Tool
Comments
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So, I sent Ticketmaster an email to voice my opinion on the Verified Resale system they have in place.
Also, I will not be purchasing any tickets through them until their policies and fee structures change.
This will probably fall on their deaf ears but it is the only thing I can do as a consumer. I can no longer contribute to their business model that places artist and customer needs last.
Those who were able to get tickets, enjoy the show!If hope can grow from dirt like me, it can be done. - EV0 -
Thoughts_Arrive said:hedonist said:The more I read/hear the lyrics, the more I like it. Introspectively well-put, as usual.
Caligula would grin, indeed.
I really need to spend some time trying to interpret these lyrics. I am clueless at the moment.
Can we all start discussing song interpretations here?
Is 7empest about a politician deceiving all of us?
Is Pnuema a spiritual song about us all being ONE? (kind of obvious).
What is Fear Inoculum?
What is the psychopathy Maynard is singing about in Culling Voices?
What is it that is Descending?
Who is the warrior that is struggling to be consequential and that is proud in Invincible?
I feel ties in this theme to those of Right in Two and Vicarious, among others.
Yup, I've still got much to further think about with this album, lyrically. That's just part of the beauty of Tool.0 -
dudeman said:So, I sent Ticketmaster an email to voice my opinion on the Verified Resale system they have in place.
Also, I will not be purchasing any tickets through them until their policies and fee structures change.
This will probably fall on their deaf ears but it is the only thing I can do as a consumer. I can no longer contribute to their business model that places artist and customer needs last.
Those who were able to get tickets, enjoy the show!0 -
dudeman said:So, I sent Ticketmaster an email to voice my opinion on the Verified Resale system they have in place.
Also, I will not be purchasing any tickets through them until their policies and fee structures change.
This will probably fall on their deaf ears but it is the only thing I can do as a consumer. I can no longer contribute to their business model that places artist and customer needs last.
Those who were able to get tickets, enjoy the show!
It starts with regions that are refusing to ban scalping - these behaviours permit the resale market to exist legally. At that point, Ticketmaster can take a portion of the scalping market by providing a secure transfer service (aka they take a portion of the final resale price and have people list on Ticketmaster), or they can do nothing and let the resale market exist outside of the Ticketmaster ecosystem. If you take Ticketmaster Verified Resale out of the picture, things just get marginally worse (by being less secure for buyers), but nothing else really changes. If they had no scalping ecosystem competitors, I'd say it'd be pretty ballsy, but with the current landscape I think it's fair.
'05 - TO, '06 - TO 1, '08 - NYC 1 & 2, '09 - TO, Chi 1 & 2, '10 - Buffalo, NYC 1 & 2, '11 - TO 1 & 2, Hamilton, '13 - Buffalo, Brooklyn 1 & 2, '15 - Global Citizen, '16 - TO 1 & 2, Chi 2
EV
Toronto Film Festival 9/11/2007, '08 - Toronto 1 & 2, '09 - Albany 1, '11 - Chicago 10 -
Bigrfish said:dudeman said:So, I sent Ticketmaster an email to voice my opinion on the Verified Resale system they have in place.
Also, I will not be purchasing any tickets through them until their policies and fee structures change.
This will probably fall on their deaf ears but it is the only thing I can do as a consumer. I can no longer contribute to their business model that places artist and customer needs last.
Those who were able to get tickets, enjoy the show!
It is funny too cause a month ago they did their platinum seats bullshit drop that happened months after the first public sale. We were front row and paid way too much for our tickets and got the best that we could at the time. Dead centre was not available when we got our tickets so we picked seats that where near Stones side. Anyways long story short they dropped their platinum tickets that were dead centre and they sat there for days. I emailed them asking if we could trade since the seats where now cheaper since no one was buying them and the price drops until someone bites. They said they can not do trades for seats like that. I did not put up a fuss but looking at it now its bullshit they get to move my family to shittier seats but when we want to better ourselves fuck no not a chance.
So now they cancelled my tickets and gave me new tickets and I now have to explain to my sister in law that she has to delete those great seats I got her and she has to take ones that are beyond the red line. Fucking great.0 -
benjs said:dudeman said:So, I sent Ticketmaster an email to voice my opinion on the Verified Resale system they have in place.
Also, I will not be purchasing any tickets through them until their policies and fee structures change.
This will probably fall on their deaf ears but it is the only thing I can do as a consumer. I can no longer contribute to their business model that places artist and customer needs last.
Those who were able to get tickets, enjoy the show!
It starts with regions that are refusing to ban scalping - these behaviours permit the resale market to exist legally. At that point, Ticketmaster can take a portion of the scalping market by providing a secure transfer service (aka they take a portion of the final resale price and have people list on Ticketmaster), or they can do nothing and let the resale market exist outside of the Ticketmaster ecosystem. If you take Ticketmaster Verified Resale out of the picture, things just get marginally worse (by being less secure for buyers), but nothing else really changes. If they had no scalping ecosystem competitors, I'd say it'd be pretty ballsy, but with the current landscape I think it's fair.If hope can grow from dirt like me, it can be done. - EV0 -
#1 album on Billboards and ARIAAdelaide 17/11/2009, Melbourne 20/11/2009, Sydney 22/11/2009, Melbourne (Big Day Out Festival) 24/01/20140
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Thoughts_Arrive said:hedonist said:The more I read/hear the lyrics, the more I like it. Introspectively well-put, as usual.
Caligula would grin, indeed.
I really need to spend some time trying to interpret these lyrics. I am clueless at the moment.
Can we all start discussing song interpretations here?
Who is the warrior that is struggling to be consequential and that is proud in Invincible?Invincible is one of the easier songs to follow I think. Our aging warrior, "once invincible," now finds himself struggling upon rejoining "the fray," which signals his slide into irrelevance. The line about Caligula illustrates the proud, remorseless cruelty of the warrior's past conquests.Rather than accept his inevitable decline even as it races towards him ("Feeling time bearing down"), the warrior defiantly sets off in search of the Fountain of Youth ("Chasing Ponce de Leon's phantoms / So filled with hope / I can taste mythical fountains"). He doesn't find it, of course, but is compelled to make the attempt out of pride ("False hope perhaps / But the truth never got in my way"). One part that might be up to interpretation is the ending: I feel the climactic music signals the warrior dying while on his fool's quest.That's the text, anyway. There's plenty to dig into metaphorically there--whether it refers to the band, or us, or maybe even Western civilization, I haven't decided yet.
2008 Tampa - 2013 Buffalo - 2016 Tampa - 2016 Fenway II
Audioslave 2005 MSG0 -
Interesting interpretation.Adelaide 17/11/2009, Melbourne 20/11/2009, Sydney 22/11/2009, Melbourne (Big Day Out Festival) 24/01/20140
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Adelaide 17/11/2009, Melbourne 20/11/2009, Sydney 22/11/2009, Melbourne (Big Day Out Festival) 24/01/20140
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Thoughts_Arrive said:0
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nicknyr15 said:Thoughts_Arrive said:It's a hopeless situation...0
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tbergs said:nicknyr15 said:Thoughts_Arrive said:0
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Thoughts_Arrive said:0
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Regardless of the opinions on MJK's vocal stylings and delivery on this album, the lyrics themselves are dominant. I feel like Pneuma is basically Parabola Part 2...and the theme of the battle against father time in Invincible is awesome, IMO.
8-29-00 Mansfield, 6-29-03 Montreal, 7-2-03 Mansfield, 7-3-03 Mansfield, 7-11-03, Mansfield, 9-28-04 Boston, 9-29-04 Boston, 10-8-04 Kissimmee, 9-15-05 Montreal, 9-16-05 Ottawa, 5-12-06 Albany, 5-13-06 Hartford, 5-24-06 Boston, 5-25-06 Boston, 6-28-08, Mansfield, 6-30-08 Mansfield, 5-15-10 Hartford, 5-17-10 Boston, 7-19-13 Chicago, 10-15-13 Worcester, 5-2-16 New York City, 8-5-16 Boston, 8-7-16 Boston
EV- 2008, 2011 Boston0 -
I find the album to be ok, mostly because I struggle with 12 minute plus songs.If I were ranking all the tool albums from my favourite to my least favourite I'm fairly certain this one doesn't get anywhere near the top. It's not bad, but it's not great either :( That's me though. I'm glad other people are enjoying it... maybe it'll grow on me with more listens.0
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My experience with the album has been the better the audio setup, the better I feel about it. When I listen in the living room or car, it's overwhelming how good it is. If I'm walking the dog and wearing my bose frames, the songs don't grab me as much.
FI is like Twin Peaks for me. It's all about a feeling vs. a traditional plot/song structure. Both give you just enough of the latter to keep it grounded, but I can absolutely see how they can be divisive.0 -
dudeman said:benjs said:dudeman said:So, I sent Ticketmaster an email to voice my opinion on the Verified Resale system they have in place.
Also, I will not be purchasing any tickets through them until their policies and fee structures change.
This will probably fall on their deaf ears but it is the only thing I can do as a consumer. I can no longer contribute to their business model that places artist and customer needs last.
Those who were able to get tickets, enjoy the show!
It starts with regions that are refusing to ban scalping - these behaviours permit the resale market to exist legally. At that point, Ticketmaster can take a portion of the scalping market by providing a secure transfer service (aka they take a portion of the final resale price and have people list on Ticketmaster), or they can do nothing and let the resale market exist outside of the Ticketmaster ecosystem. If you take Ticketmaster Verified Resale out of the picture, things just get marginally worse (by being less secure for buyers), but nothing else really changes. If they had no scalping ecosystem competitors, I'd say it'd be pretty ballsy, but with the current landscape I think it's fair.
I believe you said you were looking to go in Detroit? There are many options.
Unfortunately Detroit is one of the more expensive shows but stub hub has lower levels for under $300 and uppers under $200. And more publicly available seats are usually added closer to the show date with Tool, unlike some if the other high demand bands.
If you are willing to travel a few hours, StubHub has lowers in Cleveland for under $200. If you dont want to buy from a reseller, Cincy has tons of face value seats still on sale. One of the few shows that did not immediately sell out.
If tool were one of those bands that did not let the market decide pricing and kept all the decent seats limited to an exclusive private sale, the options would be significantly more money imo.
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Thanks for looking into this. Driving isn't out of the question for me. I would pass on tickets from the secondary market unless they were face value.If hope can grow from dirt like me, it can be done. - EV0
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wow. that review was terrible. 4/10? you kidding? I haven't been a big tool fan in years, and this album single handedly brought me back into the fold. I sat in awe when I was listening to it.By The Time They Figure Out What Went Wrong, We'll Be Sitting On A Beach, Earning Twenty Percent.0
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