2005 - London
2009 - Toronto
2010 - Buffalo
2011 - Toronto 1&2
2013 - London, Pittsburgh, Buffalo
2014 - Cincinnati, St. Louis, Detroit
2016 - Ft. Lauderdale, Miami, Ottawa, Toronto 1 2018 - Fenway 1&2 2022 - Hamilton, Toronto 2023 - Chicago 1&2 2024 - Las Vegas 1&2
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on2legs
Standing in the Jersey rain… Posts: 14,615
As a poster fan, I love Brad’s “legacy” site. The cart feature is awesome! I think other artists should look into that customization or something like it for their respective sites. It is definitely fan friendly. I get with the pandemic and all, the need to wait until more steady business returns before big expenditures now. I had a Williams STL and an Ames Baltimore carted when the rug was pulled out from under me before I could complete check out. Elation to sadness was near instantaneous. I’m sure countless others had the same crushing experience. Getting a show edition for STL slightly made up for the one and still hoping for a Balt show edition whenever those go up. Just wanting something to level the playing field against “the bots” or whatever automatically carts and checks out faster than I blink.
While the carting thing is great for fans , I can’t see other artists adding it to their shops. Brad’s posters took hours to officially sell out because people had issues with the site and checking out. And even then copies were back up for sale last evening. And if you read Brad’s last post he was basically exhausted from the whole process. Compare that to other artists who have sites that allow for a complete sell out in less than a minute. Why would you trade that for a whole day of site glitches and stress?
1996: Randall's Island 2 1998: East Rutherford | MSG 1 & 2 2000: Cincinnati | Columbus | Jones Beach 1, 2, & 3 | Boston 1 | Camden 1 & 2 2003: Philadelphia | Uniondale | MSG 1 & 2 | Holmdel 2005: Atlantic City 1 2006: Camden 1 | East Rutherford 1 & 2 2008: Camden 1 & 2 | MSG 1 & 2 | Newark (EV) 2009: Philadelphia 1, 2 & 4 2010: Newark | MSG 1 & 2 2011: Toronto 1 2013: Wrigley Field | Brooklyn 2 | Philadelphia 1 & 2 | Baltimore 2015: Central Park 2016: Philadelphia 1 & 2 | MSG 1 & 2 | Fenway Park 2 | MSG (TOTD) 2017: Brooklyn (RnR HOF) 2020: MSG | Asbury Park2021: Asbury Park 2022: MSG | Camden | Nashville 2024: MSG 1 & 2 (#50) | Philadelphia 1 & 2 | Baltimore
As a poster fan, I love Brad’s “legacy” site. The cart feature is awesome! I think other artists should look into that customization or something like it for their respective sites. It is definitely fan friendly. I get with the pandemic and all, the need to wait until more steady business returns before big expenditures now. I had a Williams STL and an Ames Baltimore carted when the rug was pulled out from under me before I could complete check out. Elation to sadness was near instantaneous. I’m sure countless others had the same crushing experience. Getting a show edition for STL slightly made up for the one and still hoping for a Balt show edition whenever those go up. Just wanting something to level the playing field against “the bots” or whatever automatically carts and checks out faster than I blink.
While the carting thing is great for fans , I can’t see other artists adding it to their shops. Brad’s posters took hours to officially sell out because people had issues with the site and checking out. And even then copies were back up for sale last evening. And if you read Brad’s last post he was basically exhausted from the whole process. Compare that to other artists who have sites that allow for a complete sell out in less than a minute. Why would you trade that for a whole day of site glitches and stress?
okay, think they are all spoken for now.... thanks everyone for being patient with the site....sorry if you had a frustrating checkout.... am glad the cart system holds up though even when people have errors checking out and the posters stay there so people can log out and log in and not lose them (until the purge)
Brad - Curious here (and I'm sure it's been asked before) but why don't more artists shift to a checkout method like yours? Seems like there are so many artists that have oversells or cases where a person can cart a poster and then have it say "sold out" once you click complete order. Your checkout process is top of the line - I guess I'm just more shocked that others don't move to that system.
I had my site custom built back in 2007/08.... I had them add a few features specific to poster sales / collectors.... I think most people use template stores, that are not customizable in this way.
My site is archaic by modern technology standards, or the term that gets used "legacy" or "vintage" (always cracks me up something that is 10 years old or so is considered "legacy" or "vintage")..... but my site is LONG overdue to get brought up to 2020 standards... back in 07/08 phone/mobile use for shopping online was not what it is now.... and like you have to email me to change your password, instead of just beign able to change it yourself.... I have folks who help me with the site currently, and we've been discussing remodeling the site for a couple of years now... I just could never afford it... customizing a site ain't cheap... and was thinking after this sale I maybe could pony up some cash to give the site it's long over do reboot... but then started thinking about not having a job until most likely 2021 (well for concert posters which is all I focus on, can always shop around for non-poster design work)...and that I should maybe not make any big expense purchases until I can at least know concerts are happening again. Seems strange to me to drop a bunch of cash on my site, to sell posters, when I have no jobs lined up to make posters to sell... so have to wait and see how this bizarro landscape we all now live in unfolds
I dont know the rules for what you can sell and what PJ has rights to, but man I loved the towel. I even bought a in bag one of ebay for way too much when mine faded. If you can use any images youve used in the past for Towels, masks, stickers, I think youd make a killing.
And your cart while legacy, is my favorite too. It takes care of the customer, which seems lost on everyone else.
okay, think they are all spoken for now.... thanks everyone for being patient with the site....sorry if you had a frustrating checkout.... am glad the cart system holds up though even when people have errors checking out and the posters stay there so people can log out and log in and not lose them (until the purge)
Brad - Curious here (and I'm sure it's been asked before) but why don't more artists shift to a checkout method like yours? Seems like there are so many artists that have oversells or cases where a person can cart a poster and then have it say "sold out" once you click complete order. Your checkout process is top of the line - I guess I'm just more shocked that others don't move to that system.
I had my site custom built back in 2007/08.... I had them add a few features specific to poster sales / collectors.... I think most people use template stores, that are not customizable in this way.
My site is archaic by modern technology standards, or the term that gets used "legacy" or "vintage" (always cracks me up something that is 10 years old or so is considered "legacy" or "vintage")..... but my site is LONG overdue to get brought up to 2020 standards... back in 07/08 phone/mobile use for shopping online was not what it is now.... and like you have to email me to change your password, instead of just beign able to change it yourself.... I have folks who help me with the site currently, and we've been discussing remodeling the site for a couple of years now... I just could never afford it... customizing a site ain't cheap... and was thinking after this sale I maybe could pony up some cash to give the site it's long over do reboot... but then started thinking about not having a job until most likely 2021 (well for concert posters which is all I focus on, can always shop around for non-poster design work)...and that I should maybe not make any big expense purchases until I can at least know concerts are happening again. Seems strange to me to drop a bunch of cash on my site, to sell posters, when I have no jobs lined up to make posters to sell... so have to wait and see how this bizarro landscape we all now live in unfolds
I dont know the rules for what you can sell and what PJ has rights to, but man I loved the towel. I even bought a in bag one of ebay for way too much when mine faded. If you can use any images youve used in the past for Towels, masks, stickers, I think youd make a killing.
And your cart while legacy, is my favorite too. It takes care of the customer, which seems lost on everyone else.
This takes me back Brad to what you and I spoke about so many times......figures. Toys. You would destroy it
As a poster fan, I love Brad’s “legacy” site. The cart feature is awesome! I think other artists should look into that customization or something like it for their respective sites. It is definitely fan friendly. I get with the pandemic and all, the need to wait until more steady business returns before big expenditures now. I had a Williams STL and an Ames Baltimore carted when the rug was pulled out from under me before I could complete check out. Elation to sadness was near instantaneous. I’m sure countless others had the same crushing experience. Getting a show edition for STL slightly made up for the one and still hoping for a Balt show edition whenever those go up. Just wanting something to level the playing field against “the bots” or whatever automatically carts and checks out faster than I blink.
While the carting thing is great for fans , I can’t see other artists adding it to their shops. Brad’s posters took hours to officially sell out because people had issues with the site and checking out. And even then copies were back up for sale last evening. And if you read Brad’s last post he was basically exhausted from the whole process. Compare that to other artists who have sites that allow for a complete sell out in less than a minute. Why would you trade that for a whole day of site glitches and stress?
Commitment to customer service.
Lets be honest, how many artists come here and speak to the fanbase on the level Brad does, bringing some fun to proceedings and awesome insight. I can't honestly think of one.
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on2legs
Standing in the Jersey rain… Posts: 14,615
As a poster fan, I love Brad’s “legacy” site. The cart feature is awesome! I think other artists should look into that customization or something like it for their respective sites. It is definitely fan friendly. I get with the pandemic and all, the need to wait until more steady business returns before big expenditures now. I had a Williams STL and an Ames Baltimore carted when the rug was pulled out from under me before I could complete check out. Elation to sadness was near instantaneous. I’m sure countless others had the same crushing experience. Getting a show edition for STL slightly made up for the one and still hoping for a Balt show edition whenever those go up. Just wanting something to level the playing field against “the bots” or whatever automatically carts and checks out faster than I blink.
While the carting thing is great for fans , I can’t see other artists adding it to their shops. Brad’s posters took hours to officially sell out because people had issues with the site and checking out. And even then copies were back up for sale last evening. And if you read Brad’s last post he was basically exhausted from the whole process. Compare that to other artists who have sites that allow for a complete sell out in less than a minute. Why would you trade that for a whole day of site glitches and stress?
Commitment to customer service.
No doubt. He rocks it.
I just question if other artists would be willing to deal with all the headaches.
1996: Randall's Island 2 1998: East Rutherford | MSG 1 & 2 2000: Cincinnati | Columbus | Jones Beach 1, 2, & 3 | Boston 1 | Camden 1 & 2 2003: Philadelphia | Uniondale | MSG 1 & 2 | Holmdel 2005: Atlantic City 1 2006: Camden 1 | East Rutherford 1 & 2 2008: Camden 1 & 2 | MSG 1 & 2 | Newark (EV) 2009: Philadelphia 1, 2 & 4 2010: Newark | MSG 1 & 2 2011: Toronto 1 2013: Wrigley Field | Brooklyn 2 | Philadelphia 1 & 2 | Baltimore 2015: Central Park 2016: Philadelphia 1 & 2 | MSG 1 & 2 | Fenway Park 2 | MSG (TOTD) 2017: Brooklyn (RnR HOF) 2020: MSG | Asbury Park2021: Asbury Park 2022: MSG | Camden | Nashville 2024: MSG 1 & 2 (#50) | Philadelphia 1 & 2 | Baltimore
As a poster fan, I love Brad’s “legacy” site. The cart feature is awesome! I think other artists should look into that customization or something like it for their respective sites. It is definitely fan friendly. I get with the pandemic and all, the need to wait until more steady business returns before big expenditures now. I had a Williams STL and an Ames Baltimore carted when the rug was pulled out from under me before I could complete check out. Elation to sadness was near instantaneous. I’m sure countless others had the same crushing experience. Getting a show edition for STL slightly made up for the one and still hoping for a Balt show edition whenever those go up. Just wanting something to level the playing field against “the bots” or whatever automatically carts and checks out faster than I blink.
While the carting thing is great for fans , I can’t see other artists adding it to their shops. Brad’s posters took hours to officially sell out because people had issues with the site and checking out. And even then copies were back up for sale last evening. And if you read Brad’s last post he was basically exhausted from the whole process. Compare that to other artists who have sites that allow for a complete sell out in less than a minute. Why would you trade that for a whole day of site glitches and stress?
Commitment to customer service.
No doubt. He rocks it.
I just question if other artists would be willing to deal with all the headaches.
You're assuming that Brad's setup that allows time to complete checkout is only possible with a glitchy legacy system. But there are plenty of modern sites which will hold the item in your cart with a timer to complete checkout. Ticketmaster, front gate, some hotels, etc. They still have efficient sellouts without it being an all-day headache. That said, I don't know that it's necessarily a better system. People seem to think they would have a better chance beating the bots to the cart, but every ticketmaster drop there are a million people complaining that they could never get any tickets in their cart because of the damn bots and scalpers. But they wind up wasting an hour waiting to see if any more tickets became available from people who had them in their cart and failed to complete the checkout process. With most artist drops, at least you'll know if you struck out within about 30 seconds and can go on with your day.
As a poster fan, I love Brad’s “legacy” site. The cart feature is awesome! I think other artists should look into that customization or something like it for their respective sites. It is definitely fan friendly. I get with the pandemic and all, the need to wait until more steady business returns before big expenditures now. I had a Williams STL and an Ames Baltimore carted when the rug was pulled out from under me before I could complete check out. Elation to sadness was near instantaneous. I’m sure countless others had the same crushing experience. Getting a show edition for STL slightly made up for the one and still hoping for a Balt show edition whenever those go up. Just wanting something to level the playing field against “the bots” or whatever automatically carts and checks out faster than I blink.
While the carting thing is great for fans , I can’t see other artists adding it to their shops. Brad’s posters took hours to officially sell out because people had issues with the site and checking out. And even then copies were back up for sale last evening. And if you read Brad’s last post he was basically exhausted from the whole process. Compare that to other artists who have sites that allow for a complete sell out in less than a minute. Why would you trade that for a whole day of site glitches and stress?
Commitment to customer service.
No doubt. He rocks it.
I just question if other artists would be willing to deal with all the headaches.
You're assuming that Brad's setup that allows time to complete checkout is only possible with a glitchy legacy system. But there are plenty of modern sites which will hold the item in your cart with a timer to complete checkout. Ticketmaster, front gate, some hotels, etc. They still have efficient sellouts without it being an all-day headache. That said, I don't know that it's necessarily a better system. People seem to think they would have a better chance beating the bots to the cart, but every ticketmaster drop there are a million people complaining that they could never get any tickets in their cart because of the damn bots and scalpers. But they wind up wasting an hour waiting to see if any more tickets became available from people who had them in their cart and failed to complete the checkout process. With most artist drops, at least you'll know if you struck out within about 30 seconds and can go on with your day.
Lets not forget that all those companies mentioned are million/billion dollar companies that have created their own unique infrastructure. Brad had his site built from the ground up and it probably cost him a good amount when he did it. The majority of artists and galleries use Shopify because that's the easiest to integrate to a website and manage sales. Shopify does not allow for cart hoarding. BigCartel used to be an option that allowed for cart hoarding but they have done away with it as well. So yes, it is awesome that Brad has this website but it is also not a feasible option for the majority of regular artists whether it be because of time, money, or both.
As a poster fan, I love Brad’s “legacy” site. The cart feature is awesome! I think other artists should look into that customization or something like it for their respective sites. It is definitely fan friendly. I get with the pandemic and all, the need to wait until more steady business returns before big expenditures now. I had a Williams STL and an Ames Baltimore carted when the rug was pulled out from under me before I could complete check out. Elation to sadness was near instantaneous. I’m sure countless others had the same crushing experience. Getting a show edition for STL slightly made up for the one and still hoping for a Balt show edition whenever those go up. Just wanting something to level the playing field against “the bots” or whatever automatically carts and checks out faster than I blink.
While the carting thing is great for fans , I can’t see other artists adding it to their shops. Brad’s posters took hours to officially sell out because people had issues with the site and checking out. And even then copies were back up for sale last evening. And if you read Brad’s last post he was basically exhausted from the whole process. Compare that to other artists who have sites that allow for a complete sell out in less than a minute. Why would you trade that for a whole day of site glitches and stress?
Commitment to customer service.
No doubt. He rocks it.
I just question if other artists would be willing to deal with all the headaches.
You're assuming that Brad's setup that allows time to complete checkout is only possible with a glitchy legacy system. But there are plenty of modern sites which will hold the item in your cart with a timer to complete checkout. Ticketmaster, front gate, some hotels, etc. They still have efficient sellouts without it being an all-day headache. That said, I don't know that it's necessarily a better system. People seem to think they would have a better chance beating the bots to the cart, but every ticketmaster drop there are a million people complaining that they could never get any tickets in their cart because of the damn bots and scalpers. But they wind up wasting an hour waiting to see if any more tickets became available from people who had them in their cart and failed to complete the checkout process. With most artist drops, at least you'll know if you struck out within about 30 seconds and can go on with your day.
Lets not forget that all those companies mentioned are million/billion dollar companies that have created their own unique infrastructure. Brad had his site built from the ground up and it probably cost him a good amount when he did it. The majority of artists and galleries use Shopify because that's the easiest to integrate to a website and manage sales. Shopify does not allow for cart hoarding. BigCartel used to be an option that allowed for cart hoarding but they have done away with it as well. So yes, it is awesome that Brad has this website but it is also not a feasible option for the majority of regular artists whether it be because of time, money, or both.
Understood, but it seems like Shopify or a competitor could integrate that feature without making it prohibitively expensive if there were demand for it.
Has anyone gotten this link to work? I know I have almost no shot at getting this as he only has about 100 but I can't even get on the guy's website to "F5" and take a shot at it.
Has anyone gotten this link to work? I know I have almost no shot at getting this as he only has about 100 but I can't even get on the guy's website to "F5" and take a shot at it.
Has anyone gotten this link to work? I know I have almost no shot at getting this as he only has about 100 but I can't even get on the guy's website to "F5" and take a shot at it.
Works right away when I click it
Strange. Every browser/device I try it just spins out as if the site doesn't exist.
As a poster fan, I love Brad’s “legacy” site. The cart feature is awesome! I think other artists should look into that customization or something like it for their respective sites. It is definitely fan friendly. I get with the pandemic and all, the need to wait until more steady business returns before big expenditures now. I had a Williams STL and an Ames Baltimore carted when the rug was pulled out from under me before I could complete check out. Elation to sadness was near instantaneous. I’m sure countless others had the same crushing experience. Getting a show edition for STL slightly made up for the one and still hoping for a Balt show edition whenever those go up. Just wanting something to level the playing field against “the bots” or whatever automatically carts and checks out faster than I blink.
While the carting thing is great for fans , I can’t see other artists adding it to their shops. Brad’s posters took hours to officially sell out because people had issues with the site and checking out. And even then copies were back up for sale last evening. And if you read Brad’s last post he was basically exhausted from the whole process. Compare that to other artists who have sites that allow for a complete sell out in less than a minute. Why would you trade that for a whole day of site glitches and stress?
Commitment to customer service.
No doubt. He rocks it.
I just question if other artists would be willing to deal with all the headaches.
You're assuming that Brad's setup that allows time to complete checkout is only possible with a glitchy legacy system. But there are plenty of modern sites which will hold the item in your cart with a timer to complete checkout. Ticketmaster, front gate, some hotels, etc. They still have efficient sellouts without it being an all-day headache. That said, I don't know that it's necessarily a better system. People seem to think they would have a better chance beating the bots to the cart, but every ticketmaster drop there are a million people complaining that they could never get any tickets in their cart because of the damn bots and scalpers. But they wind up wasting an hour waiting to see if any more tickets became available from people who had them in their cart and failed to complete the checkout process. With most artist drops, at least you'll know if you struck out within about 30 seconds and can go on with your day.
Good point.
1996: Randall's Island 2 1998: East Rutherford | MSG 1 & 2 2000: Cincinnati | Columbus | Jones Beach 1, 2, & 3 | Boston 1 | Camden 1 & 2 2003: Philadelphia | Uniondale | MSG 1 & 2 | Holmdel 2005: Atlantic City 1 2006: Camden 1 | East Rutherford 1 & 2 2008: Camden 1 & 2 | MSG 1 & 2 | Newark (EV) 2009: Philadelphia 1, 2 & 4 2010: Newark | MSG 1 & 2 2011: Toronto 1 2013: Wrigley Field | Brooklyn 2 | Philadelphia 1 & 2 | Baltimore 2015: Central Park 2016: Philadelphia 1 & 2 | MSG 1 & 2 | Fenway Park 2 | MSG (TOTD) 2017: Brooklyn (RnR HOF) 2020: MSG | Asbury Park2021: Asbury Park 2022: MSG | Camden | Nashville 2024: MSG 1 & 2 (#50) | Philadelphia 1 & 2 | Baltimore
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Options
on2legs
Standing in the Jersey rain… Posts: 14,615
As a poster fan, I love Brad’s “legacy” site. The cart feature is awesome! I think other artists should look into that customization or something like it for their respective sites. It is definitely fan friendly. I get with the pandemic and all, the need to wait until more steady business returns before big expenditures now. I had a Williams STL and an Ames Baltimore carted when the rug was pulled out from under me before I could complete check out. Elation to sadness was near instantaneous. I’m sure countless others had the same crushing experience. Getting a show edition for STL slightly made up for the one and still hoping for a Balt show edition whenever those go up. Just wanting something to level the playing field against “the bots” or whatever automatically carts and checks out faster than I blink.
While the carting thing is great for fans , I can’t see other artists adding it to their shops. Brad’s posters took hours to officially sell out because people had issues with the site and checking out. And even then copies were back up for sale last evening. And if you read Brad’s last post he was basically exhausted from the whole process. Compare that to other artists who have sites that allow for a complete sell out in less than a minute. Why would you trade that for a whole day of site glitches and stress?
Commitment to customer service.
No doubt. He rocks it.
I just question if other artists would be willing to deal with all the headaches.
You're assuming that Brad's setup that allows time to complete checkout is only possible with a glitchy legacy system. But there are plenty of modern sites which will hold the item in your cart with a timer to complete checkout. Ticketmaster, front gate, some hotels, etc. They still have efficient sellouts without it being an all-day headache. That said, I don't know that it's necessarily a better system. People seem to think they would have a better chance beating the bots to the cart, but every ticketmaster drop there are a million people complaining that they could never get any tickets in their cart because of the damn bots and scalpers. But they wind up wasting an hour waiting to see if any more tickets became available from people who had them in their cart and failed to complete the checkout process. With most artist drops, at least you'll know if you struck out within about 30 seconds and can go on with your day.
Lets not forget that all those companies mentioned are million/billion dollar companies that have created their own unique infrastructure. Brad had his site built from the ground up and it probably cost him a good amount when he did it. The majority of artists and galleries use Shopify because that's the easiest to integrate to a website and manage sales. Shopify does not allow for cart hoarding. BigCartel used to be an option that allowed for cart hoarding but they have done away with it as well. So yes, it is awesome that Brad has this website but it is also not a feasible option for the majority of regular artists whether it be because of time, money, or both.
Better point.
1996: Randall's Island 2 1998: East Rutherford | MSG 1 & 2 2000: Cincinnati | Columbus | Jones Beach 1, 2, & 3 | Boston 1 | Camden 1 & 2 2003: Philadelphia | Uniondale | MSG 1 & 2 | Holmdel 2005: Atlantic City 1 2006: Camden 1 | East Rutherford 1 & 2 2008: Camden 1 & 2 | MSG 1 & 2 | Newark (EV) 2009: Philadelphia 1, 2 & 4 2010: Newark | MSG 1 & 2 2011: Toronto 1 2013: Wrigley Field | Brooklyn 2 | Philadelphia 1 & 2 | Baltimore 2015: Central Park 2016: Philadelphia 1 & 2 | MSG 1 & 2 | Fenway Park 2 | MSG (TOTD) 2017: Brooklyn (RnR HOF) 2020: MSG | Asbury Park2021: Asbury Park 2022: MSG | Camden | Nashville 2024: MSG 1 & 2 (#50) | Philadelphia 1 & 2 | Baltimore
Comments
2009 - Toronto
2010 - Buffalo
2011 - Toronto 1&2
2013 - London, Pittsburgh, Buffalo
2014 - Cincinnati, St. Louis, Detroit
2016 - Ft. Lauderdale, Miami, Ottawa, Toronto 1
2018 - Fenway 1&2
2022 - Hamilton, Toronto
2023 - Chicago 1&2
2024 - Las Vegas 1&2
ISO 2016 Greenville shirt. Size medium. PM me if you have one for sale/trade.
Much agreed. Denver is (was) my main concert and it's my least favorite so far.
Looks like it's going up in 5 min.
1998: Noblesville; 2003: Noblesville; 2009: EV Nashville, Chicago, Chicago
2010: St Louis, Columbus, Noblesville; 2011: EV Chicago, East Troy, East Troy
2013: London ON, Chicago; 2014: Cincy, St Louis, Moline (NO CODE)
2016: Lexington, Wrigley #1; 2018: Wrigley, Wrigley, Boston, Boston
2020: Oakland, Oakland: 2021: EV Ohana, Ohana, Ohana, Ohana
2022: Oakland, Oakland, Nashville, Louisville; 2023: Chicago, Chicago, Noblesville
2024: Noblesville, Wrigley, Wrigley, Ohana, Ohana
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