Safeco Field-8/10/18
-Misoula,MT-Adams Field House-9/30/12 -Vancouver,BC-Rogers Arena-5/4/240 -
That's a nice setup. Which B&W's? Your setup is close to mine, although mine are bi-amped rather than bi-wire... still not sure it makes a big difference.. I'm using 683 S2.RobbyD462 said:
When I did my test I usedmrussel1 said:
Not being elitist and I'm not doubting you, but more curious. Equipment does make a difference. Can you share what your TT, amp and speakers?reesdog said:After some chat on these boards regarding the Nirvana - Nevermind pressings I thought I'd do my own comparison tests...
I recently brought the Nirvana - Nevermind 2013 Pallas version...
https://www.discogs.com/Nirvana-Nevermind/release/4819086
to compare to my Nevermind 20th Anniversary 4LP edition...
https://www.discogs.com/Nirvana-Nevermind/release/3124989
To my surprise I could not hear any discernible difference between the two pressings. I was under the illusion the Pallas version would be the definitive sounding pressing, so thought I must hear this and compare. Well I always thought the 20th anniversary edition sounded superb, but was expecting the 2013 pressing to sound better as I'd read so many great comments about it, but no difference here, both sound absolutely wonderful, great separation and I'd highly recommend either of these two pressings...
Black Ortofon Cartridge
Acry-lit platter
Project speed box
Project debut 2 turntable
Marantz amp
Monster cable high performance bi wire
Bowers and Wilkens tower speakers0 -
Thank youmrussel1 said:
That's a nice setup. Which B&W's? Your setup is close to mine, although mine are bi-amped rather than bi-wire... still not sure it makes a big difference.. I'm using 683 S2.RobbyD462 said:
When I did my test I usedmrussel1 said:
Not being elitist and I'm not doubting you, but more curious. Equipment does make a difference. Can you share what your TT, amp and speakers?reesdog said:After some chat on these boards regarding the Nirvana - Nevermind pressings I thought I'd do my own comparison tests...
I recently brought the Nirvana - Nevermind 2013 Pallas version...
https://www.discogs.com/Nirvana-Nevermind/release/4819086
to compare to my Nevermind 20th Anniversary 4LP edition...
https://www.discogs.com/Nirvana-Nevermind/release/3124989
To my surprise I could not hear any discernible difference between the two pressings. I was under the illusion the Pallas version would be the definitive sounding pressing, so thought I must hear this and compare. Well I always thought the 20th anniversary edition sounded superb, but was expecting the 2013 pressing to sound better as I'd read so many great comments about it, but no difference here, both sound absolutely wonderful, great separation and I'd highly recommend either of these two pressings...
Black Ortofon Cartridge
Acry-lit platter
Project speed box
Project debut 2 turntable
Marantz amp
Monster cable high performance bi wire
Bowers and Wilkens tower speakers
Not sure if the model number but I find out.
They are silver and mustard(darker yellow)with wood cases.
Heavy to move lol
Each tower has
2 subs 8s I think
1 mid 8 I think too yellow with cone
1 amazing tweeter on top
-Seattle,Wash-Key Arena-9/21/9 -Vancouver,B.C-Rogers Arena-12/4/13 -Vancouver,BC-Rogers Arena-5/6/24
-Seattle,Wash-Key Arena-9/22/9 -Pemberton,B.C-7/17/16
-Vancouver,B.C-GM Place -9/25/9 -Seattle,Wash-Safeco Field-8/8/18
-Vancouver,B.C-Pacific Coliseum-9/25/11 -Seattle,Wash-Safeco Field-8/10/18
-Misoula,MT-Adams Field House-9/30/12 -Vancouver,BC-Rogers Arena-5/4/240 -
I have a pretty good gear...
Rega RP3 Turntable with Elys 2 cartridge.
Cambridge Audio Topaz SR20 amplifier.
Monitor Audio Bronze 5 speakers.
All brought within the last year or so.
All I'm saying really is the two versionsIi have of Nevermind sound fucking great, I'm sure theres some pressings out there that aren't so good, but these records are top notch imo...A wop bop a loo bop a lop bam boom.0 -
Good to know, and that is good gear. I'm actually shopping the Monitor Bronze for another setup, as soon as I can get rid of the kids stuff out of the room.reesdog said:I have a pretty good gear...
Rega RP3 Turntable with Elys 2 cartridge.
Cambridge Audio Topaz SR20 amplifier.
Monitor Audio Bronze 5 speakers.
All brought within the last year or so.
All I'm saying really is the two versionsIi have of Nevermind sound fucking great, I'm sure theres some pressings out there that aren't so good, but these records are top notch imo...0 -
Thanks, yeah I'm happy with my set-up. Highly recommend the Monitor Audio's too, at first I was a little disappointed, but there was a burn in period of a few weeks, once in though, whoah! Very happy with them, sound just got better and better..mrussel1 said:
Good to know, and that is good gear. I'm actually shopping the Monitor Bronze for another setup, as soon as I can get rid of the kids stuff out of the room.reesdog said:I have a pretty good gear...
Rega RP3 Turntable with Elys 2 cartridge.
Cambridge Audio Topaz SR20 amplifier.
Monitor Audio Bronze 5 speakers.
All brought within the last year or so.
All I'm saying really is the two versionsIi have of Nevermind sound fucking great, I'm sure theres some pressings out there that aren't so good, but these records are top notch imo...
A wop bop a loo bop a lop bam boom.0 -
Ryan Adams Heartbreaker re-issue superb pressing from Pax-Am0
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I concur!reesdog said:
My original sounds great as well.-Seattle,Wash-Key Arena-9/21/9 -Vancouver,B.C-Rogers Arena-12/4/13 -Vancouver,BC-Rogers Arena-5/6/24
-Seattle,Wash-Key Arena-9/22/9 -Pemberton,B.C-7/17/16
-Vancouver,B.C-GM Place -9/25/9 -Seattle,Wash-Safeco Field-8/8/18
-Vancouver,B.C-Pacific Coliseum-9/25/11 -Seattle,Wash-Safeco Field-8/10/18
-Misoula,MT-Adams Field House-9/30/12 -Vancouver,BC-Rogers Arena-5/4/240 -
Just put Beck's Morning Phase on the table, forgot how awesome this record sounds - best example of a recent recording mastered to vinyl.0
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Beck does an outstanding job with his vinyl pressings, all sound really good, Morning Phase included, absolutely..buck502000 said:Just put Beck's Morning Phase on the table, forgot how awesome this record sounds - best example of a recent recording mastered to vinyl.
A wop bop a loo bop a lop bam boom.0 -
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