Other than insurance purposes, its kinda pointless. I'm never gonna sell the collection as a whole, only in pieces (usually individual records). And at that point, I'll only care about the individual records value. Also, Its priceless to me, so the values are kinda worthless TBH.
Other than insurance purposes, its kinda pointless. I'm never gonna sell the collection as a whole, only in pieces (usually individual records). And at that point, I'll only care about the individual records value. Also, Its priceless to me, so the values are kinda worthless TBH.
The insurance purpose is the most important purpose.
Other than insurance purposes, its kinda pointless. I'm never gonna sell the collection as a whole, only in pieces (usually individual records). And at that point, I'll only care about the individual records value. Also, Its priceless to me, so the values are kinda worthless TBH.
The insurance purpose is the most important purpose.
It is, agreed. But the community aspect of reviews of pressings is super important to me. I always read through those when purchasing, particularly original copies of albums.
Other than insurance purposes, its kinda pointless. I'm never gonna sell the collection as a whole, only in pieces (usually individual records). And at that point, I'll only care about the individual records value. Also, Its priceless to me, so the values are kinda worthless TBH.
The insurance purpose is the most important purpose.
It is, agreed. But the community aspect of reviews of pressings is super important to me. I always read through those when purchasing, particularly original copies of albums.
Oh, I was just talking about cataloguing my collection. The insurance purpose is the only reason I do it (although a Benny is way undervalued on there). There is a lot of great info on Discogs. I wish the app would let you look at the reviews.
I scan barcodes in the record store to see what a record is worth before buying it. Been able to save a few bucks or score a decent deal 👍
I’m done buying from US sellers unless it’s a grail unfortunately. Shipping costs from the US are ridiculous. I search for Canadian sellers exclusively or certain European countries with reasonable shipping charges (Germany for example).
Other than insurance purposes, its kinda pointless. I'm never gonna sell the collection as a whole, only in pieces (usually individual records). And at that point, I'll only care about the individual records value. Also, Its priceless to me, so the values are kinda worthless TBH.
The insurance purpose is the most important purpose.
It is, agreed. But the community aspect of reviews of pressings is super important to me. I always read through those when purchasing, particularly original copies of albums.
Oh, I was just talking about cataloguing my collection. The insurance purpose is the only reason I do it (although a Benny is way undervalued on there). There is a lot of great info on Discogs. I wish the app would let you look at the reviews.
I scan barcodes in the record store to see what a record is worth before buying it. Been able to save a few bucks or score a decent deal 👍
I’m done buying from US sellers unless it’s a grail unfortunately. Shipping costs from the US are ridiculous. I search for Canadian sellers exclusively or certain European countries with reasonable shipping charges (Germany for example).
Yeah the app is worthless. When it launched I thought it would be good, but it doesn't do what I need it to do. I want to see runout info, reviews, ratings, and prices.
Other than insurance purposes, its kinda pointless. I'm never gonna sell the collection as a whole, only in pieces (usually individual records). And at that point, I'll only care about the individual records value. Also, Its priceless to me, so the values are kinda worthless TBH.
The insurance purpose is the most important purpose.
It is, agreed. But the community aspect of reviews of pressings is super important to me. I always read through those when purchasing, particularly original copies of albums.
Oh, I was just talking about cataloguing my collection. The insurance purpose is the only reason I do it (although a Benny is way undervalued on there). There is a lot of great info on Discogs. I wish the app would let you look at the reviews.
I scan barcodes in the record store to see what a record is worth before buying it. Been able to save a few bucks or score a decent deal 👍
I’m done buying from US sellers unless it’s a grail unfortunately. Shipping costs from the US are ridiculous. I search for Canadian sellers exclusively or certain European countries with reasonable shipping charges (Germany for example).
Yeah the app is worthless. When it launched I thought it would be good, but it doesn't do what I need it to do. I want to see runout info, reviews, ratings, and prices.
The best part of the app for me is quick checks of what I have when I’m digging through stuff at the record store. Without it, I’d prolly have multiple copies of things I would have forgotten I even had. Lol
Other than insurance purposes, its kinda pointless. I'm never gonna sell the collection as a whole, only in pieces (usually individual records). And at that point, I'll only care about the individual records value. Also, Its priceless to me, so the values are kinda worthless TBH.
I feel the same way. I don't really care what the dollar value on my collection is because there isn't a single record in the bunch I have an interest in getting rid of (other than a few I would like to upgrade.) My interest in its value for insurance purposes is very strong however. We live in a high fire hazard area and if I lost my collection, I would hope to collect some insurance money to replace some of it.
I really dread the prospect of this happening because it is highly unlikely I would be able to rebuild my collection as it now stands. I would probably use some insurance money to replace what I could, but a lot of them would be very hard to find in like pressing and condition and some just flat out hard to find at all. I would use the rest of the money for therapy.
“The fear of death follows from the fear of life. A man [or woman] who lives fully is prepared to die at any time.”
Other than insurance purposes, its kinda pointless. I'm never gonna sell the collection as a whole, only in pieces (usually individual records). And at that point, I'll only care about the individual records value. Also, Its priceless to me, so the values are kinda worthless TBH.
I feel the same way. I don't really care what the dollar value on my collection is because there isn't a single record in the bunch I have an interest in getting rid of (other than a few I would like to upgrade.) My interest in its value for insurance purposes is very strong however. We live in a high fire hazard area and if I lost my collection, I would hope to collect some insurance money to replace some of it.
I really dread the prospect of this happening because it is highly unlikely I would be able to rebuild my collection as it now stands. I would probably use some insurance money to replace what I could, but a lot of them would be very hard to find in like pressing and condition and some just flat out hard to find at all. I would use the rest of the money for therapy.
I’ve been attempting to rebuild the collection I had as a teenager for many years now. My mom sold it, along with my stereo system and drum set, when I went to college.
Still so many missing from that time. Either too rare/expensive to replace (punk, hardcore, thrash titles especially) or the replacements that I’ve purchased just don’t sound as good as my OPs, which, of course, now fall into that first category. Also, there’s always new or new-to-me music that eats away at the budget.
I think I only had Ten and Vs. from Pearl Jam at that point, and those were still not too pricey when I bought replacement OPs.
The kids have my whole Pearl Jam collection right now. They are more into them than I am these days.
Other than insurance purposes, its kinda pointless. I'm never gonna sell the collection as a whole, only in pieces (usually individual records). And at that point, I'll only care about the individual records value. Also, Its priceless to me, so the values are kinda worthless TBH.
I feel the same way. I don't really care what the dollar value on my collection is because there isn't a single record in the bunch I have an interest in getting rid of (other than a few I would like to upgrade.) My interest in its value for insurance purposes is very strong however. We live in a high fire hazard area and if I lost my collection, I would hope to collect some insurance money to replace some of it.
I really dread the prospect of this happening because it is highly unlikely I would be able to rebuild my collection as it now stands. I would probably use some insurance money to replace what I could, but a lot of them would be very hard to find in like pressing and condition and some just flat out hard to find at all. I would use the rest of the money for therapy.
I’ve been attempting to rebuild the collection I had as a teenager for many years now. My mom sold it, along with my stereo system and drum set, when I went to college.
Still so many missing from that time. Either too rare/expensive to replace (punk, hardcore, thrash titles especially) or the replacements that I’ve purchased just don’t sound as good as my OPs, which, of course, now fall into that first category. Also, there’s always new or new-to-me music that eats away at the budget.
I think I only had Ten and Vs. from Pearl Jam at that point, and those were still not too pricey when I bought replacement OPs.
The kids have my whole Pearl Jam collection right now. They are more into them than I am these days.
Not today Sir, Probably not tomorrow.............................................. bayfront arena st. pete '94
you're finally here and I'm a mess................................................... nationwide arena columbus '10
memories like fingerprints are slowly raising.................................... first niagara center buffalo '13
another man ..... moved by sleight of hand...................................... joe louis arena detroit '14
Other than insurance purposes, its kinda pointless. I'm never gonna sell the collection as a whole, only in pieces (usually individual records). And at that point, I'll only care about the individual records value. Also, Its priceless to me, so the values are kinda worthless TBH.
I feel the same way. I don't really care what the dollar value on my collection is because there isn't a single record in the bunch I have an interest in getting rid of (other than a few I would like to upgrade.) My interest in its value for insurance purposes is very strong however. We live in a high fire hazard area and if I lost my collection, I would hope to collect some insurance money to replace some of it.
I really dread the prospect of this happening because it is highly unlikely I would be able to rebuild my collection as it now stands. I would probably use some insurance money to replace what I could, but a lot of them would be very hard to find in like pressing and condition and some just flat out hard to find at all. I would use the rest of the money for therapy.
I’ve been attempting to rebuild the collection I had as a teenager for many years now. My mom sold it, along with my stereo system and drum set, when I went to college.
Still so many missing from that time. Either too rare/expensive to replace (punk, hardcore, thrash titles especially) or the replacements that I’ve purchased just don’t sound as good as my OPs, which, of course, now fall into that first category. Also, there’s always new or new-to-me music that eats away at the budget.
I think I only had Ten and Vs. from Pearl Jam at that point, and those were still not too pricey when I bought replacement OPs.
The kids have my whole Pearl Jam collection right now. They are more into them than I am these days.
except for backspacer. amiright?
I only ever hear them put on Ten, and the boy plays “Evenflow” a lot.
Other than insurance purposes, its kinda pointless. I'm never gonna sell the collection as a whole, only in pieces (usually individual records). And at that point, I'll only care about the individual records value. Also, Its priceless to me, so the values are kinda worthless TBH.
I feel the same way. I don't really care what the dollar value on my collection is because there isn't a single record in the bunch I have an interest in getting rid of (other than a few I would like to upgrade.) My interest in its value for insurance purposes is very strong however. We live in a high fire hazard area and if I lost my collection, I would hope to collect some insurance money to replace some of it.
I really dread the prospect of this happening because it is highly unlikely I would be able to rebuild my collection as it now stands. I would probably use some insurance money to replace what I could, but a lot of them would be very hard to find in like pressing and condition and some just flat out hard to find at all. I would use the rest of the money for therapy.
I’ve been attempting to rebuild the collection I had as a teenager for many years now. My mom sold it, along with my stereo system and drum set, when I went to college.
Still so many missing from that time. Either too rare/expensive to replace (punk, hardcore, thrash titles especially) or the replacements that I’ve purchased just don’t sound as good as my OPs, which, of course, now fall into that first category. Also, there’s always new or new-to-me music that eats away at the budget.
I think I only had Ten and Vs. from Pearl Jam at that point, and those were still not too pricey when I bought replacement OPs.
The kids have my whole Pearl Jam collection right now. They are more into them than I am these days.
I started doing the same thing several years ago. Three things decimated my LP collection that dated back to my first record- a Beach Boys LP my sister gave me in 1964. First, a box went missing in a move in the 70's. Second, when CD's came out, I foolishly believed this was going to be a better way to listen to music so I sold off several albums and bought CDs (bad move!). Third, when my life was derailed in 1993, I sold quite a few more records for practically nothing in order to eat.
It's taken me at least a couple of decades to recoup my losses, but besides a lot of things I've gotten during that time, I've replaced everything from those early years that I wish I had kept. The one gaping hole was a good sounding Miles Davis Bitches Brew which I finally filled by coughing up the bucks for a sealed copy of 40th anniversary boxed set.
How close are you to rebuilding your collection? Anything in particular that takes priority in doing so?
“The fear of death follows from the fear of life. A man [or woman] who lives fully is prepared to die at any time.”
I find discogs helps me avoid duplicates. There was a while I'd see an album, I've really been meaning to get a copy of that one, only to get home and see I already have a copy. Sometimes it's hard to keep tracks. Now I can pull up the app in the store and see if I own it already.
I do like being able to see collection value. It did help me with deciding how much insurance to get on contents. I'm not even sure you could buy all the records in my collection at the mid prices. Many of the valuable ones don't move many copies, so the sales history is a bit dated.
Other than insurance purposes, its kinda pointless. I'm never gonna sell the collection as a whole, only in pieces (usually individual records). And at that point, I'll only care about the individual records value. Also, Its priceless to me, so the values are kinda worthless TBH.
I feel the same way. I don't really care what the dollar value on my collection is because there isn't a single record in the bunch I have an interest in getting rid of (other than a few I would like to upgrade.) My interest in its value for insurance purposes is very strong however. We live in a high fire hazard area and if I lost my collection, I would hope to collect some insurance money to replace some of it.
I really dread the prospect of this happening because it is highly unlikely I would be able to rebuild my collection as it now stands. I would probably use some insurance money to replace what I could, but a lot of them would be very hard to find in like pressing and condition and some just flat out hard to find at all. I would use the rest of the money for therapy.
I’ve been attempting to rebuild the collection I had as a teenager for many years now. My mom sold it, along with my stereo system and drum set, when I went to college.
Still so many missing from that time. Either too rare/expensive to replace (punk, hardcore, thrash titles especially) or the replacements that I’ve purchased just don’t sound as good as my OPs, which, of course, now fall into that first category. Also, there’s always new or new-to-me music that eats away at the budget.
I think I only had Ten and Vs. from Pearl Jam at that point, and those were still not too pricey when I bought replacement OPs.
The kids have my whole Pearl Jam collection right now. They are more into them than I am these days.
I started doing the same thing several years ago. Three things decimated my LP collection that dated back to my first record- a Beach Boys LP my sister gave me in 1964. First, a box went missing in a move in the 70's. Second, when CD's came out, I foolishly believed this was going to be a better way to listen to music so I sold off several albums and bought CDs (bad move!). Third, when my life was derailed in 1993, I sold quite a few more records for practically nothing in order to eat.
It's taken me at least a couple of decades to recoup my losses, but besides a lot of things I've gotten during that time, I've replaced everything from those early years that I wish I had kept. The one gaping hole was a good sounding Miles Davis Bitches Brew which I finally filled by coughing up the bucks for a sealed copy of 40th anniversary boxed set.
How close are you to rebuilding your collection? Anything in particular that takes priority in doing so?
I might be halfway there, maybe.
The first record I replaced was Deep Purple's Machine Head. I could never listen to that on compact disc. It just didn't sound right.
Other than insurance purposes, its kinda pointless. I'm never gonna sell the collection as a whole, only in pieces (usually individual records). And at that point, I'll only care about the individual records value. Also, Its priceless to me, so the values are kinda worthless TBH.
I feel the same way. I don't really care what the dollar value on my collection is because there isn't a single record in the bunch I have an interest in getting rid of (other than a few I would like to upgrade.) My interest in its value for insurance purposes is very strong however. We live in a high fire hazard area and if I lost my collection, I would hope to collect some insurance money to replace some of it.
I really dread the prospect of this happening because it is highly unlikely I would be able to rebuild my collection as it now stands. I would probably use some insurance money to replace what I could, but a lot of them would be very hard to find in like pressing and condition and some just flat out hard to find at all. I would use the rest of the money for therapy.
I’ve been attempting to rebuild the collection I had as a teenager for many years now. My mom sold it, along with my stereo system and drum set, when I went to college.
Still so many missing from that time. Either too rare/expensive to replace (punk, hardcore, thrash titles especially) or the replacements that I’ve purchased just don’t sound as good as my OPs, which, of course, now fall into that first category. Also, there’s always new or new-to-me music that eats away at the budget.
I think I only had Ten and Vs. from Pearl Jam at that point, and those were still not too pricey when I bought replacement OPs.
The kids have my whole Pearl Jam collection right now. They are more into them than I am these days.
I started doing the same thing several years ago. Three things decimated my LP collection that dated back to my first record- a Beach Boys LP my sister gave me in 1964. First, a box went missing in a move in the 70's. Second, when CD's came out, I foolishly believed this was going to be a better way to listen to music so I sold off several albums and bought CDs (bad move!). Third, when my life was derailed in 1993, I sold quite a few more records for practically nothing in order to eat.
It's taken me at least a couple of decades to recoup my losses, but besides a lot of things I've gotten during that time, I've replaced everything from those early years that I wish I had kept. The one gaping hole was a good sounding Miles Davis Bitches Brew which I finally filled by coughing up the bucks for a sealed copy of 40th anniversary boxed set.
How close are you to rebuilding your collection? Anything in particular that takes priority in doing so?
I might be halfway there, maybe.
The first record I replaced was Deep Purple's Machine Head. I could never listen to that on compact disc. It just didn't sound right.
I hope you get there!
Yeah, I know what you mean about some CD's not sounding right. To my ears, almost anything before the mid to late 90's on CD sounds grating and harsh. I got rid of pretty much any CD pre-1998 or '99 and only use the ones I have in the car or if the record is unavailable on vinyl.
“The fear of death follows from the fear of life. A man [or woman] who lives fully is prepared to die at any time.”
Not today Sir, Probably not tomorrow.............................................. bayfront arena st. pete '94
you're finally here and I'm a mess................................................... nationwide arena columbus '10
memories like fingerprints are slowly raising.................................... first niagara center buffalo '13
another man ..... moved by sleight of hand...................................... joe louis arena detroit '14
Man im the opposite. The loudness wars ruined CDs for me after the late 90s.
Ex: Ten on the original CD is the best sounding version you can get. Only the 94 vinyl can even come close to matching it.
Honestly, I'm not a big fan of either. I guess it's because with my hearing issues, I have to play everything at a moderate to low volume, so I don't notice the high compression issues. The early CD's are hard for me because they are harsh and my ears can't tolerate the overly crisp sound. If I had normal hearing, I would probably feel the same way you do. And all of this is why my main source of listening is righ hear at home spinning vinyl!
“The fear of death follows from the fear of life. A man [or woman] who lives fully is prepared to die at any time.”
Man im the opposite. The loudness wars ruined CDs for me after the late 90s.
Ex: Ten on the original CD is the best sounding version you can get. Only the 94 vinyl can even come close to matching it.
Honestly, I'm not a big fan of either. I guess it's because with my hearing issues, I have to play everything at a moderate to low volume, so I don't notice the high compression issues. The early CD's are hard for me because they are harsh and my ears can't tolerate the overly crisp sound. If I had normal hearing, I would probably feel the same way you do. And all of this is why my main source of listening is righ hear at home spinning vinyl!
I don't have ear issues but I'm also sensitive to cds like you. Speakers with horns (like Klipsch) or certain tweeters give me fatigue pretty easily. I also much prefer mellower amplifiers for the same reason. I should probably move to tubes at some point as well.
man you can’t escape the assholes no matter how hard you try.
I chose not to appeal.
"buyer unreasonable"
I'munreasonable for expect the item you accepted payment to be mailed within 4 days. I'm unreasonable for complaining to discogs on day 8.
stay away from nycvinyljunkie
10 neutral and 1 negative out of a little over 200 feedbacks for that seller is not good. I rarely buy from anyone with less than 100% positive feedback unless it is obvious the negative feedback is uncalled for.
It's tough both ways. I've never sold on discogs but I have sold on eBay and I'm super paranoid about getting even a single negative feedback response. I go to ridiculous measure to accurately describe an item, mail as soon as physically possible, and package the item so that if you drop it 20 or 30 feet, the contents will sustain no damage. Selling is hard work (if it's done right) and buying is a crap shoot.
“The fear of death follows from the fear of life. A man [or woman] who lives fully is prepared to die at any time.”
man you can’t escape the assholes no matter how hard you try.
I chose not to appeal.
"buyer unreasonable"
I'munreasonable for expect the item you accepted payment to be mailed within 4 days. I'm unreasonable for complaining to discogs on day 8.
stay away from nycvinyljunkie
10 neutral and 1 negative out of a little over 200 feedbacks for that seller is not good. I rarely buy from anyone with less than 100% positive feedback unless it is obvious the negative feedback is uncalled for.
It's tough both ways. I've never sold on discogs but I have sold on eBay and I'm super paranoid about getting even a single negative feedback response. I go to ridiculous measure to accurately describe an item, mail as soon as physically possible, and package the item so that if you drop it 20 or 30 feet, the contents will sustain no damage. Selling is hard work (if it's done right) and buying is a crap shoot.
I hate when sellers on discogs don't take the time to put the the record under the accurate version. More than a few times when buying i ask to validate the runout or whatever and it turns out that just randomly picked a version. But I do hit pay dirt and I'm thrilled. Just recently I found an original Monarch version of Some Girls for about 25 bucks, NM. It's sounds amazing, so much better than the recent reissue. When that happens, it's all worth it
Pine Knob, MI Lollapalooza 1992 / Soldier Field, Chicago 1995 / Savage Hall, Toledo 1996 / Palace, Detroit 1998 / Palace, Detroit 2000 / Pine Knob, MI 2003 / Showbox, Seattle 2004 / MSG, NYC 2008 / Key Arena I & II, Seattle 2009 / Eddie Vedder Beacon, NYC 2011 / Eddie Vedder Benaroya, Hall Seattle 2011 / Barclays, Brooklyn I &II 2013 / Wells Fargo, Philadelphia II 2013 / Wuhlheide, Berlin, Germany 2014 / Wells Fargo, Philadelphia 1 2016 / Madison Square Garden, NYC 2 2016 / Wrigley 2, Chicago 2016/ Fenway 1, Boston 2018/
man you can’t escape the assholes no matter how hard you try.
I chose not to appeal.
"buyer unreasonable"
I'munreasonable for expect the item you accepted payment to be mailed within 4 days. I'm unreasonable for complaining to discogs on day 8.
stay away from nycvinyljunkie
10 neutral and 1 negative out of a little over 200 feedbacks for that seller is not good. I rarely buy from anyone with less than 100% positive feedback unless it is obvious the negative feedback is uncalled for.
It's tough both ways. I've never sold on discogs but I have sold on eBay and I'm super paranoid about getting even a single negative feedback response. I go to ridiculous measure to accurately describe an item, mail as soon as physically possible, and package the item so that if you drop it 20 or 30 feet, the contents will sustain no damage. Selling is hard work (if it's done right) and buying is a crap shoot.
I hate when sellers on discogs don't take the time to put the the record under the accurate version. More than a few times when buying i ask to validate the runout or whatever and it turns out that just randomly picked a version. But I do hit pay dirt and I'm thrilled. Just recently I found an original Monarch version of Some Girls for about 25 bucks, NM. It's sounds amazing, so much better than the recent reissue. When that happens, it's all worth it
Nice score, M!
Yeah, I hear you. At least on discogs, seller have some of the tools to use to identify more accurately. The other major option for buy used vinyl is, of course, eBay, and they are even more of a crap shoot. I hardly ever purchase LPs on eBay any more.
“The fear of death follows from the fear of life. A man [or woman] who lives fully is prepared to die at any time.”
man you can’t escape the assholes no matter how hard you try.
I chose not to appeal.
"buyer unreasonable"
I'munreasonable for expect the item you accepted payment to be mailed within 4 days. I'm unreasonable for complaining to discogs on day 8.
stay away from nycvinyljunkie
10 neutral and 1 negative out of a little over 200 feedbacks for that seller is not good. I rarely buy from anyone with less than 100% positive feedback unless it is obvious the negative feedback is uncalled for.
It's tough both ways. I've never sold on discogs but I have sold on eBay and I'm super paranoid about getting even a single negative feedback response. I go to ridiculous measure to accurately describe an item, mail as soon as physically possible, and package the item so that if you drop it 20 or 30 feet, the contents will sustain no damage. Selling is hard work (if it's done right) and buying is a crap shoot.
I hate when sellers on discogs don't take the time to put the the record under the accurate version. More than a few times when buying i ask to validate the runout or whatever and it turns out that just randomly picked a version. But I do hit pay dirt and I'm thrilled. Just recently I found an original Monarch version of Some Girls for about 25 bucks, NM. It's sounds amazing, so much better than the recent reissue. When that happens, it's all worth it
Nice score, M!
Yeah, I hear you. At least on discogs, seller have some of the tools to use to identify more accurately. The other major option for buy used vinyl is, of course, eBay, and they are even more of a crap shoot. I hardly ever purchase LPs on eBay any more.
Yeah I don't expect ebay sellers to list that detail. I use ebay for something that's common, not a really specific pressing.
man you can’t escape the assholes no matter how hard you try.
I chose not to appeal.
"buyer unreasonable"
I'munreasonable for expect the item you accepted payment to be mailed within 4 days. I'm unreasonable for complaining to discogs on day 8.
stay away from nycvinyljunkie
10 neutral and 1 negative out of a little over 200 feedbacks for that seller is not good. I rarely buy from anyone with less than 100% positive feedback unless it is obvious the negative feedback is uncalled for.
It's tough both ways. I've never sold on discogs but I have sold on eBay and I'm super paranoid about getting even a single negative feedback response. I go to ridiculous measure to accurately describe an item, mail as soon as physically possible, and package the item so that if you drop it 20 or 30 feet, the contents will sustain no damage. Selling is hard work (if it's done right) and buying is a crap shoot.
plus he requested mine be removed. They did. I told the truth about the shipping delay and the never answered message THEN gave good feedback on the vinyl etc so I believed it was fair and accurate.
Not today Sir, Probably not tomorrow.............................................. bayfront arena st. pete '94
you're finally here and I'm a mess................................................... nationwide arena columbus '10
memories like fingerprints are slowly raising.................................... first niagara center buffalo '13
another man ..... moved by sleight of hand...................................... joe louis arena detroit '14
I'm on there. Love Discogs! I'm Lukinfan on there too.
www.RLMcDaniel.com
1996: Ft Lauderdale
1998: Birmingham
2000: Charlotte, Tampa
2003: Tampa, Atlanta, Phoenix
2004: Kissimmee
2008: West Palm Beach, Bonnaroo, Columbia
2010: MSG2
2012: Music Midtown
2014: Memphis
2016: Ft. Lauderdale, Miami, Jacksonville, JazzFest 2018: Wrigley 1, Fenway 1 2022: Nashville 2023: Ft. Worth II
I disputed my unwarranted negative feedback and to my amazement Discogs agreed and removed it. It was a pretty simple process, I asked them to review the communication and they must have and (correctly) determined the negative feedback was unwarranted.
Good on them. if you have negative feedback you feel is unwarranted go ahead and dispute. System works.
I disputed my unwarranted negative feedback and to my amazement Discogs agreed and removed it. It was a pretty simple process, I asked them to review the communication and they must have and (correctly) determined the negative feedback was unwarranted.
Good on them. if you have negative feedback you feel is unwarranted go ahead and dispute. System works.
as a buyer I have stellar reviews. quick payment etc
I leave the one bad one up to make them look like a fool. "buyer unreasonable" juxtaposed against a pleasure to communicate with , etc etc......
Not today Sir, Probably not tomorrow.............................................. bayfront arena st. pete '94
you're finally here and I'm a mess................................................... nationwide arena columbus '10
memories like fingerprints are slowly raising.................................... first niagara center buffalo '13
another man ..... moved by sleight of hand...................................... joe louis arena detroit '14
Comments
There is a lot of great info on Discogs. I wish the app would let you look at the reviews.
except for backspacer. amiright?
Not today Sir, Probably not tomorrow.............................................. bayfront arena st. pete '94
you're finally here and I'm a mess................................................... nationwide arena columbus '10
memories like fingerprints are slowly raising.................................... first niagara center buffalo '13
another man ..... moved by sleight of hand...................................... joe louis arena detroit '14
So I spend a lot of time in the bathroom.
I do like being able to see collection value. It did help me with deciding how much insurance to get on contents. I'm not even sure you could buy all the records in my collection at the mid prices. Many of the valuable ones don't move many copies, so the sales history is a bit dated.
The first record I replaced was Deep Purple's Machine Head. I could never listen to that on compact disc. It just didn't sound right.
man you can’t escape the assholes no matter how hard you try.
Not today Sir, Probably not tomorrow.............................................. bayfront arena st. pete '94
you're finally here and I'm a mess................................................... nationwide arena columbus '10
memories like fingerprints are slowly raising.................................... first niagara center buffalo '13
another man ..... moved by sleight of hand...................................... joe louis arena detroit '14
But I do hit pay dirt and I'm thrilled. Just recently I found an original Monarch version of Some Girls for about 25 bucks, NM. It's sounds amazing, so much better than the recent reissue. When that happens, it's all worth it
https://discogs.page.link/Ym3A
plus he requested mine be removed. They did. I told the truth about the shipping delay and the never answered message THEN gave good feedback on the vinyl etc so I believed it was fair and accurate.
Not today Sir, Probably not tomorrow.............................................. bayfront arena st. pete '94
you're finally here and I'm a mess................................................... nationwide arena columbus '10
memories like fingerprints are slowly raising.................................... first niagara center buffalo '13
another man ..... moved by sleight of hand...................................... joe louis arena detroit '14
1996: Ft Lauderdale
1998: Birmingham
2000: Charlotte, Tampa
2003: Tampa, Atlanta, Phoenix
2004: Kissimmee
2008: West Palm Beach, Bonnaroo, Columbia
2010: MSG2
2012: Music Midtown
2014: Memphis
2018: Wrigley 1, Fenway 1
2022: Nashville
2023: Ft. Worth II
Not today Sir, Probably not tomorrow.............................................. bayfront arena st. pete '94
you're finally here and I'm a mess................................................... nationwide arena columbus '10
memories like fingerprints are slowly raising.................................... first niagara center buffalo '13
another man ..... moved by sleight of hand...................................... joe louis arena detroit '14