On other forums, I've become known as The Tragically Hip Fan - being mostly American and Australian they don't really know the Hip... So people come to me to get suggestions on what to listen to, and I've actually sent two CDs of mixed Hip tunes to one girl who showed interest... Glad to see I'm not alone!
I'm just doin' my part to spread the love. Converting one fan at a time.
"I try my best to chug, stomp, weep, whisper, moan, wheeze, scat, blurt, rage, whine, and seduce. With my voice I can sound like a girl, the boogieman, a Theremin, a cherry bomb, a clown, a doctor, a murderer. I can be tribal. Ironic. Or disturbed. My voice is really my instrument."
This just in: the Bathouse video series part 4 is now up on the Hip's site. I can't wait to hear the new record! Robby and Gord S. playing banjos? Interesting!
"I try my best to chug, stomp, weep, whisper, moan, wheeze, scat, blurt, rage, whine, and seduce. With my voice I can sound like a girl, the boogieman, a Theremin, a cherry bomb, a clown, a doctor, a murderer. I can be tribal. Ironic. Or disturbed. My voice is really my instrument."
This just in: the Bathouse video series part 4 is now up on the Hip's site. I can't wait to hear the new record! Robby and Gord S. playing banjos? Interesting!
I get the impression this upcoming CD is gonna suck me right back into new Hip tunes..
I was in love with their studio stuff through "In Violet light"..
I still say that was their best tour..
and then they lost me..
All deference to you DW...
I know you think WC is their best work..
I love those tracks live.. but on record "the kids don't get it" (:)
Just to clarify, I never said WC was their best work. But I did say it was the best record they've made since Phantom Power, which of course is debatable, as everybody has different tastes when it comes to the Hip. The album definitely has that Bob Rock polish to it, and some of the tracks are way overproduced (In View and World Container come to mind). But I find the songs themselves to be incredibly well written. Yer Not the Ocean, Lonely End of the Rink, Fly, Luv Sic, Kids Don't Get It, The Drop Off, Family Band, and the title track can easily stand up to anything in the Hip's catalogue in my opinion. One thing we can definitely agree on though is that these songs really come to life when the boys play them live. I'll never forget the first time I heard them play Rink and The Drop Off back in '06 before the album came out. The sheer force of those songs just blew me away. Rock n' fuckin' roll, baby! By the time "In Between Evolution" came out, I thought the guys were spinning their wheels a little bit, and dare I say it: repeating themselves. They seemed kind of stuck in a creative rut. I've never been a big fan of Bob Rock's production style, but I give the guy credit for giving the boys a much needed push and encouraging them to have a little more fun in the studio. They sound totally rejuvenated on that record. You can hear it in the songs...especially Gord's amazing vocal performance.
"I try my best to chug, stomp, weep, whisper, moan, wheeze, scat, blurt, rage, whine, and seduce. With my voice I can sound like a girl, the boogieman, a Theremin, a cherry bomb, a clown, a doctor, a murderer. I can be tribal. Ironic. Or disturbed. My voice is really my instrument."
I can't believe I slept on the Hip for so long, started listening to them about a month ago and have been hooked ever since. I prefer their earlier stuff, but their catalogue as a whole is very impressive.
I can't believe I slept on the Hip for so long, started listening to them about a month ago and have been hooked ever since. I prefer their earlier stuff, but their catalogue as a whole is very impressive.
Welcome to the longest running tribute thread in the Other Music forum! It's always great seeing people discovering this band for the first time. They've just finished recording a new album which should be out early in 2009. These guys MUST be seen live to get the full effect, so make sure to keep an eye on their website for tour dates and go to as many shows as you can. I guarantee you'll be hooked after the first song of your first show.
"I try my best to chug, stomp, weep, whisper, moan, wheeze, scat, blurt, rage, whine, and seduce. With my voice I can sound like a girl, the boogieman, a Theremin, a cherry bomb, a clown, a doctor, a murderer. I can be tribal. Ironic. Or disturbed. My voice is really my instrument."
Believe me, when I was growin up, I thought the worst thing you could turn out to be was normal, So I say freaks in the most complementary way. Here's a song by a fellow freak - E.V
can any explain to me why the song "Dire Wolf" was never marketed to adult radio and become their "breakthrough" hit???
I am US born and bred and just think the missed a collossal chance to re-introduce themselves to the US market..
"Courage" and "meridian" had some traction in the days of hard rock stations ...
"Poets' did pretty good with Adult Contempoarary Radio in the US..but little or no follow up..
Their biggest hit in the U.S. was Ahead by a Century in 1996. According to the Canadian rock biography "Have Not Been the Same", the song reached #136 on the billboard top 200. Pretty respectable for a band that had little to zero exposure in the mainstream media south of the border. At the same time over the last 10 years or so, they've managed to open for the Rolling Stones, The Who, and Page & Plant. I have no idea how these huge bands find out about the Hip. Pete Townshend reportedly discovered them simply through word of mouth and ended up loving them.
"I try my best to chug, stomp, weep, whisper, moan, wheeze, scat, blurt, rage, whine, and seduce. With my voice I can sound like a girl, the boogieman, a Theremin, a cherry bomb, a clown, a doctor, a murderer. I can be tribal. Ironic. Or disturbed. My voice is really my instrument."
respect your response DW but you missed the whole focus of my post..
why let a song like "Dire Wolf" languish..?
Its about the most "radio friendly" song in their catalog?
Its akin to Pearl Jam sitting on "Sad" and "Undone" as "lost dogs" instead of using them as major singles with the CD releases..
WTF?
Ahh, ok. I see what you're saying. Yea, "Dire Wolf" would've made a great single. In the past the Hip have chosen some of the weirdest/non-commercial songs as singles. I remember when they released "Nautical Disaster" as a single, and I was like what the hell?? There's no way that song will do well on radio. And it didn't. Same thing when they released "It's a Good Life if You Don't Weaken". Beautiful song, but it's just not catchy enough to be a decent radio single.
But they finally hit the jackpot with "In View". It reached the #1 spot on various formats across Canada that winter (rock radio, top 40, etc...) and was their first big hit since "My Music at Work" back in 2000. I know they released the single & the video in the U.S. as well, but it didn't even make a dent on the billboard charts, which is bizarre considering how ridiculously catchy that song is. It's easily the most commercial-sounding song they've ever released. The lyrics are very straight-forward, and compared to the majority of Hip songs it's nothing more than a fun throw-away track that they threw on the album just for the hell of it. Paul Langlois said that song came together very quickly and they didn't really have any intentions of making it the single until Bob Rock convinced them that it would be a huge hit. Bob was right. It's funny though. That song isn't even remotely close to representing what the Hip are about. Part of me is glad that it never caught on in the U.S.
"I try my best to chug, stomp, weep, whisper, moan, wheeze, scat, blurt, rage, whine, and seduce. With my voice I can sound like a girl, the boogieman, a Theremin, a cherry bomb, a clown, a doctor, a murderer. I can be tribal. Ironic. Or disturbed. My voice is really my instrument."
Ahh, ok. I see what you're saying. Yea, "Dire Wolf" would've made a great single. In the past the Hip have chosen some of the weirdest/non-commercial songs as singles. I remember when they released "Nautical Disaster" as a single, and I was like what the hell?? There's no way that song will do well on radio. And it didn't. Same thing when they released "It's a Good Life if You Don't Weaken". Beautiful song, but it's just not catchy enough to be a decent radio single.
But they finally hit the jackpot with "In View". It reached the #1 spot on various formats across Canada that winter (rock radio, top 40, etc...) and was their first big hit since "My Music at Work" back in 2000. I know they released the single & the video in the U.S. as well, but it didn't even make a dent on the billboard charts, which is bizarre considering how ridiculously catchy that song is. It's easily the most commercial-sounding song they've ever released. The lyrics are very straight-forward, and compared to the majority of Hip songs it's nothing more than a fun throw-away track that they threw on the album just for the hell of it. Paul Langlois said that song came together very quickly and they didn't really have any intentions of making it the single until Bob Rock convinced them that it would be a huge hit. Bob was right. It's funny though. That song isn't even remotely close to representing what the Hip are about. Part of me is glad that it never caught on in the U.S.
Nautical Disaster is one of if not the best song the Hip have ever written. If people didn't like the Hip when they heard that, they will never like them.
In View was a top 40 adult contemporary radio friendly song, and most people who liked In View probably watch "the View". I agree that song doesn't nearly capture the essence of what the Hip are.
The Hip are in a position of luxury, because they already have a big fanbase...they can essentially release whatever they feel like and there's a group of people willing to listen/buy it. So why would they really care about a hit single? It means nothing to them. And as a fan, it means nothing to me. Why do I care if soccer moms turn up the radio when In View is on? The song was a throwaway, as you said.
Nautical Disaster is one of if not the best song the Hip have ever written.
I'll go one better and say that "Nautical Disaster" is one of the greatest rock songs ever written in the history of the genre, period. I've probably said this before, but that song is the sound of the Hip at the peak of their powers, and it remains the perfect marriage of the band's hard-rock sound and Downie's brilliantly poetic lyrics. That song has moved me to tears at times, especially when they play it live. Robby's emotional solo during the outtro is what really drives it home for me. I still think it's the best guitar solo he's ever recorded. If individual songs were inducted into the rock n' roll hall of fame, this song would definitely make the short list.
"I try my best to chug, stomp, weep, whisper, moan, wheeze, scat, blurt, rage, whine, and seduce. With my voice I can sound like a girl, the boogieman, a Theremin, a cherry bomb, a clown, a doctor, a murderer. I can be tribal. Ironic. Or disturbed. My voice is really my instrument."
Dire Wolf and The Dark Canuck my two favorite songs
SLC 11/2/95, Park City 6/21/98, Boise 11/3/00, Seattle 12/9/02, Vancouver 5/30/03, Gorge 9/1/05, Vancouver 9/2/05, Gorge 7/22/06, Gorge 7/23/06, Camden I 6/19/08, MSG I 6/24/08, MSG II 6/25/08, Hartford 6/27/08, Mansfield II 6/30/08; Eddie Albany 6/8/09, 6/9/09; Philly 10/30/09, 10/31/09; Boston 5/17/10
I thought the world...Turns out the world thought me
I'll go one better and say that "Nautical Disaster" is one of the greatest rock songs ever written in the history of the genre, period. I've probably said this before, but that song is the sound of the Hip at the peak of their powers, and it remains the perfect marriage of the band's hard-rock sound and Downie's brilliantly poetic lyrics. That song has moved me to tears at times, especially when they play it live. Robby's emotional solo during the outtro is what really drives it home for me. I still think it's the best guitar solo he's ever recorded. If individual songs were inducted into the rock n' roll hall of fame, this song would definitely make the short list.
Agreed...that era (Fully Completely to Henhouse/Phantom Power) is when the Hip could've easily had the "greatest band on earth" moniker. They were simply incredible at that point. Best Saturday Night Live performance ever, by any band, was when they were on and played "grace too" and "nautical disaster".
This isn't meant to discount all the other stuff they've written, because there's lots of great material..but they were a phenomenal band in that era of the 1990's.
I love the Hip. Their last album was really good. I saw them a few times on their "Another Roadside Attraction" tours. They were so great. Those shows were a blast.
Dan Aykroyd's intro is so fuckin' cool and heartwarming at the same time. And ya gotta love Gord going absolutely nuts at the end of Grace, Too.
"Him? Here? Now? NOOOOOOO!!!!!!"
"I try my best to chug, stomp, weep, whisper, moan, wheeze, scat, blurt, rage, whine, and seduce. With my voice I can sound like a girl, the boogieman, a Theremin, a cherry bomb, a clown, a doctor, a murderer. I can be tribal. Ironic. Or disturbed. My voice is really my instrument."
Still pretty quiet on the Hip front. I'd say it's almost time for part 5 of the Bathouse video series. I think I'm going through withdrawl. I need some new album and tour news!!!
"I try my best to chug, stomp, weep, whisper, moan, wheeze, scat, blurt, rage, whine, and seduce. With my voice I can sound like a girl, the boogieman, a Theremin, a cherry bomb, a clown, a doctor, a murderer. I can be tribal. Ironic. Or disturbed. My voice is really my instrument."
Hey folks! I came across this cool vid of "Gift Shop" today from a live TV performance in Holland in 1997. It's probably one of the best versions of this song I've ever heard. Johnny looks like he's about 18 years old here, lol. Enjoy!
Also, I heard from a reliable source at the Hipbase forum that the boys have finished the new record. It's in the can! They're currently working on the artwork and liner notes, and the album should be out by Spring of '09. I'm hoping for March. The earlier I can get my grubby hands on this thing, the better.
"I try my best to chug, stomp, weep, whisper, moan, wheeze, scat, blurt, rage, whine, and seduce. With my voice I can sound like a girl, the boogieman, a Theremin, a cherry bomb, a clown, a doctor, a murderer. I can be tribal. Ironic. Or disturbed. My voice is really my instrument."
Dan Aykroyd's intro is so fuckin' cool and heartwarming at the same time. And ya gotta love Gord going absolutely nuts at the end of Grace, Too.
"Him? Here? Now? NOOOOOOO!!!!!!"
Holy fucking god. I hadn't seen this before.... My housemate's uncle was mentioned on SNL. Wow! Thanks so much for that, I sent it on to her.... I know she'll get chills. She got chills when Downie mentioned Wally at the K-Rock Centre opening, so she'll think this is pretty special.
I'll go one better and say that "Nautical Disaster" is one of the greatest rock songs ever written in the history of the genre, period. I've probably said this before, but that song is the sound of the Hip at the peak of their powers, and it remains the perfect marriage of the band's hard-rock sound and Downie's brilliantly poetic lyrics. That song has moved me to tears at times, especially when they play it live. Robby's emotional solo during the outtro is what really drives it home for me. I still think it's the best guitar solo he's ever recorded. If individual songs were inducted into the rock n' roll hall of fame, this song would definitely make the short list.
Couldn't agree more. Just fucking epic. I'm assuming that most people have heard that the entire song is a metaphor for divorce... That's what makes Downie amazing. His lyrics can tell a story while at the same time, mean something completely different than their literal meaning. I'm still waiting for the Hip to put out another Day For Night (not happening, I know). I really haven't enjoyed anything they put out after Music @ Work. Music @ Work had a few songs I really enjoy like Tiger The Lion, My Music at Work, Train Overnight, Freak Turbulence and a couple of others, but after that, I can pick out like half a dozen songs I listen to. Most of them are on IVL. The Dark Canuck and the Dire Wolf are great songs. I was at a show during that tour where they played the Dire Wolf with a Last Of The Unplucked Gems lead-in. That was amazing.
The best Hip show I've ever seen was September 16, 2000 (coincidently my 14 bday). They played a free concert in support of War Child at the Forks in Winnipeg, about a 10 minute bike ride from my house. Because it was a free show, there was no way to get an official attendance, but the organizers estimated it as between 85,000 and 100,000. Pretty crazy for a city of about 650,000 at the time. They were absolutely on fire that day. The crowd was loud and they were eating it up. Gord Downie wrote a poem one line at a time between songs. It was one of those "Holy shit..." type of concerts. Here's the setlist
Grace, Too, My Music At Work, Gift Shop, Puttin' Down, Ahead By A Century, Fully Completely, Bobcaygeon, Nautical Disaster, Tiger The Lion, Poets, Lake Fever, Fireworks, Springtime In Vienna, The Completists, Courage (For Hugh Maclennan), Wheat Kings, New Orleans Is Sinking
Something On, Scared, At The Hundredth Meridian
Little Bones
I have a soundboard recording of this show if anyone is interested
I'd be interested! Anyone in here a member of hipbase?
Yup. Hipbase and the Message Pit are pretty much the only two music forums I visit on a regular basis.
"I try my best to chug, stomp, weep, whisper, moan, wheeze, scat, blurt, rage, whine, and seduce. With my voice I can sound like a girl, the boogieman, a Theremin, a cherry bomb, a clown, a doctor, a murderer. I can be tribal. Ironic. Or disturbed. My voice is really my instrument."
Comments
I'm just doin' my part to spread the love. Converting one fan at a time.
-Tom Waits
http://www.thehip.com/sneakPeak/TheBathouse-part4.html
-Tom Waits
Cool Thanks.
I was in love with their studio stuff through "In Violet light"..
I still say that was their best tour..
and then they lost me..
All deference to you DW...
I know you think WC is their best work..
I love those tracks live.. but on record "the kids don't get it" (:)
IVL sounds great on CD and Live IMO..
The one thing I have never seen live / asways wanted to was :
"The Dark Canuck".. reminds me of a WHO type rock opera..
"if you need a good connection for drugs.."
EV intro to Chloe Dancer / Crown of Thorns
10/25/13 Hartford
Just to clarify, I never said WC was their best work. But I did say it was the best record they've made since Phantom Power, which of course is debatable, as everybody has different tastes when it comes to the Hip. The album definitely has that Bob Rock polish to it, and some of the tracks are way overproduced (In View and World Container come to mind). But I find the songs themselves to be incredibly well written. Yer Not the Ocean, Lonely End of the Rink, Fly, Luv Sic, Kids Don't Get It, The Drop Off, Family Band, and the title track can easily stand up to anything in the Hip's catalogue in my opinion. One thing we can definitely agree on though is that these songs really come to life when the boys play them live. I'll never forget the first time I heard them play Rink and The Drop Off back in '06 before the album came out. The sheer force of those songs just blew me away. Rock n' fuckin' roll, baby! By the time "In Between Evolution" came out, I thought the guys were spinning their wheels a little bit, and dare I say it: repeating themselves. They seemed kind of stuck in a creative rut. I've never been a big fan of Bob Rock's production style, but I give the guy credit for giving the boys a much needed push and encouraging them to have a little more fun in the studio. They sound totally rejuvenated on that record. You can hear it in the songs...especially Gord's amazing vocal performance.
-Tom Waits
EV intro to Chloe Dancer / Crown of Thorns
10/25/13 Hartford
Welcome to the longest running tribute thread in the Other Music forum! It's always great seeing people discovering this band for the first time. They've just finished recording a new album which should be out early in 2009. These guys MUST be seen live to get the full effect, so make sure to keep an eye on their website for tour dates and go to as many shows as you can. I guarantee you'll be hooked after the first song of your first show.
-Tom Waits
shame on you canucks!
can any explain to me why the song "Dire Wolf" was never marketed to adult radio and become their "breakthrough" hit???
I am US born and bred and just think the missed a collossal chance to re-introduce themselves to the US market..
"Courage" and "meridian" had some traction in the days of hard rock stations ...
"Poets' did pretty good with Adult Contempoarary Radio in the US..but little or no follow up..
EV intro to Chloe Dancer / Crown of Thorns
10/25/13 Hartford
Their biggest hit in the U.S. was Ahead by a Century in 1996. According to the Canadian rock biography "Have Not Been the Same", the song reached #136 on the billboard top 200. Pretty respectable for a band that had little to zero exposure in the mainstream media south of the border. At the same time over the last 10 years or so, they've managed to open for the Rolling Stones, The Who, and Page & Plant. I have no idea how these huge bands find out about the Hip. Pete Townshend reportedly discovered them simply through word of mouth and ended up loving them.
-Tom Waits
why let a song like "Dire Wolf" languish..?
Its about the most "radio friendly" song in their catalog?
Its akin to Pearl Jam sitting on "Sad" and "Undone" as "lost dogs" instead of using them as major singles with the CD releases..
WTF?
EV intro to Chloe Dancer / Crown of Thorns
10/25/13 Hartford
Ahh, ok. I see what you're saying. Yea, "Dire Wolf" would've made a great single. In the past the Hip have chosen some of the weirdest/non-commercial songs as singles. I remember when they released "Nautical Disaster" as a single, and I was like what the hell?? There's no way that song will do well on radio. And it didn't. Same thing when they released "It's a Good Life if You Don't Weaken". Beautiful song, but it's just not catchy enough to be a decent radio single.
But they finally hit the jackpot with "In View". It reached the #1 spot on various formats across Canada that winter (rock radio, top 40, etc...) and was their first big hit since "My Music at Work" back in 2000. I know they released the single & the video in the U.S. as well, but it didn't even make a dent on the billboard charts, which is bizarre considering how ridiculously catchy that song is. It's easily the most commercial-sounding song they've ever released. The lyrics are very straight-forward, and compared to the majority of Hip songs it's nothing more than a fun throw-away track that they threw on the album just for the hell of it. Paul Langlois said that song came together very quickly and they didn't really have any intentions of making it the single until Bob Rock convinced them that it would be a huge hit. Bob was right. It's funny though. That song isn't even remotely close to representing what the Hip are about. Part of me is glad that it never caught on in the U.S.
-Tom Waits
Nautical Disaster is one of if not the best song the Hip have ever written. If people didn't like the Hip when they heard that, they will never like them.
In View was a top 40 adult contemporary radio friendly song, and most people who liked In View probably watch "the View". I agree that song doesn't nearly capture the essence of what the Hip are.
The Hip are in a position of luxury, because they already have a big fanbase...they can essentially release whatever they feel like and there's a group of people willing to listen/buy it. So why would they really care about a hit single? It means nothing to them. And as a fan, it means nothing to me. Why do I care if soccer moms turn up the radio when In View is on? The song was a throwaway, as you said.
I'll go one better and say that "Nautical Disaster" is one of the greatest rock songs ever written in the history of the genre, period. I've probably said this before, but that song is the sound of the Hip at the peak of their powers, and it remains the perfect marriage of the band's hard-rock sound and Downie's brilliantly poetic lyrics. That song has moved me to tears at times, especially when they play it live. Robby's emotional solo during the outtro is what really drives it home for me. I still think it's the best guitar solo he's ever recorded. If individual songs were inducted into the rock n' roll hall of fame, this song would definitely make the short list.
-Tom Waits
08/02/07 - LOLLA!!!
I thought the world...Turns out the world thought me
Agreed...that era (Fully Completely to Henhouse/Phantom Power) is when the Hip could've easily had the "greatest band on earth" moniker. They were simply incredible at that point. Best Saturday Night Live performance ever, by any band, was when they were on and played "grace too" and "nautical disaster".
This isn't meant to discount all the other stuff they've written, because there's lots of great material..but they were a phenomenal band in that era of the 1990's.
Grace, Too on SNL:
http://www.youtube.com/watch?v=OfOwrj3Gi-g
Nautical Disaster on SNL:
http://www.youtube.com/watch?v=QDCD6-wU_bA
Dan Aykroyd's intro is so fuckin' cool and heartwarming at the same time. And ya gotta love Gord going absolutely nuts at the end of Grace, Too.
"Him? Here? Now? NOOOOOOO!!!!!!"
-Tom Waits
Still pretty quiet on the Hip front. I'd say it's almost time for part 5 of the Bathouse video series. I think I'm going through withdrawl. I need some new album and tour news!!!
-Tom Waits
http://www.youtube.com/watch?v=XoJn_sJGE3c
Also, I heard from a reliable source at the Hipbase forum that the boys have finished the new record. It's in the can! They're currently working on the artwork and liner notes, and the album should be out by Spring of '09. I'm hoping for March. The earlier I can get my grubby hands on this thing, the better.
-Tom Waits
Holy fucking god. I hadn't seen this before.... My housemate's uncle was mentioned on SNL. Wow! Thanks so much for that, I sent it on to her.... I know she'll get chills. She got chills when Downie mentioned Wally at the K-Rock Centre opening, so she'll think this is pretty special.
Couldn't agree more. Just fucking epic. I'm assuming that most people have heard that the entire song is a metaphor for divorce... That's what makes Downie amazing. His lyrics can tell a story while at the same time, mean something completely different than their literal meaning. I'm still waiting for the Hip to put out another Day For Night (not happening, I know). I really haven't enjoyed anything they put out after Music @ Work. Music @ Work had a few songs I really enjoy like Tiger The Lion, My Music at Work, Train Overnight, Freak Turbulence and a couple of others, but after that, I can pick out like half a dozen songs I listen to. Most of them are on IVL. The Dark Canuck and the Dire Wolf are great songs. I was at a show during that tour where they played the Dire Wolf with a Last Of The Unplucked Gems lead-in. That was amazing.
The best Hip show I've ever seen was September 16, 2000 (coincidently my 14 bday). They played a free concert in support of War Child at the Forks in Winnipeg, about a 10 minute bike ride from my house. Because it was a free show, there was no way to get an official attendance, but the organizers estimated it as between 85,000 and 100,000. Pretty crazy for a city of about 650,000 at the time. They were absolutely on fire that day. The crowd was loud and they were eating it up. Gord Downie wrote a poem one line at a time between songs. It was one of those "Holy shit..." type of concerts. Here's the setlist
Grace, Too, My Music At Work, Gift Shop, Puttin' Down, Ahead By A Century, Fully Completely, Bobcaygeon, Nautical Disaster, Tiger The Lion, Poets, Lake Fever, Fireworks, Springtime In Vienna, The Completists, Courage (For Hugh Maclennan), Wheat Kings, New Orleans Is Sinking
Something On, Scared, At The Hundredth Meridian
Little Bones
I have a soundboard recording of this show if anyone is interested
Yup. Hipbase and the Message Pit are pretty much the only two music forums I visit on a regular basis.
-Tom Waits
Yes.... But I have gotten out of checking it recently. I'm pretty much lurker status there.
I have to hear that...
anyone have the boot?
EV intro to Chloe Dancer / Crown of Thorns
10/25/13 Hartford