(((((The OFFICIAL PEARL JAM IN ARGENTINA thread))))

uhh toca esa careta gratarola ?
pff

ehh no se, al final me arrastran hasta el show de spinetta .. si alguien ve a un chabon con una remera de iggy and the stooges, ese soy yo.
no muerdo.



.

aaahhh..mentira que fuiste a ver a Slim Spinetta al rosedal juan...yo estaba ahí y no te ví!


p.d.: gracias Luis por tanta dialectica!!!

gracias por la magia Luiggi!! mark, te gusto o no?

pff esos mensajes de "amor y paz" tan demagogicos qe se los guarde para carolina perelleti o quien sea ...
viejo verde !

You don't have to be the best to win, you just have to win; something I'm sure Mark Arm, Steve Turner et al must be painfully aware of by now. Taking the baton from the awesome Green River they produced the first fully realised grunge record, 'Superfuzz Bigmuff' in 1988. And still to this day it remains arguably the best release the genre ever saw and is certainly better than 'Nevermind', 'Ten' or 'Superunknown'.

Luckily he's been allowed a sabbatical to get the old boys back together to record this absolute gem of an album, and seeing he's doing it for Sub Pop, they know he's not wasting his time. Clean of drugs and drink, this record is one of those rare things; a mature effort that doesn't sound toothless; rather precise and vitriolic. 'Where Is The Future' seems to capture this angry mood of bitterness, but the sound is balanced out by a horn section as if the Stooges had signed to Stax in 1972. In fact Craig Flory's work on the horn section is what takes a good set of songs and turns them into a cohesively great album.

As well as the internalised bile ('Empty Shells') there is also a new-found interest in the world stage ('Hard On For War', 'It Is Us') but of course it is the renewed dynamism that Arm and Turner seemed to regain on 'Since We've Become Translucent' that really pleases here. 'In Search Of' manages to sound like all things cosmic and rock from Sabbath to Hawkwind, while never sounding anything other than hungry and taut. Fittingly, for a band who have just equalled their best nearly twenty years into their career, they save the best song until last. 'Blindspots' again recalls The Stooges, MC5 trashing their gear at the end of a set before suddenly being ushered off stage by Wilson Picket's backing band to soothe the riotous mob with honeyed soul music. A fabulous record, even if slightly comparable to a really superb looking tree falling over in the middle of a deserted forest.

John Doran

reviewed on 08 Feb 2006

---

aight bitches, esta semana ordeno mi disco de MUDHONEY qe sale el 7 de MARZO ! oh yeah ! alright !

.

mark arm wrote:

You don't have to be the best to win, you just have to win; something I'm sure Mark Arm, Steve Turner et al must be painfully aware of by now. Taking the baton from the awesome Green River they produced the first fully realised grunge record, 'Superfuzz Bigmuff' in 1988. And still to this day it remains arguably the best release the genre ever saw and is certainly better than 'Nevermind', 'Ten' or 'Superunknown'.

Luckily he's been allowed a sabbatical to get the old boys back together to record this absolute gem of an album, and seeing he's doing it for Sub Pop, they know he's not wasting his time. Clean of drugs and drink, this record is one of those rare things; a mature effort that doesn't sound toothless; rather precise and vitriolic. 'Where Is The Future' seems to capture this angry mood of bitterness, but the sound is balanced out by a horn section as if the Stooges had signed to Stax in 1972. In fact Craig Flory's work on the horn section is what takes a good set of songs and turns them into a cohesively great album.

As well as the internalised bile ('Empty Shells') there is also a new-found interest in the world stage ('Hard On For War', 'It Is Us') but of course it is the renewed dynamism that Arm and Turner seemed to regain on 'Since We've Become Translucent' that really pleases here. 'In Search Of' manages to sound like all things cosmic and rock from Sabbath to Hawkwind, while never sounding anything other than hungry and taut. Fittingly, for a band who have just equalled their best nearly twenty years into their career, they save the best song until last. 'Blindspots' again recalls The Stooges, MC5 trashing their gear at the end of a set before suddenly being ushered off stage by Wilson Picket's backing band to soothe the riotous mob with honeyed soul music. A fabulous record, even if slightly comparable to a really superb looking tree falling over in the middle of a deserted forest.

John Doran

reviewed on 08 Feb 2006

---

aight bitches, esta semana ordeno mi disco de MUDHONEY qe sale el 7 de MARZO ! oh yeah ! alright !

.

2 cosas: de que medio lo sacaste esto? la otra, ya esta disponible en el soulseek
?

"Spinetta repasó canciones que anidan en el corazón de varias generaciones, como Laura va, Barro tal vez, Durazno sangrando, Blues de Cris y Kamikaze. Un placer para todos los gustos." dice el periodista de Clarin. o tuve un lapsus mental y me perdi barro tal vez y el blues de cris o este chabon se paso con la grappa y se mando a escribir!

JohnfromHell wrote:

"Spinetta repasó canciones que anidan en el corazón de varias generaciones, como Laura va, Barro tal vez, Durazno sangrando, Blues de Cris y Kamikaze. Un placer para todos los gustos." dice el periodista de Clarin. o tuve un lapsus mental y me perdi barro tal vez y el blues de cris o este chabon se paso con la grappa y se mando a escribir!

bueno, yo por lo menos lei una review de los shows de pj en la que decia que tocaron parting ways y can´t keep

rosetta_st wrote:

bueno, yo por lo menos lei una review de los shows de pj en la que decia que tocaron parting ways y can´t keep

Que brutos che!

pd: Feliz Domingo!

pdd: Feilz cumple Santiago...y buen viaje!

pddd: Quiero "eso" YA!