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Dark Matter tour visuals by Rob Sheridan

demetriosdemetrios Canada Posts: 88,960
in The Porch



Very excited to finally tell you what's kept us so busy recently: I’ve had the unique honor of directing/creating the first-ever tour visuals for one of the greatest live rock bands of our generation and a hugely formative part of my Seattle youth: Pearl Jam.

I haven’t worked in tour production/design since NIN 2014, but I always said I would go back to it one day if the right artist and the right creative connection came around. There’s a short list of musicians I’d drop everything and rewire a year of my family’s entire life to make art with, and Eddie Vedder is absolutely one of them.

Ed and I hit it off immediately and discussed an inspiring, experimental approach to creating textural video art inspired by the Dark Matter theme using decidedly tactile and analog methods, with the the album’s light-painted artwork as a jumping off point (I wasn’t involved in the album art / promotions, that was all underway when I came on board). My wife and collaborator Steph, who produced the project, set up a raw studio space here in Tacoma and assembled a lean local camera crew, and we spent two months filming in the experimental, open-ended, DIY style that I like to work. With macro lenses and the 1000fps Ember slow-motion camera (made by fantastic local Washington company Freefly), we followed paths of inspiration through elements and states of matter: Light refractions, chemical reactions, fluid dynamics, incandescent projections (including an old overhead projector that ended up in the show) and other experimental setups tracing the connective tissue of the universe. It was prolific and intense, and wouldn’t have been possible without Steph’s rapid problem-solving and a talented camera, animation, and post-prod team.

A grueling month of editing/programming/rehearsals later, the Dark Matter world tour is out on the road now, with two shows under our belt in Vancouver last weekend.

I’ll have a lot more to say about this production, the unique analog practical VFX we employed, and of course videos to share as more people start to see the shows and I maybe get ten seconds to breathe. For now, I’m off to Portland - show number three is tonight!






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