written
Comments
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the rat! hahaha, probably curious why are the locals
making such a big fuss
anyway, i noticed in your passage that there´s something we
might share and that is the sensitivity to the detail, discovering
the unusual in a certain thing; or even the ordinary, forced
to such extent that because of it´s quality it becomes
perceptible to the individual.
Berlin... you either hate it, or love it. Apart from your personal
perceptions and impressions of it, it can easily become your
home, or if it doesn´t like you, it will show you the evil side of it´s
face.
I´m probably one of the rare people who have seen the whole
face.
it´s sunday today. my mind should be resting.Write. Wind each new thought upon the stream;
and in its contradiction of response,
Or seeming stagnance, see that rippled gleam
That might suggest true movement. If you sense
a hidden wave in what seems blanket still,
Write more, wind each desire, and you'll see
The willows nod and rustle, and you will
hear the rushing babble of the free
gush of water, brimming, charged with light
That is your reader's understanding heart.0 -
Enjoy your Sunday. Back to the poetry on Monday though!0
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Desperate for words,
To read them, to write them,
To reshape them
As a soft lump of gold
Make them shine,
Put them in few lines
And then observe your reader´s face.
Predicting a twitch or two,
One positive and perhaps a negative sign too,
But left empty
When drawing clear conclusions.
Need for more material,
More input, more stimuli to wake up nerves,
Make my fingers fidget
Push them to the limit
My eye absolutely restless, it observes
How wrinkles constrict and relax again -
It is an indicator for a busy mind,
Estimating sound by sound…
Disappointment about one´s own creation,
Feeling that there is far more to say
But the thoughts, when thinking, somehow they just fade.Write. Wind each new thought upon the stream;
and in its contradiction of response,
Or seeming stagnance, see that rippled gleam
That might suggest true movement. If you sense
a hidden wave in what seems blanket still,
Write more, wind each desire, and you'll see
The willows nod and rustle, and you will
hear the rushing babble of the free
gush of water, brimming, charged with light
That is your reader's understanding heart.0 -
This reminds me a little, in some ways, of some of the themes of WB Yeats's poem "The Fascination of What's Difficult". Do you know it?0
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I must admit that i posses only the essential knowledge about Yeats and his work.
However, I will never stop studying literature and so I´m curious about this too and to what extent is my last poem related to his work.
and thank you for reading it.
talking to Whitney at the momentWrite. Wind each new thought upon the stream;
and in its contradiction of response,
Or seeming stagnance, see that rippled gleam
That might suggest true movement. If you sense
a hidden wave in what seems blanket still,
Write more, wind each desire, and you'll see
The willows nod and rustle, and you will
hear the rushing babble of the free
gush of water, brimming, charged with light
That is your reader's understanding heart.0 -
The fascination of what's difficult
Has dried the sap out of my veins, and rent
Spontaneous joy and natural content
Out of my heart. There's something ails our colt
That must, as if it had not holy blood
Nor on Olympus leaped from cloud to cloud,
Shiver under the lash, strain, sweat and jolt
As though it dragged road-metal. My curse on plays
That have to be set up in fifty ways,
On the day's war with every knave and dolt,
Theatre business, management of men.
I swear before the dawn comes round again
I'll find the stable and pull out the bolt.0 -
I still travel back in time sometimes,
Although I know I shouldn´t do so;
Reopening my wounds from time to time
Questioning myself about how low can I still go.
Nurturing the minds, I did, and still do at times,
Forgetting all about my own, just writing lines
That is the medicine my brain needs, and always will desire,
Brings me back to life, extinguishes the burning fire.
Only the past time knows the true story of this creature,
Laying hands on my heart as it goes,
It could be something for amusement,
Perhaps an exercise to make me even stronger.
If you follow me when travelling in Past,
You will see how things developed, minding signs,
But somewhere in the middle you might change your minds,
Yes, this route is troublesome; you better try some other path.Write. Wind each new thought upon the stream;
and in its contradiction of response,
Or seeming stagnance, see that rippled gleam
That might suggest true movement. If you sense
a hidden wave in what seems blanket still,
Write more, wind each desire, and you'll see
The willows nod and rustle, and you will
hear the rushing babble of the free
gush of water, brimming, charged with light
That is your reader's understanding heart.0 -
This is a powerfully effective poem, which provokes the horrific imagination of a subtext of a past that seethes. The nature of the past trauma referred to in the poem is never explicated, but the reference to a creature laying hands on the speaker's heart is hardly a euphemism either. The poem also emphasises the speaker's belief in writing as catharsis, while questioning the role of the reader in this act of writing to purge demons.
Thanks, exhale. You're good.0 -
So much is there still for me to find,
Crying, because I cannot reach the shelf
Where all the books could tell so much about myself,
Hidden in the corner, alas, I won´t be there on time.
Ambivalence of thoughts is balancing my head,
I am a character playing in his tragic play
And in The Globe he puts me on the stage,
To reveal my pattern of the chaos and foresee…
My habits every day the same with roots so deep
But what can change the change of life,
If you´re the master of your rhyme all of such kind
That causes nightmares, takes away your sleep.
This rhyme, you say, I´ve never met, I may not ever see,
Am I therefore incapable of loving?
But I am sick of all that mourning,
Please, leave the platform and continue this walk with me.Write. Wind each new thought upon the stream;
and in its contradiction of response,
Or seeming stagnance, see that rippled gleam
That might suggest true movement. If you sense
a hidden wave in what seems blanket still,
Write more, wind each desire, and you'll see
The willows nod and rustle, and you will
hear the rushing babble of the free
gush of water, brimming, charged with light
That is your reader's understanding heart.0 -
You are the fund of words to which we come.
The words you write say all about your heart
Before you might consult each hallowed tome
of poetry by others. You'll learn art
From reading others' works, but who you are
is in the words you speak, so frank, so true.
Of course we'll leave the platform, walk with you.0 -
thank you, Prof. Fins!
if no other, I know you´ll always find the core.
(thanks for the hint on the word phrase)
beautiful poetry of yours in your thread, created by the
pen of love that reaches across the Atlantic...
it is shaped the way that people cannot envy you;
even the hearts of most desperate souls have to cheer up
after following the flow of your verse.Write. Wind each new thought upon the stream;
and in its contradiction of response,
Or seeming stagnance, see that rippled gleam
That might suggest true movement. If you sense
a hidden wave in what seems blanket still,
Write more, wind each desire, and you'll see
The willows nod and rustle, and you will
hear the rushing babble of the free
gush of water, brimming, charged with light
That is your reader's understanding heart.0 -
There are some who proclaim they are great poets and produce something mundane, but there are also others who take the substance of their everyday life of experience and imagination, and make art of it. You are of the latter group.0
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I know that the night is not the same as the day: that all things are different, that the things of the night cannot be explained in the day, because they do not then exist, and the night can be a dreadful time for lonely people once their loneliness has started…
If people bring so much courage to this world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.
(Hemingway)Write. Wind each new thought upon the stream;
and in its contradiction of response,
Or seeming stagnance, see that rippled gleam
That might suggest true movement. If you sense
a hidden wave in what seems blanket still,
Write more, wind each desire, and you'll see
The willows nod and rustle, and you will
hear the rushing babble of the free
gush of water, brimming, charged with light
That is your reader's understanding heart.0 -
"I am an atheist, when it's daylight."
(Brendan Behan)
That quotation always appealed to me.0 -
Many times I catch my mind in meditation,
When it should be, loosely, working on a new creation.
Having trouble waking up the poet,
Feeling like my soul was given out for rent.
Look at him! His words so simply flow,
Singing every moment, mapping his ideas as he goes.
He would never, even for a blink
Put his pen down, overthink;
No, a writer of this kind I could never be,
I better find my chair again, sit down and study.
Turning to you, poets, with this question:
Have you ever felt your power dwindling,
Your glory fading, losing it´s perfection?Write. Wind each new thought upon the stream;
and in its contradiction of response,
Or seeming stagnance, see that rippled gleam
That might suggest true movement. If you sense
a hidden wave in what seems blanket still,
Write more, wind each desire, and you'll see
The willows nod and rustle, and you will
hear the rushing babble of the free
gush of water, brimming, charged with light
That is your reader's understanding heart.0 -
I shall greet the voles in Hobson's Brook,
all scrunchy-nosing reeds, heads out from burrows.
I shall salute the starling and the rook,
on my allotment's broad potato furrows.
I shall halloo the colleges and spires
and sing when Hill's Road Churchbells sound in chime.
I shall greet warmly smells of rustic fires
Blowing in the wind this havest time.
I shall shout your name for you, and hear
its echoes on the fenlands far and near.0 -
So loud, so lively still the voices calling,
Inviting me to join their party
On the surface of the summer sun
Dancing till the day is gone.
It feels like making love with views
Of this land, so much is there to choose,
From the grounds and up to peoples eyes
So honest, so pure, free of all dark lies.
If even flying through it´s fields,
Above, the sky covered with different-blue sheets,
You cannot fail to see the nature´s art
Playing with the colours-engraving on your heart.Write. Wind each new thought upon the stream;
and in its contradiction of response,
Or seeming stagnance, see that rippled gleam
That might suggest true movement. If you sense
a hidden wave in what seems blanket still,
Write more, wind each desire, and you'll see
The willows nod and rustle, and you will
hear the rushing babble of the free
gush of water, brimming, charged with light
That is your reader's understanding heart.0 -
I like it....hehehehehhehe....they're asking me to prove why I should be allowed to stay with my baby in Australia, because I'm mentally ill......and they think I should leave......0
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wow,
thank youWrite. Wind each new thought upon the stream;
and in its contradiction of response,
Or seeming stagnance, see that rippled gleam
That might suggest true movement. If you sense
a hidden wave in what seems blanket still,
Write more, wind each desire, and you'll see
The willows nod and rustle, and you will
hear the rushing babble of the free
gush of water, brimming, charged with light
That is your reader's understanding heart.0 -
Originally posted by exhale
So loud, so lively still the voices calling,
Inviting me to join their party
On the surface of the summer sun
Dancing till the day is gone.
It feels like making love with views
Of this land, so much is there to choose,
From the grounds and up to peoples eyes
So honest, so pure, free of all dark lies.
If even flying through it´s fields,
Above the sky covered with different-blue sheets,
You cannot fail to see the nature´s art
Playing with the colours-engraving on your heart.
This is a beautiful example of an elegiac construction of Englishness, and it reminds me very much of the work of "Georgian Poets" (poets alive during the reign of George V, 1910-1935, but mainly writing between 1910 and 1918, from England rather than from the trenches of WW1). The Georgian Poets often wrote melancholically, wistfully and reflectively of an essentially rural England that they perceived to be becoming supplanted by metropolitanism.
Here is a poem by the poet Edward Thomas, called "Adlestrop", which is similar in tone to your poem:
Yes, I remember Adlestrop--
The name, because one afternoon
Of heat the express-train drew up there
Unwontedly. It was late June.
The steam hissed. Someone cleared his throat.
No one left and no one came
On the bare platform. What I saw
Was Adlestrop - only the name
And willows, willow-herb, and grass,
And meadowsweet, and haycocks dry,
No whit less still and lonely fair
Than the high cloudlets in the sky.
And for that minute a blackbird sang
Close by, and round him, mistier,
Farther and farther, all the birds
Of Oxfordshire and Gloucestershire.0
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