What kind of PJ Bootlegger are you?

listener to all and collecter of popular and my favorites - official or artwork needed.

Riot_Mac wrote:

AIFF is completely uncompressed. So it is a little bigger than FLAC.

You do realize you can't go from AAC/MP3 to AIFF or FLAC right?

I convert my FLACs to AAC since the files size is about 1/10th... for my iPod. Lately I have been converting to Apple Lossless. It is basically the same as FLAC but smaller file sizes.

Yeah I asked that question in the technical board thanks. Is Apple Lossless something you have to download? I have just started to convert shows from FLAC to AIFF whenver I can with a program called Switch.

1992
1990-1994 Hallucinogenic Recipe 5-disc Box Set
1992 I’m Still Alive Live/CD-R
1992 All Night Thing Live/CD-R
2/07/92 Koolkat Klub: Stockholm, Sweden
Source: Aiwa CM30 > Sony WM-D6 > ANA-M > DAT1 32khz
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC

02/09/92 Pumpehuest: Copenhagen, Denmark
Source: Sony ECM-909 -> Sony WM-D6
Generation: ANA(M) -> DAT(2) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0 ->
(resample to 44.1) -> CDWave -> FLAC frontend -> FLAC

02/10/92 Virgin Records: Paris, France
Source: Marantz EM8? -> Sony WM-D3
Generation: ANA(1) -> DAT(M) 44.1 khz -> FLAC
Transfer: DA-20 -> Monster Coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC
Notes: Acoustic in-store performance (Filler on 09/08/92)

02/11/92 LocomotiveL Paris, France
Source: PZM > Sony WM-D6 > ANA-M > ANA1 > DAT-M > DAT1 44.1 khz
Conversion: DA-20 > Monster coax > DiO 2496 > CEP 2.1 > CDWave > FLAC

2/12/92 Melkweg: Amsterdam, Holland Live/CD-R

2/22/92 Newcastle, Eng
Source: 5 Alive bootleg > WAV > FLAC


2/26/92 Edward's No. 8: Birmingham, England
Source: unknown mic > unknown cassette recorder
Lineage: cassette master > MiniDisc > CDR > CDR >.flac > CDR
Transfer: EAC > FLAC frontend > .flac

2/28/92 Union of London University: London, UK
Source: 2 source mix:
"I Got a Feeling" Bootleg (source unknown, missing "Why Go?") + "Free World" Bootleg (source unknown, missing Ed-talk in between songs) >CD-R > EAC > FLAC

2/28/92 Free World Live/CD-R


03/01/92 Vera: Groningen, Holland
SV018 - "VERA"
Source: unknown microphones > Sony WM-D6 > analog (master) > dat > cdr > dEdit > flac > dEdit > flac

3/02/92 Paard, Den Haag, Holland Live/CD-R

3/02/92 Paard, Den Haag, Holland
Source: Southend--MP3

3/04/92 Tivoli: Utrecht, Holland
Source:Pre-FM > DAT > DIO2448 > SHN

3/8/92 Live Music Hall: Cologne, Germany
Source: ? > cass > DAT > CDR > EQ > CDR > FLAC

3/9/92 The Loft: Berlin, Germany
Source: OKM > Sony TCD-D3 > DAT > CDR > EQ > CDR > FLAC

3/12/92 Batschkaap: Frankfurt, Germany Live/CD-R
Source: Sonic Studios (DSM3) > Sony TCD-D3

3/16/92 Kaufman Astoria (MTV Unplugged): New York, NY
Source: dSBD > DAT > dEDIT (level adjustment only) > mkwACT > .shn


3/27/92 Marquette University Alumni Hall, Milwaukee, WI
Source: 1st gen vid>firewire>.avi>.wav>dEQ

3/28/92 Cabaret Metro: Chicago, IL
2-Source Mix: [FM > CDR] + [VHS(Tri-Pod) > CDR] > Cool Edit Pro > CDR
Transfer: CDR > PlexWriter PX-W1610A (Offset +69) > EAC v0.9pb11 >
WAV > mkwACT v0.97beta1 > SHN

4/4/92 Concert Hall: Toronto, Ontario
Source: unknown mic -> unknown recorder
Generation: ANA(M) -> DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 (resample to 44.1) ->
CDWave -> FLAC frontend -> FLAC

4/06/92 Cumnock Hall: Lowell, MA
Source: UM > UR > Cassette > DAT > .wav > .shn
DAT > .wav > .shn: Meghan House (<!-- e --><a href="mailto:mehouse1@yahoo.com">mehouse1@yahoo.com</a><!-- e -->)
Equipment: Archive-Python DDS DAT Drive > DAT2WAV > CEP (48kHz > 44.1kHz, fade in/out) > CDWAVE > mkwACT

4/10/92 Trocadero Club: Philadelphia, PA
Source: ? > cass > DAT > CDR > EQ > CDR > FLAC

4/12/92 Limelight: New York, NY
Source: AKG 451 cardioid mics -> Sony TCD-D3
Generation: DAT(M) -> aEQ via studio console/mixer -> DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0
(resample to 44.1) -> CDWave -> FLAC frontend -> FLAC

4/20/92 Tipitina's: New Orleans, LA
Source: bootleg cd: 'New Orleans '92' > CDR > dEdit > CDR > SHN

5/2/92 Day On The Hill: University of Kansas-Lawrence, Kansas
Source: DVDr (Canon 8mm)
Transfer: DVDr > DVD Decryptor > MP2 > mkw > WAV
Editing: WAV > Soundforge 7 > dEQ (resampled at 44kHz) >
CDWave (track splitting) > FLAC

5/3/92 Ranch Bowl: Omaha, NE
Source: PZM > Sony WM-D6 > analog (unknown gen) > CDR > dEdit > CDR > SHN

5/5/92 Glenn Miller Ballroom: Boulder, CO
Source: GEN VHS > [ONLY KNOWN SOURCE] > CDR > WAV > FLAC

5/12/92 Ventura Theater: Ventura, CA
Source: Sony Stereo Walkman Recorder>Sony UX-90 min Blank Tape> playback on Optimus SC-37 Dual Cassette Tape Deck>Stereo line-in on PC> Total Recorder
(PCM format) 44.1 khz, 16 bit stere>tracked out in WAV format>
FLAC frontend- level 6>FLAC

5/13/92 The Palladium: Hollywood, CA
Source: Video > Hi8 (1)
Transfer: Hi8 (1) > Firewire > WAV
Conversion/Editing: WAV> dEQ > CD Wave > FLAC

5/15/92 Warfield Theatre: San Francisco, CA
Source: Sonic Studios > DAT > ANA > DAT > CDR > dEQ > CDR > SHN

5/17/92 Roseland Theater : Portland, OR
Source: Sonic Studios -> Sony WM-D3
Lineage: cassette master -> cassette -> DAT -> DAT -> dEQ -> CDR -> .flac

6/5/92 Neurburgring: Neurburg, Germany
Source: unknown mic > unknown recorder > ANA4 > DAT > CDR > dEdit > CDR > SHN

6/6/92 Live @ Finsbury Park, London UK
SV002 - "THE HAUNTED FINSBURY"
BBC Transcription Services "Live In Concert" CD(M) > CDR

6/8/92 Pinkpop Festival: Landgraaf, Netherlands
Source: [FM + TV Broadcast] > Exact Audio Copy > wav > Adobe Audition 1.0 (editing) > wav > shn
[TV broadcast > ??? > mpeg] > CD-R (VCD) > TmpgEnc > wav > Adobe Audition 1.0 (editing) > wav > shn
[unknown microphones > unknown recorder > A3 > rem. w/ RSP "Clean!"] > CD-r > shn > wav > Adobe Audition 1.0 (editing) > wav > shn

6/10/92 Kongresszentrum: Stuttgart, Germany
Source: "Too Many Faces" bootleg [um > ur] > cdr > eac > wav > flac

6/11/92 Grosse Freiheit 36: Hamburg, Germany
Source: unknown mic > unknown recorder > analog? > CDR > dEdit > dEQ > SHN

6/13/92 Go Bang Festival: Wuhlheide: Berlin, Germany
Source: OKM > D3 > DAT > CDR > EQ > CDR > FLAC
(some static patched with SS > D3 > DAT > analog out > DAT > CDR > EQ > CDR)

6/15/92 Serenadenhof: Nuernberg, Germany
Source-Mix: um > ur > DAT > CD-R
Transfer: EAC (WAV) > SHN

6/17/92 Dal City Square: Milan, Italy
“Untangled”
Source: 2-source mix: [Sony ECM-909 > Sony WM-D3 (master) > dat > shn > .wav > dEdit > dEQ] + [TV broadcast > VHS(PAL) > VHS(NTSC) > .avi > .wav > dEQ] > shn

6/17/92 Milan, Italy
"We're Jamming" Boot (sourced from TV b'cast)
Source: Silver > Itunes 4.7 > WAV > SHN with Carbon Shorten v 1.1A4

6/18/92 Volkshaus: Zurich, Switzerland
Source: [pre-FM DAT] + +

6/19/92 Rockhaus: Vienna, Austria
Source : Sennheiser 2000 > Sony WM-D6 (master) > dat > dEdit > dEQ > cdr
> dEdit(*) > flac

6/22/92 Elysée-Montmartre: Paris, France
Source: PZM > Sony TCD-D3 > 2CDR > WAV > FLAC

6/25/92 Moderna Museet, Skeppsholmen: Stockholm, Sweden
Source: Aiwa CM30 > Sony WM-D6 > ANA1 > DAT1 32khz
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC

6/26/92 Roskilde Festival-Roskilde, Denmark
**FILLER to 3/26/94**
Source: Sony ECM-155 (x2) -> Denon DTR-80p
Generation: DAT(M) -> DAT(2) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 (resample to 44.1) ->
CDWave -> FLAC

7/19/92 Shoreline Amphitheater: Mountain View, CA (Lollapalooza)
Source: Unknown microphones > unknown recorder > analog? > CD-R(1) > dEQ > SHN
Equipment: LG CD-RW CED-8080b IDE (11X Digtial Audio Extraction) > Exact Audio Copy V0.85 > Sound Forge XP Studio 5.0 > MKW Audio Compression Tool Kit

7/21/92 UBC Thunderbird Stadium: Vancouver, BC
Source: PC62 > wm-d3
Lineage: cassette master > EQ > CDR > .flac
cass>cdr transfer: Denon DRM-500 > Sentrek 12 band EQ > SoundBlaster 16 > WaveLab 4.0 dEQ cdr>. Flac

7/22/92 Kitsap County Fairgrounds: Bremerton, WA (Lollapalooza Tour)
Source: Sonic Studios DSM6p> Sony WM-D6
Transfer: ANA-M>DAT C1>CDR2(permavine)>EAC secure mode>MKW tool>SHN

7/29/92 Blossom Music Center:Cuyahoga Falls, Ohio
Source: unknown mics > sony wm-d6 >ana-m>cdr > dEdit > dEQ >cdr



8/04/92 SPAC: Saratoga Springs, NY
Source: Sony PC-62 > Sony WM-D3 > analog(unknown gen) > DAT >
CDR > dEdit > SHN

8/07/92 Great Woods: Mansfield, MA
Source: Sony ECM-909a -> Sony WM-D3
Lineage: ANA(M) -> DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC

8/8/92 Great Woods: Boston, MA (Lollapalooza)
Source: unknown microphones > unknown recorder > analog (unknown gen) > remastered w/ realtime sound processor “Clean” > cdr

8/12/92 Waterloo Village: Stanhope, NJ (Lollapalooza)
Source:unknown microphones > unknown recorder > analog? > CD-R(1) > dEQ > SHN
CD > dEQ > SHN: Rick Bendes (<!-- e --><a href="mailto:rarepj@hotmail.com">rarepj@hotmail.com</a><!-- e -->, http://www.pearljamshn.com)
Equipment: LG CD-RW CED-8080b IDE (11X Digtial Audio Extraction) > Exact Audio Copy V0.85 > Sound Forge XP Studio 5.0 > MKW Audio Compression Tool Kit

8/14/92 Lake Fairfax Park: Reston, VA
Source: Unknown Aud > Cass > DAT(?) > CDR
Transfer: CDR > PlexWriter PX-W1610A (Offset +69) > EAC v0.9pb11 >
WAV > mkwACT v0.97beta1 > SHN

8/20/92 Lakewood Amphitheater: Atlanta Georgia
"Lollapalooza Festival"
Source: built-in condenser microphone > Panasonic analog walkman

8/22/92 Bicentennial Park Grounds: Miami, USA.- "Lollapalooza Festival”
Source: CDR > Wave > FLAC Frontend (8 level)
(Disc was from a 3 disc box set named “Lollapalooza Tour Festival '92.)

8/25/92 Blockbuster Pavilion: Charlotte, NC
Source: unknown mic > unknown recorder > analog (3rd or 4th gen) >
dEdit > dEQ > CDR > SHN

8/28/92 Harriet Island: St. Paul, MN (Lollapalooza)
Source: Sony FaaLT > Aiwa HSJ470 > dat > cdr > dEQ > cdr (Perma-Tree Source) > flac

8/29/92 Alpine Valley: East Troy, WI
Source: SM-98 > Sony WM-D6 > cass > DAT > CDR > EQ > CDR > FLAC

9/08/92 Desert Sky Pavilion: Phoenix, AZ
Source: PZM -> Sony WM-D6
Generation: ANA(1) -> DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0 (resample to 44.1) ->
CDWave -> FLAC frontend -> FLAC

9/12/92 Irvine Meadows: Irvine, CA (Lollapalooza)
Source: Unknown Microphones > Unknown Recorder > Cass (Unknown Gen.) > DAT > CDR > dEQ > CDR
9/13/92 Irvine Meadows: Irvine, CA
Source: unknown mic > unknown recorder > analog(unknown gen) > DAT > DAT >
DAT > dEdit > FLAC
DAT>FLAC: M1 > Core Sound 7 pin > Delta Dio 2496 > CEP
(resample, corrected tape speed) >cdwave > flac 1.1.0

09/20/92 Warren G. Magnuson Park: Seattle, WA
Source: Bootleg CD: 'Seattle Jammin' (source unknown) > CDR > EAC > SHN

09/26/92 Andrew's Amphitheater: Honolulu, Hawaii
Source: Soundboard > DAT
(Only first 7 songs)
2nd Source
Best Source Source: Soundboard > DAT
(This is a complete version for this show, surfaced May 2004.)

SV062 - "THE ISLE OF BOOM"
Source: soundboard > ? > dat > flac > wav > dEdit > flac (four spots of diginoise patched with soundboard > ?-m > analog (2nd gen) > dEQ > dat > cdr)

09/27/92 Baldwin School Gymnasium: Maui, HI
SOUNDCHECK
Source: 4th generation Video -> DAT-M 48khz -> FLAC
(FILLER ON 2/20/98 SOUNDCHECK DISC)


11/01/92 Shoreline Amphitheatre: Mountain View, CA
Bridge School Benefit
Source: Soundboard

11/01/92 Shoreline Amphitheatre: Mountain View, CA
Bridge School Benefit
Source: Neumann KM47 > unknown DAT > dEQ > CD (first two minutes of show is sourced from 2nd gen Hi-Fi VHS > CD and "Summer of 92" boot)

12/31/92 The Academy: New York, NY
SV010 - "JAM LIKE HELL II"
Source: Core Sound Binaurals > Sony TCD-D3 > dat > cdr > dEdit > dEQ > shn > cdr ("Goin' Down" from "Deep Through the Years" liberated bootleg) > flac

1995 Chapters 2 Discs Various Tracks/Demos/Early Stuff

1/8/95 The Hideout: Seattle, WA
Self-Pollution Radio Broadcast
Source: Pre-FM > Unknown DAT > CDR > .wav > .flac
Extracted to .wav with EAC V0.9 Beta 4
Converted to .flac with flac.exe

1/8/95 Self Pollution Radio Broadcast
(KTS 398 Liberated Bootleg)

1/14/95 Constitution Hall: Washington DC
Source: [bootleg cd: "Boundless" > CDR > dEdit] +
[bootleg cd: "Alive & Kickin '95" > CDR > dEQ] > dEQ > SHN


2/5/95 Moore Theatre: Seattle, Wa.
Source: Original 'Piss Bottle Men' Silver (source unknown)

2/6/95 Moore Theater: Seattle, Washington
Source: Liberated Bootleg "Act Of Love" (Source Unknown)
Transfer: Boot CD > PlexTools Professional v2.12 > WAV > FLAC Frontend > FLAC
(*Track 7 contains two separate tracks, Not For You is from the SNL Rehearsals
Disc II, Tracks 7-11: Saturday Night Live Rehearsals, 4/14/94
Disc II, Track 12: 5/20/92 Gas Works Park, Seattle, WA)

2/8/95 Adams Field House: Missoula, MT
Source: CSB -> Sony TCD-D3
Lineage: DAT(1) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC

2/18/95 Izumity 21 (Sun Plaza): Sendai, Japan
Source: Sony ECM-TS 120 -> Sony TCD-D7
Lineage: DAT(c) 48khz -> dEdit -> dEQ -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC

2/20/95 Budokan: Tokyo, Japan
Source: Sony ECM-TS 120 -> Sony TCD-D7
Lineage: DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC

2/21/95 Kosei Nenkin Kaikan: Osaka, Japan
Source: Sonic Studios (DSM-6P) > Denon DTR-80p > DAT1 48khz
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC

2/26/95 Folk Arts Theater: Manila, Philippines
Source: Realistic CTR-24 Cassette Master > cassette > cassette > DAT > .wav > .shn
DAT > .wav > .shn
Equipment: Archive-Python DDS DAT Drive > DAT2WAV > CEP (fade in/out) > CDWAVE > mkwACT


2/28/95 Hau Mark Indoor Stadium:Bangkok, Thailand
Source: Sony ECM-939 > DAT > dEQ > CDr > WAV > SHN
CRr > WAV was done using EAC V0.9 beta 4
WAV > SHN was done using mkw Audio Compression Toolkit

3/3/95 The Indoor Stadium: Singapore, Singapore
Source: ECM-939 > DAT-M > DAT1 48khz
Transfer: DA-20 > Monster coax > Dio 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC

3/16/95 Flinders Park Tennis Centre: Melbourne, Australia
Source: Sony PC-62 > Sony WM-D3 > cass-M > cass-2 > DAT-M
Transfer: DAT-M > Archive Python DDS Drive > DAT2WAV 1.2 > WAV
Conversion/Editing: WAV > Adobe Audition 1.0
(48KHz -> 44.1KHz, Fade In/Out) > CDWav > FLAC

3/17/95 Flinders Park Tennis Centre: Melbourne, Australia
Source: Original Silvers > FLAC > CD

3/18/95 Sidney Myers Music Bowl: Melbourne, Australia
Source: Sony PC-62 > Sony WM-D3 > cass-M > cass-2 > DAT-M
Transfer: DAT-M > Archive Python DDS Drive > DAT2WAV 1.2 > WAV
Conversion/Editing: WAV > Adobe Audition 1.0
(48KHz -> 44.1KHz, Fade In/Out) > CDWav > FLAC


3/22/95 Entertainment Centre: Brisbane, Australia
Source: Sony TS-120 > Sony TCD-D7 > DAT > dEQ > CDR > SHN

6/16/95 Casper Events Center: Casper, WY
Source: [Marcsounds>D7>DAT>CDR>dEQ]+>dEQ>SHN>FLAC


6/16/95 Casper Events Center: Casper, WY
Source: [Marcsounds>D7>DAT>CDR>dEQ]+>dEQ>SHN>FLAC
W/ SOUNDCHECK

6/19/95 Red Rocks Amphitheater: Morrison, CO
Source: Core Sound > Sony TCD-D7 > CDR > EAC > WAV > mkwACT > SHN
Note: - there is a flaw in 'Yellow Ledbetter' @ 4:17

6/19/95 Red Rocks Amphitheatre: Morrison, CO
Source: Sonic Studios (DSM6) -> Sony TCD-D7(mod2)
Generation: DAT(M) -> DAT(2) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 (resample to 44.1) ->
CDWave -> FLAC

6/20/95 Red Rocks Amphitheatre, Morrison, CO Source: SS>D7(mod)>DAT>CDR]+[SS>D7>DAT>CDR]+[MS?>DTR- 80>DAT>cass>DAT>CDR]>EQ>CD>mkwACT>.shn

6/20/95 Red Rocks Amphitheatre, Morrison, CO
Source: Sonic Studios[DSM6]>DAR100
Taping Location: 20 ft. left of soundboard (general admission)
Transfer info: Master DAT(48)>Sony 59ES>HHB CDR-850 via digital coax>
CDR>EAC[secure]>flac[Level 8]

6/20/95 Red Rocks Amphitheater: Morrison, CO
SV014 - "AJAMIMALA"
Source: 3-source mix: [Sonic Studios > TCD-D7(mod) > dat > shn > dEQ] + [Sonic Studios > TCD-D7 > dat > cdr > shn > dEQ] + [MarcSounds? > Denon DTR-80 > dat > analog > dat > cdr > shn > dEQ] > dEQ > cdr > flac

6/22/95 Cal Expo Amphitheater: Sacramento, Ca Live/CD-R (2)

6/24/95 Golden Gate Park: Polo Fields, San Francisco, CA
Source: Sonic Studios (DSM6) -> Sony TCD-D7(mod2)
Generation: DAT(M) -> DAT(1) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0
(resample to 44.1) -> CDWave -> FLAC frontend -> FLAC
(Ed gets sick, Neil Young steps in.)

7/8/95 Marcus Amphitheatre: Milwaukee Wi.
SV003 - "Cryptosporidium"
Source: Core Sounds (16th row right) > Sony TCD-D7 > dEQ >dEQ>
CD-R > Frontend> .flac

7/9/95 Marcus Amphitheatre, Milwaukee
SV008 - "CRYPTOSPORIDIUM II (Maggot Brain)"
Source: Core Sound Binaurals > Sony TCD-D7 (15th row, center) > dat >
cdr > dEQ > cdr > flac
The Frogs source: aud > dat-master > ? > cdr2 > shn > flac

7/11/95 Solider Field: Chicago, Il.
Source: Core Sound Binaurals > Sony TCD-D7 > DAT-M > DAT1 48khz
Transfer: Tascam DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC

7/11/95 Soldier Field: Chicago, IL
Source: Boot CD-"Live at Soldier Field": MWFM (Red Robin) +
"Animal" from MWFM > Q101 promo CD + Coresounds > Sony TCD-D7

Summer 95 Neil Young & Pearl Jam-The European Concerts
Lineage: Original Silver Discs --> EAC -->FLAC frontend --> flac level 8
Tracks 1-10 Recorded At The Pukkelpop Festival; Hasselt, Belgium
Tracks 11 & 12 Recorded At The Residentzplatz; Salzbourg, Austria


8/25/95 Neil Young & Pearl Jam
The Pukkelpop Festival; Hasselt, Belgium
MD5>WAV>CD-R

9/13/95 Veterans Coliseum: Phoenix, AZ
Source: Nakamichi CM700 -> Sony TCD-D7
Lineage: DAT(2) 44khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC

9/14/95 Pan American Center: Las Cruces, NM
Source: Nakamichi CM700 -> Sony TCD-D7
Generation: DAT(M) -> DAT(2) 44.1khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC

9/16/95 South Park Meadows: Austin, Texas
Source: CSB > D7 (2nd clone DAT) > .wav > .shn
DAT > .wav > .shn: Meghan House (<!-- e --><a href="mailto:mehouse1@yahoo.com">mehouse1@yahoo.com</a><!-- e -->)
Equipment: Archive-Python DDS DAT Drive > DAT2WAV > CEP (48kHz > 44.1kHz, fade in/out) > CDWAVE > mkwACT

9/17/95 Tad Gormley Stadium: New Orleans, LA
Source: CSB > TCD-D7 > DAT > CDR > dED > CDR > FLAC


11/1/95 Delta Center: Salt Lake City, UT
“THE MONKEYWRENCH CHRONICLES VOL. I: RAGE"
Source: dSBD > dat > cdr > flac

11/1/95 Delta Center: Salt Lake City, UT
Source: Road Rage Bootleg
Lineage: Original silvers>EAC>WAV>FLAC

11/2/95 Delta Center: Salt Lake City, UT
"THE MONKEYWRENCH CHRONICLES VOL. II: ABANDON”
Show Source: 2-source mix: [Mono FM (Monkeywrench radio) > dat > cdr] +
[Nakamichi CM-700 + CP-701 > Sony TCD-D7 > dat-M > cdr1 > flac > .wav] > flac
Aftershow Source: FM > analog > cdr > flac (various spots of static patched with FM
dat > cdr)
=====================
Nakamichi Source Info
=====================
Location: first section back from the stage about 20 rows up, even with the PA
Lineage: DAT master > CDR > .flac
DAT>CDR Transfer: Sony DTC-75ES > M Audio Delta 24/96 > Steinberg WaveLab
CDR>FLAC Transfer: EAC > FLAC frontend > .flac



11/4/95 Spartan Stadium: San Jose, CA.
Source: Monkeywrench Radio broadcast
Lineage: Silvers > CDr(1) > EAC > FLAC

11/06/95 San Diego Sports Arena: San Diego, CA
SV055 - "THE MONKEYWRENCH CHRONICLES VOL. V: AVAIL"
Source: Neumann KM-184 > Sonosax pre-amp > Sony D10 ProII (on 20' micstand, next to SBD cage) > DAT
Transfer: DAT-M > Archive Python 01931 > DAT2WAV > WAV > dEQ > dED > CDWAV > FLAC
(Intro music patched in from MWFM > DAT)
This is direct from the DAT ; a zero-DAE seed.

11/06/95 San Diego Sports Arena: San Diego, CA
Source 2 Source: nakamichi cm300(cp1) > sony tcd-d3

11/7/95 Sports Arena - San Diego, CA
Source: Neumann KM-140s > HHB Pro 1 > dEdit > dEQ > CDR >
Frontend > .flac

11/7/95 San Diego Sports Arena: San Diego, CA
Show Source: 2-source mix: [Neumann KM-140 > HHb Pro 1 > dat > dEQ > dEdit >
cdr > 44.1 kHz wav > 48 kHz wav > dEQ] + [MWFM > dat > 48kHz wav] >
44.1 kHz wav > shn > flac




1996

9/14/96 Showbox Theater: Seattle, WA
Source: CSB > D7 > DAT > CDR > dEQ > CDR



9/16/96 Key Arena: Seattle, Wa.
Source: Bootleg CD Dangerous Minds (AKG451+SS source) > CDR
(Directly from the Silver Bootleg)

9/21/96 Maple Leaf Gardens: Toronto, Ontario
SV004-"DIE TIE DIE"
Source: Countryman Isomax II > Sony TCD-D7 (on 10' micstand just behind soundboard) > dat > cdr > dEQ > cdr > flac



9/22/96 John F. Savage Hall: Toledo, Ohio
Source: Sonic Studios > Sony WM-D6

9/24/96 Columbia, Maryland
Source: Core Sounds > Sony TCD-D8

9/26/96 Civic Center: Augusta, Maine
Source: [unknown mics(CSB?) > DAT > CDR > dEdit] +
[Sennheiser 441 > Sony WM-D3(master) > DAT
CDR > dEQ > CDR > dEdit] > SHN

9/28/96 Downing Stadium (Randall's Island): New York, NY
Source: Sony ECM-144 (x2) > Sony TCD-D8 > DAT > CDR > FLAC >
CD>WAV>FLAC

9/29/96 Downing Stadium (Randall's Island): New York, NY
Source:

10/1/96 Marine Midland Arena: Buffalo, NY
Source: Bootleg CD "Eddie Who?" [Schoeps MK4/CMC6 >
Sonosax pre-amp > Sony TCD-D10 II (mics on 8' stand)] >CDR > Frontend > .flac

10/2/96 Meadows Music Theatre: Hartford, CT
"A Riot in the Meadows"
Source: [ALD > DAT > bootleg CD > CDR1 > .WAV > dEdit] +
[Sonic Studios > Sony TCD-D7 > DAT1 > .WAV > dEdit] > SHN

10/2/96 Meadows Music Theatre: Hartford, CT
Source: SBD->DAT (1st gen clone) @ 44.1 kHz
Transfer: Tascam DA-20 mkII->Tascam HD-P2->Soundforge 6.0->
CD Wave->mkwAct->.shn

10/04/96 Memorial Stadium: Charlotte, NC
SV017 - "LITTLE WHITE LIES"
Source: Countryman Isomax II > Sony TCD-D7 > dat > cdr > dEdit > dEQ >
cdr > shn >flac

10/5/96 North Charleston Coliseum: Charleston, SC
Source: Countryman Isomax II > Sony TCD-D7 > CDR > dEQ > CDR > SHN


10/7/96 Ft. Lauderdale Stadium: Ft. Lauderdale, FL
Source: Sonic Studios (DSM-6P) > Denon DTR-80p > DAT-M 48khz
Location: approx 50' left stack
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 > CDWave > FLAC


10/19/96 Bridge School Benefit: Mt. View, Ca.
Source: Mix of Schoeps CMC64 > Aerco pre-amp > D7 > dED
and PRO-SHOT video w/SBD audio (gen ?) > dED

10/20/96 Bridge School Benefit: Mt View, Ca.
SOURCE: Schoeps CMC-441's > Lunatec V2 > Sony TCD-D10 Pro II >
DATC? > CDR1 > EAC > SHN > WAV > dED > SHN

10/24/96 Millstreet Arena: Cork, Ireland
Source: Core Sound Binaurals -> Sony TCD-D7
Lineage: DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> FLAC

10/26/96 The Point Theatre: Dublin, Ireland
Source: CSB > D8 > DAT > CDR > EQ > CDR > FLAC

10/28/96 Wembley Arena: London, England
Source : Core Sounds > Sony TCD-D8
Mastering : DAT > BBE 462 Sonic Maximizer > DOD 32 Band EQ > Sony 2000ES DAT > Marantz CDR > CD-R
Conversion: CD-R > Plextor PlexWriter 12/4/32S > EAC* > flac 1.1.0 (Logs Included)
*double extracted and verified

10/29/96 Wembley Arena: London, England
Source: Countryman Isomax II > Sony TCD-D7 > CD-R > EAC > FLAC

11/01/96 Torwar: Warsaw, Poland
Source: Core Sound Binaurals -> Sony TCD-D7
Generation: DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC

11/3/96 Deutschlandhalle: Berlin, Germany
Show Source: 98Rock Tampa Promo CD > CDR > dEdit > FLAC (cuts in Promo CD patched with pre-FM (satellite) > DAT-M > DAT2WAV)

11/4/96 Sporthalle: Hamburg, Germany
Source: [unknown mic > unknown DAT(promo cd?) > CDR] +
[Countryman Isomax II > Sony TCD-D7 > DAT > CDR] > SHN

11/6/96 RAI Parkhal: Amsterdam, Holland
Archive-Python DDS DAT Drive > DAT2WAV > CEP (48kHz > 44.1 kHz, fade in/out) > CDWAVE > mkwACT
Source: CMI II > D7 > DAT > .wav > .shnDAT > .wav > .shn

11/7/96 Le Zenith: Paris, France
Source : Countryman Isomax II (hypercardioid) > Sony TCD-D7 DAT
Mastering : Sony D7 DAT > BBE 462 Sonic Maximizer >
DOD 32 Band EQ > Sony 2000ES DAT > Marantz CDR > CD-R
Conversion: CD-R > Lite-On Combo LTC-48161H > EAC > flac 1.1.0 (Logs Included)

11/9/96 Hallenstadion: Zurich, Switzerland
Source: Core Sounds > Sony TCD-D8 > CDR

11/12/96 Palaeur: Rome Italy
Source : Core Sounds > Sony TCD-D8 > dat > ? > cdr > EAC (wav) > dEdit > dEQ > flac
Notes: Distant/muddy sound, this is definitely for "collectors only"
11/13/96 Forum: Milan, Italy
Source : Countryman Isomax II > Sony TCD-D7 > 2 CD-R >
EAC V0.9b4 > WAV > mkwact > shn

11/15/96 Sports Hall: Prague, Czech Republic:
Source: CSB? > D7 > DAT > .wav > .shn

11/17/96 Sports Hall: Budapest, Hungary
Source: bic-mic > Sony walkman (inside soundcage) > ANALOG > 2CDR >
mkwACT > .shn

11/21/96 Sports Palace: Barcelona, Spain
Source: Countryman Isomax II (hypercardioid) -> Sony TCD-D7 (~5' from left PA)
Lineage: D7 -> DAT(M) -> BBE 462 Sonic Mazimizer -> DOD 32 Band EQ ->
Sony DTC-2000ES -> DAT(c) 48khz
DAT>FLAC Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 ->
CDWave -> FLAC



11/22/96 Anoeta Velodrome: San Sebastian, Spain
Source : Countryman Isomax II (hypercardioid) > Sony TCD-D7 DAT
Mastering : Sony D7 DAT > BBE 462 Sonic Maximizer >
DOD 32 Band EQ > Sony 2000ES DAT > Marantz CDR > CD-R
Conversion: CD-R > Lite-On Combo LTC-48161H > EAC > flac 1.1.0

11/24/96 Dramatico: Cascais, Portugal
Source: Core Sound Binaurals > Sony TCD-D7 > dat > cdr

11/25/96 Dramatico: Cascais, Portugal
Source: Core Sound Binaurals > Sony TCD-D7 > ? > CDR(2) > EAC v.9b4 > FLAC

6/8/97 Ed Vedder & Mike McCready
Tibetan Freedom Concert: Randall’s Island-NY

11/12/97 The Catalyst: Santa Cruz, CA
Source: Schoeps CCM-4 > Aerco pre-amp > Sony TCD-D100 (floor)

11/14/97 Oakland Stadium: Oakland, CA
(Opened For Rolling Stones)
Source : Schoeps CCM-4 > Sonosax pre-amp > Sony TCD-D100 > dEQ > CD-R

11/15/97 Oakland Stadium: Oakland, CA
(Opened For Rolling Stones)
Source: Schoeps>DAT>CDR>EAC>FLAC

11/18/97 Oakland Stadium: Oakland, CA
(Opened For Rolling Stones)
Source: DAUD > DAT > CD-R > CD > WAV > SHN

11/19/97 Oakland Stadium: Oakland, CA
(Opened For Rolling Stones)
Source: Sonic Studios (DSM6) -> SBM-1 -> Sony TCD-D8
Generation: DAT(M) -> DAT(c) 44.1khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> FLAC frontend -> FLAC

1998 “''Yield Radio Special''
Source: Silver Bottom, Original Pearl Jam Canada ''YIELD Radio Special'' CD
> EAC > WAV > MKWACT > FLAC

1/31/98 Monkeywrench Radio: Seattle, WA. Special Broadcast/CD-R

1/31/98 Monkeywrench Radio: Seattle, WA
(4-Disc) Source: pre-FM SBD -> satellite -> Tascam DA-P1
Lineage: DAT(2) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC

2/20/98 Alexander M. Baldwin Amphitheatre: Maui, HI
SOUNDCHECK
Source: Marc Sounds -> Sony TCD-D8
Generation: DAT-M -> DAT(2) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0
(resample to 44.1) -> CDWave -> FLAC frontend -> FLAC
(FILLER: 09-27-92 Baldwin School Gymnasium: Maui, HI SOUNDCHECK)
(FILLER: 07-18-98 Rose Garden Arena: Portland, OR SOUNDCHECK)

2/20/98 Alexander Baldwin Amphitheatre: Maui, HI
Source: Sonic Studios > Sony TCD-D7 > DAT1 32khz
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC

2/20/98 Alexander Baldwin Amphitheatre: Maui, HI
2ND Source SV027 - "WE CAME FROM THE OCEAN"
Source: 2-source mix: [Sennheiser MKE2002 > Sony TCD-D8 > dat-1 > shn] + [Nakamichi 300 (shotguns) > unknown pre-amp > Sony TCD-D7 > dEQ > CDR] > dEQ > shn > flac
Soundcheck Source: Marc Sounds > Sony TCD-D8 > dat > cdr > flac


3/2/98 Melbourne Park: Melbourne, Australia
Source: Countryman Isomax II -> Sony TCD-D100 (2' from stage/stacks,
front barricade, left side)
Generation: DAT(M) -> DAT(1) 44khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC

3/3/98 Melbourne Park: Melbourne, Australia
Source: CountryMan Isomax II > Sony TCD-D7 > DAT
Transfer: DAT-C (2) > Archive Python DDS Drive > DAT2WAV 1.2 > WAV
Conversion/Editing: WAV > Adobe Audition 1.0
(Fade In/Out, Normalize) > CDWav > FLAC

3/5/98 Melbourne Park: Melbourne, Australia Live/CD-R

3/5/98 Melbourne Park: Melbourne, Australia
SV042 - "PEOPLE OF THE SEA"
Source: Sony Music Australian promo > cdr > dEdit > cdr (first 1.5 minutes from webcast > dat > cdr) > flac

3/7/98 Thebarton Oval: Adelaide, Australia
Source : Core Sounds Binaurals > Sony TCD-D7 > DAT > CD-R
Conversion: CD-R > Plextor PlexWriter 12/4/32S > EAC* > flac 1.1.0 (Logs Included)
*double extracted and verified

3/7/98 Thebarton Oval: Adelaide, Australia
Source: Core Sound Binaurals -> Sony TCD-D7 (FOB, to the side)
Generation: DAT(M) -> DAT(1) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0
(resample to 44.1) -> CDWave -> FLAC

3/9/98 Sydney Entertainment Centre: Sydney, Australia
Source : Core Sounds Binaurals > Sony TCD-D8 > DAT > CD-R
Conversion: CD-R > Plextor PlexWriter 12/4/32S > EAC* > flac 1.1.0 (Logs Included)
*double extracted and verified

3/11/98 Entertainment Centre: Sydney, Australia
SV009 - "WAVES"
Source: Countryman Isomax II > Sony TCD-D100 > dat > dEdit > cdr > flac
MTV Awards Filler Source: "Jeremy Live" liberated boot > cdr > flac

5/07/98 ARO.space: Seattle, WA
Source: BIC mic -> Panasonic walkman
Generation: ANA(1) -> DAT-M 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0
(resample to 44.1) -> CDWave -> FLAC frontend -> FLAC

6/20/98 Washington-Grizzly Stadium:Missoula, MT
Source: AKG 460b + ck63 -> Beyer MV-100 -> Sony TCD-D8
Generation: DAT(M) -> DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0
(resample to 44.1) -> FLAC

6/21/98 The Canyons: Park City, UT
2 source mix: [Schoeps MK5(card) -> Rmod -> SBM-1 -> Sony TCD-D7 -> DAT (2nd row right)] +
[Nakamichi CM700 -> Sony TCD-D8 -> DAT (2nd row left)] => mixed via Pro-Tools => DAT(c)
Lineage: DAT(c) 44khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC

6/23/98 Fiddlers Green Ampitheater: Englewood, CO
Source: Schoeps MK5 (cardioid) > R-Mod > Sony SBM-1 > D7 + Nakamichi 700 > SonyTCD-D8 > cd-r > wav > flac.

6/24/98 Rushmore Civic Center Arena: Rapid City, SD
Source: Sony ECM-MS907 -> Sony WM-D6
Generation: ANA(M) -> DAT(c) 44.1khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC

6/26/98 Alpine Valley: East Troy, Wisconsin
Source: 2 Source Mix: [Shure SM-98 > Sony TCD-D7] +
[Sonic Studios (DSM6L) > PA-6LC3 > Sony TCD-D8] >
CDR > Frontend > .flac

6/27/98 Alpine Valley: East Troy, WI
SV025 - "ESCAPE FROM WISCONSIN"
Source: 2-source mix: [AKG 393b's > Crown PH-1 > M1 (sec. 212, row 14) > dat-m > dEQ > cdr] + [Sonic Studios (DSM-6) > Sony TCD-D7 (lawn stacks) > dat > cdr]
> dEQ > shn > flac

6/29/98 The United Center: Chicago, IL
Source: Shure SM-98 -> 94A1670 -> Sony TCD-D7 (Sec. 4, row 4, seat 7)
Generation: DAT-M -> DAT-1 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 (resample to 44.1) -> CDWave -> FLAC frontend -> FLAC

6/29/98 The United Center: Chicago, IL
SV007 - "PLAYGROUND"
Source: AKG 391b & CK63 (hyper) > Sony SBM-1 > Sony PCM-M1
(Sec.112, row 11) > dEQ > cdr > flac

6/30/98 Target Center: Minneapolis, MN
SV006-"SIGNIFICANCE"
Source: AKG 391b + CK63 (hyper) > Sony SBM-1 > Sony PCM-M1 (Sec. 111, Row 4) > dEQ > cdr > flac

7/2/98 Riverport Amphitheater: Maryland Heights, MO
SV065 - "CHANGES"
3-source matrix:
[SBD (mono) -> ALD -> SBM-1 -> D8 -> DAT(M) -> FLAC -> .wav] +
[Schoeps CCM4s -> Aerco -> SBM-1 -> D100 (20th row center) -> DAT(1) -> FLAC -> .wav] + [AKG460b + ck8 (shotgun) -> EAA-PSP3 -> DTR-80P -> D7 (33rd row center) -> DAT(1) -> FLAC -> .wav -> dEQ] => FLAC
DAT>FLAC transfers: DA20mkII -> Audiophile 2496 -> Soundforge ->
FLAC frontend -> .flac

7/3/98 Sandstone Amphitheater: Bonner Springs, KS
SV064 - "LIGHTNING UP THE DARKNESS"
Source: Schoeps CCM-4 > Aerco pre-amp > Sony SBM-1 > Sony TCD-D100
(16th row, right/center) > dat > cdr > dEdit > dEQ > flac

7/3/98 Sandstone Amphitheatre: Bonner Springs, KS
Source: Schoeps CCM4s -> Aerco -> SBM-1 -> Sony TCD-D100 (16th row, right/center)
Generation: DAT-M -> DAT(1) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0
(resample to 44.1) -> FLAC

7/5/98 Reunion Arena: Dallas, TX
Source: CSC > Sony TCD-D8 > DAT (24th Row, Left)
Transfer: DAT-C > Archive Python DDS Drive > DAT2WAV 1.2 > WAV
Conversion/Editing: WAV > Adobe Audition 1.0
(48KHz -> 44.1KHz, Fade In/Out, Clap Removal) > CDWav > FLAC

7/7/98 Tingley Coliseum: Albuquerque, NM
Source: Sonic Studios (DSM6) -> PA-6LC -> Sony WM-D6 (approx 50' from left PA)
Generation: ANA(1) -> DAT(M) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0 (resample to 44.1) ->
CDWave -> FLAC frontend -> FLAC

7/8/98 Veterans Memorial Coliseum: Phoenix, AZ
Source: AKG 460b+ck63 -> Beyer MV-100 -> Sony TCD-D8
Generation: DAT(2) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC

7/10/98 Cox Arena: San Diego, CA
(mix) Source: AKG460b + CK63 > Beyer pre-amp > Sony TCD-D8 > DAT (4th Row, right)
Transfer: DAT-C > Archive Python DDS Drive > DAT2WAV 1.2 > WAV
Conversion: WAV > Adobe Audition 1.0 (48KHz -> 44.1KHz, Fade In/Out) >
CDWav > FLAC
2nd Source: 2 source mix:
[Schoeps CCM4->Aerco->SBM-1->Sony TCD-D8 (right lower lodge, FOB)->DAT(1)- >CDR(1)->FLAC->.wav] +
[Schoeps MK5(card)->R-mod->SBM-1->Sony TCD-D8 (right lower lodge, FOB)- >DAT(M)->CDR(2)->FLAC->.wav] => FLAC

7/11/98 Thomas & Mack Center: Las Vegas, NV
Source: Sonic Studios (DSM6) -> Sony TCD-D100
Generation: DAT(M) -> DAT(1) 44.1 khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 ->
CDWave -> FLAC

7/13/98 The Forum: Los Angeles, CA, USA
Source: ALD > Unknown DAT
Transfer: Unknown DAT -> Unknown Transfer to CD -> EAC -> FLAC Frontend > .flac

7/13/98 The Forum: Inglewood, CA
(mix) Source: [ALD->DAT] +[AKG 460b+ck63->Beyer MV-100->D8->DAT(c)48khz] -> FLAC
Transfer (AKG): DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC


7/14/98 The Forum: Los Angeles, CA, USA
Source: ALD > Unknown DAT
Transfer: Unknown DAT -> Unknown Transfer to CD -> EAC -> FLAC Frontend > .flac

2nd source: The Forum: Inglewood, CA
(mix) Source: [ALD->DAT] +[AKG 460b+ck63->Beyer MV-100->D8(6th row, left)- >DAT(3)48khz] => FLAC
Transfer (AKG): DA-20 -> Monster coax -> DiO 2496 -> SF 6.0

7/16/98 Arco Arena: Sacramento, CA
(mix) Source: Mix of Schoeps CCM4 > Aerco > D100 + Schoeps MK4 > VMS02IB >
SBM-1 > D8
Conversion: Master DATs > AMIII > ProTools > CDR (1st burn) >
Toast Audio Extractor (double-extracted, verified bit identical) > .shn

7/18/98 Rose Garden Arena: Portland, OR
Source: Nakamichi CM700 -> Denon DTR-80p (11th row)
Generation: DAT(M) -> DAT(2) 44.1khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0 ->
(resample to 44.1) -> CDWave -> FLAC

2nd Source: Source: [Nak700 > DTR80P] + [SBD (mono) > ALD > DAT] => CDR
(mix) Lineage: CDR > CDR > .flac
cdr>.flac transfer: EAC > FLAC frontend > flac

7/18/98 SOUNDCHECK
Source: unknown mic -> unknown recorder
Generation: ANA(M) -> DAT(M) -> EQ -> DAT(2) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> (resample to 44.1)
-> FLAC frontend -> FLAC
(FILLER ON 2/20/98 SOUNDCHECK DISC)

7/21/98 Memorial Stadium: Seattle, WA
Source: Schoeps CCM4s -> Aerco -> SBM-1 -> Sony PCM-M1
Lineage: DAT(c) 44khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC

7/22/98 Memorial Stadium: Seattle, Washington
SBD From Bootleg CD "Home Free"

8/17/98 Deer Creek: Indianapolis, In.
Source: MarcSounds > Sony TCD-D100 (FOB 7th row center)
Generation: DAT(M) 48kHz > FLAC
Transfer: Sony PCM-R300 > ZNP6 > CEPv2.1 @ 48 kHz (fades, resample, normalize) > CDWave > FLAC8

8/18/98 Breslin Student Events Center: East Lansing, MI, USA
Source: Core Sound (mod.box) > PCM-M1 (11th row floor, center)
Lineage: DAT(M) 48khz -> DATC -> SoundForge 6.0 (Resampling) -> FLAC
Transfer: PCM-M1 -> 7pin-to-coax -> DiO 2496 -> EAC -> FLAC
Transfer: DAT Master -> DAT -> CD -> EAC -> FLAC Frontend > .flac

8/20/98 Molson Centre: Montreal, Quebec
Source: Sanken COS-11 -> Sony TCD-D8
Generation: DAT(M) -> DAT(1) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0
(resample to 44.1) -> CDWave -> FLAC

8/22/98 Molson Park: Barrie, Ontario
Source: [Sonic Studios(DSM-13)>Sony PCM-M1]+[CSB>Sony TCD-D8] > cdr
>WAV>SHN: Toshiba SD-M1502 > EAC09 > mkw

8/23/98 The Palace: Auburn Hills, MI
Source: Neumann KM140s -> Aerco -> Casio DA-7
(Row 25, Sec. A, direct line with right stacks)
Lineage: DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC

8/25/98 Star Lake Amphitheatre: Pittsburgh, PA Live/Unknown Source

8/26/98 Blossom Music Center: Cuyahoga Falls, OH
SV034 - "My City Was Gone"
Source: 2-source mix: [Schoeps CMC6 + MK4 > Sonosax pre-amp > Sony SBM-1 > Sony TCD-D8 (first song: Sonic Studios DSM13 > PA-6LC > Sony PCM-M1)] +
[unknown source] > cdr > flac
Soundcheck Source: Sonic Studios DSM13 > PA-6LC > Sony PCM-M1 > cdr > flac

8/29/98 Blockbuster Music Entertainment Centre: Camden, NJ
Source: Schoeps MK4s -> VMSO2IB -> SBM-1 -> Sony TCD-D100 (15th row)
Lineage: DAT(3) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC

8/31/98 Raleigh, NC: Walnut Creek Ampitheater
Source: Oade mini mics > Sony TCD-D7 (FOB) > CDR > WAV > FLAC

9/1/98 Lakewood Amphitheatre: Atlanta, GA
Source: 2-source mix: [AKG 414TLII > Oade M248 pre-amp > Sony SBM-1 > Sony TCD-D8 > dat > cdr > dEdit > cdr] + [Sonic Studios >
Sony TCD-D7 > dat > cdr] > dEQ > shn > flac

9/3/98 Birmingham-Jefferson Coliseum: Birmingham, AL
"DUELING GUITARS"
Source: Sonic Studios (DSM6) > Sony TCD-D100 > DAT1 48khz
Location: 2nd row, right side
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC

9/4/98 Bi-Lo Center: Greenville, SC
SV005-"CLEANSE"
Source: Neumann KM-184 > Aerco pre-amp > Sony TCD-D8 (FOB)
> dEdit > cdr > flac

9/6/98 Thompson-Boling Arena: Knoxville, TN
Source: Sonic Studios (DSM-6S) -> PA-6LC -> Sony TCD-D100
Generation: DAT-M -> DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0
(resample to 44.1) -> CDWave -> FLAC frontend -> FLAC

9/7/98 GTE Virginia Beach Amphitheatre: Virginia Beach, VA
Source: Sonic Studios -> DAT
Lineage: DAT(c) 48khz -> FLAC
Transfer DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC
9/8/98 Continental Airlines Arena : East Rutherford, NJ
Source: AKG 300b > Aerco pre-amp > Sony TCD-D7 (17th row, center) >
2cd-r > WAV > FLAC

9/10/98 Madison Square Garden
Source: Mix: [Schoeps MK5 > Rmod > SBM-1 > Sony PCM-M1] +
[AKG300b > Aerco > Sony TCD-D7] > CDR > FLAC

9/11/98 Madison Square Garden: New York, NY
"THREE YEARS IN NEW YORK CITY"
Source: 2-source mix: [Schoeps MK5 (cardioid) > R-Mod > Sony SBM-1 > Sony PCM- M1 (right risers) > dat] +
[Core Sound Cardioid > Sony TCD-D7 > dat] > cdr > dEdit > dEQ > flac

9/13/98 Meadows Music Theatre : Hartford, CT
SV001 - "NO BELIEF"
9/13/98 Source: 2-source mix: [Core Sound Cardioid > Sony TCD-D7 (dead center, directly behind soundboard)] + [AKG 451 > AMR-BPS2 > Sony TCD-D8
(mics on 7’ stand)] > dEdit > cdr > flac
11/08/91 source: Sony PC-62> Sony WM-D3 (cut patched with Sonic Studios > Sony TCD-D3) > cdr > flac

4/12/00 The Late Show with David Letterman
Source: TV > ??? > CD-R
Extraction: CD-R > PlexWriter 12/4/32S > EAC > SHN > FLAC
(FILLER ON 02/26/02 DISC)

5/10/00 Bellingham, Wa.
Source: DSM6 > D100 > DAT > CDR > .wav > .shn
Extracted to .wav with EAC and converted to .shn with mkwACT

5/11/00 Commodore Ballroom: Vancouver, B.C.
Source: CSB > TCD-D8 > DAT > CDR > EQ > CDR > .wav > .shn

5/23/00 Estadio do Restelo: Lisbon, Portugal
Source: Official Bootleg > EAC v0.95 beta02 > WAV > DB PowerAmp > FLAC

5/25/00 Palau Sant Jordi: Barcelona, Spain
Source: Official Bootleg > EAC v0.95 beta02 > WAV > DB PowerAmp > FLAC

5/26/00 Velodromo Anoeta: San Sebastian, Spain
Source: Official Release > EAC v0.95 beta02 > WAV > DB PowerAmp > FLAC

5/29/00 Wembley Arena: London, UK
Source: Official Bootleg (Silver) > EAC > Wav > FLAC Frontend > Flac

5/30/00 London Live/Boot

6/1/00 The Point Theater: Dublin, Ireland
Source: Official Bootleg > EAC v0.95 beta02 > WAV > DB PowerAmp > FLAC

6/3/00 Scottish Exhibition & Conference Center: Glasgow, Scotland
Source: Official Bootleg > EAC v0.95 beta02 > WAV > DB PowerAmp > FLAC

6/4/00 Manchester Evening News Arena: Manchester, England
Source: Official Bootleg > EAC v0.95 beta02 > WAV > DB PowerAmp > FLAC

6/06/00 Cardiff Live/Boot
6/08/00 Paris Live/Boot

6/9/00 Nurburg Ring: Eifel, Germany
Source: Official Bootleg > EAC v0.95 beta02 > WAV > DB PowerAmp > FLAC

6/11/00 Rock Im Park Festival-Nürnberg, Germany
Source: Official release > EAC v0.95 > wav > FLAC Frontend (level 8) > FLAC

6/12/00 Pinkpop Festival: Landgraaf, Netherlands
Source: Offical Release > EAC v0.95 beta2 > WAV > dbPowerAMP > FLAC

6/14/00 Paegas Arena: Praha Czech Republic
Source: Official release > EAC V0.95 > WAV > FLAC Frontend (Level 8) > FLAC

06/15/00 Spodek: Katowice, Poland
Source: Official Release > EAC 0.95 > WAV > FLAC Frontend (Level 8) > FLAC

6/16/00 Katowice: Spodek Live/Boot

6/18/00 Residenzplatz: Salzburg, Austria
Source: official release > EAC v0.95 > wav > FLAC Frontend (level 8) > FLAC
Eddie Vedder (Preset)
Source: Schoeps MK5 (cardioid)>R-Mod>Sony PCM-M1>CDR

6/19/00 Ljubijana, Slovenia Live/CD-R
6/20/00 Verona Live/CD-R
6/22/00 Milan Live/Boot

6/25/00 Freiluftbuehne Wuhlheide: Berlin, Germany
Source: Official Bootleg > EAC v0.95 beta2 > WAV > dbPowerAMP > FLAC

6/26/00 Sporthall: Hamburg, Germany
Source: Official Release > EAC > FLAC

6/28/00 Sjöhistoriska museet (National Maritime Museum): Stockholm,Sweden
Source: Official Bootleg #24 (silver) > EAC v0.95pb3 > wav > Flac
PRESET: Source: Schoeps MK5 (cardioid) > R-Mod > Sony PCM-M1 > dEdit (first 15 seconds mixed with Core Sound Cardioid > Sharp MD-831(master) > dEQ) > cdr > Flac

6/29/00 Spektrum: Oslo, Norway
Source: Official Release > EAC v0.95 > wav > FLAC Frontend (Level 8) > FLAC

8/3/00 GTE Virginia Beach Amphitheater:Virginia Beach, VA
Source: Official Release #26>EAC>wav>mkwACT>shn

8/4/00 Blockbuster Pavilion: Charlotte, North Carolina
Source: Official Bootleg > EAC > wav > mkwACT > SHN

8/6/00 Greensboro, North Carolina
Source: Official Bootleg > EAC v0.95 beta02 > WAV > DB PowerAmp > FLAC

8/07/00 Atlanta Live/CD-R

8/9/00 Mars Music Amphitheatre: West Palm Beach, FL
Source: Official Bootleg #30 (silver) > EAC v0.95pb3 > wav > flac

8/10/00 West Palm Beach, Fl. Live CD-R
8/12/00 Tampa Live/Boot

8/15/00 The Pyramid: Memphis, Tennesee
Source: Official release > EAC V0.95 prebeta 3 > WAV > mkwACT V0.97 Beta 1 > shn

8/14/00 New Orleans Live/CD-R
8/17/00 Nashville Live/CD-R
8/18/00 Indianapolis Live/Boot
8/20/00 Cincinnati Live/Boot
8/21/00 Columbus Live/Boot

8/23/00 Jones Beach Amphitheater: Wantagh, NY
Source: Official release > EAC > WAV > mkwACT > shn [seek tables appended and log files included] > FLAC

8/24/00 Jones Beach Amphitheater: Wantagh, NY
Source: Official Bootleg > EAC > wav > MKWact > SHN

8/25/00 Jones Beach Amphitheater: Wantagh, NY
Source: Official Release > EAC v0.95b04 > WAV >
mkwACT v0.97b1 > shn > FLAC

8/27/00 Saratoga Performing Arts Center: Saratoga Springs, NY
Source: Official Release > EAC v0.95 beta2 > WAV > dbPowerAMP > FLAC

8/29/00 Tweeter Center: Mansfield, MA Live/CD-R

8/30/00 Tweeter Center: Mansfield, MA
Source: Official Bootleg > EAC v0.95 beta02 > WAV > DB PowerAmp > FLAC

9/1/00 E-Center: Camden, NJ (note: the official cd says Philadelphia, PA)
Source: Official Release > EAC v0.95 beta2 > WAV > dbPowerAMP > FLAC

9/2/00 E-Center: Camden, NJ
(Note: the official cd says Philadelphia, PA)
Source: Official release > EAC 0.95 > FLAC Frontend (Level 8) > FLAC

9/4/00 Merriweather Post Pavilion: Columbia MD (Washington, DC)
SV038 - "THE COLUMBIAN NIGHTMARE"
Show Source: Official Bootleg #47 (silver) > EAC v0.95pb3 > wav > flac
Ed's Solo Preset Source: Analog Walkman (master) > dat ("Parting Ways" fades
into Sonic Studios DSM6S/L > PA-6LC > Sony TCD-D8 (Sec. Ctr, row EE) > dat source) > dEQ > shn > cdr > dEdit > flac


9/5/00 Post Gazette Pavilion at Star Lake: Pittsburgh, PA
Source: Official Release > EAC v0.95 beta02 > WAV > DB PowerAmp > FLAC

9/5/00 SV037 - "AWASH"
Post Gazette Pavilion at Star Lake: Pittsburgh, PA
Show Source: Official Bootleg #48 (silver) > EAC v0.95pb3 > wav > flac
Ed's Solo Preset Source: Schoeps CCM-4 > Beyer MV-100 pre-amp > Sony SBM-1 > Sony TCD-D8 (15th row center) > dat > cdr > dEdit > flac

10/04/00 Molson Centre: Montreal, Quebec
Source: Official Release > EAC v0.95 > WAV> FLAC Frontend (level 8) > FLAC

10/05/00 Air Canada Center: Toronto, Ontario
Source: Official Release > EAC v0.95 > wav> FLAC Frontend (level 8) > FLAC

10/07/00 The Palace: Detroit, Michigan
(sony) Source: Official boot > EAC > wav > flac frontend (level 8) > flac

10/07/00 The Palace: Detroit, Michigan
Source: Official Release > EAC v0.95 beta04 > WAV > mkwACT v0.97b1 > shn

10/08/00 Alpine Valley: East Troy, Wisconsin
Source: Official Bootleg > EAC v0.95 beta02 > WAV > DB PowerAmp > FLAC

10/8/00 Alpine Valley: East Troy, Wisconsin
Source: MP3

10/09/00 United Center: Chicago Live/Boot

10/11/00 Riverport Amphitheatre: St. Louis, Missouri
Source: Official Release > EAC v0.95 > WAV > FLAC Frontend (level 8) > FLAC

10/12/00 Sandstone Amphitheater: Kansas City, MO
Source: Official Release > EAC v0.95 beta04 > WAV > mkwACT v0.97b1 > shn

10/14/00 Houston, Texas
Source: Official Bootleg > EAC v0.95 beta02 > WAV > DB PowerAmp > FLAC
10/15/00 Cynthia Woods Mitchell Pavilion: Woodlands, TX
Source: Official Release > EAC v0.95 beta04 > WAV > mkwACTv0.97b1 > shn
10/17/00 Dallas Live/CD-R
10/18/00 United Spirit Arena: Lubbock, Texas
Source: Official CD Release > WAV (EAC V0.95) > FLAC (FLAC Frontend v.1.7.1)

10/20/00 New Mexico Live/CD-R

10/21/00 Desert Sky Pavilion: Phoenix, AZ
Source: Official Release > EAC v0.95 beta04 > WAV > mkwACT v0.97b1 > SHN

10/22/00 MGM Grand Hotel & Casino: Las Vegas, NV Live/Boot

10/24/00 Greek Theatre: Los Angeles, CA
Source: Official Release > EAC v0.95 beta04 > WAV > mkwACT v0.97b1 > shn

10/25/00 San Diego Live/Boot

10/27/00 Selland Arena: Fresno, CA
Source: Offical Release > EAC v0.95 beta2 > wav > dbPowerAMP > FLAC

10/28/00 Glen Helen Blockbuster Pavilion: San Bernardino, CA
Source: Official release > EAC 0.95 > WAV > mkwACT V0.97b1 > shn > FLAC

10/30/00 Sacramento Valley Amphitheatre: Marysville, CA
Source: Official Release > EAC v0.95 beta04 > WAV >
mkwACT v0.97b1 > shn [seek tables appended and log files included] > FLAC

10/31/00 Shoreline Amphitheatre: Mountain View, CA
Source: Official Release > EAC v0.95 beta04 > WAV >
mkwACT v0.97b1 > shn [seek tables appended and log files included]

11/02/00 Portland Live/Boot
11/03/00 Boise, Id. Official Bootleg > EAC > FLAC

11/05/00 Key Arena: Seattle, WA
SV039 - "GRIMLOCK DESTROYS SEATTLE"
Show Source: Official Bootleg #71 (silver) > EAC v0.95pb3 > wav > flac
Ed's Solo Preset Source: Audio Technica 933 (hypercardoid) >
Sony PCM-M1 > dat > cdr > flac


11/06/00 Seattle Live/Boot

2003 Eddie Vedder
2003 Solo Performances

2/8/03 Brisbane, Austrailia
Source: Official Release> EAC -> MKW > SHN

2/9/03 Brisbane Entertainment Centre: Brisbane, Australia
Source: Official Release> EAC > mkwact > SHN

2/11/03 Sydney Entertainment Centre: Sydney, Australia
Source: Official Release> EAC>MKWACT>SHN

2/13/03 Entertainment Centre: Sydney, South Wales, Australia
Source: Official release > EAC V .95 beta 2 > Wav > Flac V 1.1.2a level 8

2/14/03 Entertainment Centre: Sydney, South Wales, Australia
Source: Official release > EAC v0.95 beta 2 > Flac v1.1.2a

2/16/03 Adelaide, Australia
Source: Official Release > EAC > wav > flac frontend > flac
2/18/03 Rod Laver Arena: Melbourne, Australia
Source: Official Release> EAC>MKWACT>SHN

2/19/03 Rod Laver Arena: Melbourne, Australia
Source: Official Release> EAC>MKWACT>SHN
2/19/03 SOUNDCHECK
Source: Digital > CDR > FLAC

2/20/03 Melbourne, Australia CD-R
2/23/03 Perth, Australia CD-R
2/28/03 Sendai, Japan CD-R

3/1/03 Yokohama, Japan
Source: Official boot > eac > wav > flac frontend > flac

3/3/03 Budokan: Tokyo, Japan
Source: Sonic Studios (DSM-6S) -> PA-6LC3 -> Sony TCD-D100
Lineage: DAT(1) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC

3/4/03 Osaka Koseinenkin Kaikan, Osaka, Japan
Source: Official Release> EAC 0.9b4 -> WAV -> mkwACT 0.97b1 -> SHN

3/6/03 Nagoya-shi Kokaido, Nagoya, Japan
Source: Official Release > EAC 0.9b4 -> WAV -> mkwACT 0.97b1 -> SHN

4/1/03 Pepsi Center Arena: Denver, CO
Source: Official Bootleg > .wav > .shn

4/3/03 Oklahoma City, Ok.
Source: Official boot > eac > wav > flac frontend > flac

4/5/03 San Antonio, Tx.
Source: Official Boot > eac > wav > flac frontend > flac

4/6/03 Houston, Tx
Source: Official boot > eac > wav > flac frontend > flac

4/8/03 UNO Lakefront Arena, New Orleans, LA
Source: Official Release > EAC 0.9b4 -> WAV -> mkwACT 0.97b1 -> SHN

4/9/03 Oak Mountian Ampitheater, Birmingham, AL
Source: Official Release > Nero -> WAV -> mkw Audio Compression Tool -> SHN

4/11/03 West Palm Beach, Fl.
Source: Official Boot > eac > wav > flac frontend > flac

4/12/03 House Of Blues, Florida CD-R

4/13/03 Tampa, Fl.
Source: Official boot > eac > wav > flac frontend > flac

4/15/03 Raleigh, NC
Source: Official boot > eac > wav > flac frontend > flac

4/16/03 Charlotte, NC
Source: Official boot > eac > wav > flac frontend > flac

4/18/03 Nashville Boot

4/19/03 Atlanta, Ga.
Source: Official boot > eac > wav > flac frontend > flac

4/21/03 Lexington, Ky
Source: Official boot > eac > wav > flac frontend > flac

4/22/03 St. Louis, Mo.
Source: Official boot > eac > wav > flac frontend > flac
(Only show of tour with No Covers Played)

4/23/03 Champaign CD-R

4/25/03 Cleveland, Oh.
Source: Official boot > eac > wav > flac frontend > flac

4/26/03 Pittsburgh, Pa
4/28/03 Philadelphia, Pa CD-R
4/29/03 Albany, NY CD-R

4/30/03 Nassau Veterans Memorial Coliseum: Uniondale, NY
(MTX) Source: SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
SBDSource: Multitrack SBD > Official Bootleg > SHN
AUDSource: SP-CMC-6 (AT853) Hypercard caps > 69hz rolloff > PCM-M1
Location: ORTF behind stage

5/2/03 Buffalo, NY
Source: ?????

5/03/03 State College CD-R (3)
5/28/03 Missoula CD-R (3)
5/30/03 Vancouver, British Columbia: Canada
Source: Official Boot > EAC > FLAC Frontend > FLAC

6/01/03 Mt. View MP-3
6/02/03 Irvine 1 MP-3
6/03/03 Irvine 2 MP-3
6/05/03 San Diego CD-R
6/06/03 Las Vegas MP-3
6/07/03 Cricket Pavilion: Phoenix, AZ MP-3
6/09/03 Dallas CD-R
6/10/03 Alltel Arena: Little Rock, AR MP-3
6/12/03 Kansas City CD-R
6/15/03 Fargo MP-3
6/16/03 St. Paul CD-R
6/18/03 Chicago CD-R
6/21/03 Alpine Valley Music Theater: East Troy, WI
Source: Official release > EAC V0.9b4 > WAV > mkwACT V0.97b1 > shn

6/22/03 Indianapolis Boot
6/24/03 Columbus CD-R
6/25/03 Detroit 1 CD-R
6/26/03 Detroit 2 CD-R
6/28/03 Toronto CD-R
6/29/03 Montreal CD-R (3)
7/01/03 Bristow CD-R
7/02/03 Boston 1 Boot
7/03/03 Boston 2 Boot
7/05/03 Camden 1 CD-R
7/06/03 Camden 2 CD-R
7/08/03 NYC 1 Boot
7/09/03 NYC 2 Boot
7/11/03 Boston 3 Boot (3)

7/12/03 Hersheypark Stadium: Hershey, PA
Source: Official Release > EAC v0.95 > WAV (logs included)
> FLAC Frontend (level 8) > FLAC

7/14/03 PNC Bank Arts Center: Holmdel, NJ
Source: Official Release> WAV (EAC) > SHN (mkwACT v0.97b1)

7/17/03 Mexico City CD-R
7/18/03 Mexico City CD-R
7/19/09 Mexico City CD-R (3)


10/22/03 Benaroya Hall: Ca. MP-3

10/28/03 County Bowl-Santa Barbara, CA
**Benefit for the Louis Warschaw Prostate Cancer Center at Cedars-Sinai Hospital**
Source: Schoeps > DAT
Conversion: Panasonic SV-3800 > M-Audio 2496 card > Soundforge 7.0 >
CD Wave Editor > shntool > shorten32

1/17/05 Ed Vedder-Tsunami Benefit
The Wiltern, Los Angeles
Source: ECM-Ms907 > MZ-N510 > Sound Forge > wav > flac

3/18/05 Northwest School Benefit
Paramount Theatre: Seattle, WA
Source: MD>WAV>FLAC(Level5/verify/test)

4/25/05 Kings of Leon w/ Ed Vedder
Key Arena: Seattle, WA
Source: Sonic Studios DSM6S > Sony TCD-D100
Lineage: DAT(M) 48khz -> DATC 48khz
Transfer: Sony PCM-M1 -> 7pin-to-coax -> DiO 2496 -> SoundForge 6.0 -> Reference CD -> EAC -> FLAC Frontend > .flac
(FILLER ON 02/26/02 DISC)

4/29/05 Easy Street Records: CIMS 10th Anniversary: Seattle, WA
Source: Unknown DAT > Remaster > SHN > FLAC

5/25/05 Neumo's: Seattle, WA
Ed Vedder (with students from the Paul Green School Of Rock Music)
Source: Sharp MD-722, Sound Professional Binaural mics, battery pack--mixed through an 8 track soundcraft mixing board > CD-R (Phillips standalone)
Lineage: CD-R > WAV (EAC v.0.95) > FLAC (FLAC Frontend v.1.7.1,
compression level 8)

8/29/05 Adams Event Center:Missoula, Montana
Montanans for Tester Fundraiser
Source: SP-CMC-4>SP-SPSB-1>JB3 44.1K Wave

8/29/05 Adams Event Center:Missoula, Montana
Montanans for Tester Fundraiser
THIS SHOW IS A SBD SHOW THAT WAS NEVER OFFICIALLY RELEASED.
IT IS THE OFFICIAL MP3, BUT NOT AVAILABLE FOR PURCHASE.

9/2/05 General Motors Place, Vancouver, B.C., Canada Official MP3
9/4/05 Pengrowth Saddledome, Calgary, AB, Canada Official MP3
9/5/05 Rexall Place, Edmonton, AB, Canada Official MP3
9/7/05 Credit Union Centre, Saskatoon, SK, Canada Official MP3
9/8/05 Official MP3
9/9/05 Fort William Gardens, Thunder Bay, ON, Canada Official MP3
9/11/05 Memorial Auditorium: Kitchener, ON Official MP3

9/11/05 Memorial Auditorium: Kitchener, ON
Source: Dynamic Audio Binaurals > DA-120F Custom Battery Box, Bass Roll off 85hz > AD20 (set to 0) > JB3 (Optical Line-In) > 44.1K WAV
Transer: JB3 > computer via Firewire > Adobe Audition 1.5 > CD Wave Editor 1.94.5 > FLAC FrontEnd (Level 8, Align SB)

9/12/05 John Labatt Centre, London, ON, Canada Official MP3
9/13/05 Copps Coliseum, Hamilton, ON, Canada Official MP3
9/15/05 Bell Centre, Montreal, QC, Canada Official MP3
9/16/05 Official MP3

9/19/05 Air Canada Centre, Toronto
Microphones: Sound Professionals Deluxe Audio Technica Cardiods (AT831's)->Sound
Professionals Bass Roll off filter/battery box (SP-SPSB-2)
Recording Device: Sony D8 @ 48khz
Source:DAT->CS 7pin/coax->M-Audio CO3->THX coax ->Teac CD burner->CD- >WAV(via Itunes)->FLAC

9/19/05 Air Canada Centre, Toronto Official MP3

9/20/05 Quebec City, Quebec, Canada Official MP3

9/20/05 Colisée, Québec, Canada
Source: SP-PASM-2-L > NJB3 @ 44.1 > FLAC > CDR[1]

9/22/05 Halifax , Nova Scotia-Canada Official MP3
9/24/05 St. Johns, Canada Official MP3
9/25/05 St. Johns, Canada Official MP3
9/28/05 Rolling Stones w/ Ed Vedder
‘PNC Park, Pittsburgh, PA.
(Performs Wild Horses after Pearl Jam opened the show)
(FILLER ON 02/26/02 DISC)

9/30/05 Borgata Events Center, Atlantic City, NJ Official MP3
10/1/05 Borgata Events Center, Atlantic City, NJ Official MP3
10/3/05 Wachovia Center: Philadelphia, PA Official MP3

10/3/05 Wachovia Center: Philadelphia, PA
Source: DPA 4023 > Sonosax SX-M2 > Mogami interconnect > Edirol R-1 @ 24/44.1
Location: Sec 7, Row 3, Seat 13, 45th row center
Transfer:Wav @ 24/44.1 > Steinberg WaveLab v5.00a (dither with Apogee UV22HR to
16/44.1) > CD-WAV/FLAC frontend v1.7.1 > .flac

10/5/05 House of Blues: Chicago, IL
Source: Schoeps MK4s > Nbox > D100
Lineage: DAT master > FLA

11/15/05 Buenos Aires, Argentina Official MP3
11/23/05 Official MP3

11/25/05 Ferrocarril Oeste Stadium: Buenos Aires, ARG
Source: Custom Stereo Mics With Battery Box > Sony MZ-NF810 MD
Transfer: NF810 > RCA Cable > Sound Blaster PCI 128 > Cool Edit Pro > WAV >
Cool Edit Pro (see below for details) > cdwave > flac @ level 8

11/26/05 Ferrocarril Oeste Stadium: Buenos Aires, ARG
Source: Custom Stereo Mics With Battery Box > Sony MZ-NF810 MD
Transfer: NF810 > RCA Cable > Sound Blaster PCI 128 > Cool Edit Pro > WAV >
Cool Edit Pro (see below for details) > cdwave > flac @ level 8

11/28/05 Gigantinho: Porto Alegre, BRA
Source: Custom Stereo Mics With Battery Box > Sony MZ-NF810 MD
Transfer: NF810 > RCA Cable > Sound Blaster PCI 128 > Cool Edit Pro > WAV >
Cool Edit Pro (see below for details) > cdwave > flac @ level 8

12/04/05 Apoteose, Rio De Janeiro: Brazil MP-3

12/10/05 Mexico City: Mexico Official MP3

2005 Tour Rarities & X-mas Single
2005 Holiday Single (vinyl)
Delivered: February 2006
Source: 10c 45rpm vinyl > Sony PS-LX250H turntable > Creative Soundblaster MP3 Pro >
Soundforge 5.0 @ 48k > resampled to 44k > FLAC [ffp included]

Ok upina2001, you can stop now... we get the picture. You've got almost as many boots as most people on here

upina2001 wrote:

oh, forgot the VIC show and Lolla 2007.
That's it.

***If you notice I am missing a show that you may own, please let me know. I am on the verge of owning every show, regardless of quality.** Thank you.

I think you are missing a few.