PJ - 09/23/98: West Palm Beach II, 08/12/00: Tampa, 04/12/03: Orlando, 04/13/03: Tampa, 06/12/08: Tampa, 06/27/08: Hartford, 09/22/09: Seattle II, 04/11/16: Tampa, 05/01 &05/02/16: MSG I & II, 09/18/21: Sea Hear Now, 10/01& 10/02/21: Ohana Encore I & II, 05/06 & 05/07/22: Los Angeles I & II, 09/11/22: MSG, 09/16/22: Nashville, 09/02/23: St. Paul II, 09/07/23: Chicago II, 09/18& 09/19/23: Austin I & II, 05/16& 05/18/24: Las Vegas I & II, 08/29& 08/31/24: Wrigley Field I & II, 09/03& 09/04/24: MSG I & II
EV - 08/04 & 08/05/08: (Eddie solo, w/Liam Finn) NYC I & II, 11/27 & 11/28/12: (Eddie solo, w/Glen Hansard) Orlando I & II, 02/09 & 02/10/22: (Eddie & the Earthlings) Chicago I & II, 09/30/23: (Eddie & the Earthlings) Ohana Festival
Song Wishlist: Oceans, Brother, Alone, Let Me Sleep, full W.M.A., Hold On, Bugs/all of Vitalogy, Gremmie Out Of Control, Mankind, Around The Bend (full band), The Long Road, Don't Gimme No Lip, Pilate, Push Me Pull Me, All Those Yesterdays, Rival, Parting Ways, Ghost, Bu$hleaguer, WWS, Parachutes, Army Reserve, low octave Driftin', Strangest Tribe, Other Side, Undone, Fatal, Hitchhiker, Education, Black Red Yellow, Of the Earth, Love Reign O'er Me, Gonna See My Friend, Amongst the Waves, Santa Cruz, Infallible, Yellow Moon, Alright, Comes Then Goes, Got to Give, and the Mamasan Trilogy.
Wanted Posters: WPB '98, Tampa/WPB '00, Tampa '03, EV Batmobile '08 ISO: any picks, or setlists from any of my shows!
Has that ever happened before where the seats are never opened up to the general public?
Verified fan IS the general public. The system is designed to make sure you're not a bot. Anyone could have registered. It's also so they can let people in x amount of people at a time so their system doesn't crash. Verified Fan replaced General Public Sale. If it doesn't sell out after X amount of time, I imagine you no longer need a code though.
I get it, just that if you missed the Verified Fan window you're hosed then unless they decide to open it up. Makes it harder to get to random shows that you can't plan way ahead for.
For in demand bands, sadly that’s how it is anymore. Gotta get lucky to even have a chance at reasonably priced tickets. If people would stop buying tickets resale for jacked up prices it might get better, but that hasn’t started happening enough to deter the professional scalpers yet. It’s nice that bands like PJ are doing everything they can to make sure the tickets get to their actual fans, but there’s only so much they can do, most don’t go anywhere near this length to avoid the scalpers.
True they could have done more, and they said as much in the tour announcement. Saying less than 10% of the tickets at each show will be PJ Premium to help offset costs, because likely without that this short tour wouldn’t have been profitable and wouldn’t have happened.
This is the first event I can ever recall that you are actually required to be verified in order to purchase way overpriced premium tix. Usually they are fair game to whoever.
2013 Baltimore 2016 Philly1 2016 Fenway2 2016 Wrigley 2 2016 Temple of the Dog MSG 2016 Temple of the Dog Seattle2 2017 Soundgarden Detroit RIP Chris Cornell 2018 Seattle1 2018 Seattle2 2019 Chris Cornell Tribute LA 2024 Baltimore
True they could have done more, and they said as much in the tour announcement. Saying less than 10% of the tickets at each show will be PJ Premium to help offset costs, because likely without that this short tour wouldn’t have been profitable and wouldn’t have happened.
Its hard for me to wrap my head around the premium route being the only way this tour can be profitable. Tickets are already double the price they were in 2016. I know that times have changed but we're talking a 100% increase for a standard ticket.
Premium pricing and even dynamic pricing are totally cool with me. Nobody here likes to work at less than the market rate for their skills. Pearl Jam shouldn’t either.
Without premium pricing, the people reselling the tickets make 5-10x more money per ticket than the band, and the resellers didn’t do anything. Pearl Jam should be paid what they are worth, not an artificially deflated price. People who think otherwise may want to consider accepting less money for their work, and giving the difference to someone who had nothing to do with their jobs.
If I didn’t get 10C tickets, I would’ve purchased the premium tickets because it would’ve been worth it to me. For others, maybe it isn’t worth it. That’s ok.
Premium pricing and even dynamic pricing are totally cool with me. Nobody here likes to work at less than the market rate for their skills. Pearl Jam shouldn’t either.
Without premium pricing, the people reselling the tickets make 5-10x more money per ticket than the band, and the resellers didn’t do anything. Pearl Jam should be paid what they are worth, not an artificially deflated price. People who think otherwise may want to consider accepting less money for their work, and giving the difference to someone who had nothing to do with their jobs.
If I didn’t get 10C tickets, I would’ve purchased the premium tickets because it would’ve been worth it to me. For others, maybe it isn’t worth it. That’s ok.
Finally, a voice of reason. 💯 1992 was a long time ago and, with today’s inflation, 2020 was even a long time ago. Everything is more expensive and Pearl Jam isn’t an up and coming band traveling by van. They are a band but also a business which many people tend to forget. The fact that they made the majority of their tickets far below market value is a better deal than most people realize. It could be much, much worse.
Premium pricing and even dynamic pricing are totally cool with me. Nobody here likes to work at less than the market rate for their skills. Pearl Jam shouldn’t either.
Without premium pricing, the people reselling the tickets make 5-10x more money per ticket than the band, and the resellers didn’t do anything. Pearl Jam should be paid what they are worth, not an artificially deflated price. People who think otherwise may want to consider accepting less money for their work, and giving the difference to someone who had nothing to do with their jobs.
If I didn’t get 10C tickets, I would’ve purchased the premium tickets because it would’ve been worth it to me. For others, maybe it isn’t worth it. That’s ok.
Well said.
Target Center - Jun 30, 1998
Allstate Arena - Oct 09, 2000
Xcel Energy Center - Jun 16, 2003
United Center - Jun 18, 2003
Fort William Garden - Sep 09, 2005
Xcel Energy Center - Jun 27, 2006
United Center - Aug 23, 2009
Xcel Energy Center - Oct 19, 2014 Xcel Energy Center - August 31, 2023 Xcel Energy Center - September 2, 2023
Premium pricing and even dynamic pricing are totally cool with me. Nobody here likes to work at less than the market rate for their skills. Pearl Jam shouldn’t either.
Without premium pricing, the people reselling the tickets make 5-10x more money per ticket than the band, and the resellers didn’t do anything. Pearl Jam should be paid what they are worth, not an artificially deflated price. People who think otherwise may want to consider accepting less money for their work, and giving the difference to someone who had nothing to do with their jobs.
If I didn’t get 10C tickets, I would’ve purchased the premium tickets because it would’ve been worth it to me. For others, maybe it isn’t worth it. That’s ok.
The problem with Ticketmaster’s implementation of both Dynamic Pricing and Premium/Platinum Tickets are that once you purchase at that inflated price point, you are stuck on it. And dynamic pricing by it’s very nature can fluctuate both up and down. But your purchase won’t. So when they inevitably drop the remaining unsold tickets in price, yours stay the same price so in the event that you need to sell your ticket because something comes up and you can no longer make it to the show, you won’t have any takers because you have no choice but to sell your ticket for exactly what you paid (plus another Ticketmaster fee tacked on top of it) and what incentive does anyone have to buy yours now that they can get other tickets cheaper directly from Ticketmaster?
Premium pricing and even dynamic pricing are totally cool with me. Nobody here likes to work at less than the market rate for their skills. Pearl Jam shouldn’t either.
Without premium pricing, the people reselling the tickets make 5-10x more money per ticket than the band, and the resellers didn’t do anything. Pearl Jam should be paid what they are worth, not an artificially deflated price. People who think otherwise may want to consider accepting less money for their work, and giving the difference to someone who had nothing to do with their jobs.
If I didn’t get 10C tickets, I would’ve purchased the premium tickets because it would’ve been worth it to me. For others, maybe it isn’t worth it. That’s ok.
The problem with Ticketmaster’s implementation of both Dynamic Pricing and Premium/Platinum Tickets are that once you purchase at that inflated price point, you are stuck on it. And dynamic pricing by its very nature can fluctuate both up and down. But your purchase won’t. So when they inevitably drop the remaining unsold tickets in price, yours stay the same price so in the event that you need to sell your ticket because something comes up and you can no longer make it to the show, you won’t have any takers because you have no choice but to sell your ticket for exactly what you paid (plus another Ticketmaster fee tacked on top of it) and what incentive does anyone have to buy yours now that they can get other tickets cheaper directly from Ticketmaster?
At the very least you should be able to lower the price on your own dynamically priced ticket
Noblesville 5.7.2010. Lexington 4.26.2016. Nashville 9.16.2022. St Louis 9.18.2022. Chicago 1 9.5.2023. Chicago 2 9.7.2023. *Noblesville 9.10.2023* (Gutted) Seattle 5.30.2024 Noblesville 8.26.2024 Chicago 8.29.2024 Chicago 8.31.2024
Premium pricing and even dynamic pricing are totally cool with me. Nobody here likes to work at less than the market rate for their skills. Pearl Jam shouldn’t either.
Without premium pricing, the people reselling the tickets make 5-10x more money per ticket than the band, and the resellers didn’t do anything. Pearl Jam should be paid what they are worth, not an artificially deflated price. People who think otherwise may want to consider accepting less money for their work, and giving the difference to someone who had nothing to do with their jobs.
If I didn’t get 10C tickets, I would’ve purchased the premium tickets because it would’ve been worth it to me. For others, maybe it isn’t worth it. That’s ok.
The problem with Ticketmaster’s implementation of both Dynamic Pricing and Premium/Platinum Tickets are that once you purchase at that inflated price point, you are stuck on it. And dynamic pricing by it’s very nature can fluctuate both up and down. But your purchase won’t. So when they inevitably drop the remaining unsold tickets in price, yours stay the same price so in the event that you need to sell your ticket because something comes up and you can no longer make it to the show, you won’t have any takers because you have no choice but to sell your ticket for exactly what you paid (plus another Ticketmaster fee tacked on top of it) and what incentive does anyone have to buy yours now that they can get other tickets cheaper directly from Ticketmaster?
It absolutely works both ways. I’ve gotten great deals on resales in the days leading up to or day of shows because people were getting desperate to sell. Was front row over to the side for Dead & Co last year, bought them off StubHub while in the lot for i believe $60 each, 2nd row behind the pit for Phish for $70 last year as we sat in our car during a thunderstorm that delayed the show 90 minutes, 4th row behind the stage for Springsteen last month for $85-less than half face value afternoon of the show. But i’ve never bought the Official Platinum, etc tickets and never bought for over face value on StubHub (i did splurge for a VIP package for Metallica this coming November, wasn’t terribly outrageous and with early entry on the floor and a huge in the round stage pretty much guarantees front row or very close, so worth it for me and my son). And also have never resold any tickets for over face value the very few times i’ve sold. In fact for both those Dead & Co and Phish shows last year i sold the upper pavilion tickets i already had for like $20-30 to some of the heads traveling from show to show in the lot.
Not today Sir, Probably not tomorrow.............................................. bayfront arena st. pete '94
you're finally here and I'm a mess................................................... nationwide arena columbus '10
memories like fingerprints are slowly raising.................................... first niagara center buffalo '13
another man ..... moved by sleight of hand...................................... joe louis arena detroit '14
Premium pricing and even dynamic pricing are totally cool with me. Nobody here likes to work at less than the market rate for their skills. Pearl Jam shouldn’t either.
Without premium pricing, the people reselling the tickets make 5-10x more money per ticket than the band, and the resellers didn’t do anything. Pearl Jam should be paid what they are worth, not an artificially deflated price. People who think otherwise may want to consider accepting less money for their work, and giving the difference to someone who had nothing to do with their jobs.
If I didn’t get 10C tickets, I would’ve purchased the premium tickets because it would’ve been worth it to me. For others, maybe it isn’t worth it. That’s ok.
This is a moot point on this little tour. Only Chicago allows the resellers to charge more than face value. All the other venues the tickets can’t be sold for more than face. With that said if you think Pearl Jam is worth $900/ticket let the band price their tickets at that cost and see how many they sell. They will be playing theaters and I’ll happily not attend.
Just got off the waitlist for Chicago and pretty much the only available seats left are 900$+. If you are going to pull that move, you should offer an affordable live stream of the concerts. I would love to ask the band their motivation for embracing this new model.
Premium pricing and even dynamic pricing are totally cool with me. Nobody here likes to work at less than the market rate for their skills. Pearl Jam shouldn’t either.
Without premium pricing, the people reselling the tickets make 5-10x more money per ticket than the band, and the resellers didn’t do anything. Pearl Jam should be paid what they are worth, not an artificially deflated price. People who think otherwise may want to consider accepting less money for their work, and giving the difference to someone who had nothing to do with their jobs.
If I didn’t get 10C tickets, I would’ve purchased the premium tickets because it would’ve been worth it to me. For others, maybe it isn’t worth it. That’s ok.
This is a moot point on this little tour. Only Chicago allows the resellers to charge more than face value. All the other venues the tickets can’t be sold for more than face. With that said if you think Pearl Jam is worth $900/ticket let the band price their tickets at that cost and see how many they sell. They will be playing theaters and I’ll happily not attend.
Check the premium prices. Some are over $900. Will all sell easily. Market prices are fair except to those who feel entitled to pay someone less than they are worth.
Wasn’t the last tour using premium seats as well? It seems like a lot more focus on it this time around. For the most part, the premiums sat there unsold until closer to the show and then they dropped in price. If setting aside a couple hundred premium seats helps get the cost down for the rest then it seems like a decent trade off.
Wasn’t the last tour using premium seats as well? It seems like a lot more focus on it this time around. For the most part, the premiums sat there unsold until closer to the show and then they dropped in price. If setting aside a couple hundred premium seats helps get the cost down for the rest then it seems like a decent trade off.
It sure does. People fail to realize that this is how they are able to keep the majority of the tickets at a more reasonable price.
Just got off the waitlist for Chicago and pretty much the only available seats left are 900$+. If you are going to pull that move, you should offer an affordable live stream of the concerts. I would love to ask the band their motivation for embracing this new model.
Still on waitlist but I guess it doesn’t matter….too rich for my blood.
I am lost, I'm no guide, but I'm by your side
06.27.98 Alpine Valley 10.08.00 Alpine Valley 09.23.02 Chicago 06.18.03 Chicago | 06.21.03 Alpine Valley 10.03.04 Grand Rapids 10.05.05 Chicago 05.16.06 Chicago | 05.17.06 Chicago | 06.29.06 Milwaukee 08.02.07 Chicago | 08.05.07 Chicago 08.23.09 Chicago | 08.24.09 Chicago 05.07.10 Noblesville | 05.09.10 Cleveland 09.03.11 Alpine Valley | 09.04.11 Alpine Valley 07.19.13 Chicago 10.17.14 Moline 08.20.16 Chicago 08.18.18 Chicago 09.18.22 St. Louis 09.05.23 Chicago
I remember the sweet old days when 80% of the best tickets went to the fans that slept out all night at the venue or a record store to get the best concert tickets. Some of those tickets made it to scalpers but only a small fraction. Fast forward to the 2020's and a huge chunk of tickets are set aside even before tickets go on sale. PJ is much better than most groups since they also reserve a big chunk for the fan club but that obviously isn't enough when there is a tour with less than 10 shows. If you are rich or an insider you can now skip the line and get the tickets directly at the higher price. The bands and promoters wanted to get on the mark up that the scalpers were cashing in on. The Cubs are as guilty as anyone since they literally own their own ticket broker (aka scalping company). Keep on Rocking in the Free World!
6/26/98 & 6/27/98 - Alpine Valley, 10/9/00 - Allstate Arena - Rosemont, IL 6/18/2003 - United Center, 5/16/2006 - United Center, 5/17/2006 - United Center (7th row center, caught Eddie's pick), 6/29/2006 - Summerfest with Tom Petty, 8/24/2009 - United Center, 7/19/2013 - Wrigley Field, 10/3/2014 - St Louis, 10/17/2014 - Moline (GA), 10/20/2014 - Milwaukee, 5/14/2015 - Pete Townshend/EV, 8/20/16 & 8/22/16 Wrigley Field Part 2&3, 8/18/18 & 8/20/18 Wrigley Parts 4 & 5, 9/18/2022 - St Louis
Maybe it's me? But how can a "public" sale not be for the whole Public? and just for the select few?
This Sale Is for Verified Fans
The account you’re using is not linked to this Verified Fan sale. To continue, please switch accounts and sign in with the same account used during your Verified Fan registration.
Not a Verified Fan? Please check back for more up dates.
The announcements on the home page say there will be "no general public onsale", just the "Verified Fan Sale".
Given the high demand, it is unlikely we will be able to fulfill all Ten Club ticket requests. We recommend Ten Club members also register for Ticketmaster Verified Fan for a second opportunity to get tickets.
General public tickets will be sold through Ticketmaster Verified Fan. You must register in advance in order to participate. Ticketmaster Verified Fan registration begins Today, April 20th at 10am PT and closes on Tuesday, April 25 at 5pm PT. The Verified Fan sale begins on April 28 at 10am venue local time. There will be no general public onsale. For more info visit the Ticketmaster FAQ Blog. To register, please visit: https://verifiedfan.ticketmaster.com/pearljam
Premium pricing and even dynamic pricing are totally cool with me. Nobody here likes to work at less than the market rate for their skills. Pearl Jam shouldn’t either.
Without premium pricing, the people reselling the tickets make 5-10x more money per ticket than the band, and the resellers didn’t do anything. Pearl Jam should be paid what they are worth, not an artificially deflated price. People who think otherwise may want to consider accepting less money for their work, and giving the difference to someone who had nothing to do with their jobs.
If I didn’t get 10C tickets, I would’ve purchased the premium tickets because it would’ve been worth it to me. For others, maybe it isn’t worth it. That’s ok.
This is a moot point on this little tour. Only Chicago allows the resellers to charge more than face value. All the other venues the tickets can’t be sold for more than face. With that said if you think Pearl Jam is worth $900/ticket let the band price their tickets at that cost and see how many they sell. They will be playing theaters and I’ll happily not attend.
Check the premium prices. Some are over $900. Will all sell easily. Market prices are fair except to those who feel entitled to pay someone less than they are worth.
And I’m saying Pearl Jam is not worth $900/ticket. Not sure how that makes me entitled. If that was my only option to go to the show I wouldn’t buy.
Alpine Valley Music Theatre East Troy, Wisconsin (September 03, 2011); Alpine Valley Music Theatre East Troy, Wisconsin (September 04, 2011); Deluna Fest Pensacola, FL (September 21, 2012); Wrigley Field (July 19, 2013); Milwaukee, WI (October 20, 2014); Wrigley Field I (August 20, 2016); Wrigley Field II (August 22, 2016); Home Shows Seattle Night 1 (August 08, 2018), Home Shows Seattle Night 2 (August 10, 2018), Apollo Theater (September 10, 2022), Madison Square Garden (September 11, 2022), Bourbon & Beyond Louisville (September 17th, 2022).
Alpine Valley Music Theatre East Troy, Wisconsin (September 03, 2011); Alpine Valley Music Theatre East Troy, Wisconsin (September 04, 2011); Deluna Fest Pensacola, FL (September 21, 2012); Wrigley Field (July 19, 2013); Milwaukee, WI (October 20, 2014); Wrigley Field I (August 20, 2016); Wrigley Field II (August 22, 2016); Home Shows Seattle Night 1 (August 08, 2018), Home Shows Seattle Night 2 (August 10, 2018), Apollo Theater (September 10, 2022), Madison Square Garden (September 11, 2022), Bourbon & Beyond Louisville (September 17th, 2022).
Just checking in to remind everyone of the biggest flaw with PJ Premium, regardless of how you feel about who deserves what & how much: if you buy the ticket, and something comes up & you can't use it... you can only resell it on F2F for what you paid. Or you straight up just give your log-in to someone. Still...
$400, $750, $900, $1,200, $2,000, $4,000
And last year, the only tickets left for sale by showtime, were F2F Premium re-sales. Some ticket buyers took a big hit, some straight up ate the tickets.
Just a friendly reminder
PJ - 09/23/98: West Palm Beach II, 08/12/00: Tampa, 04/12/03: Orlando, 04/13/03: Tampa, 06/12/08: Tampa, 06/27/08: Hartford, 09/22/09: Seattle II, 04/11/16: Tampa, 05/01 &05/02/16: MSG I & II, 09/18/21: Sea Hear Now, 10/01& 10/02/21: Ohana Encore I & II, 05/06 & 05/07/22: Los Angeles I & II, 09/11/22: MSG, 09/16/22: Nashville, 09/02/23: St. Paul II, 09/07/23: Chicago II, 09/18& 09/19/23: Austin I & II, 05/16& 05/18/24: Las Vegas I & II, 08/29& 08/31/24: Wrigley Field I & II, 09/03& 09/04/24: MSG I & II
EV - 08/04 & 08/05/08: (Eddie solo, w/Liam Finn) NYC I & II, 11/27 & 11/28/12: (Eddie solo, w/Glen Hansard) Orlando I & II, 02/09 & 02/10/22: (Eddie & the Earthlings) Chicago I & II, 09/30/23: (Eddie & the Earthlings) Ohana Festival
Song Wishlist: Oceans, Brother, Alone, Let Me Sleep, full W.M.A., Hold On, Bugs/all of Vitalogy, Gremmie Out Of Control, Mankind, Around The Bend (full band), The Long Road, Don't Gimme No Lip, Pilate, Push Me Pull Me, All Those Yesterdays, Rival, Parting Ways, Ghost, Bu$hleaguer, WWS, Parachutes, Army Reserve, low octave Driftin', Strangest Tribe, Other Side, Undone, Fatal, Hitchhiker, Education, Black Red Yellow, Of the Earth, Love Reign O'er Me, Gonna See My Friend, Amongst the Waves, Santa Cruz, Infallible, Yellow Moon, Alright, Comes Then Goes, Got to Give, and the Mamasan Trilogy.
Wanted Posters: WPB '98, Tampa/WPB '00, Tampa '03, EV Batmobile '08 ISO: any picks, or setlists from any of my shows!
PJ - 09/23/98: West Palm Beach II, 08/12/00: Tampa, 04/12/03: Orlando, 04/13/03: Tampa, 06/12/08: Tampa, 06/27/08: Hartford, 09/22/09: Seattle II, 04/11/16: Tampa, 05/01 &05/02/16: MSG I & II, 09/18/21: Sea Hear Now, 10/01& 10/02/21: Ohana Encore I & II, 05/06 & 05/07/22: Los Angeles I & II, 09/11/22: MSG, 09/16/22: Nashville, 09/02/23: St. Paul II, 09/07/23: Chicago II, 09/18& 09/19/23: Austin I & II, 05/16& 05/18/24: Las Vegas I & II, 08/29& 08/31/24: Wrigley Field I & II, 09/03& 09/04/24: MSG I & II
EV - 08/04 & 08/05/08: (Eddie solo, w/Liam Finn) NYC I & II, 11/27 & 11/28/12: (Eddie solo, w/Glen Hansard) Orlando I & II, 02/09 & 02/10/22: (Eddie & the Earthlings) Chicago I & II, 09/30/23: (Eddie & the Earthlings) Ohana Festival
Song Wishlist: Oceans, Brother, Alone, Let Me Sleep, full W.M.A., Hold On, Bugs/all of Vitalogy, Gremmie Out Of Control, Mankind, Around The Bend (full band), The Long Road, Don't Gimme No Lip, Pilate, Push Me Pull Me, All Those Yesterdays, Rival, Parting Ways, Ghost, Bu$hleaguer, WWS, Parachutes, Army Reserve, low octave Driftin', Strangest Tribe, Other Side, Undone, Fatal, Hitchhiker, Education, Black Red Yellow, Of the Earth, Love Reign O'er Me, Gonna See My Friend, Amongst the Waves, Santa Cruz, Infallible, Yellow Moon, Alright, Comes Then Goes, Got to Give, and the Mamasan Trilogy.
Wanted Posters: WPB '98, Tampa/WPB '00, Tampa '03, EV Batmobile '08 ISO: any picks, or setlists from any of my shows!
I figured I should make this Pearl Jam related some how…
Alpine Valley Music Theatre East Troy, Wisconsin (September 03, 2011); Alpine Valley Music Theatre East Troy, Wisconsin (September 04, 2011); Deluna Fest Pensacola, FL (September 21, 2012); Wrigley Field (July 19, 2013); Milwaukee, WI (October 20, 2014); Wrigley Field I (August 20, 2016); Wrigley Field II (August 22, 2016); Home Shows Seattle Night 1 (August 08, 2018), Home Shows Seattle Night 2 (August 10, 2018), Apollo Theater (September 10, 2022), Madison Square Garden (September 11, 2022), Bourbon & Beyond Louisville (September 17th, 2022).
I figured I should make this Pearl Jam related some how…
I think Roger Miller put it best when he sang:
Roses are red Violets are purple Sugar is sweet So's maple surple
PJ - 09/23/98: West Palm Beach II, 08/12/00: Tampa, 04/12/03: Orlando, 04/13/03: Tampa, 06/12/08: Tampa, 06/27/08: Hartford, 09/22/09: Seattle II, 04/11/16: Tampa, 05/01 &05/02/16: MSG I & II, 09/18/21: Sea Hear Now, 10/01& 10/02/21: Ohana Encore I & II, 05/06 & 05/07/22: Los Angeles I & II, 09/11/22: MSG, 09/16/22: Nashville, 09/02/23: St. Paul II, 09/07/23: Chicago II, 09/18& 09/19/23: Austin I & II, 05/16& 05/18/24: Las Vegas I & II, 08/29& 08/31/24: Wrigley Field I & II, 09/03& 09/04/24: MSG I & II
EV - 08/04 & 08/05/08: (Eddie solo, w/Liam Finn) NYC I & II, 11/27 & 11/28/12: (Eddie solo, w/Glen Hansard) Orlando I & II, 02/09 & 02/10/22: (Eddie & the Earthlings) Chicago I & II, 09/30/23: (Eddie & the Earthlings) Ohana Festival
Song Wishlist: Oceans, Brother, Alone, Let Me Sleep, full W.M.A., Hold On, Bugs/all of Vitalogy, Gremmie Out Of Control, Mankind, Around The Bend (full band), The Long Road, Don't Gimme No Lip, Pilate, Push Me Pull Me, All Those Yesterdays, Rival, Parting Ways, Ghost, Bu$hleaguer, WWS, Parachutes, Army Reserve, low octave Driftin', Strangest Tribe, Other Side, Undone, Fatal, Hitchhiker, Education, Black Red Yellow, Of the Earth, Love Reign O'er Me, Gonna See My Friend, Amongst the Waves, Santa Cruz, Infallible, Yellow Moon, Alright, Comes Then Goes, Got to Give, and the Mamasan Trilogy.
Wanted Posters: WPB '98, Tampa/WPB '00, Tampa '03, EV Batmobile '08 ISO: any picks, or setlists from any of my shows!
Comments
Song Wishlist: Oceans, Brother, Alone, Let Me Sleep, full W.M.A., Hold On, Bugs/all of Vitalogy, Gremmie Out Of Control, Mankind, Around The Bend (full band), The Long Road, Don't Gimme No Lip, Pilate, Push Me Pull Me, All Those Yesterdays, Rival, Parting Ways, Ghost, Bu$hleaguer, WWS, Parachutes, Army Reserve, low octave Driftin', Strangest Tribe, Other Side, Undone, Fatal, Hitchhiker, Education, Black Red Yellow, Of the Earth, Love Reign O'er Me, Gonna See My Friend, Amongst the Waves, Santa Cruz, Infallible, Yellow Moon, Alright, Comes Then Goes, Got to Give, and the Mamasan Trilogy.
Usually they are fair game to whoever.
2016 Philly1
2016 Fenway2
2016 Wrigley 2
2016 Temple of the Dog MSG
2016 Temple of the Dog Seattle2
2017 Soundgarden Detroit RIP Chris Cornell
2018 Seattle1
2018 Seattle2
2019 Chris Cornell Tribute LA
2024 Baltimore
Columbus-2003
Cincinnati-2006
Columbus-2010
Wrigley-2013
Cincinnati-2014
Lexington-2016
Wrigley 1 & 2-2018
Allstate Arena - Oct 09, 2000
Xcel Energy Center - Jun 16, 2003
United Center - Jun 18, 2003
Fort William Garden - Sep 09, 2005
Xcel Energy Center - Jun 27, 2006
United Center - Aug 23, 2009
Xcel Energy Center - Oct 19, 2014
Xcel Energy Center - August 31, 2023
Xcel Energy Center - September 2, 2023
Chicago 1 9.5.2023. Chicago 2 9.7.2023.
*Noblesville 9.10.2023* (Gutted)
Seattle 5.30.2024 Noblesville 8.26.2024 Chicago 8.29.2024 Chicago 8.31.2024
Not today Sir, Probably not tomorrow.............................................. bayfront arena st. pete '94
you're finally here and I'm a mess................................................... nationwide arena columbus '10
memories like fingerprints are slowly raising.................................... first niagara center buffalo '13
another man ..... moved by sleight of hand...................................... joe louis arena detroit '14
10.08.00 Alpine Valley
09.23.02 Chicago
06.18.03 Chicago | 06.21.03 Alpine Valley
10.03.04 Grand Rapids
10.05.05 Chicago
05.16.06 Chicago | 05.17.06 Chicago | 06.29.06 Milwaukee
08.02.07 Chicago | 08.05.07 Chicago
08.23.09 Chicago | 08.24.09 Chicago
05.07.10 Noblesville | 05.09.10 Cleveland
09.03.11 Alpine Valley | 09.04.11 Alpine Valley
07.19.13 Chicago
10.17.14 Moline
08.20.16 Chicago
08.18.18 Chicago
09.18.22 St. Louis
09.05.23 Chicago
5/17/2006 - United Center (7th row center, caught Eddie's pick), 6/29/2006 - Summerfest with Tom Petty,
8/24/2009 - United Center, 7/19/2013 - Wrigley Field, 10/3/2014 - St Louis, 10/17/2014 - Moline (GA), 10/20/2014 - Milwaukee,
5/14/2015 - Pete Townshend/EV, 8/20/16 & 8/22/16 Wrigley Field Part 2&3, 8/18/18 & 8/20/18 Wrigley Parts 4 & 5, 9/18/2022 - St Louis
VF is the Public Sale?
"...I changed by not changing at all..."
if you buy the ticket, and something comes up & you can't use it... you can only resell it on F2F for what you paid. Or you straight up just give your log-in to someone. Still...
$400, $750, $900, $1,200, $2,000, $4,000
And last year, the only tickets left for sale by showtime, were F2F Premium re-sales.
Some ticket buyers took a big hit, some straight up ate the tickets.
Just a friendly reminder
Song Wishlist: Oceans, Brother, Alone, Let Me Sleep, full W.M.A., Hold On, Bugs/all of Vitalogy, Gremmie Out Of Control, Mankind, Around The Bend (full band), The Long Road, Don't Gimme No Lip, Pilate, Push Me Pull Me, All Those Yesterdays, Rival, Parting Ways, Ghost, Bu$hleaguer, WWS, Parachutes, Army Reserve, low octave Driftin', Strangest Tribe, Other Side, Undone, Fatal, Hitchhiker, Education, Black Red Yellow, Of the Earth, Love Reign O'er Me, Gonna See My Friend, Amongst the Waves, Santa Cruz, Infallible, Yellow Moon, Alright, Comes Then Goes, Got to Give, and the Mamasan Trilogy.
Song Wishlist: Oceans, Brother, Alone, Let Me Sleep, full W.M.A., Hold On, Bugs/all of Vitalogy, Gremmie Out Of Control, Mankind, Around The Bend (full band), The Long Road, Don't Gimme No Lip, Pilate, Push Me Pull Me, All Those Yesterdays, Rival, Parting Ways, Ghost, Bu$hleaguer, WWS, Parachutes, Army Reserve, low octave Driftin', Strangest Tribe, Other Side, Undone, Fatal, Hitchhiker, Education, Black Red Yellow, Of the Earth, Love Reign O'er Me, Gonna See My Friend, Amongst the Waves, Santa Cruz, Infallible, Yellow Moon, Alright, Comes Then Goes, Got to Give, and the Mamasan Trilogy.
Roses are red
Violets are purple
Sugar is sweet
So's maple surple
Song Wishlist: Oceans, Brother, Alone, Let Me Sleep, full W.M.A., Hold On, Bugs/all of Vitalogy, Gremmie Out Of Control, Mankind, Around The Bend (full band), The Long Road, Don't Gimme No Lip, Pilate, Push Me Pull Me, All Those Yesterdays, Rival, Parting Ways, Ghost, Bu$hleaguer, WWS, Parachutes, Army Reserve, low octave Driftin', Strangest Tribe, Other Side, Undone, Fatal, Hitchhiker, Education, Black Red Yellow, Of the Earth, Love Reign O'er Me, Gonna See My Friend, Amongst the Waves, Santa Cruz, Infallible, Yellow Moon, Alright, Comes Then Goes, Got to Give, and the Mamasan Trilogy.