sleater-kinney modern girl
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Just need a little help... anyone own this song... i have downloaded it severl times and it is distorted 2/3 of the way in... is this the song or am i getting a bad itunes download???
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Fyodor Dostoyevsky
hahah thats funny...ive never really like that distortion there either.
I was THIS close to buying a used S/K CD last weekend, but then decided against it
The cd is good though.
Things like mid-song distortions
I have tried pretty hard to like those girls, but I think I have given up
You mean it was that and not her voice that stopped you?
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I file her voice under mid-song distortions
It's supposed to be loud!
The Woods is an amazing album!
Fyodor Dostoyevsky
I think they were deliberately trying to make it as rough and abrasive as possible. After four or five albums of the same clean, polished production, they needed to shake it up.
This album has the good kind of distortion; you can hear that it was distorted because they had the amps heavily overdriven. It's not like the digital distortion you hear on Springsteen's Magic or Avocado, where they push the song into the red on the computer just so it'll be loud in comparison to everything on the radio.
Yes, yes, I got that but it's LOUD to the point that if I have my player on random I have to grab the switch and turn it down. Records that are like that sound bad.
Play it on vinyl, and it makes wonderful sense.
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I'm sure that'll be cheap and easy to find.
I found it in Tower Records for 20 Euro. Not bad.
double post
Yeah, but there's a precedent for that in punk rock. I can remember songs by the Sex Pistols (I think?) that started so soft the first time you played the record you'd turn it way up and then, LOW AND BELHOLD THE DAMN SONG WOULD REALLY START AND IT WAS [size=+2]SO FUCKING LOUD!!!!!!!![/size]
I'm not talking about how heavy the music is or how much distortion they're playing with, I'm talking about the way the CD was mastered: loud as is loudness wars. For example, Soundgarden has nice quiet CDs; this is the opposite. It's far and away the loudest disc I own, even louder than Californication.
I think what we're trying to say is that it wasn't part of the loudness war - it was a genuine stylistic choice. But I can respect that you don't like that choice.
That surprises me. I love the songs but I hate the production. It's really taxing on the ears.
Take for example any good version of the Fox that you'd find on Youtube. It starts it with that heavy distorted riff and gets real real quiet during the verse, the contrast makes the song all the more powerful. You don't get that on the record and it really takes away from the song's impact. I just am rather surprised that this would be done on purpose.
For me, it's impossible to separate the songs from the production - that bleeding-ear volume is as much a part of The Fox as Corin's "Land ho". The steadily building distortions on Modern Girl reflect the narrator's worldview crumbling around her as much as the lyrics do.
The sad part is, they probably would have found a glorious medium between The Woods and One Beat if they had made one more record.
I didn`t like the production too when I first listened to the album, but I think it`s a matter of getting used to it. I absolutely love it now.
Fyodor Dostoyevsky
Funny, I've listened to The Woods many times, I don't hear it being a casualty of the Loudness Wars, as you put it. There's distortion, but it's natural distortion; I believe the entire album was made using analog equipment. I hear overdriven amps, not digital distortion. When I think of the loudness wars, I think of clipping and no differentiation between instruments; I hear none of that in The Woods; it's a loud and very abrasive rock record, but it doesn't grate on me in the sense that Magic, Avocado, and Accelerate by R.E.M. Those are just digitally mastered to compete with rock radio. I don't hear that in The Woods.
I understand the effects that song.