F2F is OPEN
Comments
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SHZA said:on2legs said:Chrrie said:I used to be the biggest fan of f2f and wished other artists would do the same. A very kind person here taught me the ropes before the Canadian leg of the 22 tour and I’d like to think I got quite good at it while it lasted. Had no problem last year either and got all the upgrades I wanted months or weeks before the show. The good old days when even timed drops worked.
That changed this year and I can’t help but blame the mobile ticket hack that the larger brokers figured out. I feel like I started hearing about this link thing that you’d get emailed if you bought from Vivid before St. Paul but it certainly wasn’t breaking the system yet. When f2f opened unannounced for this year’s shows I got Vancouver GA within a couple hours and then nothing for any other show until the day of. Was able to cart plenty of pairs in the weeks and months leading up but never actually got any until going after singles got reliable for a little while, almost like their algorithm briefly wasn’t looking for them. Maybe that’s anecdotal but that was my perception for a bit.It was difficult but scraped my way through several shows almost exclusively through social means and trades, sharing log-ins or scanning each other in at the show. The few tickets I got myself were hours before doors and in some of the lower demand markets. I’m more fortunate than others in that my partner has a very good 10c number and we used to be able to plan to give unused seats to friends but everything he won for 2024 we ended up using ourselves or for GA trades. The hardest by far that I had to deal with was Seattle and Philly 1. Didn’t bother with Wrigley or MSG because of the state laws.I haven’t been keeping up on this thread as much partly due to being busy with holiday stuff and partly because I don’t really want to deal with the frustration right now but if it’s anything like it was this year I’m expecting links to be the only reliable way to get tickets.For what it’s worth, I was refreshing for another band back in early November and found myself getting locked out after 10-20 times switching between 1 and 2 tickets and the only way to fix it was to go in to purchase some of the premium tickets and release them, but then eventually I got the we think you’re a bot message for a few days. I was hoping it was an anomaly but experienced the same thing when refreshing Hollywood the day that f2f opened. So they’ve taken that away now too? The actual bots aren’t even using the web interface to purchase tickets yet that’s what Ticketmaster in its infinite wisdom decided to limit now? I hope others are having better luck. F2F is the only way I’m able to afford going to multiple shows so I definitely still want it but something needs to change. The Billie Eilish story that came out was polarizing and probably unrealistic but I’m glad other artists are realizing there’s a problem too. It sounds crazy but I actually used to enjoy the game of it when you had a chance to win, even used to joke at the end of tours that I didn’t know what to do with my time if I didn’t have to refresh anymore.Scalpers have exploited loop holes in the system to their advantage but so have fans. It was inevitable that Ticketmaster was going to try and close some of those loop holes.
The links that are now available at least are a way to do something resembling a true "fan to fan" transfer.1996: Randall's Island 2 1998: East Rutherford | MSG 1 & 2 2000: Cincinnati | Columbus | Jones Beach 1, 2, & 3 | Boston 1 | Camden 1 & 2 2003: Philadelphia | Uniondale | MSG 1 & 2 | Holmdel 2005: Atlantic City 1 2006: Camden 1 | East Rutherford 1 & 2 2008: Camden 1 & 2 | MSG 1 & 2 (#25) | Newark (EV) 2009: Philadelphia 1, 2 & 4 2010: Newark | MSG 1 & 2 2011: Toronto 1 2013: Wrigley Field | Brooklyn 2 | Philadelphia 1 & 2 | Baltimore 2015: Central Park 2016: Philadelphia 1 & 2 | MSG 1 & 2 | Fenway Park 2 | MSG (TOTD) 2017: Brooklyn (RnR HOF) 2020: MSG | Asbury Park 2021: Asbury Park 2022: MSG | Camden | Nashville 2024: MSG 1 & 2 (#50) | Philadelphia 1 & 2 | Baltimore 2025: Raleigh 20 -
It’s just straight up laziness from 10C not doing will call. They know what’s happening with fan to fan. They can see the secondary sites benefiting from 10C tickets. They act like they are doing something to stop it or at the very least putting up fake threats that they are in fact staying on top of this. We know that’s it happening.They have ruined 10C tickets imo
Taken out GA only
Taken out priority
Taken out will callAllowed so many burner accounts to be created
Allowed scalpers to make so much money of this band.Allowing people to put in for everything and then figure it out laterThey are also watching fan to fan 10C tickets being scooped up and put on secondary sites. In the meantime fans are spending actual days and days refreshing trying to get a whiff at something decent. They see how addicted some people are to this ticketing method. Sure they are not responsible for what I do with my time but this is the PJ ticket world that we live in now with them allowing so many people to get tickets they don’t even want.Fixes
Bring back 2018 and before Lotto.Problem solved.0 -
on2legs said:SHZA said:on2legs said:Chrrie said:I used to be the biggest fan of f2f and wished other artists would do the same. A very kind person here taught me the ropes before the Canadian leg of the 22 tour and I’d like to think I got quite good at it while it lasted. Had no problem last year either and got all the upgrades I wanted months or weeks before the show. The good old days when even timed drops worked.
That changed this year and I can’t help but blame the mobile ticket hack that the larger brokers figured out. I feel like I started hearing about this link thing that you’d get emailed if you bought from Vivid before St. Paul but it certainly wasn’t breaking the system yet. When f2f opened unannounced for this year’s shows I got Vancouver GA within a couple hours and then nothing for any other show until the day of. Was able to cart plenty of pairs in the weeks and months leading up but never actually got any until going after singles got reliable for a little while, almost like their algorithm briefly wasn’t looking for them. Maybe that’s anecdotal but that was my perception for a bit.It was difficult but scraped my way through several shows almost exclusively through social means and trades, sharing log-ins or scanning each other in at the show. The few tickets I got myself were hours before doors and in some of the lower demand markets. I’m more fortunate than others in that my partner has a very good 10c number and we used to be able to plan to give unused seats to friends but everything he won for 2024 we ended up using ourselves or for GA trades. The hardest by far that I had to deal with was Seattle and Philly 1. Didn’t bother with Wrigley or MSG because of the state laws.I haven’t been keeping up on this thread as much partly due to being busy with holiday stuff and partly because I don’t really want to deal with the frustration right now but if it’s anything like it was this year I’m expecting links to be the only reliable way to get tickets.For what it’s worth, I was refreshing for another band back in early November and found myself getting locked out after 10-20 times switching between 1 and 2 tickets and the only way to fix it was to go in to purchase some of the premium tickets and release them, but then eventually I got the we think you’re a bot message for a few days. I was hoping it was an anomaly but experienced the same thing when refreshing Hollywood the day that f2f opened. So they’ve taken that away now too? The actual bots aren’t even using the web interface to purchase tickets yet that’s what Ticketmaster in its infinite wisdom decided to limit now? I hope others are having better luck. F2F is the only way I’m able to afford going to multiple shows so I definitely still want it but something needs to change. The Billie Eilish story that came out was polarizing and probably unrealistic but I’m glad other artists are realizing there’s a problem too. It sounds crazy but I actually used to enjoy the game of it when you had a chance to win, even used to joke at the end of tours that I didn’t know what to do with my time if I didn’t have to refresh anymore.Scalpers have exploited loop holes in the system to their advantage but so have fans. It was inevitable that Ticketmaster was going to try and close some of those loop holes.
The links that are now available at least are a way to do something resembling a true "fan to fan" transfer.Before, F2F was literally that - a fan to fan marketplace.Saying “the links are a fan friendly move” - that’s ignoring that in 2022-2023 basically only fans were getting these tickets - from other fans. As intended. The onset of “bots” and brokers has ruined what was quite a nice system. For fans.0 -
on2legs said:SHZA said:on2legs said:Chrrie said:I used to be the biggest fan of f2f and wished other artists would do the same. A very kind person here taught me the ropes before the Canadian leg of the 22 tour and I’d like to think I got quite good at it while it lasted. Had no problem last year either and got all the upgrades I wanted months or weeks before the show. The good old days when even timed drops worked.
That changed this year and I can’t help but blame the mobile ticket hack that the larger brokers figured out. I feel like I started hearing about this link thing that you’d get emailed if you bought from Vivid before St. Paul but it certainly wasn’t breaking the system yet. When f2f opened unannounced for this year’s shows I got Vancouver GA within a couple hours and then nothing for any other show until the day of. Was able to cart plenty of pairs in the weeks and months leading up but never actually got any until going after singles got reliable for a little while, almost like their algorithm briefly wasn’t looking for them. Maybe that’s anecdotal but that was my perception for a bit.It was difficult but scraped my way through several shows almost exclusively through social means and trades, sharing log-ins or scanning each other in at the show. The few tickets I got myself were hours before doors and in some of the lower demand markets. I’m more fortunate than others in that my partner has a very good 10c number and we used to be able to plan to give unused seats to friends but everything he won for 2024 we ended up using ourselves or for GA trades. The hardest by far that I had to deal with was Seattle and Philly 1. Didn’t bother with Wrigley or MSG because of the state laws.I haven’t been keeping up on this thread as much partly due to being busy with holiday stuff and partly because I don’t really want to deal with the frustration right now but if it’s anything like it was this year I’m expecting links to be the only reliable way to get tickets.For what it’s worth, I was refreshing for another band back in early November and found myself getting locked out after 10-20 times switching between 1 and 2 tickets and the only way to fix it was to go in to purchase some of the premium tickets and release them, but then eventually I got the we think you’re a bot message for a few days. I was hoping it was an anomaly but experienced the same thing when refreshing Hollywood the day that f2f opened. So they’ve taken that away now too? The actual bots aren’t even using the web interface to purchase tickets yet that’s what Ticketmaster in its infinite wisdom decided to limit now? I hope others are having better luck. F2F is the only way I’m able to afford going to multiple shows so I definitely still want it but something needs to change. The Billie Eilish story that came out was polarizing and probably unrealistic but I’m glad other artists are realizing there’s a problem too. It sounds crazy but I actually used to enjoy the game of it when you had a chance to win, even used to joke at the end of tours that I didn’t know what to do with my time if I didn’t have to refresh anymore.Scalpers have exploited loop holes in the system to their advantage but so have fans. It was inevitable that Ticketmaster was going to try and close some of those loop holes.
The links that are now available at least are a way to do something resembling a true "fan to fan" transfer.In 2022 and 2023 it was pretty close to fan to fan system. Look through the old f2f threads and it’s full of 10c members actually getting tickets from refreshing. Now the links have become the only way to get anything until the secondary market tanks enough for them not to buy everything.0 -
Chrrie said:on2legs said:SHZA said:on2legs said:Chrrie said:I used to be the biggest fan of f2f and wished other artists would do the same. A very kind person here taught me the ropes before the Canadian leg of the 22 tour and I’d like to think I got quite good at it while it lasted. Had no problem last year either and got all the upgrades I wanted months or weeks before the show. The good old days when even timed drops worked.
That changed this year and I can’t help but blame the mobile ticket hack that the larger brokers figured out. I feel like I started hearing about this link thing that you’d get emailed if you bought from Vivid before St. Paul but it certainly wasn’t breaking the system yet. When f2f opened unannounced for this year’s shows I got Vancouver GA within a couple hours and then nothing for any other show until the day of. Was able to cart plenty of pairs in the weeks and months leading up but never actually got any until going after singles got reliable for a little while, almost like their algorithm briefly wasn’t looking for them. Maybe that’s anecdotal but that was my perception for a bit.It was difficult but scraped my way through several shows almost exclusively through social means and trades, sharing log-ins or scanning each other in at the show. The few tickets I got myself were hours before doors and in some of the lower demand markets. I’m more fortunate than others in that my partner has a very good 10c number and we used to be able to plan to give unused seats to friends but everything he won for 2024 we ended up using ourselves or for GA trades. The hardest by far that I had to deal with was Seattle and Philly 1. Didn’t bother with Wrigley or MSG because of the state laws.I haven’t been keeping up on this thread as much partly due to being busy with holiday stuff and partly because I don’t really want to deal with the frustration right now but if it’s anything like it was this year I’m expecting links to be the only reliable way to get tickets.For what it’s worth, I was refreshing for another band back in early November and found myself getting locked out after 10-20 times switching between 1 and 2 tickets and the only way to fix it was to go in to purchase some of the premium tickets and release them, but then eventually I got the we think you’re a bot message for a few days. I was hoping it was an anomaly but experienced the same thing when refreshing Hollywood the day that f2f opened. So they’ve taken that away now too? The actual bots aren’t even using the web interface to purchase tickets yet that’s what Ticketmaster in its infinite wisdom decided to limit now? I hope others are having better luck. F2F is the only way I’m able to afford going to multiple shows so I definitely still want it but something needs to change. The Billie Eilish story that came out was polarizing and probably unrealistic but I’m glad other artists are realizing there’s a problem too. It sounds crazy but I actually used to enjoy the game of it when you had a chance to win, even used to joke at the end of tours that I didn’t know what to do with my time if I didn’t have to refresh anymore.Scalpers have exploited loop holes in the system to their advantage but so have fans. It was inevitable that Ticketmaster was going to try and close some of those loop holes.
The links that are now available at least are a way to do something resembling a true "fan to fan" transfer.In 2022 and 2023 it was pretty close to fan to fan system. Look through the old f2f threads and it’s full of 10c members actually getting tickets from refreshing. Now the links have become the only way to get anything until the secondary market tanks enough for them not to buy everything.0 -
SHZA said:Chrrie said:on2legs said:SHZA said:on2legs said:Chrrie said:I used to be the biggest fan of f2f and wished other artists would do the same. A very kind person here taught me the ropes before the Canadian leg of the 22 tour and I’d like to think I got quite good at it while it lasted. Had no problem last year either and got all the upgrades I wanted months or weeks before the show. The good old days when even timed drops worked.
That changed this year and I can’t help but blame the mobile ticket hack that the larger brokers figured out. I feel like I started hearing about this link thing that you’d get emailed if you bought from Vivid before St. Paul but it certainly wasn’t breaking the system yet. When f2f opened unannounced for this year’s shows I got Vancouver GA within a couple hours and then nothing for any other show until the day of. Was able to cart plenty of pairs in the weeks and months leading up but never actually got any until going after singles got reliable for a little while, almost like their algorithm briefly wasn’t looking for them. Maybe that’s anecdotal but that was my perception for a bit.It was difficult but scraped my way through several shows almost exclusively through social means and trades, sharing log-ins or scanning each other in at the show. The few tickets I got myself were hours before doors and in some of the lower demand markets. I’m more fortunate than others in that my partner has a very good 10c number and we used to be able to plan to give unused seats to friends but everything he won for 2024 we ended up using ourselves or for GA trades. The hardest by far that I had to deal with was Seattle and Philly 1. Didn’t bother with Wrigley or MSG because of the state laws.I haven’t been keeping up on this thread as much partly due to being busy with holiday stuff and partly because I don’t really want to deal with the frustration right now but if it’s anything like it was this year I’m expecting links to be the only reliable way to get tickets.For what it’s worth, I was refreshing for another band back in early November and found myself getting locked out after 10-20 times switching between 1 and 2 tickets and the only way to fix it was to go in to purchase some of the premium tickets and release them, but then eventually I got the we think you’re a bot message for a few days. I was hoping it was an anomaly but experienced the same thing when refreshing Hollywood the day that f2f opened. So they’ve taken that away now too? The actual bots aren’t even using the web interface to purchase tickets yet that’s what Ticketmaster in its infinite wisdom decided to limit now? I hope others are having better luck. F2F is the only way I’m able to afford going to multiple shows so I definitely still want it but something needs to change. The Billie Eilish story that came out was polarizing and probably unrealistic but I’m glad other artists are realizing there’s a problem too. It sounds crazy but I actually used to enjoy the game of it when you had a chance to win, even used to joke at the end of tours that I didn’t know what to do with my time if I didn’t have to refresh anymore.Scalpers have exploited loop holes in the system to their advantage but so have fans. It was inevitable that Ticketmaster was going to try and close some of those loop holes.
The links that are now available at least are a way to do something resembling a true "fan to fan" transfer.In 2022 and 2023 it was pretty close to fan to fan system. Look through the old f2f threads and it’s full of 10c members actually getting tickets from refreshing. Now the links have become the only way to get anything until the secondary market tanks enough for them not to buy everything.1996: Randall's Island 2 1998: East Rutherford | MSG 1 & 2 2000: Cincinnati | Columbus | Jones Beach 1, 2, & 3 | Boston 1 | Camden 1 & 2 2003: Philadelphia | Uniondale | MSG 1 & 2 | Holmdel 2005: Atlantic City 1 2006: Camden 1 | East Rutherford 1 & 2 2008: Camden 1 & 2 | MSG 1 & 2 (#25) | Newark (EV) 2009: Philadelphia 1, 2 & 4 2010: Newark | MSG 1 & 2 2011: Toronto 1 2013: Wrigley Field | Brooklyn 2 | Philadelphia 1 & 2 | Baltimore 2015: Central Park 2016: Philadelphia 1 & 2 | MSG 1 & 2 | Fenway Park 2 | MSG (TOTD) 2017: Brooklyn (RnR HOF) 2020: MSG | Asbury Park 2021: Asbury Park 2022: MSG | Camden | Nashville 2024: MSG 1 & 2 (#50) | Philadelphia 1 & 2 | Baltimore 2025: Raleigh 20 -
Chrrie said:on2legs said:SHZA said:on2legs said:Chrrie said:I used to be the biggest fan of f2f and wished other artists would do the same. A very kind person here taught me the ropes before the Canadian leg of the 22 tour and I’d like to think I got quite good at it while it lasted. Had no problem last year either and got all the upgrades I wanted months or weeks before the show. The good old days when even timed drops worked.
That changed this year and I can’t help but blame the mobile ticket hack that the larger brokers figured out. I feel like I started hearing about this link thing that you’d get emailed if you bought from Vivid before St. Paul but it certainly wasn’t breaking the system yet. When f2f opened unannounced for this year’s shows I got Vancouver GA within a couple hours and then nothing for any other show until the day of. Was able to cart plenty of pairs in the weeks and months leading up but never actually got any until going after singles got reliable for a little while, almost like their algorithm briefly wasn’t looking for them. Maybe that’s anecdotal but that was my perception for a bit.It was difficult but scraped my way through several shows almost exclusively through social means and trades, sharing log-ins or scanning each other in at the show. The few tickets I got myself were hours before doors and in some of the lower demand markets. I’m more fortunate than others in that my partner has a very good 10c number and we used to be able to plan to give unused seats to friends but everything he won for 2024 we ended up using ourselves or for GA trades. The hardest by far that I had to deal with was Seattle and Philly 1. Didn’t bother with Wrigley or MSG because of the state laws.I haven’t been keeping up on this thread as much partly due to being busy with holiday stuff and partly because I don’t really want to deal with the frustration right now but if it’s anything like it was this year I’m expecting links to be the only reliable way to get tickets.For what it’s worth, I was refreshing for another band back in early November and found myself getting locked out after 10-20 times switching between 1 and 2 tickets and the only way to fix it was to go in to purchase some of the premium tickets and release them, but then eventually I got the we think you’re a bot message for a few days. I was hoping it was an anomaly but experienced the same thing when refreshing Hollywood the day that f2f opened. So they’ve taken that away now too? The actual bots aren’t even using the web interface to purchase tickets yet that’s what Ticketmaster in its infinite wisdom decided to limit now? I hope others are having better luck. F2F is the only way I’m able to afford going to multiple shows so I definitely still want it but something needs to change. The Billie Eilish story that came out was polarizing and probably unrealistic but I’m glad other artists are realizing there’s a problem too. It sounds crazy but I actually used to enjoy the game of it when you had a chance to win, even used to joke at the end of tours that I didn’t know what to do with my time if I didn’t have to refresh anymore.Scalpers have exploited loop holes in the system to their advantage but so have fans. It was inevitable that Ticketmaster was going to try and close some of those loop holes.
The links that are now available at least are a way to do something resembling a true "fan to fan" transfer.In 2022 and 2023 it was pretty close to fan to fan system. Look through the old f2f threads and it’s full of 10c members actually getting tickets from refreshing. Now the links have become the only way to get anything until the secondary market tanks enough for them not to buy everything.0 -
SHZA said:
Right, but if you wanted a particular person to get your tickets, there wasn't a way to do it before the link. If someone faster was refreshing at the time, even in the middle of the night, it could get sniped. The link at least would give the intended recipient a brief window which didn't exist before. The rest of it is a disaster though compared to how it was lolI guess it’s more that there are many tickets that belong to people with no forum/Facebook group and just toss up on to F2F. And those are going straight to brokers and scalpers. Links don’t help with those.2022 with links also available to use? Ideal.0 -
I'm gonna have to agree with the earlier sentiment. I think everyone should just stop looking and stop refreshing immediately.
Spread the word.0 -
aisleseats said:I'm gonna have to agree with the earlier sentiment. I think everyone should just stop looking and stop refreshing immediately.
Spread the word.0 -
Will Call would be a lot harder to operate with how many more tickets are going to 10c at each venue today compared to before. The biggest argument against Will Call was that if we suddenly couldn’t go, 10c did not allow us to change the name on the tickets. Rarely did they do it. That’s why I say let us transfer to other 10c emails. There have also been hiccups - Gorge 2006 I think 2/3 of the venue missed the first few songs. Bristow 2010 they couldn’t find my tickets but saw my confirmation and worked it out.At the end of the day PJ wants to sell as many tickets as possible to their fan club because it fills seats for the promoter. That’s why no priority and uppers. The uppers started with the harder shows, now it’s become standard.F2F and the TM drops have actually made going to as many shows as possible, easier. Definitely was harder before Covid, but that’s why we all made connections with each other on this forum.
The sad part is that they say they’re going to do something about the resales on the secondary market, but don’t. At least make a “Top 3 Priority” or only allow us to enter for 1 more than half of the shows. If there’s 10 shows we can only enter for 6.2003: Uniondale, MSG x2 | 2004: Reading | 2005: Gorge, Vancouver, Philly | 2006: East Rutherford x2, Gorge x2, Camden 1, Hartford | 2008: MSG x2, VA Beach | 2009: Philly x3 | 2010: MSG x2, Bristow | 2011: Alpine Valley x2 | 2012: MIA Philly | 2013: Wrigley, Charlottesville, Brooklyn 2 | 2014: Milan, Amsterdam 1 | 2016: MSG x2, Fenway x2, Wrigley 2 | 2018: Rome, Krakow, Berlin, Wrigley 2 | 2021: Sea Hear Now | 2022: San Diego, LA x2, MSG, Camden, Nashville, St. Louis, Denver | 2023: St. Paul 1, Chicago x2, Fort Worth x2, Austin 2 | 2024: Las Vegas 1, Seattle x2, Indy, MSG x2, Philly x2, Baltimore, Ohana 2 | 2025: Florida x2, Atlanta x2, Pittsburgh x20 -
You put in for shows you are going to go to.You can’t make it you knew the risk.Also part of the reason we are in this ticket situation is because 10C continuously failed to sell its reserved ticket allotment in smaller markets. Ticketmaster wanted a better system to guarantee these sales and here we are stuck with a system that now allows 10C tickets to be easily scalped. You think PJ would give a shit but it does not seem to be the case surprisingly.0
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Ticketmaster benefits greatly from scalpers scooping up these tickets
It gives a false belief that a show is harder to get than it really is allowing their premium tickets to be the ones that are always available to the casual fan not refreshing all day.The other thing is those tickets that were snatched up by a scalper will not likely ever be put back on fan to fan again. It removes the chance of a ticket being sold over and over again which I assume is a huge headache for Ticketmaster especially if the show is cancelled. It hurts the fan refreshing too making less and less fan to fan drops being available to them . This especially hurts GA.0 -
Let me know if anyone has a single ticket for Pittsburgh 2 or Nashville 2 and we can try to do a timed drop.0
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KJ228171 said:EH14457 said:I've also been in jail for over 48 hours at this point, and based on past experiences I'm not expecting to be out any time soon.
I think what's most frustrating is that there are some really clear passive criteria TM could use to identify who is and isn't actually a bot/scalper. My TM account has probably purchased hundreds of tickets in the past years, and 90+% of them have been used without being sold or transferred. The few that have been sold (even ignoring F2F after upgrades) have been sold at roughly face value literally every time. In what universe is that behavior consistent with scalping or trying to game their system?
Even ignoring the idea of using sensible logic, they could have an appeals process with a whitelist at the IP level, account level, device ID level, anything. But they don't have formal processes for any of that. If you get lucky with CS, you might find somebody who's willing to help you. Otherwise you get a useless generic response.
The whole 'blocking' charade is optics over utility, just so they can project that they're doing something. They have no incentive to do more than that.
Post edited by KJ228171 on0 -
Posting two tickets for Raleigh may 11 today, section 1040
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Krusen through Life said:Posting two tickets for Raleigh may 11 today, section 104
0 -
Krusen through Life said:Posting two tickets for Raleigh may 11 today, section 104Appeared to be an animal, yet so polite.0
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Reading this thread, what are we doing for the preferred method of selling tickets to fans? Posting on this thread the time we are hitting the sell button and posting the link on here?0
This discussion has been closed.
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