What was the last movie you watched?
Comments
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No, much more relevant to everyone. Obviously it would be pretty fucked up for filmmakers to start making their films to accommodate all the various mental illnesses or to eliminate all the "trauma triggers" that people have. Can you imagine how many subjects that would rule out?? No, I really think that sort of thinking is a seriously slippery slope. I mean, with that kind of thinking, we shouldn't have any violence in movies whatsoever, which is, of course, a very silly idea. No more war movies, no more movies dealing with violent crimes, nothing.dankind said:
Much more relevant to anyone with PTSD--that's for sure.PJ_Soul said:
Oh. Okay, I see. Yeah, I don't really go for that kind of thinking when it comes to films. It just feels like emotional censorship or over-sensitivity to me TBH. I don't think current events should lead to avoiding topics or events in film. On the contrary, actually. I think it makes the films more relevant.dankind said:
Um, mass shootout/shooting at a concert. Whatever, as long as it entertains, I guess.PJ_Soul said:
What do you mean? I saw it in the theatre, but can't remember it well enough to get what you're referring to. I know I liked it though, even though I prefer the Jack Reacher films over John Wick.dankind said:John Wick Chapter 2
Pretty damn tone deaf.
Post edited by PJ_Soul onWith all its sham, drudgery, and broken dreams, it is still a beautiful world. Be careful. Strive to be happy. ~ Desiderata0 -
Mr. Momwww.myspace.com0
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We can agree to disagree.PJ_Soul said:
No, much more relevant to everyone. Obviously it would be pretty fucked up for filmmakers to start making their films to accommodate all the various mental illnesses or to eliminate all the "trauma triggers" that people have. Can you imagine how many subjects that would rule out?? No, I really think that sort of thinking is a seriously slippery slope. I mean, with that kind of thinking, we should have any violence in movies whatsoever, which is, of course, a very silly idea. No more war movies, no more movies dealing with violent crimes, nothing.dankind said:
Much more relevant to anyone with PTSD--that's for sure.PJ_Soul said:
Oh. Okay, I see. Yeah, I don't really go for that kind of thinking when it comes to films. It just feels like emotional censorship or over-sensitivity to me TBH. I don't think current events should lead to avoiding topics or events in film. On the contrary, actually. I think it makes the films more relevant.dankind said:
Um, mass shootout/shooting at a concert. Whatever, as long as it entertains, I guess.PJ_Soul said:
What do you mean? I saw it in the theatre, but can't remember it well enough to get what you're referring to. I know I liked it though, even though I prefer the Jack Reacher films over John Wick.dankind said:John Wick Chapter 2
Pretty damn tone deaf.
I wrote my thesis on the aesthetics of violence in film, so I'm not in any way suggesting this imaginary slippery slope fallacy that you and every other AMT poster like to bring up; I'm merely stating that the filmmakers were a little delinquent (or just willfully ignorant) for either filming that scene after Bataclan or leaving it in the film after Bataclan. (And if Vegas happened before the film was released, well, then, they were just plain heartless.) The reason being that it took me out of the film completely for its duration. Director's cuts and deleted scenes are fun, and that's where I think a scene such as this belonged considering the timing of its release. I'm sure that it was well choreographed and all other kinds of awesome, but my mind certainly went elsewhere while the scene played out. And I imagine that other viewers were taken out of the scene as well.
Plus, John Wick is more badass when he's kicking ass unarmed. Duh!
I'm in no way advocating less violence in film--hell, Bad Boys II is one of my all-time favorite films specifically because of its hilariously nihilistic disregard for basically all human life (and death!)--my argument is that it's just bad filmmaking to include a scene that easily distracts your audience from your art. Unless, of course, your art is political/topical, but this is a John Wick movie we're discussing.
Post edited by dankind onI SAW PEARL JAM0 -
2/20 2/21 whatever it takesThe Juggler said:Mr. MomColumbus-2000
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dankind said:
:rofl:KC138045 said:
2/20 2/21 whatever it takesThe Juggler said:Mr. Mom
Forgot how much I loved this movie back in the day. Jack Butler is an American Hero.www.myspace.com0 -
i had (maybe still have that on VHS) and I never have seen it.The Juggler said:dankind said:
:rofl:KC138045 said:
2/20 2/21 whatever it takesThe Juggler said:Mr. Mom
Forgot how much I loved this movie back in the day. Jack Butler is an American Hero.
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I have it on DVD and its been on HBO lately. Its a must watch every time it comes on.eeriepadave said:
i had (maybe still have that on VHS) and I never have seen it.The Juggler said:dankind said:
:rofl:KC138045 said:
2/20 2/21 whatever it takesThe Juggler said:Mr. Mom
Forgot how much I loved this movie back in the day. Jack Butler is an American Hero.
"Victor? How could it be Victor, he had a vasectomy. It didn't take?" :rofl:Columbus-2000
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Imaginary slippery slope fallacy? FYI, I'm actually not generally believer in the slippery slope theory either; I don't think it applies to most subjects, assuming logic is applied in the execution of regulation. I just think that it applies to this one theoretically because okay, people are offended by this.... So what's keeping filmmakers from constantly considering that factor?? Nothing much, if that's what the public comes to expect. And you know what, I don't generally give a damn about people being offended by things. I think the state of being offended is given way too much credit. I guess the same would apply to those who feel taken out of the film because a scene reminds them of some upsetting event (no offense, lol). Hell, I would think the most prevalent feeling for those who thought about real concert shootings at all by watching would be for it to have a stronger emotional impact, which is a good thing.dankind said:
We can agree to disagree.PJ_Soul said:
No, much more relevant to everyone. Obviously it would be pretty fucked up for filmmakers to start making their films to accommodate all the various mental illnesses or to eliminate all the "trauma triggers" that people have. Can you imagine how many subjects that would rule out?? No, I really think that sort of thinking is a seriously slippery slope. I mean, with that kind of thinking, we should have any violence in movies whatsoever, which is, of course, a very silly idea. No more war movies, no more movies dealing with violent crimes, nothing.dankind said:
Much more relevant to anyone with PTSD--that's for sure.PJ_Soul said:
Oh. Okay, I see. Yeah, I don't really go for that kind of thinking when it comes to films. It just feels like emotional censorship or over-sensitivity to me TBH. I don't think current events should lead to avoiding topics or events in film. On the contrary, actually. I think it makes the films more relevant.dankind said:
Um, mass shootout/shooting at a concert. Whatever, as long as it entertains, I guess.PJ_Soul said:
What do you mean? I saw it in the theatre, but can't remember it well enough to get what you're referring to. I know I liked it though, even though I prefer the Jack Reacher films over John Wick.dankind said:John Wick Chapter 2
Pretty damn tone deaf.
I wrote my thesis on the aesthetics of violence in film, so I'm not in any way suggesting this imaginary slippery slope fallacy that you and every other AMT poster like to bring up; I'm merely stating that the filmmakers were a little delinquent (or just willfully ignorant) for either filming that scene after Bataclan or leaving it in the film after Bataclan. (And if Vegas happened before the film was released, well, then, they were just plain heartless.) The reason being that it took me out of the film completely for its duration. Director's cuts and deleted scenes are fun, and that's where I think a scene such as this belonged considering the timing of its release. I'm sure that it was well choreographed and all other kinds of awesome, but my mind certainly went elsewhere while the scene played out. And I imagine that other viewers were taken out of the scene as well.
Plus, John Wick is more badass when he's kicking ass unarmed. Duh!
I'm in no way advocating less violence in film--hell, Bad Boys II is one of my all-time favorite films specifically because of its hilariously nihilistic disregard for basically all human life (and death!)--my argument is that it's just bad filmmaking to include a scene that easily distracts your audience from your art. Unless, of course, your art is political/topical, but this is a John Wick movie we're discussing.
With all its sham, drudgery, and broken dreams, it is still a beautiful world. Be careful. Strive to be happy. ~ Desiderata0 -
wasn't there a Schwarzenegger film that was pushed back for that? was it the title or the content? Collateral Damage I think?PJ_Soul said:
Oh. Okay, I see. Yeah, I don't really go for that kind of thinking when it comes to films. It just feels like emotional censorship or over-sensitivity to me TBH. I don't think current events should lead to avoiding topics or events in film. On the contrary, actually. I think it makes the films more relevant.dankind said:
Um, mass shootout/shooting at a concert. Whatever, as long as it entertains, I guess.PJ_Soul said:
What do you mean? I saw it in the theatre, but can't remember it well enough to get what you're referring to. I know I liked it though, even though I prefer the Jack Reacher films over John Wick.dankind said:John Wick Chapter 2
Pretty damn tone deaf.
edit: it was b/c of 9/11.
The September 11, 2001 attacks affected the release and editing of the final film. The original trailer was scrapped because it showed a major bomb attack in the United States. The film was originally scheduled to be released on October 5, 2001, but it was postponed due to its terrorism theme and eventually released on February 8, 2002. The premiere was held four days earlier.[1] Collateral Damage was also supposed to include Colombian actress Sofía Vergara in the role of an airplane hijacker; however the scene where Vergara would hijack a plane was cut from the film.[2] The film made $78 million worldwide against its $85 million budget.[3] Warner Brothers released the DVD in the United States on July 30, 2002.[4]
Post edited by HughFreakingDillon onYour boos mean nothing to me, for I have seen what makes you cheer0 -
I don't know, sounds likely. I remember after 9/11 some movie that involved planes into buildings got scrapped altogether or something like that. I also remember that I'm Your Man by Leonard Cohen was pulled from NYC retailers because First We Take Manhattan is on it. That frustrated me a lot.HughFreakingDillon said:
wasn't there a Schwarzenegger film that was pushed back for that? was it the title or the content? Collateral Damage I think?PJ_Soul said:
Oh. Okay, I see. Yeah, I don't really go for that kind of thinking when it comes to films. It just feels like emotional censorship or over-sensitivity to me TBH. I don't think current events should lead to avoiding topics or events in film. On the contrary, actually. I think it makes the films more relevant.dankind said:
Um, mass shootout/shooting at a concert. Whatever, as long as it entertains, I guess.PJ_Soul said:
What do you mean? I saw it in the theatre, but can't remember it well enough to get what you're referring to. I know I liked it though, even though I prefer the Jack Reacher films over John Wick.dankind said:John Wick Chapter 2
Pretty damn tone deaf.
With all its sham, drudgery, and broken dreams, it is still a beautiful world. Be careful. Strive to be happy. ~ Desiderata0 -
dankind said:
We can agree to disagree.PJ_Soul said:
No, much more relevant to everyone. Obviously it would be pretty fucked up for filmmakers to start making their films to accommodate all the various mental illnesses or to eliminate all the "trauma triggers" that people have. Can you imagine how many subjects that would rule out?? No, I really think that sort of thinking is a seriously slippery slope. I mean, with that kind of thinking, we should have any violence in movies whatsoever, which is, of course, a very silly idea. No more war movies, no more movies dealing with violent crimes, nothing.dankind said:
Much more relevant to anyone with PTSD--that's for sure.PJ_Soul said:
Oh. Okay, I see. Yeah, I don't really go for that kind of thinking when it comes to films. It just feels like emotional censorship or over-sensitivity to me TBH. I don't think current events should lead to avoiding topics or events in film. On the contrary, actually. I think it makes the films more relevant.dankind said:
Um, mass shootout/shooting at a concert. Whatever, as long as it entertains, I guess.PJ_Soul said:
What do you mean? I saw it in the theatre, but can't remember it well enough to get what you're referring to. I know I liked it though, even though I prefer the Jack Reacher films over John Wick.dankind said:John Wick Chapter 2
Pretty damn tone deaf.
I wrote my thesis on the aesthetics of violence in film, so I'm not in any way suggesting this imaginary slippery slope fallacy that you and every other AMT poster like to bring up; I'm merely stating that the filmmakers were a little delinquent (or just willfully ignorant) for either filming that scene after Bataclan or leaving it in the film after Bataclan. (And if Vegas happened before the film was released, well, then, they were just plain heartless.) The reason being that it took me out of the film completely for its duration. Director's cuts and deleted scenes are fun, and that's where I think a scene such as this belonged considering the timing of its release. I'm sure that it was well choreographed and all other kinds of awesome, but my mind certainly went elsewhere while the scene played out. And I imagine that other viewers were taken out of the scene as well.
Plus, John Wick is more badass when he's kicking ass unarmed. Duh!
I'm in no way advocating less violence in film--hell, Bad Boys II is one of my all-time favorite films specifically because of its hilariously nihilistic disregard for basically all human life (and death!)--my argument is that it's just bad filmmaking to include a scene that easily distracts your audience from your art. Unless, of course, your art is political/topical, but this is a John Wick movie we're discussing.
This makes total sense.
As far as John Wick vs Jack Reacher?
Tom Cruise is unwatchable at this point, for me. That first Reacher movie was so awful I will never watch another.
As Charles Barkley would say - turrbleThe love he receives is the love that is saved0 -
I was thinking about going to the movies tonight but the movies at the pimp theatre near me (recliners are a must) are ones I have already seen or don't care to. Jurrasic Suck doesn't interest me. Boring.The love he receives is the love that is saved0
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Going Solo, again?F Me In The Brain said:I was thinking about going to the movies tonight but the movies at the pimp theatre near me (recliners are a must) are ones I have already seen or don't care to. Jurrasic Suck doesn't interest me. Boring.
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New Sicario movie is out.Hobbes said:
Going Solo, again?F Me In The Brain said:I was thinking about going to the movies tonight but the movies at the pimp theatre near me (recliners are a must) are ones I have already seen or don't care to. Jurrasic Suck doesn't interest me. Boring.I SAW PEARL JAM0 -
Lol. Yes, solo again.I saw Sicario is out. I thought the first one was OK. Perhaps will take a look at that.The love he receives is the love that is saved0
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If nothing else, Benicio del Toro is always awesome.I SAW PEARL JAM0
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Well, I'm a huge fan of Tom Cruise movies - can't think of a single one that I don't enjoy. So I'm sure that helps. While I really enjoy the John Wick movies too, I find them a little lacking in terms of the storyline.F Me In The Brain said:dankind said:
We can agree to disagree.PJ_Soul said:
No, much more relevant to everyone. Obviously it would be pretty fucked up for filmmakers to start making their films to accommodate all the various mental illnesses or to eliminate all the "trauma triggers" that people have. Can you imagine how many subjects that would rule out?? No, I really think that sort of thinking is a seriously slippery slope. I mean, with that kind of thinking, we should have any violence in movies whatsoever, which is, of course, a very silly idea. No more war movies, no more movies dealing with violent crimes, nothing.dankind said:
Much more relevant to anyone with PTSD--that's for sure.PJ_Soul said:
Oh. Okay, I see. Yeah, I don't really go for that kind of thinking when it comes to films. It just feels like emotional censorship or over-sensitivity to me TBH. I don't think current events should lead to avoiding topics or events in film. On the contrary, actually. I think it makes the films more relevant.dankind said:
Um, mass shootout/shooting at a concert. Whatever, as long as it entertains, I guess.PJ_Soul said:
What do you mean? I saw it in the theatre, but can't remember it well enough to get what you're referring to. I know I liked it though, even though I prefer the Jack Reacher films over John Wick.dankind said:John Wick Chapter 2
Pretty damn tone deaf.
I wrote my thesis on the aesthetics of violence in film, so I'm not in any way suggesting this imaginary slippery slope fallacy that you and every other AMT poster like to bring up; I'm merely stating that the filmmakers were a little delinquent (or just willfully ignorant) for either filming that scene after Bataclan or leaving it in the film after Bataclan. (And if Vegas happened before the film was released, well, then, they were just plain heartless.) The reason being that it took me out of the film completely for its duration. Director's cuts and deleted scenes are fun, and that's where I think a scene such as this belonged considering the timing of its release. I'm sure that it was well choreographed and all other kinds of awesome, but my mind certainly went elsewhere while the scene played out. And I imagine that other viewers were taken out of the scene as well.
Plus, John Wick is more badass when he's kicking ass unarmed. Duh!
I'm in no way advocating less violence in film--hell, Bad Boys II is one of my all-time favorite films specifically because of its hilariously nihilistic disregard for basically all human life (and death!)--my argument is that it's just bad filmmaking to include a scene that easily distracts your audience from your art. Unless, of course, your art is political/topical, but this is a John Wick movie we're discussing.
This makes total sense.
As far as John Wick vs Jack Reacher?
Tom Cruise is unwatchable at this point, for me. That first Reacher movie was so awful I will never watch another.
As Charles Barkley would say - turrble
With all its sham, drudgery, and broken dreams, it is still a beautiful world. Be careful. Strive to be happy. ~ Desiderata0 -
I really like his older movies - I think the last one I loved was The Last Samurai.
Recent?
Mostly I cannot stomach them. I guess Ghost Protocol wasn't too bad but that was a while ago. He was great in Tropic Thunder but that was a small part.The love he receives is the love that is saved0
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