Its not fussing or complaining. Its fine if you don’t hear the difference, its just a music theory discussion.
& an interesting one at that. I didn't make it to any shows this year so I can't speak for Pearl Jam, but Tool has been playing the Pot in a different key live in recent years, and it does make a difference in how it sounds.
People do realize that they don't have to comment on every thread, right? Discussing something the band is doing differently doesn't automatically = bitching about it.
I could tell the difference on many of the songs this tour, but I don’t think it took away from the experience at all. They’re adjusting to Eddie’s current range and it’s completely fine.
You can even hear it on Alive if you check out the Ottawa bootleg.
I think live, it’s most noticeable on Corduroy
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I listened to a lot of the quebec and ottawa boots. Two things:
1. I noticed it but it didn't really detract overall from the songs (I did think MYM suffered because of it though). 2. Eddie sounds amazing, way better than I recall on some of the 2016 boots I heard.
I think it's a good trade-off if it helps Ed sound this good.
Something happened w/ DTE a few years back where Stone forgot to switch out his guitar for the different tuning and they played it in a different key by accident... it was definitely noticeable that something was different about it that night (was that one of the Fenway '18 shows?). Of course, that was accidental where it seems now it's planned.
Like with the shorter sets, I'm fine if they have to play in different keys to prolong Ed's singing career. That doesn't mean people can't discuss / acknowledge these changes though.
Overall, I think it's a really positive thing that they should stick to. Dissident is the only song that actually sounds worse tuned down. Release and Garden sound amazing. It was so nice to see Ed not struggling to hit the high notes in Release. Helps the performance so much.
This is absolutely my take too. I play enough guitar to notice a slight difference but the only major difference I noticed was Dissident. The opening riff by Mike just doesn't sound the same.
I think Release actually sounds better, the lower key doesn't change much and Ed's vocals are so much stronger.
Oceans from Columbia 2016 seems tuned down, played in a different key maybe? I was at that show and initially thought they were having some sound issues right off the bat. Then realized when I bought the boot that that was not the case.
Actually sounds really good. I love this version of it. Has a whole different vibe!
The bootlegs sound fucking amazing. Let’s talk more after you’ve listened to what they’ve released this year so far. I bet you won’t fuss over some minor key changes after doing so!
As shown via my little first disaimer, not fussing just discussing out of interest
Its not fussing or complaining. Its fine if you don’t hear the difference, its just a music theory discussion.
& an interesting one at that. I didn't make it to any shows this year so I can't speak for Pearl Jam, but Tool has been playing the Pot in a different key live in recent years, and it does make a difference in how it sounds.
People do realize that they don't have to comment on every thread, right? Discussing something the band is doing differently doesn't automatically = bitching about it.
Good point on the Tool tune - they play it a full step down I believe (drop C) and it definitely has an altered vibe. Not bad at all! Just different
With Pearl Jam I think for me it was just a big contrast in audio because they were one of the few bands where a good 90 percent of the catalogue was still done in standard (or drop D) tuning so to me it is a big enough sonic change to stand out
That being said I heard Ottawa's boot where everything is pretty much tuned down and a song like Porch during its middle solo rock-out section, sounds heavy as hell in Eb.
The bootlegs sound fucking amazing. Let’s talk more after you’ve listened to what they’ve released this year so far. I bet you won’t fuss over some minor key changes after doing so!
As shown via my little first disaimer, not fussing just discussing out of interest
Its not fussing or complaining. Its fine if you don’t hear the difference, its just a music theory discussion.
& an interesting one at that. I didn't make it to any shows this year so I can't speak for Pearl Jam, but Tool has been playing the Pot in a different key live in recent years, and it does make a difference in how it sounds.
People do realize that they don't have to comment on every thread, right? Discussing something the band is doing differently doesn't automatically = bitching about it.
Great example. Tool has been doin that with the Pot. Thats a dramatic one where its very apparent.
Also, i totally didnt care when i heard it live this year. Hes great, adam, danny, and justin are all great. They fucking crushed it.
To me, the tempo changes are much more noticeable than the key changes. And tempo changes the dynamics of a song much more.
Yes!! SOLAT is one of my favorite songs, and uptempo SOLAT is just not good. I also prefer slow Even Flow but don’t hate fast EF.
Actually, the tempo change that’s been in effect for 15+ yrs might be for Ed’s voice too. He can’t hold those long notes anymore, so making the words faster resolves that. Ugh sad realization.
Also if tuned down = heavier sound I’m into it. Now bring back the distortion for that good ol grungey sound. 😁
Post edited by OceansJenny on
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guy was saying that the tuning was most noticeable on Corduroy....I disagree and it seems like you do as well
Yes, definitely the same here.
But now that I checked some further videos, it seems that they did actually play Corduroy in Eb tuning at the beginning of the tour. The first three shows. Toronto was back to E standard.
guy was saying that the tuning was most noticeable on Corduroy....I disagree and it seems like you do as well
Corduroy was one of the tunes that was played in Eb post-Ed voice issues and quickly brought back to standard tuning thereafter, the one you posted was from when they brought it back to its original tuning after a few shows
Overall, I think it's a really positive thing that they should stick to. Dissident is the only song that actually sounds worse tuned down. Release and Garden sound amazing. It was so nice to see Ed not struggling to hit the high notes in Release. Helps the performance so much.
This is absolutely my take too. I play enough guitar to notice a slight difference but the only major difference I noticed was Dissident. The opening riff by Mike just doesn't sound the same.
I think Release actually sounds better, the lower key doesn't change much and Ed's vocals are so much stronger.
This is very interesting. Release and Garden sound great in both keys and I also agree Dissident loses some oomph tuned lower.
I’m guessing the vocals and mikes lead are in the upper register so maybe that makes a difference?
Are release and garden written in a way that makes them easy to move around and change keys?
@ForceofNature101 great pickup my friend and I can definitely hear the difference!! Good stuff.
Thanks! Yeah it definitely has a different vibe to it, not bad by any means! But more... I guess for lack of a better term, menacing sounding? Especially the intro and the outro solo
@ForceofNature101 great pickup my friend and I can definitely hear the difference!! Good stuff.
Thanks! Yeah it definitely has a different vibe to it, not bad by any means! But more... I guess for lack of a better term, menacing sounding? Especially the intro and the outro solo
guy was saying that the tuning was most noticeable on Corduroy....I disagree and it seems like you do as well
Corduroy was one of the tunes that was played in Eb post-Ed voice issues and quickly brought back to standard tuning thereafter, the one you posted was from when they brought it back to its original tuning after a few shows
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1. I noticed it but it didn't really detract overall from the songs (I did think MYM suffered because of it though).
2. Eddie sounds amazing, way better than I recall on some of the 2016 boots I heard.
I think it's a good trade-off if it helps Ed sound this good.
Like with the shorter sets, I'm fine if they have to play in different keys to prolong Ed's singing career. That doesn't mean people can't discuss / acknowledge these changes though.
https://www.youtube.com/watch?v=S73ypK3As8I
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2016: Lexington, Wrigley #1; 2018: Wrigley, Wrigley, Boston, Boston
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I think Release actually sounds better, the lower key doesn't change much and Ed's vocals are so much stronger.
Actually sounds really good. I love this version of it. Has a whole different vibe!
As shown via my little first disaimer, not fussing just discussing out of interest
Actually, the tempo change that’s been in effect for 15+ yrs might be for Ed’s voice too. He can’t hold those long notes anymore, so making the words faster resolves that. Ugh sad realization.
Also if tuned down = heavier sound I’m into it. Now bring back the distortion for that good ol grungey sound. 😁
The Golden Age is 2 months away. And guess what….. you’re gonna love it! (teskeinc 11.19.24)
1998: Noblesville; 2003: Noblesville; 2009: EV Nashville, Chicago, Chicago
2010: St Louis, Columbus, Noblesville; 2011: EV Chicago, East Troy, East Troy
2013: London ON, Wrigley; 2014: Cincy, St Louis, Moline (NO CODE)
2016: Lexington, Wrigley #1; 2018: Wrigley, Wrigley, Boston, Boston
2020: Oakland, Oakland: 2021: EV Ohana, Ohana, Ohana, Ohana
2022: Oakland, Oakland, Nashville, Louisville; 2023: Chicago, Chicago, Noblesville
2024: Noblesville, Wrigley, Wrigley, Ohana, Ohana
https://youtu.be/bPMjIn4RJug
Had to cleanse my ears.
Stone loves original tempo SOLAT. 😁
But now that I checked some further videos, it seems that they did actually play Corduroy in Eb tuning at the beginning of the tour. The first three shows. Toronto was back to E standard.
Thanks! Yeah it definitely has a different vibe to it, not bad by any means! But more... I guess for lack of a better term, menacing sounding? Especially the intro and the outro solo
I dig it.
The Golden Age is 2 months away. And guess what….. you’re gonna love it! (teskeinc 11.19.24)
1998: Noblesville; 2003: Noblesville; 2009: EV Nashville, Chicago, Chicago
2010: St Louis, Columbus, Noblesville; 2011: EV Chicago, East Troy, East Troy
2013: London ON, Wrigley; 2014: Cincy, St Louis, Moline (NO CODE)
2016: Lexington, Wrigley #1; 2018: Wrigley, Wrigley, Boston, Boston
2020: Oakland, Oakland: 2021: EV Ohana, Ohana, Ohana, Ohana
2022: Oakland, Oakland, Nashville, Louisville; 2023: Chicago, Chicago, Noblesville
2024: Noblesville, Wrigley, Wrigley, Ohana, Ohana