Power: Gore Mansion Uses 20x Average Household
Comments
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farfromglorified wrote:Hehe...apparently 20 rooms, 8 bathrooms, a guest house and 221,000 kwh / year of electricity, which I'm sure is used to power Al Gore's weather-predicting supercomputer.
Try inviting a President or other dignitary or hold appreciable events in a 2 bedroom and get the same desired result. The people at that level aren't going to take you seriously. You do know what level this is operating at right? Intended audience? Manpower required? You think it's just him sitting in his bi ol house with all the lights on...haha
I think you dislike the guy on a personal level and continually choose not to reevaluate the decision you've already made of him years ago.Progress is not made by everyone joining some new fad,
and reveling in it's loyalty. It's made by forming coalitions
over specific principles, goals, and policies.
http://i36.tinypic.com/66j31x.jpg
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ROFLMAO
An Inconvenient Truth, indeed.0 -
Regardless of Gore's personal actions (I have no idea whether the charges against him are legit or not), it does not make his message or his film any less relevant.0
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RolandTD20Kdrummer wrote:Try inviting a President or other dignitary or hold appreciable events in a 2 bedroom and get the same desired result. The people at that level aren't going to take you seriously. You do know what level this is operating at right? Intended audience? Manpower required? You think it's just him sitting in his bi ol house with all the lights on...haha
Hehe...no, I don't think that. I think that house is empty a lot of the time. And it is.
But I stand corrected. One simply cannot be taken seriously without 20 bedrooms. And now that I think about, the 8 bathrooms seems like too little.I think you dislike the guy on a personal level and continually choose not to reevaluate the decision you've already made of him years ago.
I do dislike the guy on a personal level. And I reevaluate that decision quite often.0 -
soulsinging wrote:1. becos i know random house wouldn't let anyone but themselves publish joseph heller's novels.
But they do. Unauthorized publications are big business throughout the world as well as here in America.2. the thing is, the art could be worth more than $.02, it's just that somebody else is taking it... it could be that the average worth of your book to readers is $9, but this person can make photocopies and sell them for $8 and make thousands of dollars on something worth thousands of dollars while you, the creator of the book starves to death.
Starves to death? Let's try not to get too crazy here.
Again, if someone else can print your book and sell it for $8, then that copy probably isn't worth $9. If you desire to extract $9 from your book, you have to figure out the best way to do that, be it through contractual agreements, technology or added value.3. their products would not be sold at worth, they would be sold at the bare minimum of the cost of production without regard to the actual value. as i noted above, even if someone thinks something is worth $10, they're not going to pay $10 to the original author when they can pay $5 to the guy who copied it, esp if they dont even know who the author is. bands can get around this becos they play live concerts that allow them to earn money beyond the actual song on cd. authors can't really do the same. for that matter, how would you feel if someone advertised as pearl jam, promoted a show, and you bought a ticket and went to find out that it wasn't ed and the group but some impersonators. do you think the people touring as lynyrd skynyrd now are lynyrd skynyrd? it's ripe for deception. i guess id draw a line between patents and intellectual property law basically.
These examples are bizarre. Why do you think, in the absence of patent/ip law, suddenly anyone who calls themselves Pearl Jam would be thought of as Pearl Jam?
Look, you're trying in all these examples to simply protect profit for a person who hasn't even achieved it yet and has no right to claim it as their own. Protecting profit, in reality, is protecting people's bank accounts, meaning to protect the profit they've already earned.0 -
... until someone invents an energy free "snap your fingers" method of campaigning the entire world...what to do?Progress is not made by everyone joining some new fad,
and reveling in it's loyalty. It's made by forming coalitions
over specific principles, goals, and policies.
http://i36.tinypic.com/66j31x.jpg
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RolandTD20Kdrummer wrote:... until someone invents an energy free "snap your fingers" method of campaigning the entire world...what to do?
Dude, he's not plugging the planes and limos into the kitchen outlet.0 -
farfromglorified wrote:Again, if someone else can print your book and sell it for $8, then that copy probably isn't worth $9. If you desire to extract $9 from your book, you have to figure out the best way to do that, be it through contractual agreements, technology or added value.
that's the point... without any sort of intellectual property protection, you cannot contract around that. whatever contract you work out is worthless becos third parties can just take your work and auction it off without regard to your contract. you're talking about different values... there's buyer value, seller value, and production value. buyers might be very willing to buy your product at $9 and buyers and sellers might agree that it is worth that price, but the cost to print the artform might only be $1. that does not mean the art is worth that. a car is worth considerably more than the sum of its parts and art is the same way. a cd costs pennies but the music on it is where the value is. this simply means someone is undercutting you on your product. it means that artists will never be able to support themselves becos in order to make any money at all, they wil only be able to charge pennies over the cost of production or risk being undercut by someone else who is bootlegging their work. there is no way contracts or technology can get around this and you can't really "add value" to a novel or a song that will prevent someone else from bootlegging it.farfromglorified wrote:These examples are bizarre. Why do you think, in the absence of patent/ip law, suddenly anyone who calls themselves Pearl Jam would be thought of as Pearl Jam?
Look, you're trying in all these examples to simply protect profit for a person who hasn't even achieved it yet and has no right to claim it as their own. Protecting profit, in reality, is protecting people's bank accounts, meaning to protect the profit they've already earned.
becos there would be no way to tell who the real pearl jam is. it would amount to buyer deception... telling them "oh yeah, this is pearl jam alright, the real deal. all their songs." and you don't realize until you've bought the ticket or cd that you just gave some nerd with a computer your money and pearl jam will never see a cent. you cannot support the artist becos with so much bootlegging, you'd never know which copy goes to the artist. technology means the bootleg version of ten would be indistinguishable from the real copy of ten.
im trying in all these example to talk about how we're not going to scuttle the arts. they have achieved a profit-worthy product but others will steal their work or dilute its value to render it valueless. the arts as we know it would disappear if there was no way to protect against plagiarism becos all the great artists would be unable to produce their art. they'd all be working at mcdonald's 60 hours a week and too tired to create.0 -
farfromglorified wrote:Dude, he's not plugging the planes and limos into the kitchen outlet.
I guess he should buy and maintain his own personal electric green fleet of transportation.
Maybe they'll invent zero emission teleportation to other countries at some point. gotta start somewhereProgress is not made by everyone joining some new fad,
and reveling in it's loyalty. It's made by forming coalitions
over specific principles, goals, and policies.
http://i36.tinypic.com/66j31x.jpg
(\__/)
( o.O)
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RolandTD20Kdrummer wrote:I guess he should buy and maintain his own personal electric green fleet of transportation.
Maybe they'll invent zero emission teleportation to other countries at some point. gotta start somewhere
Hahahaha, that'll be the day, lol.I necessarily have the passion for writing this, and you have the passion for condemning me; both of us are equally fools, equally the toys of destiny. Your nature is to do harm, mine is to love truth, and to make it public in spite of you. - Voltaire0 -
soulsinging wrote:that's the point... without any sort of intellectual property protection, you cannot contract around that. whatever contract you work out is worthless becos third parties can just take your work and auction it off without regard to your contract. you're talking about different values... there's buyer value, seller value, and production value. buyers might be very willing to buy your product at $9 and buyers and sellers might agree that it is worth that price, but the cost to print the artform might only be $1. that does not mean the art is worth that. a car is worth considerably more than the sum of its parts and art is the same way. a cd costs pennies but the music on it is where the value is. this simply means someone is undercutting you on your product. it means that artists will never be able to support themselves becos in order to make any money at all, they wil only be able to charge pennies over the cost of production or risk being undercut by someone else who is bootlegging their work. there is no way contracts or technology can get around this and you can't really "add value" to a novel or a song that will prevent someone else from bootlegging it.
becos there would be no way to tell who the real pearl jam is. it would amount to buyer deception... telling them "oh yeah, this is pearl jam alright, the real deal. all their songs." and you don't realize until you've bought the ticket or cd that you just gave some nerd with a computer your money and pearl jam will never see a cent. you cannot support the artist becos with so much bootlegging, you'd never know which copy goes to the artist. technology means the bootleg version of ten would be indistinguishable from the real copy of ten.
im trying in all these example to talk about how we're not going to scuttle the arts. they have achieved a profit-worthy product but others will steal their work or dilute its value to render it valueless. the arts as we know it would disappear if there was no way to protect against plagiarism becos all the great artists would be unable to produce their art. they'd all be working at mcdonald's 60 hours a week and too tired to create.
I don't completely disagree with what you're saying here, aside for some of the sillier analogies being portrayed as a norm or the idea that you cannot possibly "add value" to things that can't be copied. But all of those things you mention would be possible and practiced, just as they're possible and practiced today.
But again, you're proclaiming a protection or profit as a moral justification here, which doesn't make any logical sense. Ownership is a moral justification, and theft stands opposed to that. Protecting profit in the forms of revenue that hasn't been granted to you yet is to claim ownership of something you don't own, which would be theft, and I can't make peace with that. Based on your reasoning, I could easily force you to buy my business's products, even if you don't want them or need them. In fact, based on your reasoning, all your property truly is owed to the men who invented a) the plow and b) the wheel, the foundations of civilization without which none of things you have would be possible.
You're claiming that we would "scuttle" the arts. Again, since the arts and profit from them predate patents and copyrights and "intellectual property", I disagree. In fact, intellectual property protections, taken to their logical end, forbid people like Eddie Vedder from playing the guitar in the first place.0 -
farfromglorified wrote:I don't completely disagree with what you're saying here, aside for some of the sillier analogies being portrayed as a norm or the idea that you cannot possibly "add value" to things that can't be copied. But all of those things you mention would be possible and practiced, just as they're possible and practiced today.
But again, you're proclaiming a protection or profit as a moral justification here, which doesn't make any logical sense. Ownership is a moral justification, and theft stands opposed to that. Protecting profit in the forms of revenue that hasn't been granted to you yet is to claim ownership of something you don't own, which would be theft, and I can't make peace with that. Based on your reasoning, I could easily force you to buy my business's products, even if you don't want them or need them. In fact, based on your reasoning, all your property truly is owed to the men who invented a) the plow and b) the wheel, the foundations of civilization without which none of things you have would be possible.
You're claiming that we would "scuttle" the arts. Again, since the arts and profit from them predate patents and copyrights and "intellectual property", I disagree. In fact, intellectual property protections, taken to their logical end, forbid people like Eddie Vedder from playing the guitar in the first place.
yes, but prior to patents, the arts were supported by oral tradition mainly, as far as i undertand. minstrels and whatnot.
im not trying to justify anything morally. but to an extent i feel an artist should have some ownership rights over their ideas. it's not like a manufacturing process produces a product that can be possessed and sold as valuable. it is the idea itself that has value and that kinda distinguishes it from patenting an invention in my mind. but then, i've always been of the artistic persuasion. anyway, the more i think about, the less sure i am that it'd be catastrophic to the arts, but it's still a concern. and to the extent that it would kinda destroy corporate industry as we know it, i think it'd be worth it0 -
How come it hasn't been mentioned that Gore's bill is increased due to the optional use of green power?0
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Fighting Hellfish wrote:How come it hasn't been mentioned that Gore's bill is increased due to the optional use of green power?
because it's easier for some just to hateProgress is not made by everyone joining some new fad,
and reveling in it's loyalty. It's made by forming coalitions
over specific principles, goals, and policies.
http://i36.tinypic.com/66j31x.jpg
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( o.O)
(")_(")0 -
MakingWaves wrote:I also saw this morning where they get their power from an energy source that uses renewable resources or something like that and they also said they are in the process of updating the home and adding solar panels. I don't like Al Gore that much as a politician but it sounds like he is trying. I think you have to look at this for what it is, more political crap that happens by the other side (by both republicans and democrats) when ever someone is in the news for something positive.
yeah, i heard that on the news, too...they said the electricity he uses is more expensive than normal electricity b/c he uses 'green electricty' from things like wind turbines and other things...not sure how much that would offset the bill, 20 rooms does seem a bit excessivestandin above the crowd
he had a voice that was strong and loud and
i swallowed his facade cos i'm so
eager to identify with
someone above the crowd
someone who seemed to feel the same
someone prepared to lead the way0 -
Fighting Hellfish wrote:How come it hasn't been mentioned that Gore's bill is increased due to the optional use of green power?
Man, I keep saying it!I necessarily have the passion for writing this, and you have the passion for condemning me; both of us are equally fools, equally the toys of destiny. Your nature is to do harm, mine is to love truth, and to make it public in spite of you. - Voltaire0 -
El_Kabong wrote:yeah, i heard that on the news, too...they said the electricity he uses is more expensive than normal electricity b/c he uses 'green electricty' from things like wind turbines and other things...not sure how much that would offset the bill, 20 rooms does seem a bit excessive
TVA regulates rates at 7.380¢ per kWh
How much does it cost? You can buy green power in 150-kilowatt-hour blocks (about 12 percent of a typical household's monthly energy use). Each block will add $4 to your monthly power bill. Green power cost more because the technology used to capture these renewable resources is more expensive than traditional power generation methods.
http://www.nespower.com/green_power_switch.aspx
221,000 kWh / 150 * $4 = $5,893.00
221,000 kWh * 7.380¢ = $16,309.80
Check the math, that's what I got. Took me a while to figure it out though. So it's $16,309.80 for 221,000 kWh of energy plus $5,893.00 for using Green Energy. So his annual bill should be roughly $22,202.80I necessarily have the passion for writing this, and you have the passion for condemning me; both of us are equally fools, equally the toys of destiny. Your nature is to do harm, mine is to love truth, and to make it public in spite of you. - Voltaire0 -
Huge indoor grow op?Progress is not made by everyone joining some new fad,
and reveling in it's loyalty. It's made by forming coalitions
over specific principles, goals, and policies.
http://i36.tinypic.com/66j31x.jpg
(\__/)
( o.O)
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ThumbingMyWay32 wrote:POWER: GORE MANSION USES 20X AVERAGE HOUSEHOLD; CONSUMPTION INCREASE AFTER 'TRUTH'
Mon Feb 26 2007 17:16:14 ET
Nashville Electric Service/Gore House
2006
High 22619 kWh Aug – Sept
Low 12541 kWh Jan - Feb
Average: 18,414 kWh per month
2005
High 20532 Sept - October
Low 12955 Feb - March
Average: 16,200 kWh per month
Bill amounts
2006 – $895.60 (low) $1738.52 (high) $1359 (average)
2005 – $853.91 (low) $1461 (high)
Nashville Gas Company
Main House
2006 – $990(high) $170 (low) $536 (average)
2005 – $1080 (high) $200 (low) $640 (average)
Guest House/Pool House
2006 – $820 (high) $70 (low) $544 (average)
2005 – $1025 (high) $25 (low) $525 (average)
The Tennessee Center for Policy Research, an independent, nonprofit and nonpartisan research organization, issued a press release late Monday:
Last night, Al Gore’s global-warming documentary, An Inconvenient Truth, collected an Oscar for best documentary feature, but the Tennessee Center for Policy Research has found that Gore deserves a gold statue for hypocrisy.
Gore’s mansion, [20-room, eight-bathroom] located in the posh Belle Meade area of Nashville, consumes more electricity every month than the average American household uses in an entire year, according to the Nashville Electric Service (NES).
In his documentary, the former Vice President calls on Americans to conserve energy by reducing electricity consumption at home.
The average household in America consumes 10,656 kilowatt-hours (kWh) per year, according to the Department of Energy. In 2006, Gore devoured nearly 221,000 kWh—more than 20 times the national average.
Last August alone, Gore burned through 22,619 kWh—guzzling more than twice the electricity in one month than an average American family uses in an entire year. As a result of his energy consumption, Gore’s average monthly electric bill topped $1,359.
Since the release of An Inconvenient Truth, Gore’s energy consumption has increased from an average of 16,200 kWh per month in 2005, to 18,400 kWh per month in 2006.
Gore’s extravagant energy use does not stop at his electric bill. Natural gas bills for Gore’s mansion and guest house averaged $1,080 per month last year.
“As the spokesman of choice for the global warming movement, Al Gore has to be willing to walk to walk, not just talk the talk, when it comes to home energy use,” said Tennessee Center for Policy Research President Drew Johnson.
In total, Gore paid nearly $30,000 in combined electricity and natural gas bills for his Nashville estate in 2006.
NEXTLet's not be negative now. Thumper has spoken0
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