Waiting For Stevie

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  • BF25394
    BF25394 Posts: 4,935
    Get_Right said:
    BF25394 said:
    Get_Right said:
    BF25394 said:
    Get_Right said:
    Their audience has been growing because of the live shows. They play ballparks and have plenty of traction. They have a sirius channel. Dark Matter is all over apple. They are doing just fine.
    Who is arguing that they're not doing fine? That's not the discussion here. It's about whether this single is gaining a new audience for them (or bringing back the old audience that is unaware they're still an active band). Evidence does not suggest that their audience is growing. They sold fewer copies of this record than the last record. They do not stream well and, with rare exceptions, they play arenas, not stadiums. The first two singles got a lot more attention from radio than we've seen with recent albums, but rock radio is a niche format in 2024, and Triple-A is even more niche. They have a Sirius channel because they are a well-known act among a demographic that Sirius targets. Bruce has a Sirius channel, too, but no one can reasonably argue that Bruce's audience is growing.

    I guess you can call it a niche format, but radio play has basically been irrelevant for a long time. I cannot remember the last time I put on the radio to hear music. Same with record sales, albums are basically free these days. They seem to be as popular as ever. I do not have any data analytics to support my position. I suppose it's a fair statement to say that Waiting for Stevie in a vacuum is not bringing in new fans. The tour is what does that. I would not call four ballpark dates just on this tour rare exceptions. And every rock festival wants to book them. The evidence is that tickets are harder to get, at least in the northeast. 
    Just because it is irrelevant to you, don't assume that you are representative of the overall audience. The overall radio audience still dwarfs the streaming audience. Just to give you a data point, the current number one song in the country, Shaboozey's "A Bar Song (Tipsy)" was streamed 27.8 million times this week, but its radio airplay reached 78.2 million listeners. The difference is even more pronounced with respect to rock music, the audience for which skews older and does not stream music as much as younger listeners. Pearl Jam's streaming audience is paltry. When I say that rock radio is a niche format, I mean that it does not have the audience that CHR stations have, and the difference is greater than it was 20 or 30 years ago.

    Radio is free and it is everywhere. People listen in their cars, their homes and their offices. Large portions of the country have poor wireless connectivity, but radio stations penetrate these areas. Radio is still very important, and there is a reason why record companies and artists give radio a lot of attention. Trust me on this.

    Pearl Jam is a draw, but they're not a stadium-level draw anymore. If they could sell out stadiums other than two of the smallest MLB ballparks, they would play more shows at larger MLB stadiums and NFL stadiums. Those shows gross beaucoup bucks relative to the arena shows. The Chili Peppers sold out two shows at SoFi last year. Pearl Jam can't do that in 2024. They might not sell out one. Their tours do not bring in significant numbers of new fans. If they did, then you would see more streaming and more sales. Their tours attract their existing fans, overwhelmingly.

    I do not compare Pearl Jam to pop, electronic, country, or hip hop artists. Many of those artists have a larger audience, including younger listeners. My teenagers are not fans of Pearl Jam, but they do not listen to the radio ever. It is all streaming. Is that radio? That is not radio to me. Jelly Roll probably had more sales, streams, and ticket sales than Pearl Jam. I suppose it is true that parts of America cannot afford the internet or streaming services. Agree that us older fans are the core base of Pearl Jam. All I know is that the shows have been attracting more people and I hear "this is my first show" more than ever. You cannot compare Shaboozey to Pearl Jam, its apples and oranges. 
    You seem to be engaged in a different discussion than the one that was taking place when you joined it. I don't really know how your posts are relevant to it. No one compared Shaboozey to Pearl Jam. The point was not about Shaboozey; it was an illustration of the fact that the radio audience is still substantial and, in fact, remains larger than the streaming audience. This is a fact that remains true whether you or your children listen to the radio or not. Pearl Jam plays fewer shows before fewer people than they did at earlier points in their career. "I hear 'this is my first show' more than ever" is anecdota. I guarantee you that more people saw their first Pearl Jam shows in 1994, 1996 and 1998 than are seeing their first Pearl Jam shows in 2024, and it isn't even close.
    I gather speed from you fucking with me.
  • Get_Right
    Get_Right Posts: 14,108
    Whatever. This thread is about a song and not a market research thesis about free radio versus streaming. And you did compare Shaboozey to Pearl Jam. But they did not sell out Wrigley in the 90s. More people are going. And with their kids. Pearl Jam became trendy well after the 90s. Your premise about more people seeing them in the 90s is wrong, maybe for 2024, but Pearl Jam became much more popular after the 2006 tour.
  • Gern Blansten
    Gern Blansten Mar-A-Lago Posts: 22,137
    PJ doesn't give two shits if they are gaining fans or gaining props for songs they write. They do their thing and they have a massive fan base that wants what they provide. That's it.
    Remember the Thomas Nine !! (10/02/2018)
    The Golden Age is 2 months away. And guess what….. you’re gonna love it! (teskeinc 11.19.24)

    1998: Noblesville; 2003: Noblesville; 2009: EV Nashville, Chicago, Chicago
    2010: St Louis, Columbus, Noblesville; 2011: EV Chicago, East Troy, East Troy
    2013: London ON, Wrigley; 2014: Cincy, St Louis, Moline (NO CODE)
    2016: Lexington, Wrigley #1; 2018: Wrigley, Wrigley, Boston, Boston
    2020: Oakland, Oakland:  2021: EV Ohana, Ohana, Ohana, Ohana
    2022: Oakland, Oakland, Nashville, Louisville; 2023: Chicago, Chicago, Noblesville
    2024: Noblesville, Wrigley, Wrigley, Ohana, Ohana; 2025: Pitt1, Pitt2
  • Get_Right
    Get_Right Posts: 14,108
    PJ doesn't give two shits if they are gaining fans or gaining props for songs they write. They do their thing and they have a massive fan base that wants what they provide. That's it.

    Or gaining radio or streaming plays. They still make good records and play sold out shows for a base of fans that want to see them live. It is that simple.
  • spankyMP
    spankyMP NY to NC to NH Posts: 2,018
    Get_Right said:
    Whatever. This thread is about a song and not a market research thesis about free radio versus streaming. And you did compare Shaboozey to Pearl Jam. But they did not sell out Wrigley in the 90s. More people are going. And with their kids. Pearl Jam became trendy well after the 90s. Your premise about more people seeing them in the 90s is wrong, maybe for 2024, but Pearl Jam became much more popular after the 2006 tour.
    This statement is mind boggling to me.
    Randall's Island 9/29/96, Continental Arena 9/8/98, MSG 9/10/98, Jones Beach 8/23/00, 8/24/00, 8/25/00, Nassau Coliseum 4/30/03, MSG 7/8/03, 7/9/03, Continental Arena 6/1/06, 6/3/06, MSG 6/24/08, 6/25/08, Spectrum 10/30/09, 10/31/09, MSG 5/20/10, 5/21/10, PJ20 9/3/11, 9/4/11, Charlottesville 10/29/13, Charlotte 10/30/13, Global Citizen 9/26/15, Raleigh 4/20/16 :( Baltimore 3/28/20 :( Austin 9/18/23, 9/19/23, Forum 5/21/24, Baltimore 9/12/24, Fenway 9/17/24, Nashville 5/6/25, 5/8/25
  • spankyMP
    spankyMP NY to NC to NH Posts: 2,018
    Randall's Island 9/29/96, Continental Arena 9/8/98, MSG 9/10/98, Jones Beach 8/23/00, 8/24/00, 8/25/00, Nassau Coliseum 4/30/03, MSG 7/8/03, 7/9/03, Continental Arena 6/1/06, 6/3/06, MSG 6/24/08, 6/25/08, Spectrum 10/30/09, 10/31/09, MSG 5/20/10, 5/21/10, PJ20 9/3/11, 9/4/11, Charlottesville 10/29/13, Charlotte 10/30/13, Global Citizen 9/26/15, Raleigh 4/20/16 :( Baltimore 3/28/20 :( Austin 9/18/23, 9/19/23, Forum 5/21/24, Baltimore 9/12/24, Fenway 9/17/24, Nashville 5/6/25, 5/8/25
  • The Juggler
    The Juggler Posts: 49,590
    PJ doesn't give two shits if they are gaining fans or gaining props for songs they write. They do their thing and they have a massive fan base that wants what they provide. That's it.
    Eh.....I was at the show in Philly in 2013 when Ed bragged about fucking Lightning Bolt debuting at number 1. Granted this is ten years later but they have to know DM is waaaaaaaay better than LB. I'm sure there is a part of them that wishes it did better commercially. 
    www.myspace.com
  • Get_Right
    Get_Right Posts: 14,108
    spankyMP said:
    Get_Right said:
    Whatever. This thread is about a song and not a market research thesis about free radio versus streaming. And you did compare Shaboozey to Pearl Jam. But they did not sell out Wrigley in the 90s. More people are going. And with their kids. Pearl Jam became trendy well after the 90s. Your premise about more people seeing them in the 90s is wrong, maybe for 2024, but Pearl Jam became much more popular after the 2006 tour.
    This statement is mind boggling to me.
    They definitely played more shows in the 90s to more people. That is quantitatively true. Same with the Riot Act tour and maybe the Avocado tour. So if we are counting tickets and attendees there are absolutely fewer opportunities. They did not fill ballparks in the 90s or even the 2000s. People did not take their families to a show. It has grown and that is why every festival wants them as a headliner.
  • deb1211
    deb1211 Posts: 2,023

  • Sounded very strange at Ohana tuned down.  
  • SVRDhand13
    SVRDhand13 Posts: 26,996
    deb1211 said:

    It's my song of the year as well!  (not that anybody asked :smiley:)
    severed hand thirteen
    2006: Gorge 7/23 2008: Hartford 6/27 Beacon 7/1 2009: Spectrum 10/30-31
    2010: Newark 5/18 MSG 5/20-21 2011: PJ20 9/3-4 2012: Made In America 9/2
    2013: Brooklyn 10/18-19 Philly 10/21-22 Hartford 10/25 2014: ACL10/12
    2015: NYC 9/23 2016: Tampa 4/11 Philly 4/28-29 MSG 5/1-2 Fenway 8/5+8/7
    2017: RRHoF 4/7   2018: Fenway 9/2+9/4   2021: Sea Hear Now 9/18 
    2022: MSG 9/11  2024: MSG 9/3-4 Philly 9/7+9/9 Fenway 9/15+9/17
    2025: Pittsburgh 5/16+5/18
  • BrainofBGA
    BrainofBGA Australia Posts: 4,558
    Has to be played at one of the two Melbourne shows. 
    Melbourne #1 '98
    Melbourne #2 '03
    Melbourne #3 '03
    Melbourne #1 '06
    Melbourne #3 '06
    Melbourne '09
    Melbourne '14
  • Foriginal Sin
    Foriginal Sin Scottsdale, AZ Posts: 1,876
    BF25394 said:
    Get_Right said:
    Their audience has been growing because of the live shows. They play ballparks and have plenty of traction. They have a sirius channel. Dark Matter is all over apple. They are doing just fine.
    Who is arguing that they're not doing fine? That's not the discussion here. It's about whether this single is gaining a new audience for them (or bringing back the old audience that is unaware they're still an active band). Evidence does not suggest that their audience is growing. They sold fewer copies of this record than the last record. They do not stream well and, with rare exceptions, they play arenas, not stadiums. The first two singles got a lot more attention from radio than we've seen with recent albums, but rock radio is a niche format in 2024, and Triple-A is even more niche. They have a Sirius channel because they are a well-known act among a demographic that Sirius targets. Bruce has a Sirius channel, too, but no one can reasonably argue that Bruce's audience is growing.
    Can’t compare record sales. This was the First PJ “record” I haven’t purchased, who purchases albums anymore? I can listen on Amazon Music whenever I want
    Chicago 6/29/98, Alpine Valley(EV) 6/13/99, Alpine Valley 10/08/00, Chicago 10/09/00, Phoenix 10/20/00, Orlando 4/12/03, Tampa 4/13/03, San Diego 6/05/03, Vegas 6/06/03, Phoenix 6/07/03, Chicago 6/18/03, Alpine Valley 6/21/03, Orlando 10/08/04, D.C. 10/11/04, Chicago 5/16/06, Chicago 5/17/06, LA 7/12/08, Chicago 8/23/09, Chicago 8/24/09, LA 10/07/09, San Diego 10/09/09 (Front Row Center, Finally), Phoenix(EV) 11/4/11, Wrigley 7/19/13, Phoenix 11/19/13, Denver 10/22/14, Wrigley 8/20/16, Wrigley 8/22/16
  • demetrios
    demetrios Posts: 97,174

    "Waiting for Stevie" (Live in Seattle)

    Just released: an all-new video of “Waiting for Stevie” is out now. Captured at the band’s May 30 hometown show, watch as music merges with Dr. Frankenstein’s Laboratory in this transcendental performance.


    https://www.youtube.com/watch?v=Uz8xUa3XkdM


    Video unavailable
    The uploader has not made this video available in your country





  • rahjiim
    rahjiim Posts: 164
    demetrios said:

    "Waiting for Stevie" (Live in Seattle)

    Just released: an all-new video of “Waiting for Stevie” is out now. Captured at the band’s May 30 hometown show, watch as music merges with Dr. Frankenstein’s Laboratory in this transcendental performance.


    https://www.youtube.com/watch?v=Uz8xUa3XkdM


    Video unavailable
    The uploader has not made this video available in your country





    Well it is available in Germany! Maybe I can download it for you for change! 
  • brianlux
    brianlux Moving through All Kinds of Terrain. Posts: 43,651
    The live video is great.  Nice job, guys!
    "It's a sad and beautiful world"
    -Roberto Benigni











  • demetrios
    demetrios Posts: 97,174
    rahjiim said:
    demetrios said:

    "Waiting for Stevie" (Live in Seattle)

    Just released: an all-new video of “Waiting for Stevie” is out now. Captured at the band’s May 30 hometown show, watch as music merges with Dr. Frankenstein’s Laboratory in this transcendental performance.


    https://www.youtube.com/watch?v=Uz8xUa3XkdM


    Video unavailable
    The uploader has not made this video available in your country





    Well it is available in Germany! Maybe I can download it for you for change! 

    That would be great. Thanks!
  • Yes, these pro shot videos are great.  Glad that they do them and hopefully we'll keep seeing more. Technology can be a blessing and a curse but sure is great for the modern day music listening (and viewing) experience.  Got to give a shout out where due!  Wasn't it Tim Bierman on a podcast that said he was kind of bummed about the lack of enthusiasm over the Wreckage live video earlier?  Keep them coming.  I think we all like them and appreciate, we just live in a world where there are a million videos of everything so it's always at everyone's fingertips and we're used to it.  Still, a pro video beats any iphone fan video by a mile. Keep it up!