Maybe they get pushback because many people complain that all the good tickets are gone in pre-sales, etc before they even can get a chance to buy. Why does everyone need to pay to join a fan club to access good tickets? I get that it's different now than it was, but both sides need to negotiate something beneficial for each side.
Maybe they get pushback because many people complain that all the good tickets are gone in pre-sales, etc before they even can get a chance to buy. Why does everyone need to pay to join a fan club to access good tickets? I get that it's different now than it was, but both sides need to negotiate something beneficial for each side.
They got pushback that there weren't enough tickets, so they removed all of the best tickets and added slightly more of the worst tickets? I don't think that's it.
It looks like in this example they took the lower level sides away from 10Club to go into general sale, and added a bunch of upper level sections to 10 club allotment. This lets the general sale have good tickets available, but also likely lets tm add their variable pricing to those sections. Definitely harder for them to do that in LA for upper level.
Nobody on this forum knows exactly where or how those tickets are being distributed.
Every tour people come on here and yell and scream and throw tantrums about Ticketmaster.
And every tour people like me have to come on here and make it clear that no tickets are allocated, distributed, or sold without PJ and their management being a part of it. That includes pricing, limits, who gets what where Etc.
And before the flames start I am in no way defending TMs practices.
Nobody on this forum knows exactly where or how those tickets are being distributed.
Every tour people come on here and yell and scream and throw tantrums about Ticketmaster.
And every tour people like me have to come on here and make it clear that no tickets are allocated, distributed, or sold without PJ and their management being a part of it. That includes pricing, limits, who gets what where Etc.
And before the flames start I am in no way defending TMs practices.
Agreed. It's a complicated issue but TM has become a convenient Boogeyman for many artists.
Maybe they get pushback because many people complain that all the good tickets are gone in pre-sales, etc before they even can get a chance to buy. Why does everyone need to pay to join a fan club to access good tickets? I get that it's different now than it was, but both sides need to negotiate something beneficial for each side.
They got pushback that there weren't enough tickets, so they removed all of the best tickets and added slightly more of the worst tickets? I don't think that's it.
I think this was part of it. I think the Ten Club wanted more tickets for fan club members, and to do that they had to let the promoter/Ticketmaster have more of the primo seats. Maybe not the whole reason, but a big reason.
For those that are upset, well, if you think you are better off trying to get tickets to MSG, Seattle or Philly without the fan club then sit this one out. I'm thankful for what we can get and it is still pretty darn good. I'm guessing people aren't going to sit out because they know it will be easier to get into the building via fan club that a Ticketmaster public on sale. Plus, the GA pit is still fan club, so we are talking about a few sections of seats going to the rich. Boo hoo.
Times change. I'm much more upset about the trucker hats being replaced by a fedora. Ha.
Many platinum tickets will sit and drop down to standard price prior to the show. Look at the Baltimore seating chart, it is a venue to venue thing. Locking up 10c tickets is probably pricey for the band, so MSG/LA and the like are understandably less 10C reserved.
Didn't they tell us last year that 10% of tickets are going towards Ticketmaster Platinums? eye-balling it, I'd say those removed Lower sections are about 10% of the used venue
Didn't they tell us last year that 10% of tickets are going towards Ticketmaster Platinums? eye-balling it, I'd say those removed Lower sections are about 10% of the used venue
they did, but I think we kind of hoped that 10% was scattered throughout the arena, not a big chunk of the best tickets in the closer sections :(
2007: Chorzow, PL 2014: Gdynia, PL 2017: EV Solo Berlin, DE 2018: PinkPop Festival, NL; London #1, UK; Padova, ITA; Prague, CZ; Krakow, PL; Berlin; DE; London #2, UK 2019: EV Solo Berlin, DE 2022: Berlin, Budapest, Krakow
Didn't they tell us last year that 10% of tickets are going towards Ticketmaster Platinums? eye-balling it, I'd say those removed Lower sections are about 10% of the used venue
they did, but I think we kind of hoped that 10% was scattered throughout the arena, not a big chunk of the best tickets in the closer sections :(
I think it was for the 2022 rescheduled shows, but that led to a lot of kinda crappy seats being sold as "premium". If they're going to subsidize us by hocking "premium" seats at outrageous prices, at least make them good seats. Of course, I say this as someone with no shot at those seats anyway. YMMV
"I'm a lucky man, to count on both hands the [shows I've done]. Some folks just have one, others they got none..."
Didn't they tell us last year that 10% of tickets are going towards Ticketmaster Platinums? eye-balling it, I'd say those removed Lower sections are about 10% of the used venue
they did, but I think we kind of hoped that 10% was scattered throughout the arena, not a big chunk of the best tickets in the closer sections :(
Premium will definitely be in the blue and orange areas as well for MSG.
Nobody on this forum knows exactly where or how those tickets are being distributed.
Every tour people come on here and yell and scream and throw tantrums about Ticketmaster.
And every tour people like me have to come on here and make it clear that no tickets are allocated, distributed, or sold without PJ and their management being a part of it. That includes pricing, limits, who gets what where Etc.
And before the flames start I am in no way defending TMs practices.
Agreed. It's a complicated issue but TM has become a convenient Boogeyman for many artists.
It's become a convenient boogeyman for people who don't want to accept their favourite band has made the choice to make more money rather than prioritise the best seats for the fan club that probably give it an income of at least $2 mil a year (I've no idea how many active members there are) solely to get access to said tickets.
Robert Smith and The Cure proved that the fight can be won against Ticketmaster. Seems very few others want to go into bat as hard for their fans.
The secret to a happy ending is knowing when to roll the credits
For MSG, 10C gets the GA Pit and more tickets, just not in the best locations. That was the trade off. I will be very surprised if anyone gets good lower bowl tickets through any of the public sales, including verified fan. When was the last time someone you knew got good seats through a public sale? The first section next to the stage has historically been friends, family and VIPs. The rest will go at PJ Premium market prices. Probably starting around $1800, maybe more. This is about maximizing revenue for seats that have the highest demand in the country.
Nobody on this forum knows exactly where or how those tickets are being distributed.
Every tour people come on here and yell and scream and throw tantrums about Ticketmaster.
And every tour people like me have to come on here and make it clear that no tickets are allocated, distributed, or sold without PJ and their management being a part of it. That includes pricing, limits, who gets what where Etc.
And before the flames start I am in no way defending TMs practices.
Agreed. It's a complicated issue but TM has become a convenient Boogeyman for many artists.
It's become a convenient boogeyman for people who don't want to accept their favourite band has made the choice to make more money rather than prioritise the best seats for the fan club that probably give it an income of at least $2 mil a year (I've no idea how many active members there are) solely to get access to said tickets.
Robert Smith and The Cure proved that the fight can be won against Ticketmaster. Seems very few others want to go into bat as hard for their fans.
People have been blaming TM for their various ticketing woes for years without accepting the fact that the artists have complete say in distribution and pricing. Pearl Jam and their management choose this pricing structure to maximize PROFIT. They are a for profit business not a non-profit. But people just want to complain rather than figure out how to improve their options.
For MSG, 10C gets the GA Pit and more tickets, just not in the best locations. That was the trade off. I will be very surprised if anyone gets good lower bowl tickets through any of the public sales, including verified fan. When was the last time someone you knew got good seats through a public sale? The first section next to the stage has historically been friends, family and VIPs. The rest will go at PJ Premium market prices. Probably starting around $1800, maybe more. This is about maximizing revenue for seats that have the highest demand in the country.
Agreed. They went quantity over quality in MSG/LA to get more of us in the building without being gouged. Baltimore's seating chart looks to be 80% 10C.
It's just crazy looking at that map that 10c seats can now be some of the absolute worst in the house --and you don't have the choice to pick which section or row for those nosebleeds.
It's just crazy looking at that map that 10c seats can now be some of the absolute worst in the house --and you don't have the choice to pick which section or row for those nosebleeds.
200s can be ok if you are not more than 15 rows up.
Nobody on this forum knows exactly where or how those tickets are being distributed.
Every tour people come on here and yell and scream and throw tantrums about Ticketmaster.
And every tour people like me have to come on here and make it clear that no tickets are allocated, distributed, or sold without PJ and their management being a part of it. That includes pricing, limits, who gets what where Etc.
And before the flames start I am in no way defending TMs practices.
Agreed. It's a complicated issue but TM has become a convenient Boogeyman for many artists.
It's become a convenient boogeyman for people who don't want to accept their favourite band has made the choice to make more money rather than prioritise the best seats for the fan club that probably give it an income of at least $2 mil a year (I've no idea how many active members there are) solely to get access to said tickets.
Robert Smith and The Cure proved that the fight can be won against Ticketmaster. Seems very few others want to go into bat as hard for their fans.
People have been blaming TM for their various ticketing woes for years without accepting the fact that the artists have complete say in distribution and pricing. Pearl Jam and their management choose this pricing structure to maximize PROFIT. They are a for profit business not a non-profit. But people just want to complain rather than figure out how to improve their options.
It is a tough pill to swallow for fans of a band that has been so good to its fans for so long. Makes it tough to go to shows and listen to Ed fawn about the Pearl Jam "family" and rail against "the haves". I don't begrudge them making money, but it does make some of the fan interaction feel disingenuous.
"I'm a lucky man, to count on both hands the [shows I've done]. Some folks just have one, others they got none..."
Nobody on this forum knows exactly where or how those tickets are being distributed.
Every tour people come on here and yell and scream and throw tantrums about Ticketmaster.
And every tour people like me have to come on here and make it clear that no tickets are allocated, distributed, or sold without PJ and their management being a part of it. That includes pricing, limits, who gets what where Etc.
And before the flames start I am in no way defending TMs practices.
Agreed. It's a complicated issue but TM has become a convenient Boogeyman for many artists.
It's become a convenient boogeyman for people who don't want to accept their favourite band has made the choice to make more money rather than prioritise the best seats for the fan club that probably give it an income of at least $2 mil a year (I've no idea how many active members there are) solely to get access to said tickets.
Robert Smith and The Cure proved that the fight can be won against Ticketmaster. Seems very few others want to go into bat as hard for their fans.
People have been blaming TM for their various ticketing woes for years without accepting the fact that the artists have complete say in distribution and pricing. Pearl Jam and their management choose this pricing structure to maximize PROFIT. They are a for profit business not a non-profit. But people just want to complain rather than figure out how to improve their options.
It is a tough pill to swallow for fans of a band that has been so good to its fans for so long. Makes it tough to go to shows and listen to Ed fawn about the Pearl Jam "family" and rail against "the haves". I don't begrudge them making money, but it does make some of the fan interaction feel disingenuous.
This is all very true. It's just that so many "fans" refuse to believe that PJ has anything to with the ticketing process and therefore TM is out to screw them. I for one don't like it either but I put the blame where the blame goes.
Last year people lost their shit over Springsteen charging market prices. They blamed TM I went to 1 show. Spent $500 to be in the pit and loved it. But I didn't go to another show. Past tours maybe 8-10 shows. In the long run I saved money and Bruce lost money on me.
The last several shows I've gone to my tickets have been equivalent to about section 126, row 5 or 6. Was pretty happy. Curious what my number would get me this time, as those sections aren't even an option.
Baltimore.....(had to copy this from another thread because I am too old to figure out how to do it all of a sudden)
It looks like the whole arena is open to 10c. But there is no way to know if section 102 has 10 seats available, 103 8 seats available and 108 200 seats available.
Comments
Hartford 10.02.96 | Mansfield 2 09.16.98 | Mansfield 1 08.29.00 | Mansfield 1 07.02.03 | Mansfield 3 07.11.03 | Boston 2 05.25.06 | Tampa 04.11.16 | Fenway 1 08.05.16 | Fenway 2 08.07.16 | Fenway 1 09.02.18 | Fenway 2 09.04.18 | Baltimore 03.28.20 | Hamilton 09.06.22 | Toronto 09.08.22 | Nashville 09.16.22 | St Louis 09.18.22 | Baltimore 09.12.24 | Fenway 1 09.15.24 | Fenway 2 09.17.24
"He made the deal with the devil, we get to play with him.
He goes to hell, of course. We're going to heaven."
For that matter, I'd rather be in the front of 211 than in 107.
Every tour people come on here and yell and scream and throw tantrums about Ticketmaster.
And every tour people like me have to come on here and make it clear that no tickets are allocated, distributed, or sold without PJ and their management being a part of it.
That includes pricing, limits, who gets what where Etc.
And before the flames start I am in no way defending TMs practices.
"...I changed by not changing at all..."
For those that are upset, well, if you think you are better off trying to get tickets to MSG, Seattle or Philly without the fan club then sit this one out. I'm thankful for what we can get and it is still pretty darn good. I'm guessing people aren't going to sit out because they know it will be easier to get into the building via fan club that a Ticketmaster public on sale. Plus, the GA pit is still fan club, so we are talking about a few sections of seats going to the rich. Boo hoo.
Times change. I'm much more upset about the trucker hats being replaced by a fedora. Ha.
they did, but I think we kind of hoped that 10% was scattered throughout the arena, not a big chunk of the best tickets in the closer sections :(
2014: Gdynia, PL
2017: EV Solo Berlin, DE
2018: PinkPop Festival, NL; London #1, UK; Padova, ITA; Prague, CZ; Krakow, PL; Berlin; DE; London #2, UK
2019: EV Solo Berlin, DE
2022: Berlin, Budapest, Krakow
Hartford 10.02.96 | Mansfield 2 09.16.98 | Mansfield 1 08.29.00 | Mansfield 1 07.02.03 | Mansfield 3 07.11.03 | Boston 2 05.25.06 | Tampa 04.11.16 | Fenway 1 08.05.16 | Fenway 2 08.07.16 | Fenway 1 09.02.18 | Fenway 2 09.04.18 | Baltimore 03.28.20 | Hamilton 09.06.22 | Toronto 09.08.22 | Nashville 09.16.22 | St Louis 09.18.22 | Baltimore 09.12.24 | Fenway 1 09.15.24 | Fenway 2 09.17.24
"He made the deal with the devil, we get to play with him.
He goes to hell, of course. We're going to heaven."
At least if we select GA/Reserved we can't get dumped upstairs. Silver lining.
Robert Smith and The Cure proved that the fight can be won against Ticketmaster. Seems very few others want to go into bat as hard for their fans.
Pearl Jam and their management choose this pricing structure to maximize PROFIT. They are a for profit business not a non-profit.
But people just want to complain rather than figure out how to improve their options.
200s can be ok if you are not more than 15 rows up.
It is a tough pill to swallow for fans of a band that has been so good to its fans for so long. Makes it tough to go to shows and listen to Ed fawn about the Pearl Jam "family" and rail against "the haves". I don't begrudge them making money, but it does make some of the fan interaction feel disingenuous.
Hartford 10.02.96 | Mansfield 2 09.16.98 | Mansfield 1 08.29.00 | Mansfield 1 07.02.03 | Mansfield 3 07.11.03 | Boston 2 05.25.06 | Tampa 04.11.16 | Fenway 1 08.05.16 | Fenway 2 08.07.16 | Fenway 1 09.02.18 | Fenway 2 09.04.18 | Baltimore 03.28.20 | Hamilton 09.06.22 | Toronto 09.08.22 | Nashville 09.16.22 | St Louis 09.18.22 | Baltimore 09.12.24 | Fenway 1 09.15.24 | Fenway 2 09.17.24
"He made the deal with the devil, we get to play with him.
He goes to hell, of course. We're going to heaven."
It's just that so many "fans" refuse to believe that PJ has anything to with the ticketing process and therefore TM is out to screw them.
I for one don't like it either but I put the blame where the blame goes.
Last year people lost their shit over Springsteen charging market prices. They blamed TM
I went to 1 show. Spent $500 to be in the pit and loved it.
But I didn't go to another show. Past tours maybe 8-10 shows. In the long run I saved money and Bruce lost money on me.