I just picked up _____ on vinyl!
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All I know is the 100+ page thread in 4 days at Hoffman is fucking delicious.0
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mrussel1 said:Is this criticism about MOFI broadly, or only about the One Steps? I ask because I know Brothers in Arms is all digital and I bet that's one of the best selling MOFI's ever.0
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Its funny that everyone has to say their pieces only to inevitably land on the reasonable conclusion, "Well they sound fantastic, I just wish they were transparent about the process". God bless these bored old white dudes.
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Tim Simmons said:Its funny that everyone has to say their pieces only to inevitably land on the reasonable conclusion, "Well they sound fantastic, I just wish they were transparent about the process". God bless these bored old white dudes.Virginia Beach 2000
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The worst thing mofi deserves is a tsk tsk.
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As a never-bored old white dude, here's my 2 cents:
Funny thing is, I've been reading criticisms about various MOFI releases on Discogs for years. Not all, of course, but several. But then, whole thing is a moot point for me anyway because, to the best of my knowledge, I don't own a single MOFI LP.I do have 6 Analogue Productions LPs (all Beach Boys), and they sound great but they were affordable at the time I got them. Nowadays though, with the price of audiophile pressings being what they currently are, I would probably not buy them today. But then, I'm lucky enough to have a lot of early pressings of various LPs, a lot of them from the pre-digital LP era, and they're generally terrific sounding records made back when any poor working stiff could afford them. The whole vinyl things is another world these days.
Post edited by brianlux on"It's a sad and beautiful world"-Roberto Benigni0 -
brianlux said:As a never-bored old white dude, here's my 2 cents:
Funny thing is, I've been reading criticisms about various MOFI releases on Discogs for years. Not all, of course, but several. But then, whole thing is a moot point for me anyway because, to the best of my knowledge, I don't own a single MOFI LP.I do have 6 Analogue Productions LPs (all Beach Boys), and they sound great but they were affordable at the time I got them. Nowadays though, with the price of audiophile pressings being what they currently are, I would probably not buy them today. But then, I'm lucky enough to have a lot of early pressings of various LPs, a lot of them from the pre-digital LP era, and they're generally terrific sounding records made back when any poor working stiff could afford them. The whole vinyl things is another world these days.0 -
tempo_n_groove said:brianlux said:As a never-bored old white dude, here's my 2 cents:
Funny thing is, I've been reading criticisms about various MOFI releases on Discogs for years. Not all, of course, but several. But then, whole thing is a moot point for me anyway because, to the best of my knowledge, I don't own a single MOFI LP.I do have 6 Analogue Productions LPs (all Beach Boys), and they sound great but they were affordable at the time I got them. Nowadays though, with the price of audiophile pressings being what they currently are, I would probably not buy them today. But then, I'm lucky enough to have a lot of early pressings of various LPs, a lot of them from the pre-digital LP era, and they're generally terrific sounding records made back when any poor working stiff could afford them. The whole vinyl things is another world these days.0 -
Tim Simmons said:The worst thing mofi deserves is a tsk tsk.
Virginia Beach 2000
DC 2003
DC 2004 (VFC)
DC 2006
Pittsburgh 2006
Bonnaroo 2008
Virginia Beach 2008
DC 2008
Philly (Spectrum) 10/31/2009
DC 2010 (Jiffy Lube Live)
PJ 20 night 1
PJ 20 night 2
Phoenix 2013
LA 1 2013
Memphis 2014
Jacksonville 2016
Greenville 2016
Hampton 2016
Columbia 2016
Fenway 1 2016
Fenway 2 2016
Wrigley 1 2018
Wrigley 2 2018
Fenway 1 2018
Fenway 2 2018
Sea Hear Now 2021
Nashville 2022
Louisville 2022
Ohana 2024 (Night 1)
Ohana 2024 (Night 2)0 -
mrussel1 said:tempo_n_groove said:brianlux said:As a never-bored old white dude, here's my 2 cents:
Funny thing is, I've been reading criticisms about various MOFI releases on Discogs for years. Not all, of course, but several. But then, whole thing is a moot point for me anyway because, to the best of my knowledge, I don't own a single MOFI LP.I do have 6 Analogue Productions LPs (all Beach Boys), and they sound great but they were affordable at the time I got them. Nowadays though, with the price of audiophile pressings being what they currently are, I would probably not buy them today. But then, I'm lucky enough to have a lot of early pressings of various LPs, a lot of them from the pre-digital LP era, and they're generally terrific sounding records made back when any poor working stiff could afford them. The whole vinyl things is another world these days.0 -
tempo_n_groove said:brianlux said:As a never-bored old white dude, here's my 2 cents:
Funny thing is, I've been reading criticisms about various MOFI releases on Discogs for years. Not all, of course, but several. But then, whole thing is a moot point for me anyway because, to the best of my knowledge, I don't own a single MOFI LP.I do have 6 Analogue Productions LPs (all Beach Boys), and they sound great but they were affordable at the time I got them. Nowadays though, with the price of audiophile pressings being what they currently are, I would probably not buy them today. But then, I'm lucky enough to have a lot of early pressings of various LPs, a lot of them from the pre-digital LP era, and they're generally terrific sounding records made back when any poor working stiff could afford them. The whole vinyl things is another world these days.
Apparently part of the reason is the cost of tape these days.
In a thread he started on his own site, mastering engineer Steve Hoffman said, "Blowing a lacquer is common these days now that the old-timers are retiring, sadly." Unless a new generation of engineers and others involved in the process of making analogue records start to show up, I'm wondering if this seeming return to analogue vinyl will be short lived? What with all the younger generation folks being into downloading and other digital formats (including listening to music on an iPhone which really has me perplexed), I'm a bit surprised this has even happened at all. I honestly don't know how much of it is simply a fad, a distraction, or impulse buying or what.
"It's a sad and beautiful world"-Roberto Benigni0 -
I mean, it didn't go away when people wrote it off as dead (1990-2010). It will stick around. Yeah, maybe audiophile releases and stuff cut before the 1980s may be more highly valued because people can't cut like that anymore, but its not going anywhere anymore.
I mean, I hope people like Hoffman, Grey, and Grundman are taking on apprentices. Because if not, they are just as much to blame. There are plenty of people cutting records, if you don't like their work, teach them how to be better.
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tempo_n_groove said:mrussel1 said:tempo_n_groove said:brianlux said:As a never-bored old white dude, here's my 2 cents:
Funny thing is, I've been reading criticisms about various MOFI releases on Discogs for years. Not all, of course, but several. But then, whole thing is a moot point for me anyway because, to the best of my knowledge, I don't own a single MOFI LP.I do have 6 Analogue Productions LPs (all Beach Boys), and they sound great but they were affordable at the time I got them. Nowadays though, with the price of audiophile pressings being what they currently are, I would probably not buy them today. But then, I'm lucky enough to have a lot of early pressings of various LPs, a lot of them from the pre-digital LP era, and they're generally terrific sounding records made back when any poor working stiff could afford them. The whole vinyl things is another world these days.
A DAC is always used when dealing with digital music. You can't hear digital music, it's only bytes of data. The DAC is what converts those bytes into something audible. Your phone has a DAC, your CD player, your pc, etc.0 -
Tim Simmons said:I mean, it didn't go away when people wrote it off as dead (1990-2010). It will stick around. Yeah, maybe audiophile releases and stuff cut before the 1980s may be more highly valued because people can't cut like that anymore, but its not going anywhere anymore.
I mean, I hope people like Hoffman, Grey, and Grundman are taking on apprentices. Because if not, they are just as much to blame. There are plenty of people cutting records, if you don't like their work, teach them how to be better.0 -
Doesn’t mofi already do digital? I thought they differentiate by the “silver label” as I assumed those were digital as that’s when the original master tapes aren’t available.
I’m assume they could do a one step from a silver label release. As one step is just how they are pressing it, not the source material I thought0 -
Tim Simmons said:I mean, it didn't go away when people wrote it off as dead (1990-2010). It will stick around. Yeah, maybe audiophile releases and stuff cut before the 1980s may be more highly valued because people can't cut like that anymore, but its not going anywhere anymore.
I mean, I hope people like Hoffman, Grey, and Grundman are taking on apprentices. Because if not, they are just as much to blame. There are plenty of people cutting records, if you don't like their work, teach them how to be better.
I'd love to to do that as I believe I have an ear for it.0 -
Cropduster-80 said:Doesn’t mofi already do digital? I thought they differentiate by the “silver label” as I assumed those were digital as that’s when the original master tapes aren’t available.
I’m assume they could do a one step from a silver label release. As one step is just how they are pressing it, not the source material I thought
If I'm wrong in my assessment, someone correct me.
And yes, some MOFI is known digital. I brought up the Brothers in Arms which was never recorded to tape, but has been pressed a bunch of times by MOFI.0 -
That is correct and the issue.0
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mrussel1 said:Cropduster-80 said:Doesn’t mofi already do digital? I thought they differentiate by the “silver label” as I assumed those were digital as that’s when the original master tapes aren’t available.
I’m assume they could do a one step from a silver label release. As one step is just how they are pressing it, not the source material I thought
If I'm wrong in my assessment, someone correct me.
And yes, some MOFI is known digital. I brought up the Brothers in Arms which was never recorded to tape, but has been pressed a bunch of times by MOFI.
I haven’t ever seen a mofi release with a production number that high either. Certainly not one step0 -
Cropduster-80 said:mrussel1 said:Cropduster-80 said:Doesn’t mofi already do digital? I thought they differentiate by the “silver label” as I assumed those were digital as that’s when the original master tapes aren’t available.
I’m assume they could do a one step from a silver label release. As one step is just how they are pressing it, not the source material I thought
If I'm wrong in my assessment, someone correct me.
And yes, some MOFI is known digital. I brought up the Brothers in Arms which was never recorded to tape, but has been pressed a bunch of times by MOFI.
I haven’t ever seen a mofi release with a production number that high either. Certainly not one step0
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