Ridiculous to treat artists like that. Ruthless and sad. Yet most of these artists I wouldn't know of if they didn't do stuff for pj. Whatever. A lot I probably don't understand about the business of it all. Love you all
I would need to know what other big bands pay for one-off show posters. The lack of that context makes me skeptical of the author. The only other anonymous feedback from an artist quotes their shipping costs which doesn't make sense - I always get charged shipping.
I need a lot more info to determine whether or not this is a fair arrangement.
Maybe artist has to pay to ship posters to pj? Who knows. Brad Klausen seems to be cool with the deal.
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on2legs
Standing in the Jersey rain… Posts: 14,928
edited January 7
It’s an incentive based system. Paying a flat fee over time is going to lead to some artists mailing it in. If you make a banger of a poster you’re going to get paid well when your AP’s sell. Make a dud and you get what you get.
1996: Randall's Island 2 1998: East Rutherford | MSG 1 & 2 2000: Cincinnati | Columbus | Jones Beach 1, 2, & 3 | Boston 1 | Camden 1 & 2 2003: Philadelphia | Uniondale | MSG 1 & 2 | Holmdel 2005: Atlantic City 1 2006: Camden 1 | East Rutherford 1 & 2 2008: Camden 1 & 2 | MSG 1 & 2 | Newark (EV) 2009: Philadelphia 1, 2 & 4 2010: Newark | MSG 1 & 2 2011: Toronto 1 2013: Wrigley Field | Brooklyn 2 | Philadelphia 1 & 2 | Baltimore 2015: Central Park 2016: Philadelphia 1 & 2 | MSG 1 & 2 | Fenway Park 2 | MSG (TOTD) 2017: Brooklyn (RnR HOF) 2020: MSG | Asbury Park2021: Asbury Park 2022: MSG | Camden | Nashville 2024: MSG 1 & 2 (#50) | Philadelphia 1 & 2 | Baltimore
Would be interesting to hear from other artists that have done it both ways (article only provided one that's not done it). Daniel Danger replied to the author's post stating it's much more lucrative for him to do it this way but does come with some upfront understanding, maybe potential challenge.
You would think that 100 posters at $100 a pop would be a much bigger payout than a normal pay for piece price, no? Unless contract art is going for those prices now, I guess I wouldn't know
2010: Cleveland 2012: Atlanta 2013: London ONT / Wrigley Field / Pittsburgh / Buffalo / San Diego / Los Angeles I / Los Angeles II 2014: Cincinnati / St. Louis / Tulsa / Lincoln / Detroit / Denver 2015: New York City 2016: Ft. Lauderdale / Miami / Jacksonville / Greenville / Hampton / Columbia / Lexington / Philly II / New York City II / Toronto II / Bonnaroo / Telluride / Fenway I / Wrigley I / Wrigley - II / TOTD - Philadelphia, San Francisco 2017: Ohana Fest (EV) 2018: Amsterdam I / Amsterdam II / Seattle I / Seattle II / Boston I / Boston II 2021: Asbury Park / Ohana Encore 1 / Ohana Encore 2 2022: Phoenix / LA I / LA II / Quebec City / Ottawa / New York City / Camden / Nashville / St. Louis / Denver 2023: St. Paul II 2024: Las Vegas I / Las Vegas II / New York City I / New York City II / Philly I / Philly II / Baltimore
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on2legs
Standing in the Jersey rain… Posts: 14,928
It’s not like there was a bait and switch and I feel like that’s how the article and the artist at the heart of it were spinning it. Basically they assumed it would be a flat fee and when the deal was explained they acted like someone tried to pull a fast one or tried to be dishonest with them.
1996: Randall's Island 2 1998: East Rutherford | MSG 1 & 2 2000: Cincinnati | Columbus | Jones Beach 1, 2, & 3 | Boston 1 | Camden 1 & 2 2003: Philadelphia | Uniondale | MSG 1 & 2 | Holmdel 2005: Atlantic City 1 2006: Camden 1 | East Rutherford 1 & 2 2008: Camden 1 & 2 | MSG 1 & 2 | Newark (EV) 2009: Philadelphia 1, 2 & 4 2010: Newark | MSG 1 & 2 2011: Toronto 1 2013: Wrigley Field | Brooklyn 2 | Philadelphia 1 & 2 | Baltimore 2015: Central Park 2016: Philadelphia 1 & 2 | MSG 1 & 2 | Fenway Park 2 | MSG (TOTD) 2017: Brooklyn (RnR HOF) 2020: MSG | Asbury Park2021: Asbury Park 2022: MSG | Camden | Nashville 2024: MSG 1 & 2 (#50) | Philadelphia 1 & 2 | Baltimore
You would think that 100 posters at $100 a pop would be a much bigger payout than a normal pay for piece price, no? Unless contract art is going for those prices now, I guess I wouldn't know
I know right? Some past artists have sold their AP editions for over $100 US a pop and all of their 100 prints sold out in seconds. Too bad this artist doesn't understand how this process works. She could of made $10,000 in a few seconds. And that doesn't include shipping costs where few artists charge a little more. Plus if the fans love the work you will probably get another chance to create another Pearl Jam poster. Who would turn down that kind of offer? The coverage & advertising the band & fans do, it's incredible!
Other then Jess Johnson, which other artist(s) out there have turned down an offer to create a Pearl Jam gig poster?
You would think that 100 posters at $100 a pop would be a much bigger payout than a normal pay for piece price, no? Unless contract art is going for those prices now, I guess I wouldn't know
I know right? Some past artists have sold their AP editions for over $100 US a pop and all of their 100 prints sold out in seconds. Too bad this artist doesn't understand how this process works. She could of made $10,000 in a few seconds. And that doesn't include shipping costs where few artists charge a little more. Plus if the fans love the work you will probably get another chance to create another Pearl Jam poster. Who would turn down that kind of offer? The coverage & advertising the band & fans do, it's incredible!
Other then Jess Johnson, which other artist(s) out there have turned down an offer to create a Pearl Jam gig poster?
Wow. she really fucked up this opportunity. it's weird that she wouldn't know how the major poster industry works. this is standard operating procedure for most major artists.
2000- Atlanta, GA: New Orleans, LA: Memphis, TN: Nashville, TN
2003- Raleigh, NC: Charlotte, NC: Atlanta, GA
2004- Asheville, NC (hometown show)
2006- Cincinnati, OH
2008- Columbia, SC
2009- Chicago, IL x 2 / Ed Vedder- Atlanta, GA x 2
2010- Bristow, VA
2011- Alpine Valley, WI (PJ20) x 2 / Ed Vedder- Chicago, IL
2012- Atlanta, GA
2013- Charlotte, NC
2014- Cincinnati, OH
2015- New York, NY
2016- Greenville, SC: Hampton, VA:: Columbia, SC: Raleigh, NC : Lexington, KY: Philly, PA 2: (Wrigley) Chicago, IL x 2 (holy shit): Temple of the Dog- Philly, PA
You would think that 100 posters at $100 a pop would be a much bigger payout than a normal pay for piece price, no? Unless contract art is going for those prices now, I guess I wouldn't know
Right. What if TSurt said they would pay $10,000, would she have taken it? That's what I wonder. Sure, she is taking on some risk that not all of the APs will sell, and she has to be the one to spend time shipping and dealing with 100 customers. Adds some additional skin in the game to make something really good if she has to sell it herself to make money (but making a poster for PJ should hopefully be enough to design something good).
You would think that 100 posters at $100 a pop would be a much bigger payout than a normal pay for piece price, no? Unless contract art is going for those prices now, I guess I wouldn't know
I know right? Some past artists have sold their AP editions for over $100 US a pop and all of their 100 prints sold out in seconds. Too bad this artist doesn't understand how this process works. She could of made $10,000 in a few seconds. And that doesn't include shipping costs where few artists charge a little more. Plus if the fans love the work you will probably get another chance to create another Pearl Jam poster. Who would turn down that kind of offer? The coverage & advertising the band & fans do, it's incredible!
Other then Jess Johnson, which other artist(s) out there have turned down an offer to create a Pearl Jam gig poster?
Artists have been getting screwed forever.....ever download a song off napster, click save image as? None of this should be a surprise that artists are being exploited. PJ knows all about it
Who is being exploited here? If she can sell her art for $10k without PJ’s name on it then decline the offer. If she will make more on the project with PJ’s name on it then do the work for Pearl Jam. No exploitation.
Exploitation would be PJ telling them they do the artwork for exposure only.
Meh... there's probably no shortage of artists who would jump at the chance, this artist wasn't one of them. One could argue Tsurt was rude, but OTOH he clearly didn't want to wait around for an answer.
Also implying that they draw vs a real job is kinda weak as well. Does one have to pump gas, wear a tie, or work an 8 hour shift to have a real job? Pretty sure the band would disagree with that take.
Agree that she should have included the whole email if she wanted to share....without context you cannot tell if tsurt is indeed being rude or if she had more to say, if more was explained, etc.
It does seem odd, though, given that this is the way things seem to run and it hasn't been a secret. I don't know anything about her, though.
You would think that 100 posters at $100 a pop would be a much bigger payout than a normal pay for piece price, no? Unless contract art is going for those prices now, I guess I wouldn't know
I know right? Some past artists have sold their AP editions for over $100 US a pop and all of their 100 prints sold out in seconds. Too bad this artist doesn't understand how this process works. She could of made $10,000 in a few seconds. And that doesn't include shipping costs where few artists charge a little more. Plus if the fans love the work you will probably get another chance to create another Pearl Jam poster. Who would turn down that kind of offer? The coverage & advertising the band & fans do, it's incredible!
Other then Jess Johnson, which other artist(s) out there have turned down an offer to create a Pearl Jam gig poster?
Jess Johnson has a pretty decent online store set up too, so it's not like she's completely in the dark about online sales or how to move her product.
I get it... if I was in NZ and had to deal w/ shipping most (all?) of the posters overseas it might give me pause too... I can see both sides but I also don't think anyone was really wronged here either... to paint this as some shadiness on the part of PJ or Tsurt is a stretch.
You would think that 100 posters at $100 a pop would be a much bigger payout than a normal pay for piece price, no? Unless contract art is going for those prices now, I guess I wouldn't know
I know right? Some past artists have sold their AP editions for over $100 US a pop and all of their 100 prints sold out in seconds. Too bad this artist doesn't understand how this process works. She could of made $10,000 in a few seconds. And that doesn't include shipping costs where few artists charge a little more. Plus if the fans love the work you will probably get another chance to create another Pearl Jam poster. Who would turn down that kind of offer? The coverage & advertising the band & fans do, it's incredible!
Other then Jess Johnson, which other artist(s) out there have turned down an offer to create a Pearl Jam gig poster?
What did she say? Just curious. She seemed thrilled to do ev poster.
Just read Jess Johnson’s (flesh_dozer) Instagram post. Bella Grace commented on it saying PJ / Tsurt is one of the best clients she has worked with and that Johnson was acting unprofessional and should have done her homework. Grace said selling PJ posters is fantastic opportunity.
Brad Klausen has talked about this here in the past. It sounded like artists got some money upfront, but the real "pay" was the APs. I don't *love* this business model, but it is what it is (I'm also no businessman/accountant, and have no insight on the finances on either side). There is some evidence that it does lead to a decent payday. On top of that, I would suspect that more than a few of us have discovered some artists that we've become patrons of outside of PJ prints (hello, Messirs Klausen, Mumford, and Martin).
On the flipside, wasn't there an artist in 2022 who had major issues with their AP sale?If you're not used to that kind of sale/demand, or don't have the structure/overhead to handle it, that kind of offer might be a non-starter. We all understand that this is how it works, but to an outsider? This definitely feels like "paying with exposure". Also, the responses were a little terse, if not rude. "I'd like to think it over." "Fine. Offer rescended [sic]."
All of that said, would it have killed the author to include a link to Jess's site? I guess while arguing against paying with exposure, he felt it would be gauche to give her some exposure? Having found a link to her site (https://www.jessjohnson.org/), I think her comment about there not being much crossover was inaccurate. She might not have many PJ fans buying her stuff now, but I think if she did a poster, she probably would. It's not exactly *my* style, but I could see people liking it (and equally as many posts here saying it's the worst ever, etc).
I do hope she creates a "No Harm No Foal" poster, though.
"I'm a lucky man, to count on both hands the [shows I've done]. Some folks just have one, others they got none..."
Meh... there's probably no shortage of artists who would jump at the chance, this artist wasn't one of them. One could argue Tsurt was rude, but OTOH he clearly didn't want to wait around for an answer.
I see no problem here.
Yeah, I'm sure there are deadlines for all this stuff. If she's not doing it, they need to find someone else. He may not have time for her to mull it over, gather feedback, crunch numbers. Maybe he could have been a little less short but whatever.
Also let's be clear that this is not an "exposure" situation unless other bands are paying like 50k. The artist is absolutely being compensated and I've seen nothing so far that suggests it shakes out to a rate below the market even.
Ask Nicole Rifkin how her experience went. If you do decide to work for the big boys, be prepared to bring your A game in all aspects of your business. Maybe Jess wouldn’t have been up to par to begin with.
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Love you all
I need a lot more info to determine whether or not this is a fair arrangement.
"...I changed by not changing at all..."
2012: Atlanta
2013: London ONT / Wrigley Field / Pittsburgh / Buffalo / San Diego / Los Angeles I / Los Angeles II
2014: Cincinnati / St. Louis / Tulsa / Lincoln / Detroit / Denver
2015: New York City
2016: Ft. Lauderdale / Miami / Jacksonville / Greenville / Hampton / Columbia / Lexington / Philly II / New York City II / Toronto II / Bonnaroo / Telluride / Fenway I / Wrigley I / Wrigley - II / TOTD - Philadelphia, San Francisco
2017: Ohana Fest (EV)
2018: Amsterdam I / Amsterdam II / Seattle I / Seattle II / Boston I / Boston II
2021: Asbury Park / Ohana Encore 1 / Ohana Encore 2
2022: Phoenix / LA I / LA II / Quebec City / Ottawa / New York City / Camden / Nashville / St. Louis / Denver
2023: St. Paul II
2024: Las Vegas I / Las Vegas II / New York City I / New York City II / Philly I / Philly II / Baltimore
I know right? Some past artists have sold their AP editions for over $100 US a pop and all of their 100 prints sold out in seconds. Too bad this artist doesn't understand how this process works. She could of made $10,000 in a few seconds. And that doesn't include shipping costs where few artists charge a little more. Plus if the fans love the work you will probably get another chance to create another Pearl Jam poster. Who would turn down that kind of offer? The coverage & advertising the band & fans do, it's incredible!
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1995- New Orleans, LA : New Orleans, LA
1996- Charleston, SC
1998- Atlanta, GA: Birmingham, AL: Greenville, SC: Knoxville, TN
2000- Atlanta, GA: New Orleans, LA: Memphis, TN: Nashville, TN
2003- Raleigh, NC: Charlotte, NC: Atlanta, GA
2004- Asheville, NC (hometown show)
2006- Cincinnati, OH
2008- Columbia, SC
2009- Chicago, IL x 2 / Ed Vedder- Atlanta, GA x 2
2010- Bristow, VA
2011- Alpine Valley, WI (PJ20) x 2 / Ed Vedder- Chicago, IL
2012- Atlanta, GA
2013- Charlotte, NC
2014- Cincinnati, OH
2015- New York, NY
2016- Greenville, SC: Hampton, VA:: Columbia, SC: Raleigh, NC : Lexington, KY: Philly, PA 2: (Wrigley) Chicago, IL x 2 (holy shit): Temple of the Dog- Philly, PA
2017- ED VED- Louisville, KY
2018- Chicago, IL x2, Boston, MA x2
2020- Nashville, TN
2022- Smashville
2023- Austin, TX x2
2024- Baltimore
Meh... there's probably no shortage of artists who would jump at the chance, this artist wasn't one of them. One could argue Tsurt was rude, but OTOH he clearly didn't want to wait around for an answer.
I see no problem here.
Does one have to pump gas, wear a tie, or work an 8 hour shift to have a real job?
Pretty sure the band would disagree with that take.
Agree that she should have included the whole email if she wanted to share....without context you cannot tell if tsurt is indeed being rude or if she had more to say, if more was explained, etc.
It does seem odd, though, given that this is the way things seem to run and it hasn't been a secret. I don't know anything about her, though.
I get it... if I was in NZ and had to deal w/ shipping most (all?) of the posters overseas it might give me pause too... I can see both sides but I also don't think anyone was really wronged here either... to paint this as some shadiness on the part of PJ or Tsurt is a stretch.
I do hope she creates a "No Harm No Foal" poster, though.
Hartford 10.02.96 | Mansfield 2 09.16.98 | Mansfield 1 08.29.00 | Mansfield 1 07.02.03 | Mansfield 3 07.11.03 | Boston 2 05.25.06 | Tampa 04.11.16 | Fenway 1 08.05.16 | Fenway 2 08.07.16 | Fenway 1 09.02.18 | Fenway 2 09.04.18 | Baltimore 03.28.20 | Hamilton 09.06.22 | Toronto 09.08.22 | Nashville 09.16.22 | St Louis 09.18.22 | Baltimore 09.12.24 | Fenway 1 09.15.24 | Fenway 2 09.17.24
"He made the deal with the devil, we get to play with him.
He goes to hell, of course. We're going to heaven."
Bella Grace was right about Johnson's unprofessionalism here.
EDIT - *the* emphasis on the typo was particularly snarky - I realize it wasn't Johnson who wrote that newsletter.