What kind of PJ Bootlegger are you?

locked

wanted to see what the current batch of folks out there are doing..

Do you collect every show..?
Do you trade or hoard boots..?

For example, Decides2Dream only collects shows she has attended (which are lots) but she won't get boots for good shows...even if they exist...
Also, each of her boots are kept in a beautiful jewelcase with all the artwork perfectly in place..

I, on the other hand, put sharpy magic marker on the bare CD's with the show's info and bypass the boot artwork..
but INSIST on track listings for each and every boot I obtain..(whether its for a trade or myself)...

It's all about listening to the boots for me, as opposed to some others who collect, cherish and treat each boot as a precious artifact...
(no judgement being rendered BTW.. I understand that perspective as well! collecting is awesome too!)

So let's here it.. what kind PJ bootlegger are you?..

pdalowsky

very keen and nerdy collector, need originals if available, otherwise like your friend, need jewel case and arts!!!

Evolution6579

I try to get my hands on any show I want. If they open with Wash, it pretty guarantees the boot making my list. Also, any show with a VERY abnormal setlist (i.e. covers, lost dogs, weird opener).

Although I do like artwork, I like the posters for a show better. I will find a copy of the poster somewhere and throw it on my iPod.

That's how I roll.

Indifference

Need every show CD/DVD - have just about everything in circulation and in some cases then some. However, I could care less about the artwork for some reason - so just about everything in a jewel case with usually just a printout of the concert summary from 5H or now TFT (they slack by the way! - just kidding - sort of)

red mos

For me, I have to have the shows I attend, that's a given for anyone I'm sure. I even do this for non pj shows should a show exist.

I collected alot of the staples must haves or most popular over the years
like soldier field 95
Randalls Island, NY September 29, 1996
NFM and Chapters ect.
and various Boots from conversations on popularity just from this board.

In terms of neatness and organization: I just label the disc with a sharpie marker so I know what show it is and label the case.

Don't really feel the need that the setlist has to be there, printed neatly ect, I can listen to the boot and figure out the songs (useful for new cover tunes though), but then again, I can just look it up here on the site.

I do hope to seek out a vic theater recording though, I just got to find an offer and go to the post office (that could take awhile considering my work schedule).

a5pj

hmm have a bunch of the orignal boots on cd the releases, other than that i have a ton of boots on my computer, i dont even bother putting them on cd's. I tried putting artowork or a pic with each show but that got old real quick haha.

mookie9999

I haven't bought/traded for/obtained a bootleg cd of PJ since they started releasing all of their shows. I did download the Vic show. As far as DVD's are concerned I collect as many as possible especially from 2006. All of them are kept in a plain white sleeve with the show's date and location written in the corner. That is all.

rival.

i try and get my hands on all of the shows i've been too, plus some of the better shows of a tour, and a good european show.

when they released the 2000 tour on CD, it was like an addiction!

Redmosquito26000

I definately get the shows i attended, and others that have been recommended.
For the shows that I have attended I actually create covers from a picture from that show. And shows that i have not attended, i do not use the provided artwork, but instead just keep them in a jewel case with the track listing printed on front.

jonbond1779

I get the shows ive been too, but also get long gigs and sets where PJ play rare shit and improvs. Love getting boots with 10min songs

InHiding19

pdalowsky wrote:

very keen and nerdy collector, need originals if available, otherwise like your friend, need jewel case and arts!!!

I'm just curious about your approach to artwork, for example, do you put each boot in a double disc jewel case (or triple disk for longer shows)?

pjtradeking

Indifference wrote:

Need every show CD/DVD - have just about everything in circulation and in some cases then some. However, I could care less about the artwork for some reason - so just about everything in a jewel case with usually just a printout of the concert summary from 5H or now TFT (they slack by the way! - just kidding - sort of)

This about sums it up for me. ANYTHING AND EVERYTHING, Mulitple copies, vids if they apply, different angles, incomplete, complete, soundcheck, ed with the openers..WHATEVER!! I have stuff that isnt in circulation that I have never heard or seen I have so much. I find stuff all the time that I didnt know was sent to me. It is a disease, really.

mookie9999

pjtradeking wrote:

This about sums it up for me. ANYTHING AND EVERYTHING, Mulitple copies, vids if they apply, different angles, incomplete, complete, soundcheck, ed with the openers..WHATEVER!! I have stuff that isnt in circulation that I have never heard or seen I have so much. I find stuff all the time that I didnt know was sent to me. It is a disease, really.

Maybe this should be in a pm, but do you by chance have (or know of) a complete video recording of 11/19/97? I have the incomplete, but want so bad to have the entire show. The partial clip was good stuff, and I want more! Thanks.

pjtradeking

mookie9999 wrote:

Maybe this should be in a pm, but do you by chance have (or know of) a complete video recording of 11/19/97? I have the incomplete, but want so bad to have the entire show. The partial clip was good stuff, and I want more! Thanks.

PM me a reminder, and I will look and see what mine is.

locked

pjtradeking wrote:

I find stuff all the time that I didnt know was sent to me. It is a disease, really.

oddly enough.. I can completely aprreciate and understand...!

and any of the "official" releases.. its like an automatic vaccum from my wallet to the 10C "goods" site..

There's no conscious decision on my part...

Riot_Mac

I have every show ever recorded. All in FLAC. I convert them to AAC for iTunes though. So basically I have every show in two formats.

I got every show about a year after I went on serious PJ download mission after my hard drive failed and lost all my music.

NYbenben

i have several hundred shows... i would be happy to share them... but i dont know how to upload stuff onto sites... also, all the stuff i have was downloaded from some of the great sites that are already out there like the ArmyReserve blogspot... that is a killer site.

Get_Right

mostly only the shows I go to, with a few exceptions

I do not like the down load only system and much prefer to buy the hard cds
for that reason, I did not buy any 06 shows

sprang for lolla though.

JP2026766

I have about roughly 65 boots. I have shows from pretty much every year. I have them from every show I've been to, and I try to get them if they play a really rare song, or a really diverse setlist. Not very into the jewel case stuff, just the music.

DiRtYyELLoWoCeAn

some jewel cases some in a binder....i write the setlists out for each show and write the names of the show and the date on each disc...... example...... 7/3/03 Mansfield Ma (1)









I go through downloading phases I have about 50 something shows all on cd, i have alll the shows I've been to...... I am not one for artwork I have about 15 shows on my Ipod!

pearljim

Riot_Mac wrote:

I have every show ever recorded. All in FLAC. I convert them to AAC for iTunes though. So basically I have every show in two formats.

I got every show about a year after I went on serious PJ download mission after my hard drive failed and lost all my music.

Wouldn't converting it to AIFF be the equivalent to FLAC? Just wondering as I'm fairly new to the iTunes conversion world.

As for boots I have over 500 shows on my computer so someone will be getting my complete 2003 tour on cdr's.

Since discovering the world of FLAC a few months back I've been updating shows from mp3 to FLAC whenever I can.

not4u

listener to all and collecter of popular and my favorites - official or artwork needed.

Riot_Mac

pearljim wrote:

Wouldn't converting it to AIFF be the equivalent to FLAC? Just wondering as I'm fairly new to the iTunes conversion world.

As for boots I have over 500 shows on my computer so someone will be getting my complete 2003 tour on cdr's.

Since discovering the world of FLAC a few months back I've been updating shows from mp3 to FLAC whenever I can.

AIFF is completely uncompressed. So it is a little bigger than FLAC.

You do realize you can't go from AAC/MP3 to AIFF or FLAC right?

I convert my FLACs to AAC since the files size is about 1/10th... for my iPod. Lately I have been converting to Apple Lossless. It is basically the same as FLAC but smaller file sizes.

pearljim

Riot_Mac wrote:

AIFF is completely uncompressed. So it is a little bigger than FLAC.

You do realize you can't go from AAC/MP3 to AIFF or FLAC right?

I convert my FLACs to AAC since the files size is about 1/10th... for my iPod. Lately I have been converting to Apple Lossless. It is basically the same as FLAC but smaller file sizes.

Yeah I asked that question in the technical board thanks. Is Apple Lossless something you have to download? I have just started to convert shows from FLAC to AIFF whenver I can with a program called Switch.

upina2001

Summer 88 Eddie Vedder Home Demo
Notes : This tape was sent by Eddie to the guy who lived downstairs from he and Beth in San Diego when he moved to Seattle. A collective group of fans purchased this from Eddie's neighbor/friend

08/1990 The Gossman Project:
Stone Gossard, Jeff Ament, Mike McCready, Matt Cameron,
and Chris Friel (tracks 4 and 10)


10/22/90 Mookie Blaylock: Off-Ramp Café: Seattle, WA
Source: "Bridges: Epilogue" bootleg
Mamasan Demos, September 1990 (Tracks 1-3)
Off-Ramp Cafe: 10/22/1990 (Tracks 4-12)
Ten rough mix outtake 4/26/91 (Track 13)

10/23/90 Studio [1st Week Rehearsals]: Seattle, WA
Source: Master Reel > DAT(M) > ANA
Lineage: ANA > CD > EAC > WAV > FLAC (encoding level 8)
First Week Rehersals mix tape.
Eddie Vedder changed the track list to accomodate a different length cassette. The versions recorded onto this particular tape might be re-mixed from the original 10/13/90 master. "Daddy (Could Swear, I Declare)" is most likely a filler track taken from a previous Vedder session.

1991

2/7/91 Mookie Blaylock: Florentine Gardens: Los Angeles, CA
Source: unknown microphones (Sony PC-62?) > Sony WM-D3 >
cass > DAT > CDR > EQ > CDR > FLAC

2/8/91 Mookie Blaylock: God Save the Queen: Long Beach, CA
Source: PC62? > wm-d3 cass-M > cass > DAT(c) > dEQ > CDR (dEQ by FGE) > WAV (EAC V0.95) > FLAC

2/11/91 Club With No Name - Hollywood, CA
Source: video ? > ? > CD-R > SHN

4/26/91 "Rough Mixes"
Source: SBD > DAT > Promo Cassette Master > Boot CD> CD-R > WAV >Flac
(Liberated from CD-R (2) copy of "Rough Mixes"-silver disc bootleg."Rough Mixes")

7/12/91 JC Dobbs: Philadelphia, PA
Source: ? > cass > DAT > CDR > EQ > CDR > FLAC (speed corrected)

7/13/91 Marquee Room: New York, NY
Source: Sennheiser ME80 -> Sony TCD-D3
Generation: DAT(M) -> DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.
7/13/91 The Marquee Room, New York, NY
Source 2 Source : Sonic Studios > Sony TCD-D
(resample to 44.1) -> CDWave -> FLAC

7/17/91 The Wetlands: New York, NY
Silvers (Bootleg CD: 'Mother of Pearl' (source unknown) > EAC (Secure) > .wav > .flac

7/17/91 The Wetlands: New York, NY
Source 2 Silvers > EAC (Secure) > .wav > .flac

8/23/91 Mural Amphitheatre: Seattle, Washington Live/CD-R

8/23/91 Mural Amphitheatre: Seattle, Washington
Source : video > analog > dEQ

8/29/91 RKCNDY: Seattle, WA
Source: UM > UR > cassette > DAT > .wav > .shn
DAT > .wav > .shn: Meghan House (<!-- e --><a href="mailto:mehouse1@yahoo.com">mehouse1@yahoo.com</a><!-- e -->)
Equipment: Archive-Python DDS DAT Drive > DAT2WAV > CEP (48kHz > 44.1kHz, fade in/out) > CDWAVE > mkwACT

9/30/91 I-Beam: San Francisco, CA
Source: unknown microphone > unknown recorder > analog > dEQ > cdr >
eac > wav > shn

10/6/91 Palladium: Hollywood, Ca.
Source : FM broadcast > ? > shn > wav > flac.

Palladium: Hollywood, Ca.
Source: Lineage: Radio Master Discs [In Concert]> Exact Audio Copy V0.95> dBpowerAMP Music Converter> FLAC> WAV> Adobe Audition 1.5> Cutting> Mix Paste> Fade In/ Fade Out> dBpowerAMP Music Converter> FLAC

10/16/91 Oscar Mayer Theater: Madison, WI
Source: Sony PZM > Sony WM-D3 > cdr >shn>wav

10/22/91 Central Park, Eagle's Ballroom: Milwaukee, WI
Source : UM > UR > Analog 3 > DAT > CDR > EQ > CDR (Perma-Tree Source)
CD-R > SHN : Plextor PlexWriter 12/4/32S > EAC > shorten32 (Log included)

10/23/91 Michigan State University FM Radio, East Lansing, MI
Source : FM > analog gen ? > DAT > CD-R > SHN
Acoustic set and interview (combined with the evening show)

10/23/91 MSU Auditorium, Michigan State University: East Lansing, MI
Source: unknown microphones > unknown dat > analog > Sony MHC-F150 > dEdit > cdr

10/26/91 Cleveland Music Hall: Cleveland, OH
Source: Unknown Mics > Sony WM-D6-M > CD > dEQ > CDR > EAC > SHN


10/30/91 Concert Hall: Toronto, Ontario
Source: unknown microphones > unknown recorder > cdr > EAC > WAV > SHN

11/02/91 Memorial Auditorium: Burlington, VT
Source: PC-62 > WM-D3 > DAT > CDR > dED > CDR > FLAC

Memorial Auditorium, Burlington, VT
MASTER Source: Sony PC62 mic -> Sony WM-D3 -> Sony UX Pro cassette -> Monster interlink 400 MKII -> Yamaha EQ550 (60HZ raised) -> Monster interlink 400 MKII -> SB Live -> Goldwave v5.13 -> FLAC 1.1.2a
Taped left of stage half way back in bleachers.
33min (complete show) **finally transferred down for the first time February 2007**

11/03/91 Springfield Civic Center: Springfield, MA
Source: ECM909 > d3-M > cass > DAT > CDR > dED > CDR > FLAC
Source: Sony PC-62> Sony WM-D3 (cut patched with Sonic Studios >
Sony TCD-D3) > cdr > flac

11/08/91 CBGBs: New York, NY
Source: Sony PC-62> Sony WM-D3 (cut patched with Sonic Studios >
Sony TCD-D3) > cdr > flac


11/09/91 Tower Records - Rockville, MD
Source: Video > Bootleg CD: 'Deep Through the Years'

11/11/91 Roseland Ballroom: New York City, NY
Source: VID-M > "1st gen VID" > DAT(2) > CDR > .shn
11/12/91 Roseland Ballroom: New York City, NY
Source: Sony ECM-909 > Sony WM-D6
Equipment: Sony CDU571-Q 16X IDE >
Easy CD Creator > MKW Audio Compression Tool Kit

11/14/91 Tower Records: Yonkers, NY
Source 1: unknown gen HiFi VHS > Remastered w/Cool Edit Pro > cdr>eac'ed to wav>shn

11/15/91 Roseland Ballroom: New York City, NY
Source: Sony ECM-909 > Sony WM-D6 > CDR > EAC > Wav > SHN
11/16/91 Roseland Ballroom: New York, NY
Source: unknown microphone > unknown recorder > analog > dEQ > cdr>eac> shn>wav

11/18/91 Veterans Coliseum: Columbus, OH
Source: unknown microphone > unknown recorder (microcassette?) > analog > dEQ > cdr > EAC > WAV > SHN

11/21/91 The Blind Pig: Ann Arbor, MI
Source: Sonic Studios > Sony WM-D6 > cass-M > DAT-C
Transfer: DAT-C > Archive Python DDS Drive > DAT2WAV 1.2 > WAV
Conversion/Editing: WAV > Adobe Audition 1.0
(48KHz -> 44.1KHz, Fade In/Out) > CDWav > FLAC

11/22/91 State Theatre (Clubland): Detroit, MI
Source: Aiwa CM-30 > Toshiba Walkman > DAT master > dEQ > cdr > EAC > SHN

11/29/91 Aragon Ballroom:Chicago, IL
Source: Sony PC-62 (or PZM?) > Sony WM-D3 > cd-r > eac > wav > shn

12/11/91 Trees: Dallas, TX
Source: 2nd gen video > dEQ > cdr > eac > wav > shn
notes: only known source. cuts in "Wash", "Even Flow", and "SOLAT", and missing
"Breath" and "IGaF"

12/15/91 Club DV8: Salt Lake City, UT
Source: unknown microphone > unknown recorder > analog (4th gen) >
dat > cdr >shn>wav

12/29/91 Arizona State University Center: Tempe Arizona
Source: PZM > Sony WM-D6

12/31/91 Cow Palace: San Francisco, CA (Daly City, CA)
JAM LIKE HELL (Platinum Edition)
Source: Nakamichi CM-300s > Sony WM-D6 > analog (master) >
cdr > dEdit > dEQ > flac

upina2001

1992
1990-1994 Hallucinogenic Recipe 5-disc Box Set
1992 I’m Still Alive Live/CD-R
1992 All Night Thing Live/CD-R
2/07/92 Koolkat Klub: Stockholm, Sweden
Source: Aiwa CM30 > Sony WM-D6 > ANA-M > DAT1 32khz
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC

02/09/92 Pumpehuest: Copenhagen, Denmark
Source: Sony ECM-909 -> Sony WM-D6
Generation: ANA(M) -> DAT(2) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0 ->
(resample to 44.1) -> CDWave -> FLAC frontend -> FLAC

02/10/92 Virgin Records: Paris, France
Source: Marantz EM8? -> Sony WM-D3
Generation: ANA(1) -> DAT(M) 44.1 khz -> FLAC
Transfer: DA-20 -> Monster Coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC
Notes: Acoustic in-store performance (Filler on 09/08/92)

02/11/92 LocomotiveL Paris, France
Source: PZM > Sony WM-D6 > ANA-M > ANA1 > DAT-M > DAT1 44.1 khz
Conversion: DA-20 > Monster coax > DiO 2496 > CEP 2.1 > CDWave > FLAC

2/12/92 Melkweg: Amsterdam, Holland Live/CD-R

2/22/92 Newcastle, Eng
Source: 5 Alive bootleg > WAV > FLAC


2/26/92 Edward's No. 8: Birmingham, England
Source: unknown mic > unknown cassette recorder
Lineage: cassette master > MiniDisc > CDR > CDR >.flac > CDR
Transfer: EAC > FLAC frontend > .flac

2/28/92 Union of London University: London, UK
Source: 2 source mix:
"I Got a Feeling" Bootleg (source unknown, missing "Why Go?") + "Free World" Bootleg (source unknown, missing Ed-talk in between songs) >CD-R > EAC > FLAC

2/28/92 Free World Live/CD-R


03/01/92 Vera: Groningen, Holland
SV018 - "VERA"
Source: unknown microphones > Sony WM-D6 > analog (master) > dat > cdr > dEdit > flac > dEdit > flac

3/02/92 Paard, Den Haag, Holland Live/CD-R

3/02/92 Paard, Den Haag, Holland
Source: Southend--MP3

3/04/92 Tivoli: Utrecht, Holland
Source:Pre-FM > DAT > DIO2448 > SHN

3/8/92 Live Music Hall: Cologne, Germany
Source: ? > cass > DAT > CDR > EQ > CDR > FLAC

3/9/92 The Loft: Berlin, Germany
Source: OKM > Sony TCD-D3 > DAT > CDR > EQ > CDR > FLAC

3/12/92 Batschkaap: Frankfurt, Germany Live/CD-R
Source: Sonic Studios (DSM3) > Sony TCD-D3

3/16/92 Kaufman Astoria (MTV Unplugged): New York, NY
Source: dSBD > DAT > dEDIT (level adjustment only) > mkwACT > .shn


3/27/92 Marquette University Alumni Hall, Milwaukee, WI
Source: 1st gen vid>firewire>.avi>.wav>dEQ

3/28/92 Cabaret Metro: Chicago, IL
2-Source Mix: [FM > CDR] + [VHS(Tri-Pod) > CDR] > Cool Edit Pro > CDR
Transfer: CDR > PlexWriter PX-W1610A (Offset +69) > EAC v0.9pb11 >
WAV > mkwACT v0.97beta1 > SHN

4/4/92 Concert Hall: Toronto, Ontario
Source: unknown mic -> unknown recorder
Generation: ANA(M) -> DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 (resample to 44.1) ->
CDWave -> FLAC frontend -> FLAC

4/06/92 Cumnock Hall: Lowell, MA
Source: UM > UR > Cassette > DAT > .wav > .shn
DAT > .wav > .shn: Meghan House (<!-- e --><a href="mailto:mehouse1@yahoo.com">mehouse1@yahoo.com</a><!-- e -->)
Equipment: Archive-Python DDS DAT Drive > DAT2WAV > CEP (48kHz > 44.1kHz, fade in/out) > CDWAVE > mkwACT

4/10/92 Trocadero Club: Philadelphia, PA
Source: ? > cass > DAT > CDR > EQ > CDR > FLAC

4/12/92 Limelight: New York, NY
Source: AKG 451 cardioid mics -> Sony TCD-D3
Generation: DAT(M) -> aEQ via studio console/mixer -> DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0
(resample to 44.1) -> CDWave -> FLAC frontend -> FLAC

4/20/92 Tipitina's: New Orleans, LA
Source: bootleg cd: 'New Orleans '92' > CDR > dEdit > CDR > SHN

5/2/92 Day On The Hill: University of Kansas-Lawrence, Kansas
Source: DVDr (Canon 8mm)
Transfer: DVDr > DVD Decryptor > MP2 > mkw > WAV
Editing: WAV > Soundforge 7 > dEQ (resampled at 44kHz) >
CDWave (track splitting) > FLAC

5/3/92 Ranch Bowl: Omaha, NE
Source: PZM > Sony WM-D6 > analog (unknown gen) > CDR > dEdit > CDR > SHN

5/5/92 Glenn Miller Ballroom: Boulder, CO
Source: GEN VHS > [ONLY KNOWN SOURCE] > CDR > WAV > FLAC

5/12/92 Ventura Theater: Ventura, CA
Source: Sony Stereo Walkman Recorder>Sony UX-90 min Blank Tape> playback on Optimus SC-37 Dual Cassette Tape Deck>Stereo line-in on PC> Total Recorder
(PCM format) 44.1 khz, 16 bit stere>tracked out in WAV format>
FLAC frontend- level 6>FLAC

5/13/92 The Palladium: Hollywood, CA
Source: Video > Hi8 (1)
Transfer: Hi8 (1) > Firewire > WAV
Conversion/Editing: WAV> dEQ > CD Wave > FLAC

5/15/92 Warfield Theatre: San Francisco, CA
Source: Sonic Studios > DAT > ANA > DAT > CDR > dEQ > CDR > SHN

5/17/92 Roseland Theater : Portland, OR
Source: Sonic Studios -> Sony WM-D3
Lineage: cassette master -> cassette -> DAT -> DAT -> dEQ -> CDR -> .flac

6/5/92 Neurburgring: Neurburg, Germany
Source: unknown mic > unknown recorder > ANA4 > DAT > CDR > dEdit > CDR > SHN

6/6/92 Live @ Finsbury Park, London UK
SV002 - "THE HAUNTED FINSBURY"
BBC Transcription Services "Live In Concert" CD(M) > CDR

6/8/92 Pinkpop Festival: Landgraaf, Netherlands
Source: [FM + TV Broadcast] > Exact Audio Copy > wav > Adobe Audition 1.0 (editing) > wav > shn
[TV broadcast > ??? > mpeg] > CD-R (VCD) > TmpgEnc > wav > Adobe Audition 1.0 (editing) > wav > shn
[unknown microphones > unknown recorder > A3 > rem. w/ RSP "Clean!"] > CD-r > shn > wav > Adobe Audition 1.0 (editing) > wav > shn

6/10/92 Kongresszentrum: Stuttgart, Germany
Source: "Too Many Faces" bootleg [um > ur] > cdr > eac > wav > flac

6/11/92 Grosse Freiheit 36: Hamburg, Germany
Source: unknown mic > unknown recorder > analog? > CDR > dEdit > dEQ > SHN

6/13/92 Go Bang Festival: Wuhlheide: Berlin, Germany
Source: OKM > D3 > DAT > CDR > EQ > CDR > FLAC
(some static patched with SS > D3 > DAT > analog out > DAT > CDR > EQ > CDR)

6/15/92 Serenadenhof: Nuernberg, Germany
Source-Mix: um > ur > DAT > CD-R
Transfer: EAC (WAV) > SHN

6/17/92 Dal City Square: Milan, Italy
“Untangled”
Source: 2-source mix: [Sony ECM-909 > Sony WM-D3 (master) > dat > shn > .wav > dEdit > dEQ] + [TV broadcast > VHS(PAL) > VHS(NTSC) > .avi > .wav > dEQ] > shn

6/17/92 Milan, Italy
"We're Jamming" Boot (sourced from TV b'cast)
Source: Silver > Itunes 4.7 > WAV > SHN with Carbon Shorten v 1.1A4

6/18/92 Volkshaus: Zurich, Switzerland
Source: [pre-FM DAT] + +

6/19/92 Rockhaus: Vienna, Austria
Source : Sennheiser 2000 > Sony WM-D6 (master) > dat > dEdit > dEQ > cdr
> dEdit(*) > flac

6/22/92 Elysée-Montmartre: Paris, France
Source: PZM > Sony TCD-D3 > 2CDR > WAV > FLAC

6/25/92 Moderna Museet, Skeppsholmen: Stockholm, Sweden
Source: Aiwa CM30 > Sony WM-D6 > ANA1 > DAT1 32khz
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC

6/26/92 Roskilde Festival-Roskilde, Denmark
**FILLER to 3/26/94**
Source: Sony ECM-155 (x2) -> Denon DTR-80p
Generation: DAT(M) -> DAT(2) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 (resample to 44.1) ->
CDWave -> FLAC

7/19/92 Shoreline Amphitheater: Mountain View, CA (Lollapalooza)
Source: Unknown microphones > unknown recorder > analog? > CD-R(1) > dEQ > SHN
Equipment: LG CD-RW CED-8080b IDE (11X Digtial Audio Extraction) > Exact Audio Copy V0.85 > Sound Forge XP Studio 5.0 > MKW Audio Compression Tool Kit

7/21/92 UBC Thunderbird Stadium: Vancouver, BC
Source: PC62 > wm-d3
Lineage: cassette master > EQ > CDR > .flac
cass>cdr transfer: Denon DRM-500 > Sentrek 12 band EQ > SoundBlaster 16 > WaveLab 4.0 dEQ cdr>. Flac

7/22/92 Kitsap County Fairgrounds: Bremerton, WA (Lollapalooza Tour)
Source: Sonic Studios DSM6p> Sony WM-D6
Transfer: ANA-M>DAT C1>CDR2(permavine)>EAC secure mode>MKW tool>SHN

7/29/92 Blossom Music Center:Cuyahoga Falls, Ohio
Source: unknown mics > sony wm-d6 >ana-m>cdr > dEdit > dEQ >cdr



8/04/92 SPAC: Saratoga Springs, NY
Source: Sony PC-62 > Sony WM-D3 > analog(unknown gen) > DAT >
CDR > dEdit > SHN

8/07/92 Great Woods: Mansfield, MA
Source: Sony ECM-909a -> Sony WM-D3
Lineage: ANA(M) -> DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC

8/8/92 Great Woods: Boston, MA (Lollapalooza)
Source: unknown microphones > unknown recorder > analog (unknown gen) > remastered w/ realtime sound processor “Clean” > cdr

8/12/92 Waterloo Village: Stanhope, NJ (Lollapalooza)
Source:unknown microphones > unknown recorder > analog? > CD-R(1) > dEQ > SHN
CD > dEQ > SHN: Rick Bendes (<!-- e --><a href="mailto:rarepj@hotmail.com">rarepj@hotmail.com</a><!-- e -->, http://www.pearljamshn.com)
Equipment: LG CD-RW CED-8080b IDE (11X Digtial Audio Extraction) > Exact Audio Copy V0.85 > Sound Forge XP Studio 5.0 > MKW Audio Compression Tool Kit

8/14/92 Lake Fairfax Park: Reston, VA
Source: Unknown Aud > Cass > DAT(?) > CDR
Transfer: CDR > PlexWriter PX-W1610A (Offset +69) > EAC v0.9pb11 >
WAV > mkwACT v0.97beta1 > SHN

8/20/92 Lakewood Amphitheater: Atlanta Georgia
"Lollapalooza Festival"
Source: built-in condenser microphone > Panasonic analog walkman

8/22/92 Bicentennial Park Grounds: Miami, USA.- "Lollapalooza Festival”
Source: CDR > Wave > FLAC Frontend (8 level)
(Disc was from a 3 disc box set named “Lollapalooza Tour Festival '92.)

8/25/92 Blockbuster Pavilion: Charlotte, NC
Source: unknown mic > unknown recorder > analog (3rd or 4th gen) >
dEdit > dEQ > CDR > SHN

8/28/92 Harriet Island: St. Paul, MN (Lollapalooza)
Source: Sony FaaLT > Aiwa HSJ470 > dat > cdr > dEQ > cdr (Perma-Tree Source) > flac

8/29/92 Alpine Valley: East Troy, WI
Source: SM-98 > Sony WM-D6 > cass > DAT > CDR > EQ > CDR > FLAC

9/08/92 Desert Sky Pavilion: Phoenix, AZ
Source: PZM -> Sony WM-D6
Generation: ANA(1) -> DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0 (resample to 44.1) ->
CDWave -> FLAC frontend -> FLAC

9/12/92 Irvine Meadows: Irvine, CA (Lollapalooza)
Source: Unknown Microphones > Unknown Recorder > Cass (Unknown Gen.) > DAT > CDR > dEQ > CDR
9/13/92 Irvine Meadows: Irvine, CA
Source: unknown mic > unknown recorder > analog(unknown gen) > DAT > DAT >
DAT > dEdit > FLAC
DAT>FLAC: M1 > Core Sound 7 pin > Delta Dio 2496 > CEP
(resample, corrected tape speed) >cdwave > flac 1.1.0

09/20/92 Warren G. Magnuson Park: Seattle, WA
Source: Bootleg CD: 'Seattle Jammin' (source unknown) > CDR > EAC > SHN

09/26/92 Andrew's Amphitheater: Honolulu, Hawaii
Source: Soundboard > DAT
(Only first 7 songs)
2nd Source
Best Source Source: Soundboard > DAT
(This is a complete version for this show, surfaced May 2004.)

SV062 - "THE ISLE OF BOOM"
Source: soundboard > ? > dat > flac > wav > dEdit > flac (four spots of diginoise patched with soundboard > ?-m > analog (2nd gen) > dEQ > dat > cdr)

09/27/92 Baldwin School Gymnasium: Maui, HI
SOUNDCHECK
Source: 4th generation Video -> DAT-M 48khz -> FLAC
(FILLER ON 2/20/98 SOUNDCHECK DISC)


11/01/92 Shoreline Amphitheatre: Mountain View, CA
Bridge School Benefit
Source: Soundboard

11/01/92 Shoreline Amphitheatre: Mountain View, CA
Bridge School Benefit
Source: Neumann KM47 > unknown DAT > dEQ > CD (first two minutes of show is sourced from 2nd gen Hi-Fi VHS > CD and "Summer of 92" boot)

12/31/92 The Academy: New York, NY
SV010 - "JAM LIKE HELL II"
Source: Core Sound Binaurals > Sony TCD-D3 > dat > cdr > dEdit > dEQ > shn > cdr ("Goin' Down" from "Deep Through the Years" liberated bootleg) > flac

upina2001

1/12/93 Eddie Vedder w/The Doors
Century Plaza Hotel: Los Angeles, CA
Rock & Roll Hall Of Fame Induction Ceremony
Lineage: SBD>>>SilverCD>>>Soundforge7.0b>>>WAV>>>FLAC

5/13/93 San Francisco –Slims Show
Source: Sonic Studios (DSM6) > Sony WM-D6
Equipment: HPcd16F > EAC09pb > mkw v0.97

5/13/93 Slim's-San Francisco, CA
Source: Sonic Studios (DSM6) -> Sony WM-D6
Generation: ANA(M) -> DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC
SOUNDCHECK
Source: Sonic Studios (DSM6) -> Sony WM-D6 -> ANA(M) -> DAT(c)48khz -> FLAC

6/27/93 Isle of Calf Festival (Kalvoya): Oslo, Norway
Source: Sony ECM T-140 (x2) > Sony TCD-D7 > CDR > EAC >
WAV > mkwACT > SHN


6/28/93 Sjöhistoriska Museet: Stockholm, Sweden
(Opening for Neil Young)
Source: Marantz EM8 > Sony WM-D6 > ANA-M > DAT1 32khz
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC

6/30/93 Jäähalli: Helinksi, Finland
Source: ECM144 > d6-M > DAT > CDR > EQ > CDR > FLAC

7/02/93 Stadio Bentegodi-Verona, Italy
(Supporting U2)
Source: Sonic Studios > Sony TCD-D3 > DAT > CDR > EQ > CDR > FLAC

7/02/93 Stadio Bentegodi: Verona, Italy
Source: Sonic Studios -> Sony TCD-D7
Lineage: DAT(c) 32khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC

7/03/93 Stadio Bentegodi: Verona, Italy
Source: Sonic Studios -> Sony TCD-D7
Lineage: DAT(c) 32khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC

7/06/93 Stadio Flaminio: Rome, Italy
Source: Sony ECM-909 > Sony WM-D6
Generation: CAS-M > DAT-M > DAT-C @ 48khz > FLAC
Transfer: DA-20 > Monster coax > Nomad Jukebox 3 (coax mod) > CEP 2.0 (44.1 resample, dEQ) > CD Wave > FLAC

7/7/93 Stadio Flaminio:Rome, Italy
Source: Sony ECM-909 > Sony WM-D6
Generation: CAS-M > DAT-M > DAT-C @ 48khz > FLAC
Transfer: DA-20 > Monster coax > Nomad Jukebox 3 (coax mod) > CEP 2.0 (44.1 resample, dEQ) > CD Wave > FLAC

7/10/93 Slane Castle: Dublin, Ireland
(Supporting Van Morrison and Neil Young)
Source: ? > cass > DAT > CDR > EQ > CDR > FLAC

7/11/93 Finsbury Park: London, England
Source: ECM-909> Sony WM-D6 >DAT>CDR>dEQ>CDR

7/13/93 Brixton Academy: London, England
Source: Sony ECM-909a > Sony WM-D6

7/14/93 Brixton Academy: London, England
Source: Bootleg 'Brixton' (sourced from ECM909>D6)

7/16/93 Sportspaleis Ahoy: Rotterdam, Holland
Source: Sony ECM-909a> Sony WM-D6 > DAT > CDR > CDR > EAC > WAV > mkwACT > SHN

7/16/93 Sportspaleis Ahoy: Rotterdam, Holland
Source: um > d6-M > cass > DAT > CDR > dED > CDR > FLAC

7/16 & Sportspaleis Ahoy: Rotterdam, Holland
7/17-1993 Source: FM > DAT-M > DAT > CDR > CDR > Weed CDR >
EAC > WAV > Sound Forge 5.0b > dED (Channel Swap) > MKW > SHN
A mix of songs from 7/16/93 and 7/17/93 shows, NOT from Boot CD!
* Minor digi-noise at start of 'Alive

7/18/93 Paradiso: Amsterdam, Holland
Source: Realistic > Sony WM-D6 > ANA1 > DAT-C > CDRx > FLAC

8/14/93 Gimli Motorsport Park: Gimli, Manitoba
Source: ? > cass-M > cass > cass > DAT > CDR > dED > CDR > FLAC

8/14/93 Gimli Motorsport Park: Gimli, Manitoba
Mix: 2 unknown dat>shn (complete show)

8/18/93 CNE Stadium: Toronto, ON
Source: Sony ECM-909 > Sony WM-D3 > ANA-M > DAT > CDR > FLAC

9/04/93 B.C. Place: Vancouver, British Columbia
source: PC62 > wm-d3
lineage: cassette master > EQ > CDR > .flac
Cass>cdr transfer: Denon DRM-500 > Sentrek 12 band EQ > SoundBlaster 16 > WaveLab 4.0 dEQ cdr>.wav rip via EAC.wav>.flac encoding via FLAC frontend



9/5/93 Gorge Amphitheater: George, WA
Source:Sonic Studios > unknown DAT recorder > DAT
Equip: Sony DTC-A6 > Digital Coax > Dio2448 > CDWave > MKW (No DAE)

9/6/93 Portland Meadows Race Track: Portland, OR
Source: SS > unknown DAT > CDR > EQ > CDR
Transfer: CDR > PlexWriter 12/4/32S > EAC > shorten32
(Rockin' in the Free World is missing from this recording)

10/27/93 The Catalyst: Santa Cruz, CA
Source: Sony ECM-909 > Sony WM-D3 > cass > DAT > CDR > SHN

10/28/93 Warfield Theater: San Francisco, CA
Source:Sonic Studios > Sony WM-D6 > CD-R
Equipment: Sony CDU571-Q 16X IDE > Easy CD Creator > MKW SHN

10/30/93 SJSU Events Center: San Jose, CA
Source: Core Sounds > Sony TCD-D7 > DAT > CDR > FLAC

10/31/93 Greek Theater: Berkeley, CA
Source: Sony ECM-909 > Sony WM-D3 > CD > WAV > SHN:
Equipment: Sony CDU571-Q 16X IDE > EAC v0.85 > MKW SHN

11/02/93 Civic Theatre: San Diego, CA
Source: unknown mic -> unknown recorder
Generation: ANA(x) -> DAT-M 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0
(resample to 44.1) -> FLAC frontend -> FLAC

11/03/93 Civic Theatre: San Diego, CA
Source: bootleg CD: 'Indian Summer' (source unknown) > CDR > CDR > EAC > WAV > mkwACT > SHN

11/5/93 Empire Polo Fields: Indio, CA
Source: Sonic Studios > Sony TCD-D7 Sonic Studios >
Sony TCD-D7 (30' back from left PA) > DAT-M > DAT1 48khz
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC

SV022 - "SHOE THE SHOELESS"
Source: 2-source mix: [soundboard > dat > "Dedicated to the Motherf***kers" boot > dEdit] + [Sonic Studios > Sony TCD-D7 > dat-2 > cdr > dEdit] > shn > flac

11/06/93 Mesa Amphitheatre: Mesa, AZ
Source: Sonic Studios > DAT-C 48khz > CDR> dEQ > CDRx > FLAC

11/09/93 Convention Exhibition Hall: Albuquerque, NM
Source: Sonic Studios > unknown dat (master) > dat > cdr > eac > wav > flac

11/11/93 Super Pit-University of North Texas: Denton, TX
Source: Sony ECM-155 > Sony TCD-D7 > DAT > CDR > FLAC

11/12/93 Moody Coliseum- Southern Methodist University: Dallas, TX
Source: Core Sound Binurals > DAR-100 > DAT-C? > dEDIT >dEQ > CD-R Master > EAC > .wav > .flac

11/12/93 Moody Coliseum- Southern Methodist University: Dallas, TX
Source: Sonic Studios DSM6 > Casio DA-R100 > dEDIT > dEQ > cdr

11/16/93 UNO Lakefront Arena: New Orleans, LA
Bootleg CD: 'The Kids Are Alright' (sourced from SS>D3, missing "Last Exit" and Vedder-rant before "Sonic Reducer")

11/17/93 UNO Lakefront Arena: New Orleans, LA
Source: Sonic Studios -> Sony WM-D6
Generation: ANA(M) -> DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0
(resample to 44.1) -> CDWave -> FLAC frontend -> FLAC

11/19/93 UNO Lakefront Arena: New Orleans, LA
Source: Sonic Studios > Sony WM-D6 > DAT3 > CDR > SHN

11/20/93 Stephen F. Austin Arena: Nacogdoches,TX
Source: Uknown Mics > SonyWM-GX90(master) > DAT2 > CDR > EQ > CDR > FLAC

11/24/93 Century II: Wichita, KS
Source: Bootleg CD: 'World Jam' (sourced from SS>D3) > EAC > FLAC

11/30/93 The Aladdin Theatre: Las Vegas, NV
Source: Sonic Studios -> Sony WM-D6
Lineage: ANA(M) -> DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> FLAC



12/01/93 The Aladdin Theatre: Las Vegas, NV.
Bootleg CD: 'Hallucinogenic Recipe' (SS>D6 source, missing "Release", "Go", "Blood", "Alive", and "Footsteps")

12/01/93 The Aladdin Theatre: Las Vegas, NV.
Source II: Source: Sonic Studios -> Sony TCD-D3
Lineage: DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> FLAC


12/02/93 Lawlor Athletic Events Center:Reno, NV
Source: Marcsounds?? (or CSB) -> Sony TCD-D3
Generation: DAT-M -> DAT-2 48khz
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0
(resample to 44.1) -> CDWave -> FLAC frontend -> FLAC

12/07/93 Seattle Center Arena: Seattle, WA
Source: SS > Sony WM-D3 > dEQ > 2CDR > mkwACT > .shn

12/08/93 Seattle Center Arena: Seattle, WA
Source: Sonic Studios > Sony TCD-D3 > Bootleg CD: 'Home' > CDR > EAC > WAV >
mkwACT > SHN

12/09/93 Seattle Center Arena: Seattle, WA
Source: Sonic Studios (DSM3) -> Sony TCD-D3
Lineage: DAT(1) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC

1994


3/6/94 Paramount Theater: Denver, CO
Source: Video Hi8 (Only known source)
Transfer: Hi8 MASTER > Sony DCR-TRV350 > Firewire >
DV/48KHz PCM > dED > dEQ > CDWAVE > FLAC

3/7/94 Paramount Theater: Denver, CO
Source: Video Hi8
Transfer: Hi8 MASTER > Sony DCR-TRV350 > Firewire >
DV/48KHz PCM > dED > dEQ > CDWAVE > FLAC


3/9/94 Civic Center, Pensacola, Florida
(Rock for Choice Benefit)
SV030 - "Break the Chains"
Source: Sonic Studios > Sony TCD-D3 > dat > cdr > dEdit > shn > flac

3/10/94 Chicago Stadium: Chicago, IL
SV021-"LAST NIGHT"
Source: Sonic Studios (DSM3) > Sony TCD-D3 > dEQ > cdr > flac


3/13/94 New Regal Theatre: Chicago, IL
Source: Sonic Studios (DSM3) > Sony TCD-D3 > DAT >
dEdit > dEQ > CDR > FLAC

3/14/94 Fox Theatre: St. Louis, MO
Source: Realistic lavalier mics > Sony WM-D6
Lineage: cassette master > DAT > DAT > CDR > SHN

3/15/94 Fox Theater: St. Louis, MO
Source: VHS (only known source) > Remastered w/Cool Edit Pro > 2CDR >
mkwACT > .shn

3/17/94 Elliot Hall: Purdue University: West Lafayette, IN
Source: unknown mics -> DAT
Generation: DAT(M) -> ???? -> ANA(3?) -> DAT 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0 ->
(resample to 44.1) -> CDWave -> FLAC

3/17/94 Elliot Hall: Purdue University: West Lafayette, IN
(SOLO DISC): Source: Sony PC-62 -> Sony WM-D3
Generation: ANA(2) -> DAT(M) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0
(resample to 44.1) -> CDWave -> FLAC

3/20/94 Crisler Arena: Ann Arbor, MI
Source: CSB > TCD-D7 > dEDIT > dEQ > CD-R

3/26/94 Murphy Athletic Center: Murfreesboro, TN
Source: Aiwa mic -> Aiwa HS-J360 (recorded on stage)
Generation: ANA(1) -> DAT(M) 44.1khz -> FLAC
Transfer: DA-20 -> Monster coax -> Dio 2496 -> CEP 2.1 -> CDWave -> FLAC

3/28/94 Bayfront Amphitheatre: Miami, FL
SV015-“STORMIN’ THE BAY”
Source: Sonic Studios (DSM-6P) > Denon DTR-80p > DAT-M 48khz
Location: 10th row, left side
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 > CDWave > FLAC

3/29/94 Bayfront Arena: St. Petersburg, Fl
SV031- “Stare the Sun Down”
Source: Sonic Studios (DSM-6P) > Denon DTR-80P (5th row, right)
dEQ > dEdit > shn > flac

2nd Source Bayfront Arena: St. Petersburg, FL
Source: Sonic Studios (DSM-6P) -> Denon DTR-80p
Location: 5th row, right side
Lineage: DAT master 48khz (last 3 songs in 32khz) -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC

4/3/94 Fox Theatre: Atlanta, Ga.
Source: “Fight For Your Cause” Boot

4/3/94 Fox Theater: Atlanta, GA
SV016 - "ATLANTA^3"
Show Source: Sony Australia promo cd > cdr > dEdit > dEQ > flac (cuts in promo cd patched with pre-FM (satellite) > dat1 > cdr1)
Aftershow Source: FM > analog (unknown gen) > flac > dEdit > flac (cuts in first analog source patched with second analog source FM > analog (unknown gen) > cdr > dEdit)

4/3/94 Fox Theatre: Atlanta, Ga.
Source: “DISSIDENT 3-DISC” Boot (Only Disc 1)
(Found Additional Discs 2 & 3 via OINK)

4/6/94 Civic Center: Springfield, MA
Source: Sonic Studios (DSM-6) > Sony TCD-D3 > DAT1 32khz
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC

4/8/94 MP3

4/10/94 Boston Garden: Boston, Ma
Source: Custom Panasonic mics > Sony TCD-D7 > DAT1 48khz
Location: 15th row, floor
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC

4/12/94 Orpheum Theater: Boston, Ma
Source: B&K4011 > dat > shn > dEQ > cdr (beginning of "Oceans" and "IGaF" from Sony ECM-144 > Sony TCD-D7 > dat-1 > cdr) > flac

4/17/94 Paramont Theater: New York City, NY
Source: Liberated Bootleg (Last American Heroes) Original Silver Discs > Flac

07/94 Vitalogy Rough Mixes
Sources: 01-15 SBD > DAT > ANA (>3?) > ? > CDR(2) > EAC > WAV > dED > FLAC
16-17 More Nonsense Boot CD (silver) > EAC > WAV > FLAC

10/1/94 Bridge School Benefit: Mt View, Ca.
Liberated bootleg "IN ROCK WE TRUST"

10/2/94 Bridge School Benefit: Mt View, Ca.
Liberated bootleg "IN ROCK WE TRUST"

upina2001

1995 Chapters 2 Discs Various Tracks/Demos/Early Stuff

1/8/95 The Hideout: Seattle, WA
Self-Pollution Radio Broadcast
Source: Pre-FM > Unknown DAT > CDR > .wav > .flac
Extracted to .wav with EAC V0.9 Beta 4
Converted to .flac with flac.exe

1/8/95 Self Pollution Radio Broadcast
(KTS 398 Liberated Bootleg)

1/14/95 Constitution Hall: Washington DC
Source: [bootleg cd: "Boundless" > CDR > dEdit] +
[bootleg cd: "Alive & Kickin '95" > CDR > dEQ] > dEQ > SHN


2/5/95 Moore Theatre: Seattle, Wa.
Source: Original 'Piss Bottle Men' Silver (source unknown)

2/6/95 Moore Theater: Seattle, Washington
Source: Liberated Bootleg "Act Of Love" (Source Unknown)
Transfer: Boot CD > PlexTools Professional v2.12 > WAV > FLAC Frontend > FLAC
(*Track 7 contains two separate tracks, Not For You is from the SNL Rehearsals
Disc II, Tracks 7-11: Saturday Night Live Rehearsals, 4/14/94
Disc II, Track 12: 5/20/92 Gas Works Park, Seattle, WA)

2/8/95 Adams Field House: Missoula, MT
Source: CSB -> Sony TCD-D3
Lineage: DAT(1) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC

2/18/95 Izumity 21 (Sun Plaza): Sendai, Japan
Source: Sony ECM-TS 120 -> Sony TCD-D7
Lineage: DAT(c) 48khz -> dEdit -> dEQ -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC

2/20/95 Budokan: Tokyo, Japan
Source: Sony ECM-TS 120 -> Sony TCD-D7
Lineage: DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC

2/21/95 Kosei Nenkin Kaikan: Osaka, Japan
Source: Sonic Studios (DSM-6P) > Denon DTR-80p > DAT1 48khz
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC

2/26/95 Folk Arts Theater: Manila, Philippines
Source: Realistic CTR-24 Cassette Master > cassette > cassette > DAT > .wav > .shn
DAT > .wav > .shn
Equipment: Archive-Python DDS DAT Drive > DAT2WAV > CEP (fade in/out) > CDWAVE > mkwACT


2/28/95 Hau Mark Indoor Stadium:Bangkok, Thailand
Source: Sony ECM-939 > DAT > dEQ > CDr > WAV > SHN
CRr > WAV was done using EAC V0.9 beta 4
WAV > SHN was done using mkw Audio Compression Toolkit

3/3/95 The Indoor Stadium: Singapore, Singapore
Source: ECM-939 > DAT-M > DAT1 48khz
Transfer: DA-20 > Monster coax > Dio 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC

3/16/95 Flinders Park Tennis Centre: Melbourne, Australia
Source: Sony PC-62 > Sony WM-D3 > cass-M > cass-2 > DAT-M
Transfer: DAT-M > Archive Python DDS Drive > DAT2WAV 1.2 > WAV
Conversion/Editing: WAV > Adobe Audition 1.0
(48KHz -> 44.1KHz, Fade In/Out) > CDWav > FLAC

3/17/95 Flinders Park Tennis Centre: Melbourne, Australia
Source: Original Silvers > FLAC > CD

3/18/95 Sidney Myers Music Bowl: Melbourne, Australia
Source: Sony PC-62 > Sony WM-D3 > cass-M > cass-2 > DAT-M
Transfer: DAT-M > Archive Python DDS Drive > DAT2WAV 1.2 > WAV
Conversion/Editing: WAV > Adobe Audition 1.0
(48KHz -> 44.1KHz, Fade In/Out) > CDWav > FLAC


3/22/95 Entertainment Centre: Brisbane, Australia
Source: Sony TS-120 > Sony TCD-D7 > DAT > dEQ > CDR > SHN

6/16/95 Casper Events Center: Casper, WY
Source: [Marcsounds>D7>DAT>CDR>dEQ]+>dEQ>SHN>FLAC


6/16/95 Casper Events Center: Casper, WY
Source: [Marcsounds>D7>DAT>CDR>dEQ]+>dEQ>SHN>FLAC
W/ SOUNDCHECK

6/19/95 Red Rocks Amphitheater: Morrison, CO
Source: Core Sound > Sony TCD-D7 > CDR > EAC > WAV > mkwACT > SHN
Note: - there is a flaw in 'Yellow Ledbetter' @ 4:17

6/19/95 Red Rocks Amphitheatre: Morrison, CO
Source: Sonic Studios (DSM6) -> Sony TCD-D7(mod2)
Generation: DAT(M) -> DAT(2) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 (resample to 44.1) ->
CDWave -> FLAC

6/20/95 Red Rocks Amphitheatre, Morrison, CO Source: SS>D7(mod)>DAT>CDR]+[SS>D7>DAT>CDR]+[MS?>DTR- 80>DAT>cass>DAT>CDR]>EQ>CD>mkwACT>.shn

6/20/95 Red Rocks Amphitheatre, Morrison, CO
Source: Sonic Studios[DSM6]>DAR100
Taping Location: 20 ft. left of soundboard (general admission)
Transfer info: Master DAT(48)>Sony 59ES>HHB CDR-850 via digital coax>
CDR>EAC[secure]>flac[Level 8]

6/20/95 Red Rocks Amphitheater: Morrison, CO
SV014 - "AJAMIMALA"
Source: 3-source mix: [Sonic Studios > TCD-D7(mod) > dat > shn > dEQ] + [Sonic Studios > TCD-D7 > dat > cdr > shn > dEQ] + [MarcSounds? > Denon DTR-80 > dat > analog > dat > cdr > shn > dEQ] > dEQ > cdr > flac

6/22/95 Cal Expo Amphitheater: Sacramento, Ca Live/CD-R (2)

6/24/95 Golden Gate Park: Polo Fields, San Francisco, CA
Source: Sonic Studios (DSM6) -> Sony TCD-D7(mod2)
Generation: DAT(M) -> DAT(1) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0
(resample to 44.1) -> CDWave -> FLAC frontend -> FLAC
(Ed gets sick, Neil Young steps in.)

7/8/95 Marcus Amphitheatre: Milwaukee Wi.
SV003 - "Cryptosporidium"
Source: Core Sounds (16th row right) > Sony TCD-D7 > dEQ >dEQ>
CD-R > Frontend> .flac

7/9/95 Marcus Amphitheatre, Milwaukee
SV008 - "CRYPTOSPORIDIUM II (Maggot Brain)"
Source: Core Sound Binaurals > Sony TCD-D7 (15th row, center) > dat >
cdr > dEQ > cdr > flac
The Frogs source: aud > dat-master > ? > cdr2 > shn > flac

7/11/95 Solider Field: Chicago, Il.
Source: Core Sound Binaurals > Sony TCD-D7 > DAT-M > DAT1 48khz
Transfer: Tascam DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC

7/11/95 Soldier Field: Chicago, IL
Source: Boot CD-"Live at Soldier Field": MWFM (Red Robin) +
"Animal" from MWFM > Q101 promo CD + Coresounds > Sony TCD-D7

Summer 95 Neil Young & Pearl Jam-The European Concerts
Lineage: Original Silver Discs --> EAC -->FLAC frontend --> flac level 8
Tracks 1-10 Recorded At The Pukkelpop Festival; Hasselt, Belgium
Tracks 11 & 12 Recorded At The Residentzplatz; Salzbourg, Austria


8/25/95 Neil Young & Pearl Jam
The Pukkelpop Festival; Hasselt, Belgium
MD5>WAV>CD-R

9/13/95 Veterans Coliseum: Phoenix, AZ
Source: Nakamichi CM700 -> Sony TCD-D7
Lineage: DAT(2) 44khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC

9/14/95 Pan American Center: Las Cruces, NM
Source: Nakamichi CM700 -> Sony TCD-D7
Generation: DAT(M) -> DAT(2) 44.1khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC

9/16/95 South Park Meadows: Austin, Texas
Source: CSB > D7 (2nd clone DAT) > .wav > .shn
DAT > .wav > .shn: Meghan House (<!-- e --><a href="mailto:mehouse1@yahoo.com">mehouse1@yahoo.com</a><!-- e -->)
Equipment: Archive-Python DDS DAT Drive > DAT2WAV > CEP (48kHz > 44.1kHz, fade in/out) > CDWAVE > mkwACT

9/17/95 Tad Gormley Stadium: New Orleans, LA
Source: CSB > TCD-D7 > DAT > CDR > dED > CDR > FLAC


11/1/95 Delta Center: Salt Lake City, UT
“THE MONKEYWRENCH CHRONICLES VOL. I: RAGE"
Source: dSBD > dat > cdr > flac

11/1/95 Delta Center: Salt Lake City, UT
Source: Road Rage Bootleg
Lineage: Original silvers>EAC>WAV>FLAC

11/2/95 Delta Center: Salt Lake City, UT
"THE MONKEYWRENCH CHRONICLES VOL. II: ABANDON”
Show Source: 2-source mix: [Mono FM (Monkeywrench radio) > dat > cdr] +
[Nakamichi CM-700 + CP-701 > Sony TCD-D7 > dat-M > cdr1 > flac > .wav] > flac
Aftershow Source: FM > analog > cdr > flac (various spots of static patched with FM
dat > cdr)
=====================
Nakamichi Source Info
=====================
Location: first section back from the stage about 20 rows up, even with the PA
Lineage: DAT master > CDR > .flac
DAT>CDR Transfer: Sony DTC-75ES > M Audio Delta 24/96 > Steinberg WaveLab
CDR>FLAC Transfer: EAC > FLAC frontend > .flac



11/4/95 Spartan Stadium: San Jose, CA.
Source: Monkeywrench Radio broadcast
Lineage: Silvers > CDr(1) > EAC > FLAC

11/06/95 San Diego Sports Arena: San Diego, CA
SV055 - "THE MONKEYWRENCH CHRONICLES VOL. V: AVAIL"
Source: Neumann KM-184 > Sonosax pre-amp > Sony D10 ProII (on 20' micstand, next to SBD cage) > DAT
Transfer: DAT-M > Archive Python 01931 > DAT2WAV > WAV > dEQ > dED > CDWAV > FLAC
(Intro music patched in from MWFM > DAT)
This is direct from the DAT ; a zero-DAE seed.

11/06/95 San Diego Sports Arena: San Diego, CA
Source 2 Source: nakamichi cm300(cp1) > sony tcd-d3

11/7/95 Sports Arena - San Diego, CA
Source: Neumann KM-140s > HHB Pro 1 > dEdit > dEQ > CDR >
Frontend > .flac

11/7/95 San Diego Sports Arena: San Diego, CA
Show Source: 2-source mix: [Neumann KM-140 > HHb Pro 1 > dat > dEQ > dEdit >
cdr > 44.1 kHz wav > 48 kHz wav > dEQ] + [MWFM > dat > 48kHz wav] >
44.1 kHz wav > shn > flac




1996

9/14/96 Showbox Theater: Seattle, WA
Source: CSB > D7 > DAT > CDR > dEQ > CDR



9/16/96 Key Arena: Seattle, Wa.
Source: Bootleg CD Dangerous Minds (AKG451+SS source) > CDR
(Directly from the Silver Bootleg)

9/21/96 Maple Leaf Gardens: Toronto, Ontario
SV004-"DIE TIE DIE"
Source: Countryman Isomax II > Sony TCD-D7 (on 10' micstand just behind soundboard) > dat > cdr > dEQ > cdr > flac



9/22/96 John F. Savage Hall: Toledo, Ohio
Source: Sonic Studios > Sony WM-D6

9/24/96 Columbia, Maryland
Source: Core Sounds > Sony TCD-D8

9/26/96 Civic Center: Augusta, Maine
Source: [unknown mics(CSB?) > DAT > CDR > dEdit] +
[Sennheiser 441 > Sony WM-D3(master) > DAT
CDR > dEQ > CDR > dEdit] > SHN

9/28/96 Downing Stadium (Randall's Island): New York, NY
Source: Sony ECM-144 (x2) > Sony TCD-D8 > DAT > CDR > FLAC >
CD>WAV>FLAC

9/29/96 Downing Stadium (Randall's Island): New York, NY
Source:

10/1/96 Marine Midland Arena: Buffalo, NY
Source: Bootleg CD "Eddie Who?" [Schoeps MK4/CMC6 >
Sonosax pre-amp > Sony TCD-D10 II (mics on 8' stand)] >CDR > Frontend > .flac

10/2/96 Meadows Music Theatre: Hartford, CT
"A Riot in the Meadows"
Source: [ALD > DAT > bootleg CD > CDR1 > .WAV > dEdit] +
[Sonic Studios > Sony TCD-D7 > DAT1 > .WAV > dEdit] > SHN

10/2/96 Meadows Music Theatre: Hartford, CT
Source: SBD->DAT (1st gen clone) @ 44.1 kHz
Transfer: Tascam DA-20 mkII->Tascam HD-P2->Soundforge 6.0->
CD Wave->mkwAct->.shn

10/04/96 Memorial Stadium: Charlotte, NC
SV017 - "LITTLE WHITE LIES"
Source: Countryman Isomax II > Sony TCD-D7 > dat > cdr > dEdit > dEQ >
cdr > shn >flac

10/5/96 North Charleston Coliseum: Charleston, SC
Source: Countryman Isomax II > Sony TCD-D7 > CDR > dEQ > CDR > SHN


10/7/96 Ft. Lauderdale Stadium: Ft. Lauderdale, FL
Source: Sonic Studios (DSM-6P) > Denon DTR-80p > DAT-M 48khz
Location: approx 50' left stack
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 > CDWave > FLAC


10/19/96 Bridge School Benefit: Mt. View, Ca.
Source: Mix of Schoeps CMC64 > Aerco pre-amp > D7 > dED
and PRO-SHOT video w/SBD audio (gen ?) > dED

10/20/96 Bridge School Benefit: Mt View, Ca.
SOURCE: Schoeps CMC-441's > Lunatec V2 > Sony TCD-D10 Pro II >
DATC? > CDR1 > EAC > SHN > WAV > dED > SHN

10/24/96 Millstreet Arena: Cork, Ireland
Source: Core Sound Binaurals -> Sony TCD-D7
Lineage: DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> FLAC

10/26/96 The Point Theatre: Dublin, Ireland
Source: CSB > D8 > DAT > CDR > EQ > CDR > FLAC

10/28/96 Wembley Arena: London, England
Source : Core Sounds > Sony TCD-D8
Mastering : DAT > BBE 462 Sonic Maximizer > DOD 32 Band EQ > Sony 2000ES DAT > Marantz CDR > CD-R
Conversion: CD-R > Plextor PlexWriter 12/4/32S > EAC* > flac 1.1.0 (Logs Included)
*double extracted and verified

10/29/96 Wembley Arena: London, England
Source: Countryman Isomax II > Sony TCD-D7 > CD-R > EAC > FLAC

11/01/96 Torwar: Warsaw, Poland
Source: Core Sound Binaurals -> Sony TCD-D7
Generation: DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC

11/3/96 Deutschlandhalle: Berlin, Germany
Show Source: 98Rock Tampa Promo CD > CDR > dEdit > FLAC (cuts in Promo CD patched with pre-FM (satellite) > DAT-M > DAT2WAV)

11/4/96 Sporthalle: Hamburg, Germany
Source: [unknown mic > unknown DAT(promo cd?) > CDR] +
[Countryman Isomax II > Sony TCD-D7 > DAT > CDR] > SHN

11/6/96 RAI Parkhal: Amsterdam, Holland
Archive-Python DDS DAT Drive > DAT2WAV > CEP (48kHz > 44.1 kHz, fade in/out) > CDWAVE > mkwACT
Source: CMI II > D7 > DAT > .wav > .shnDAT > .wav > .shn

11/7/96 Le Zenith: Paris, France
Source : Countryman Isomax II (hypercardioid) > Sony TCD-D7 DAT
Mastering : Sony D7 DAT > BBE 462 Sonic Maximizer >
DOD 32 Band EQ > Sony 2000ES DAT > Marantz CDR > CD-R
Conversion: CD-R > Lite-On Combo LTC-48161H > EAC > flac 1.1.0 (Logs Included)

11/9/96 Hallenstadion: Zurich, Switzerland
Source: Core Sounds > Sony TCD-D8 > CDR

11/12/96 Palaeur: Rome Italy
Source : Core Sounds > Sony TCD-D8 > dat > ? > cdr > EAC (wav) > dEdit > dEQ > flac
Notes: Distant/muddy sound, this is definitely for "collectors only"
11/13/96 Forum: Milan, Italy
Source : Countryman Isomax II > Sony TCD-D7 > 2 CD-R >
EAC V0.9b4 > WAV > mkwact > shn

11/15/96 Sports Hall: Prague, Czech Republic:
Source: CSB? > D7 > DAT > .wav > .shn

11/17/96 Sports Hall: Budapest, Hungary
Source: bic-mic > Sony walkman (inside soundcage) > ANALOG > 2CDR >
mkwACT > .shn

11/21/96 Sports Palace: Barcelona, Spain
Source: Countryman Isomax II (hypercardioid) -> Sony TCD-D7 (~5' from left PA)
Lineage: D7 -> DAT(M) -> BBE 462 Sonic Mazimizer -> DOD 32 Band EQ ->
Sony DTC-2000ES -> DAT(c) 48khz
DAT>FLAC Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 ->
CDWave -> FLAC



11/22/96 Anoeta Velodrome: San Sebastian, Spain
Source : Countryman Isomax II (hypercardioid) > Sony TCD-D7 DAT
Mastering : Sony D7 DAT > BBE 462 Sonic Maximizer >
DOD 32 Band EQ > Sony 2000ES DAT > Marantz CDR > CD-R
Conversion: CD-R > Lite-On Combo LTC-48161H > EAC > flac 1.1.0

11/24/96 Dramatico: Cascais, Portugal
Source: Core Sound Binaurals > Sony TCD-D7 > dat > cdr

11/25/96 Dramatico: Cascais, Portugal
Source: Core Sound Binaurals > Sony TCD-D7 > ? > CDR(2) > EAC v.9b4 > FLAC

Riot_Mac

pearljim wrote:

Yeah I asked that question in the technical board thanks. Is Apple Lossless something you have to download? I have just started to convert shows from FLAC to AIFF whenver I can with a program called Switch.

Basically you have to go from FLAC->AIFF->AAC or MP3 or Apple Lossless.

You bring the AIFF file into iTunes and then convert to one of those three. iTunes will convert to any of those three. You can change the type in the Preferences->Advanced->Importing.

upina2001

6/8/97 Ed Vedder & Mike McCready
Tibetan Freedom Concert: Randall’s Island-NY

11/12/97 The Catalyst: Santa Cruz, CA
Source: Schoeps CCM-4 > Aerco pre-amp > Sony TCD-D100 (floor)

11/14/97 Oakland Stadium: Oakland, CA
(Opened For Rolling Stones)
Source : Schoeps CCM-4 > Sonosax pre-amp > Sony TCD-D100 > dEQ > CD-R

11/15/97 Oakland Stadium: Oakland, CA
(Opened For Rolling Stones)
Source: Schoeps>DAT>CDR>EAC>FLAC

11/18/97 Oakland Stadium: Oakland, CA
(Opened For Rolling Stones)
Source: DAUD > DAT > CD-R > CD > WAV > SHN

11/19/97 Oakland Stadium: Oakland, CA
(Opened For Rolling Stones)
Source: Sonic Studios (DSM6) -> SBM-1 -> Sony TCD-D8
Generation: DAT(M) -> DAT(c) 44.1khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> FLAC frontend -> FLAC

1998 “''Yield Radio Special''
Source: Silver Bottom, Original Pearl Jam Canada ''YIELD Radio Special'' CD
> EAC > WAV > MKWACT > FLAC

1/31/98 Monkeywrench Radio: Seattle, WA. Special Broadcast/CD-R

1/31/98 Monkeywrench Radio: Seattle, WA
(4-Disc) Source: pre-FM SBD -> satellite -> Tascam DA-P1
Lineage: DAT(2) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC

2/20/98 Alexander M. Baldwin Amphitheatre: Maui, HI
SOUNDCHECK
Source: Marc Sounds -> Sony TCD-D8
Generation: DAT-M -> DAT(2) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0
(resample to 44.1) -> CDWave -> FLAC frontend -> FLAC
(FILLER: 09-27-92 Baldwin School Gymnasium: Maui, HI SOUNDCHECK)
(FILLER: 07-18-98 Rose Garden Arena: Portland, OR SOUNDCHECK)

2/20/98 Alexander Baldwin Amphitheatre: Maui, HI
Source: Sonic Studios > Sony TCD-D7 > DAT1 32khz
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC

2/20/98 Alexander Baldwin Amphitheatre: Maui, HI
2ND Source SV027 - "WE CAME FROM THE OCEAN"
Source: 2-source mix: [Sennheiser MKE2002 > Sony TCD-D8 > dat-1 > shn] + [Nakamichi 300 (shotguns) > unknown pre-amp > Sony TCD-D7 > dEQ > CDR] > dEQ > shn > flac
Soundcheck Source: Marc Sounds > Sony TCD-D8 > dat > cdr > flac


3/2/98 Melbourne Park: Melbourne, Australia
Source: Countryman Isomax II -> Sony TCD-D100 (2' from stage/stacks,
front barricade, left side)
Generation: DAT(M) -> DAT(1) 44khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC

3/3/98 Melbourne Park: Melbourne, Australia
Source: CountryMan Isomax II > Sony TCD-D7 > DAT
Transfer: DAT-C (2) > Archive Python DDS Drive > DAT2WAV 1.2 > WAV
Conversion/Editing: WAV > Adobe Audition 1.0
(Fade In/Out, Normalize) > CDWav > FLAC

3/5/98 Melbourne Park: Melbourne, Australia Live/CD-R

3/5/98 Melbourne Park: Melbourne, Australia
SV042 - "PEOPLE OF THE SEA"
Source: Sony Music Australian promo > cdr > dEdit > cdr (first 1.5 minutes from webcast > dat > cdr) > flac

3/7/98 Thebarton Oval: Adelaide, Australia
Source : Core Sounds Binaurals > Sony TCD-D7 > DAT > CD-R
Conversion: CD-R > Plextor PlexWriter 12/4/32S > EAC* > flac 1.1.0 (Logs Included)
*double extracted and verified

3/7/98 Thebarton Oval: Adelaide, Australia
Source: Core Sound Binaurals -> Sony TCD-D7 (FOB, to the side)
Generation: DAT(M) -> DAT(1) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0
(resample to 44.1) -> CDWave -> FLAC

3/9/98 Sydney Entertainment Centre: Sydney, Australia
Source : Core Sounds Binaurals > Sony TCD-D8 > DAT > CD-R
Conversion: CD-R > Plextor PlexWriter 12/4/32S > EAC* > flac 1.1.0 (Logs Included)
*double extracted and verified

3/11/98 Entertainment Centre: Sydney, Australia
SV009 - "WAVES"
Source: Countryman Isomax II > Sony TCD-D100 > dat > dEdit > cdr > flac
MTV Awards Filler Source: "Jeremy Live" liberated boot > cdr > flac

5/07/98 ARO.space: Seattle, WA
Source: BIC mic -> Panasonic walkman
Generation: ANA(1) -> DAT-M 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0
(resample to 44.1) -> CDWave -> FLAC frontend -> FLAC

6/20/98 Washington-Grizzly Stadium:Missoula, MT
Source: AKG 460b + ck63 -> Beyer MV-100 -> Sony TCD-D8
Generation: DAT(M) -> DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0
(resample to 44.1) -> FLAC

6/21/98 The Canyons: Park City, UT
2 source mix: [Schoeps MK5(card) -> Rmod -> SBM-1 -> Sony TCD-D7 -> DAT (2nd row right)] +
[Nakamichi CM700 -> Sony TCD-D8 -> DAT (2nd row left)] => mixed via Pro-Tools => DAT(c)
Lineage: DAT(c) 44khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC

6/23/98 Fiddlers Green Ampitheater: Englewood, CO
Source: Schoeps MK5 (cardioid) > R-Mod > Sony SBM-1 > D7 + Nakamichi 700 > SonyTCD-D8 > cd-r > wav > flac.

6/24/98 Rushmore Civic Center Arena: Rapid City, SD
Source: Sony ECM-MS907 -> Sony WM-D6
Generation: ANA(M) -> DAT(c) 44.1khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC

6/26/98 Alpine Valley: East Troy, Wisconsin
Source: 2 Source Mix: [Shure SM-98 > Sony TCD-D7] +
[Sonic Studios (DSM6L) > PA-6LC3 > Sony TCD-D8] >
CDR > Frontend > .flac

6/27/98 Alpine Valley: East Troy, WI
SV025 - "ESCAPE FROM WISCONSIN"
Source: 2-source mix: [AKG 393b's > Crown PH-1 > M1 (sec. 212, row 14) > dat-m > dEQ > cdr] + [Sonic Studios (DSM-6) > Sony TCD-D7 (lawn stacks) > dat > cdr]
> dEQ > shn > flac

6/29/98 The United Center: Chicago, IL
Source: Shure SM-98 -> 94A1670 -> Sony TCD-D7 (Sec. 4, row 4, seat 7)
Generation: DAT-M -> DAT-1 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 (resample to 44.1) -> CDWave -> FLAC frontend -> FLAC

6/29/98 The United Center: Chicago, IL
SV007 - "PLAYGROUND"
Source: AKG 391b & CK63 (hyper) > Sony SBM-1 > Sony PCM-M1
(Sec.112, row 11) > dEQ > cdr > flac

6/30/98 Target Center: Minneapolis, MN
SV006-"SIGNIFICANCE"
Source: AKG 391b + CK63 (hyper) > Sony SBM-1 > Sony PCM-M1 (Sec. 111, Row 4) > dEQ > cdr > flac

7/2/98 Riverport Amphitheater: Maryland Heights, MO
SV065 - "CHANGES"
3-source matrix:
[SBD (mono) -> ALD -> SBM-1 -> D8 -> DAT(M) -> FLAC -> .wav] +
[Schoeps CCM4s -> Aerco -> SBM-1 -> D100 (20th row center) -> DAT(1) -> FLAC -> .wav] + [AKG460b + ck8 (shotgun) -> EAA-PSP3 -> DTR-80P -> D7 (33rd row center) -> DAT(1) -> FLAC -> .wav -> dEQ] => FLAC
DAT>FLAC transfers: DA20mkII -> Audiophile 2496 -> Soundforge ->
FLAC frontend -> .flac

7/3/98 Sandstone Amphitheater: Bonner Springs, KS
SV064 - "LIGHTNING UP THE DARKNESS"
Source: Schoeps CCM-4 > Aerco pre-amp > Sony SBM-1 > Sony TCD-D100
(16th row, right/center) > dat > cdr > dEdit > dEQ > flac

7/3/98 Sandstone Amphitheatre: Bonner Springs, KS
Source: Schoeps CCM4s -> Aerco -> SBM-1 -> Sony TCD-D100 (16th row, right/center)
Generation: DAT-M -> DAT(1) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0
(resample to 44.1) -> FLAC

7/5/98 Reunion Arena: Dallas, TX
Source: CSC > Sony TCD-D8 > DAT (24th Row, Left)
Transfer: DAT-C > Archive Python DDS Drive > DAT2WAV 1.2 > WAV
Conversion/Editing: WAV > Adobe Audition 1.0
(48KHz -> 44.1KHz, Fade In/Out, Clap Removal) > CDWav > FLAC

7/7/98 Tingley Coliseum: Albuquerque, NM
Source: Sonic Studios (DSM6) -> PA-6LC -> Sony WM-D6 (approx 50' from left PA)
Generation: ANA(1) -> DAT(M) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0 (resample to 44.1) ->
CDWave -> FLAC frontend -> FLAC

7/8/98 Veterans Memorial Coliseum: Phoenix, AZ
Source: AKG 460b+ck63 -> Beyer MV-100 -> Sony TCD-D8
Generation: DAT(2) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC

7/10/98 Cox Arena: San Diego, CA
(mix) Source: AKG460b + CK63 > Beyer pre-amp > Sony TCD-D8 > DAT (4th Row, right)
Transfer: DAT-C > Archive Python DDS Drive > DAT2WAV 1.2 > WAV
Conversion: WAV > Adobe Audition 1.0 (48KHz -> 44.1KHz, Fade In/Out) >
CDWav > FLAC
2nd Source: 2 source mix:
[Schoeps CCM4->Aerco->SBM-1->Sony TCD-D8 (right lower lodge, FOB)->DAT(1)- >CDR(1)->FLAC->.wav] +
[Schoeps MK5(card)->R-mod->SBM-1->Sony TCD-D8 (right lower lodge, FOB)- >DAT(M)->CDR(2)->FLAC->.wav] => FLAC

7/11/98 Thomas & Mack Center: Las Vegas, NV
Source: Sonic Studios (DSM6) -> Sony TCD-D100
Generation: DAT(M) -> DAT(1) 44.1 khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 ->
CDWave -> FLAC

7/13/98 The Forum: Los Angeles, CA, USA
Source: ALD > Unknown DAT
Transfer: Unknown DAT -> Unknown Transfer to CD -> EAC -> FLAC Frontend > .flac

7/13/98 The Forum: Inglewood, CA
(mix) Source: [ALD->DAT] +[AKG 460b+ck63->Beyer MV-100->D8->DAT(c)48khz] -> FLAC
Transfer (AKG): DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC


7/14/98 The Forum: Los Angeles, CA, USA
Source: ALD > Unknown DAT
Transfer: Unknown DAT -> Unknown Transfer to CD -> EAC -> FLAC Frontend > .flac

2nd source: The Forum: Inglewood, CA
(mix) Source: [ALD->DAT] +[AKG 460b+ck63->Beyer MV-100->D8(6th row, left)- >DAT(3)48khz] => FLAC
Transfer (AKG): DA-20 -> Monster coax -> DiO 2496 -> SF 6.0

7/16/98 Arco Arena: Sacramento, CA
(mix) Source: Mix of Schoeps CCM4 > Aerco > D100 + Schoeps MK4 > VMS02IB >
SBM-1 > D8
Conversion: Master DATs > AMIII > ProTools > CDR (1st burn) >
Toast Audio Extractor (double-extracted, verified bit identical) > .shn

7/18/98 Rose Garden Arena: Portland, OR
Source: Nakamichi CM700 -> Denon DTR-80p (11th row)
Generation: DAT(M) -> DAT(2) 44.1khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0 ->
(resample to 44.1) -> CDWave -> FLAC

2nd Source: Source: [Nak700 > DTR80P] + [SBD (mono) > ALD > DAT] => CDR
(mix) Lineage: CDR > CDR > .flac
cdr>.flac transfer: EAC > FLAC frontend > flac

7/18/98 SOUNDCHECK
Source: unknown mic -> unknown recorder
Generation: ANA(M) -> DAT(M) -> EQ -> DAT(2) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> (resample to 44.1)
-> FLAC frontend -> FLAC
(FILLER ON 2/20/98 SOUNDCHECK DISC)

7/21/98 Memorial Stadium: Seattle, WA
Source: Schoeps CCM4s -> Aerco -> SBM-1 -> Sony PCM-M1
Lineage: DAT(c) 44khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC

7/22/98 Memorial Stadium: Seattle, Washington
SBD From Bootleg CD "Home Free"

8/17/98 Deer Creek: Indianapolis, In.
Source: MarcSounds > Sony TCD-D100 (FOB 7th row center)
Generation: DAT(M) 48kHz > FLAC
Transfer: Sony PCM-R300 > ZNP6 > CEPv2.1 @ 48 kHz (fades, resample, normalize) > CDWave > FLAC8

8/18/98 Breslin Student Events Center: East Lansing, MI, USA
Source: Core Sound (mod.box) > PCM-M1 (11th row floor, center)
Lineage: DAT(M) 48khz -> DATC -> SoundForge 6.0 (Resampling) -> FLAC
Transfer: PCM-M1 -> 7pin-to-coax -> DiO 2496 -> EAC -> FLAC
Transfer: DAT Master -> DAT -> CD -> EAC -> FLAC Frontend > .flac

8/20/98 Molson Centre: Montreal, Quebec
Source: Sanken COS-11 -> Sony TCD-D8
Generation: DAT(M) -> DAT(1) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0
(resample to 44.1) -> CDWave -> FLAC

8/22/98 Molson Park: Barrie, Ontario
Source: [Sonic Studios(DSM-13)>Sony PCM-M1]+[CSB>Sony TCD-D8] > cdr
>WAV>SHN: Toshiba SD-M1502 > EAC09 > mkw

8/23/98 The Palace: Auburn Hills, MI
Source: Neumann KM140s -> Aerco -> Casio DA-7
(Row 25, Sec. A, direct line with right stacks)
Lineage: DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC

8/25/98 Star Lake Amphitheatre: Pittsburgh, PA Live/Unknown Source

8/26/98 Blossom Music Center: Cuyahoga Falls, OH
SV034 - "My City Was Gone"
Source: 2-source mix: [Schoeps CMC6 + MK4 > Sonosax pre-amp > Sony SBM-1 > Sony TCD-D8 (first song: Sonic Studios DSM13 > PA-6LC > Sony PCM-M1)] +
[unknown source] > cdr > flac
Soundcheck Source: Sonic Studios DSM13 > PA-6LC > Sony PCM-M1 > cdr > flac

8/29/98 Blockbuster Music Entertainment Centre: Camden, NJ
Source: Schoeps MK4s -> VMSO2IB -> SBM-1 -> Sony TCD-D100 (15th row)
Lineage: DAT(3) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC

8/31/98 Raleigh, NC: Walnut Creek Ampitheater
Source: Oade mini mics > Sony TCD-D7 (FOB) > CDR > WAV > FLAC

9/1/98 Lakewood Amphitheatre: Atlanta, GA
Source: 2-source mix: [AKG 414TLII > Oade M248 pre-amp > Sony SBM-1 > Sony TCD-D8 > dat > cdr > dEdit > cdr] + [Sonic Studios >
Sony TCD-D7 > dat > cdr] > dEQ > shn > flac

9/3/98 Birmingham-Jefferson Coliseum: Birmingham, AL
"DUELING GUITARS"
Source: Sonic Studios (DSM6) > Sony TCD-D100 > DAT1 48khz
Location: 2nd row, right side
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC

9/4/98 Bi-Lo Center: Greenville, SC
SV005-"CLEANSE"
Source: Neumann KM-184 > Aerco pre-amp > Sony TCD-D8 (FOB)
> dEdit > cdr > flac

9/6/98 Thompson-Boling Arena: Knoxville, TN
Source: Sonic Studios (DSM-6S) -> PA-6LC -> Sony TCD-D100
Generation: DAT-M -> DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0
(resample to 44.1) -> CDWave -> FLAC frontend -> FLAC

9/7/98 GTE Virginia Beach Amphitheatre: Virginia Beach, VA
Source: Sonic Studios -> DAT
Lineage: DAT(c) 48khz -> FLAC
Transfer DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC
9/8/98 Continental Airlines Arena : East Rutherford, NJ
Source: AKG 300b > Aerco pre-amp > Sony TCD-D7 (17th row, center) >
2cd-r > WAV > FLAC

9/10/98 Madison Square Garden
Source: Mix: [Schoeps MK5 > Rmod > SBM-1 > Sony PCM-M1] +
[AKG300b > Aerco > Sony TCD-D7] > CDR > FLAC

9/11/98 Madison Square Garden: New York, NY
"THREE YEARS IN NEW YORK CITY"
Source: 2-source mix: [Schoeps MK5 (cardioid) > R-Mod > Sony SBM-1 > Sony PCM- M1 (right risers) > dat] +
[Core Sound Cardioid > Sony TCD-D7 > dat] > cdr > dEdit > dEQ > flac

9/13/98 Meadows Music Theatre : Hartford, CT
SV001 - "NO BELIEF"
9/13/98 Source: 2-source mix: [Core Sound Cardioid > Sony TCD-D7 (dead center, directly behind soundboard)] + [AKG 451 > AMR-BPS2 > Sony TCD-D8
(mics on 7’ stand)] > dEdit > cdr > flac
11/08/91 source: Sony PC-62> Sony WM-D3 (cut patched with Sonic Studios > Sony TCD-D3) > cdr > flac

upina2001

9/15/98 Great Woods: Mansfield, MA
Source: [AKG 300b > Aerco pre-amp > Sony TCD-D7 (sec 4, row J) > DAT > CDR]
+ [Sony ECM-717 > Sony TCD-D8 (sec 2, row R) > DAT > CDR] > SHN

9/16/98 Great Woods: Mansfield, MA
SV013 - "THE STORY OF MANSFIELD"
Source: 2-source mix: [soundboard > in-house ALD (mono) > ? > dat > cdr] + [Sonic Studios > Sony TCD-D7 (Sec.1, Row AA) > dat > cdr] > cdr > flac

9/19/98 Constitution Hall: Washington, DC
Voters for Choice Benefit
Source: Sonic Studios(DSM6) > Sony TCD-D100 (2nd row) > dat > cdr > dEQ > cdr ["Patriot" pre-show, Gloria speech, and first 1.2 songs are Countryman Isomax II > Sony PCM-M1 (Sec.F, row D) > dat > cdr > dEQ > cdr] > flac

9/22/98 Coral Sky Amphitheatre: West Palm Beach, FL
SV049 - "THE ENDLESS SUMMER"
Source: Sonic Studios (DSM-6P) > Sony TCD-D7 (9th row, right side) > DAT-M 48khz
Transfer: Master DAT > Tascam DA-20 > Monster coax > DIO 2496 >
CEP 2.1 (dEdit, dEQ, resample to 44.1) > CDWave > FLAC

9/23/98 Coral Sky Amptheatre: West Palm Beach, FL
SV012 - "LIFE"
Source: Core Sound Cardioid > Sharp MD-MS702 minidisk (Sec. 2, Row Q) >
cdr > dEQ > cdr > flac (small cut patched in with Neumann KM-184 >
Aerco pre-amp > Sony TCD-D8 (20th row, far right) > dat > cdr)

10/10/98 Crocodile Cafe: Seattle, WA
Source: Sony WMD6C w/ Realistic 33-1065
DAE: EAC v 0.9 PB 6
WAV > SHN: using mkwACT 0.97 Beta 1

1999

06/13/99 Eddie Vedder w/ C Average
Tibetan Freedom Concert: Alpine Valley, East Troy, WI
Source: Shure SM98 -> 94A1670 -> Sony TCD-D8 (35th row, center)
Lineage: DAT(1) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> FLAC

6/13/99 Eddie Vedder w/ C Average
Tibetan Freedom Concert: Alpine Valley, East Troy, WI
Source: Shure SM98 > TCD-D8 > MiniDisk > CDR
Transfer: CDR > PlexWriter 12/4/32S > EAC > shorten32
CD>WAV>SHN
(FILLER)
SOURCE: Westwood One Show #99-50 (Master) > EAC > SHN

6/25/99 Eddie Vedder w/ C Average
Hollywood Palladium: Hollywood, CA
(Supporting Red Hot Chili Peppers)
Source: Schoeps CCM-4 > Aerco pre-amp > TCD-D7 > CDR
Transfer: CDR > PlexWriter 12/4/32S > EAC > shorten32
CD>WAV>SHN

7/14/99 Eddie Vedder w/ C Average
510 Columbia Street, Olympia, WA
Source: unknown > cdr > EAC > shn


10/30/99 Bridge School Benefit Show
Shoreline Amphitheater: Mountain View, CA
Source: [PRO-SHOT video] + [Schoeps > DAT] > CDR

10/31/99 Bridge School Benefit Show
Shoreline Amphitheater: Mountain View, CA
Source: [PRO-SHOT video] + [Schoeps > DAT] > CDR

11/12/99 Eddie Vedder w/ C Average
House of Blues: Chicago, IL
(Opening for The Who)
Source: CD-R with EAC V0.9 beta 3

11/13/99 Ed Vedder with C Average
House of Blues: Chicago, IL
Source: Nak700 > D7 > DAT > CDR > mkw ACT > .shn