Anyone else prefer Radioheads's post OK Computer albums?

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  • JWBusher wrote:
    Radiohead started as indie darlings in America and their videos mostly appeared on Alternative Nation and 120 Minutes. The album that made them superstars here was "OK Computer" and it was because of the "Paranoid Android" and "Karma Police" videos that people went out and bought the album and the word spread far and wide that it was a fantastic album and their American cult swelled to massive, Grateful Dead-like proportions. "Kid A" was the most highly anticipated album of 1999, that's why it hit #1 when it was released. A lot of people, such as yourself, hated it and thought it was a pretentious load of shit. Americans hated it because it didn't sound like "OK Computer". They performed "National Anthem" on Saturday Night Live and it left people scratching their heads, and rightfully so.

    And Thom's vocals don't sound like whining to me. You're obviously sour about Kid A and haven't gotten over it yet. I also don't buy into this shit about their songs not having melody. ALL of their songs have a melody, they just don't hit you over the head with an indie pop shit stick like The Bends does.

    Sour and bitter? Fuck yes I am, a guitar player as good as Jonny Greenwood NEEDS to be playing guitar, not wanking over a pc. Like I said, some songs in that vein are fine, a whole album sucks. I'm not going to feel bad or like I don't 'get' it just because I miss the anthemics of songs like The Bends, Street Spirit, Lucky etc.

    Radiohead were nowhere near as big in America as they were in the UK when OK Computer came out, like you said, they were a cult band, and when an album like Kid A sells to the masses you can bet the vast majority of people buying it are buying into the hype. It's what I call the Tool effect, look how many copies of 10,000 days they sold. 10,000 days in my opinion is a pretty good album, but most probably Tool's least accessible record to date. Yet Tool are hyped as being this really intellectual band, and if you 'get' it, well that makes you cool too! Can you imagine mainstream America sitting there getting into Rosetta Stoned?! That's the problem with the mainstream audience, they latch on to whatever's cool and hip; I wonder how many copies of Kid A are sitting on a shelf gathering dust right now in America?

    Oh and Re: Thom's voice, his vocals are nowhere near as clear as they used to be, at times you can barely understand what he's singing at all. I don't think the ghostly moaning he does on half the songs is in any way comparable to something as beautiful as Street Spirit.
  • glasshouse
    glasshouse Posts: 1,762
    That's the problem with the mainstream audience, they latch on to whatever's cool and hip

    that my friend is the truth. the same goes for most music critics as well - most of them don't have their own opinions, they just play it safe. Radiohead will always be a safe bet - because of their (existing) universal critical acclaim.

    for instance: http://www.metacritic.com/music/artists/radiohead/inrainbows?q=in%20rainbows

    88% ???~ for fuck sakes! this album may have some moments, but in no way whatsoever will i rate this release as one of the best of the year.
    Athens, Greece: 2006/09/30

    "Call me Ishmael. Some years ago- never mind how long precisely- having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world." Herman Melville : Moby Dick
  • glasshouse wrote:
    that my friend is the truth. the same goes for most music critics as well - most of them don't have their own opinions, they just play it safe. Radiohead will always be a safe bet - because of their (existing) universal critical acclaim.

    for instance: http://www.metacritic.com/music/artists/radiohead/inrainbows?q=in%20rainbows

    88% ???~ for fuck sakes! this album may have some moments, but in no way whatsoever will i rate this release as one of the best of the year.

    Amen!
  • Jeremy1012
    Jeremy1012 Posts: 7,170
    Sour and bitter? Fuck yes I am, a guitar player as good as Jonny Greenwood NEEDS to be playing guitar, not wanking over a pc.
    Johnny Greenwood sees himself as a musician, not just a guitarist, and he is one. A Consummate musician. who the hell are you to tell him what to play? It's his choice. I'm much more interested in the fact that someone better known for churning out mediocre riffs like Creep has gone on to experiment with a variety of instruments and sounds as obscure as the Ondes Martenot. Have you ever thought that the creativity-stifling attitude of 'fans' like you is what perpetuates this kind of experimentation?
    "I remember one night at Muzdalifa with nothing but the sky overhead, I lay awake amid sleeping Muslim brothers and I learned that pilgrims from every land — every colour, and class, and rank; high officials and the beggar alike — all snored in the same language"
  • Jeremy1012 wrote:
    Johnny Greenwood sees himself as a musician, not just a guitarist, and he is one. A Consummate musician. who the hell are you to tell him what to play? It's his choice. I'm much more interested in the fact that someone better known for churning out mediocre riffs like Creep has gone on to experiment with a variety of instruments and sounds as obscure as the Ondes Martenot. Have you ever thought that the creativity-stifling attitude of 'fans' like you is what perpetuates this kind of experimentation?

    Wow I'm glad you judge his guitar skills on a song like Creep - how very open minded. There was no end to the sounds that guy could create from a guitar, I'm not TELLING him to do anything, but to me it's not far short of Jimi Hendrix jacking in the guitar to learn the recorder - just because he could.

    The thing Radiohead proved with OK Computer, was that a guitar record could be exciting, surprising and wildly original, there's no reason why they couldn't have carried on in that mould and still made unique music. What they did after that record, was essentially to start over as an electronic based band. Like people have said in other threads, there are plenty of other artists who make music like Radiohead, what they're doing is not that original. But because it's THE ALMIGHTY RADIOHEAD, who can do no wrong, and who are so enigmatic and on such another level to everyone else, people lap it up as if it's the second coming.
  • Yes, I do
    'We're learning songs for baby Jesus' birthday. His mum and dad were Merry and Joseph. He had a bed made of clay and the three kings bought him Gold, Frankenstein and Merv as presents.'

    - the great Sir Leo Harrison
  • glasshouse
    glasshouse Posts: 1,762
    Like people have said in other threads, there are plenty of other artists who make music like Radiohead, what they're doing is not that original. But because it's THE ALMIGHTY RADIOHEAD, who can do no wrong, and who are so enigmatic and on such another level to everyone else, people lap it up as if it's the second coming.

    once again i agree 100%

    if you think about it, similar bands to radiohead ~ the flaming lips and mercury rev have created much more challenging and experimental albums imo. the 2 bands mentioned aren't as commercialy inclined as Radiohead though and therefore struggle to achieve the same universal appreciation.
    Athens, Greece: 2006/09/30

    "Call me Ishmael. Some years ago- never mind how long precisely- having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world." Herman Melville : Moby Dick
  • Jeremy1012
    Jeremy1012 Posts: 7,170
    Wow I'm glad you judge his guitar skills on a song like Creep - how very open minded. There was no end to the sounds that guy could create from a guitar, I'm not TELLING him to do anything, but to me it's not far short of Jimi Hendrix jacking in the guitar to learn the recorder - just because he could.

    The thing Radiohead proved with OK Computer, was that a guitar record could be exciting, surprising and wildly original, there's no reason why they couldn't have carried on in that mould and still made unique music. What they did after that record, was essentially to start over as an electronic based band. Like people have said in other threads, there are plenty of other artists who make music like Radiohead, what they're doing is not that original. But because it's THE ALMIGHTY RADIOHEAD, who can do no wrong, and who are so enigmatic and on such another level to everyone else, people lap it up as if it's the second coming.
    I said he's more well known for riffs like Creep, which is true. You seem to miss my point completely about the guitar thing. whether or not it is a waste of Johnny's talent for him not to play guitar more, I wouldn't wish for a second for him to keep churning out stuff that he doesn't want to play. I'd much rather see him challenge himself and do what he wants to do because an artist's music is far more likely to be passionate if their heart is in it. If he goes back to more guitar playing, good on him. I just don't like yearning for the past when the present is, to my ears, infinitely more interesting.

    You say you aren't trying to tell them to do anything and yet you openly admit your resistance to change. you say you think they should have continued to make guitar albums. It's not really for you to say is it? bands evolve, you don't own them. move with it or move to something else. for as many fans like you who feel cheated by a band you like changing their sound until you don't recognise or even like them anymore, there are just as many fans who would have felt cheated if Radiohead kept making The Bends for 12 years.
    "I remember one night at Muzdalifa with nothing but the sky overhead, I lay awake amid sleeping Muslim brothers and I learned that pilgrims from every land — every colour, and class, and rank; high officials and the beggar alike — all snored in the same language"
  • Jeremy1012 wrote:
    I said he's more well known for riffs like Creep, which is true. You seem to miss my point completely about the guitar thing. whether or not it is a waste of Johnny's talent for him not to play guitar more, I wouldn't wish for a second for him to keep churning out stuff that he doesn't want to play. I'd much rather see him challenge himself and do what he wants to do because an artist's music is far more likely to be passionate if their heart is in it. If he goes back to more guitar playing, good on him. I just don't like yearning for the past when the present is, to my ears, infinitely more interesting.

    You say you aren't trying to tell them to do anything and yet you openly admit your resistance to change. you say you think they should have continued to make guitar albums. It's not really for you to say is it? bands evolve, you don't own them. move with it or move to something else. for as many fans like you who feel cheated by a band you like changing their sound until you don't recognise or even like them anymore, there are just as many fans who would have felt cheated if Radiohead kept making The Bends for 12 years.

    Yeah and you're missing my point, I believe that as a band Radiohead had it in them to evolve as a guitar band, you only have to look at the progression from The Bends to OK Computer to see that. How would you have felt if after VS Pearl Jam reinvented as a syth pop band? I don't yearn for the past, I yearn for hooks and strong melodies, I don't care how they're packaged, hell if they could make a truly memorable album in their new form I'd be happy.

    Every Radiohead fan I know that loves the new stuff became a fan after Kid A, it's no surprise really - most people's favourite album by an artist tends to be the album that they first got into. Considering your general lack of regard for their guitar days, can I presume you are one of them?
  • Jeremy1012
    Jeremy1012 Posts: 7,170
    Yeah and you're missing my point, I believe that as a band Radiohead had it in them to evolve as a guitar band, you only have to look at the progression from The Bends to OK Computer to see that. How would you have felt if after VS Pearl Jam reinvented as a syth pop band? I don't yearn for the past, I yearn for hooks and strong melodies, I don't care how they're packaged, hell if they could make a truly memorable album in their new form I'd be happy.

    Every Radiohead fan I know that loves the new stuff became a fan after Kid A, it's no surprise really - most people's favourite album by an artist tends to be the album that they first got into. Considering your general lack of regard for their guitar days, can I presume you are one of them?
    No, you can't presume that. Such an assumption would be arrogance. I first listened to, and for some reason enjoyed, in spite of my age, OK Computer when it came out so I would have been 9 or so. I thought it was the most sophisticated music I'd ever heard. It's still a fantastic album.

    I don't understand you point at all about the ability for them to progress as a guitar band. sure they had the potential but what the hell does that mean? it's their choice. Music is music. I judge it on its own merits, not whether or not it fits into what I previously liked from the band. If PJ came out with a synth album and I hated it then I'd be disappointed but I'd still enjoy the music I do like from them and wouldn't go about moaning about where they went wrong on messageboards. It's their choice. As for hooks and strong melodies, In Rainbows is their most accessible album since The Bends and has better hooks and melodies. I hardly see what the fuss is about. You want a return to hooks and melodies? you got it. if it's really all about the guitar issue now, maybe you should branch out with your listening a bit.
    "I remember one night at Muzdalifa with nothing but the sky overhead, I lay awake amid sleeping Muslim brothers and I learned that pilgrims from every land — every colour, and class, and rank; high officials and the beggar alike — all snored in the same language"
  • Ok, I love radiohead and read all of the posts here, was not going to reply but thought I just had to weigh in...

    Their best is Kid A...hands down

    Followed by Hail to the Thief and Amnesiac, In Rainbows, The Bends, Ok Computer and finally Pablo Honey.

    I feel I am in the minority when I say this, but Ok Computer is good but far from their best and IMO is not a better album than The Bends.

    Amnesiac gets far too much hate from everywhere...but listen to it again people it really is not that far behind Kid A! Pyramid Song and I might be Wrong challenge just about anything off Kid A and IMO are superior to most off Ok Computer.

    Hail to the Thief is underrated too, In Rainbows is a good album but clearly I need to listen a little more before making a final judgement.
    +--+-Official Upcoming Australasian Tour:Member #9-+--+
  • Jeremy1012 wrote:
    No, you can't presume that. Such an assumption would be arrogance. I first listened to, and for some reason enjoyed, in spite of my age, OK Computer when it came out so I would have been 9 or so. I thought it was the most sophisticated music I'd ever heard. It's still a fantastic album.

    I don't understand you point at all about the ability for them to progress as a guitar band. sure they had the potential but what the hell does that mean? it's their choice. Music is music. I judge it on its own merits, not whether or not it fits into what I previously liked from the band. If PJ came out with a synth album and I hated it then I'd be disappointed but I'd still enjoy the music I do like from them and wouldn't go about moaning about where they went wrong on messageboards. It's their choice. As for hooks and strong melodies, In Rainbows is their most accessible album since The Bends and has better hooks and melodies. I hardly see what the fuss is about. You want a return to hooks and melodies? you got it. if it's really all about the guitar issue now, maybe you should branch out with your listening a bit.

    Wow, aggression issues dude, that aint cool. I'm only debating with you here. I'm not moaning, merely expressing my point of view just like you are. And cool you must have been a super advanced 9 year old to appreciate something as epic as OK Computer, I'm impressed you even understood the concept of sophistication at such a tender age.

    PS, The new album isn't as accessible as OK Computer.
  • Jeremy1012
    Jeremy1012 Posts: 7,170
    Wow, aggression issues dude, that aint cool. I'm only debating with you here. I'm not moaning, merely expressing my point of view just like you are. And cool you must have been a super advanced 9 year old to appreciate something as epic as OK Computer, I'm impressed you even understood the concept of sophistication at such a tender age.

    PS, The new album isn't as accessible as OK Computer.
    Where was I aggressive? I just take exception with being lumped in with people just for liking a particular album. I don't understand what is so inaccessible about In Rainbows. Amnesiac, sure. Kid A, I guess. In Rainbows has some of the prettiest melodies and epic moments of any Radiohead album. I fail to see how a person that professes to like the band could listen to songs like Nude, All I Need, Reckoner and House of Cards and find it hard to get it into.

    And with regards to OK Computer, I obviously didn't appreciate the album in the way I do now at the age of 9. I've had 10 years to learn more about music and understand the album a lot more but it certainly stood out at the time. I remember seeing the video for Karma Police on TV and it seemed so alien and foreign that it fascinated me. I cannot say the same for The Bends and certainly not for Pablo Honey. As such, I feel that the band's best work has been OK Computer and onwards.
    "I remember one night at Muzdalifa with nothing but the sky overhead, I lay awake amid sleeping Muslim brothers and I learned that pilgrims from every land — every colour, and class, and rank; high officials and the beggar alike — all snored in the same language"
  • I think I might have said this once before in another thread...but as much as I love Radiohead, what they have done over the years really is not that impressive, experimentally.

    Despite what the majority of critics think, i think Radiohead have made it easier for themselves to write songs and albums after moving into a more electronic direction.

    Take Pearl jam for example, 8 guitar, bass and drum based records and they have managed to push boundaries along the way within that framework. Not easy to do. Especially when you consider the difficulty in making even the slightest attempts to be original and experimental within that framework. There is not a hell of alot that you can do that has not been done before.

    Radiohead on the other hand have basically "downed tools" and picked up another set to work with, giving them much more room to "sound different", which, to the untrained ear, appears groundbreaking and hugely experimentally.
    When in fact, the majority of their songs post OK Computer are very simple compositions that are, on the whole, less complex musically than alot of their earlier work. That said, it does not mean that this music is not brilliant or intelligent, just not really that complex or experimental when viewed as music. In other words, Radiohead's music post Ok Computer, when played within the traditional drum, guitar and bass format is not really anything new or different musically, it's just played within a different format.

    Long story short, it is lot more difficult IMO to write 8 albums within the traditional format and push boundaries and make subtle changes to the artform in the process than it would be to totally reininvent yourself and make music within a different format.

    All Radiohead have done is create for themselves more room to move...Have they really been challenging themselves musically or making things easier for themselves...
    *****no time to be void or save up on life,
    you got to spend it all...*****
  • Jeremy1012
    Jeremy1012 Posts: 7,170
    MapleTea wrote:
    I think I might have said this once before in another thread...but as much as I love Radiohead, what they have done over the years really is not that impressive, experimentally.

    Despite what the majority of critics think, i think Radiohead have made it easier for themselves to write songs and albums after moving into a more electronic direction.

    Take Pearl jam for example, 8 guitar, bass and drum based records and they have managed to push boundaries along the way within that framework. Not easy to do. Especially when you consider the difficulty in making even the slightest attempts to be original and experimental within that framework. There is not a hell of alot that you can do that has not been done before.

    Radiohead on the other hand have basically "downed tools" and picked up another set to work with, giving them much more room to "sound different", which, to the untrained ear, appears groundbreaking and hugely experimentally.
    When in fact, the majority of their songs post OK Computer are very simple compositions that are, on the whole, less complex musically than alot of their earlier work. That said, it does not mean that this music is not brilliant or intelligent, just not really that complex or experimental when viewed as music. In other words, Radiohead's music post Ok Computer, when played within the traditional drum, guitar and bass format is really anything new or different musically, it's just played within a different format.

    Long story short, it is lot more difficult IMO to write 8 albums within the traditional format and push boundaries and make subtle changes to the artform in the process than it would be to totally reininvent yourself and make music within a different format.

    All Radiohead have done is create for themselves more room to move...Have they really been challenging themselves musically or making things easier for themselves...
    I can only speak for myself but I don't think anything post-OK Computer is particularly challenging or experimental. I certainly listen to a lot of stuff that is much more challenging. I still prefer the "new" Radiohead to anything pre-OK computer and it's nothing to do with preferring electronic music to guitar music. I like tons of guitar music. I just think that when they took they're new direction, the music and songwriting got better. going back to The Bends after OK computer would have been a regression and attempting to make another album that was challenging like OK computer but the same style would inevitably have generated negative comparisons. An album with an impact like that only comes along once for a band, if at all. I think their change of direction was absolutely necessary in order for that they might not stagnate.
    "I remember one night at Muzdalifa with nothing but the sky overhead, I lay awake amid sleeping Muslim brothers and I learned that pilgrims from every land — every colour, and class, and rank; high officials and the beggar alike — all snored in the same language"
  • Soupy
    Soupy Posts: 171
    Radiohead are middle aged, middle class tossers.

    :)
  • Jeremy1012
    Jeremy1012 Posts: 7,170
    Soupy wrote:
    Radiohead are middle aged, middle class tossers.

    :)
    what a worthwhile contribution to the thread.
    "I remember one night at Muzdalifa with nothing but the sky overhead, I lay awake amid sleeping Muslim brothers and I learned that pilgrims from every land — every colour, and class, and rank; high officials and the beggar alike — all snored in the same language"
  • soulsinging
    soulsinging Posts: 13,202
    Oh and Re: Thom's voice, his vocals are nowhere near as clear as they used to be, at times you can barely understand what he's singing at all. I don't think the ghostly moaning he does on half the songs is in any way comparable to something as beautiful as Street Spirit.

    i haven't understood a lyric thom yorke has sung since ok computer, that's for damn sure.
  • soulsinging
    soulsinging Posts: 13,202
    Jeremy1012 wrote:
    No, you can't presume that. Such an assumption would be arrogance. I first listened to, and for some reason enjoyed, in spite of my age, OK Computer when it came out so I would have been 9 or so. I thought it was the most sophisticated music I'd ever heard. It's still a fantastic album.

    I don't understand you point at all about the ability for them to progress as a guitar band. sure they had the potential but what the hell does that mean? it's their choice. Music is music. I judge it on its own merits, not whether or not it fits into what I previously liked from the band. If PJ came out with a synth album and I hated it then I'd be disappointed but I'd still enjoy the music I do like from them and wouldn't go about moaning about where they went wrong on messageboards. It's their choice. As for hooks and strong melodies, In Rainbows is their most accessible album since The Bends and has better hooks and melodies. I hardly see what the fuss is about. You want a return to hooks and melodies? you got it. if it's really all about the guitar issue now, maybe you should branch out with your listening a bit.

    it's also his choice to say what he thinks of the new material and recent direction. just becos johnny wants to write it doesn't mean he has to like it or pretend to enjoy it. i agree with the guy 100%. they were onto something nobody had really approached before. but then they veered off. there was nothing new or original about kid a. that kind of music had been done by electronic artist for years before radiohead got there. it wasnt a boundary pushing opus, it was just a change of genre. the only reason it got billed as the former is becos nobody listened to that kind of music and rock fans outright hated it before radiohead tried to pull it off.
  • Jeremy1012
    Jeremy1012 Posts: 7,170
    it's also his choice to say what he thinks of the new material and recent direction. just becos johnny wants to write it doesn't mean he has to like it or pretend to enjoy it. i agree with the guy 100%. they were onto something nobody had really approached before. but then they veered off. there was nothing new or original about kid a. that kind of music had been done by electronic artist for years before radiohead got there. it wasnt a boundary pushing opus, it was just a change of genre. the only reason it got billed as the former is becos nobody listened to that kind of music and rock fans outright hated it before radiohead tried to pull it off.
    I didn't say Facepollution had to enjoy the newer music, I said it's not his right to expect what he wants from the band. If they choose to change then he should deal with it. Plenty of people do like it. The fact is, if Radiohead had continued down the OK computer road they would have been pulled up by fans and critics alike for not living up to expectations because it's hard to top an album like that. by changing direction they subverted that, made a load of new fans, lost some old ones and kept some of the ones that weren't so stuck in their ways.
    "I remember one night at Muzdalifa with nothing but the sky overhead, I lay awake amid sleeping Muslim brothers and I learned that pilgrims from every land — every colour, and class, and rank; high officials and the beggar alike — all snored in the same language"