Superunknown
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Been listening to this album a lot lately. Its fuckin' awesome.
I also noticed that there's a real distinct sound from the first half of the album and the second half. The first half of the album is much more upbeat (in terms of music) and generally faster. The second half is slower and kind of grungier (I know that term is generally hated).
Anyway, I recently took out Black Hole Sun just to see how it would sound without it, and I actually think its a better album that way.
I'm also obsessed right now with Limo Wreck, Fresh Tendrils (especially) and Like Suicide. But just such a good album all over.
I also noticed that there's a real distinct sound from the first half of the album and the second half. The first half of the album is much more upbeat (in terms of music) and generally faster. The second half is slower and kind of grungier (I know that term is generally hated).
Anyway, I recently took out Black Hole Sun just to see how it would sound without it, and I actually think its a better album that way.
I'm also obsessed right now with Limo Wreck, Fresh Tendrils (especially) and Like Suicide. But just such a good album all over.
you couldn't swing if you were hangin' from a palm tree in a hurricane.
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I've aso listened to that album quite much recently and I completely agree with your view. Awesome album... and I like the production
2007: Copenhagen, Werchter
2009: Rotterdam, London
2010: MSG, Arras, Werchter
2012: Amsterdam, Prague, Berlin
2014: Amsterdam, Stockholm
The production is awesome. There is something about this album that flows better than a lot of their other albums I believe. I know that its kind of their commercial album, but it really just works so well.
The only conceivable problems are that a few of the songs sound like obvious cut and paste jobs, and that the sound is a bit to shiny-- but at the same thime they were probably going for the mainstream hard rock masterpiece (a la Who's Next) so it's hard to fault them for not being a raw as they usually were.
2007: Copenhagen, Werchter
2009: Rotterdam, London
2010: MSG, Arras, Werchter
2012: Amsterdam, Prague, Berlin
2014: Amsterdam, Stockholm
I wouldn't quite put it like that because Face Pollution, Mind Riot, and Drawing Flies are fucking awesome, and Searching, and Somewhere are pretty good. But, yeah, I see what you're saying.
I find myself obsessed with "searching with....", even though I didn't like it much compared to the rest of BMF at one point. Superunknown is a masterpiece, but I rarely think its their best. Louder than love to Down on the Upside are some of the best albums of all time. I really like the raw ultramegaOK, as well.
I guess I'd be more inclined to compare LTL with BMF and Super with DOUS. And usually I'll pick LTL and DOUS, but I love them all.
Damn it, why did they have to break up?!
Every few months, I just have to spend a few days listening to it. I listen to it far more often than any pj record anymore, actually.
You don't have to cry
If this isn't making sense
It doesn't make it lies"
There are some bright spots on Louder Than Love, but there are some really terrible songs on it as well.
superunknown drags on a bit....
HAVE YOU NOT MIND RIOT? HOLY WATER?? NEW DAMAGE!!??? - one of the best sg songs imo,
wow thats a very bad statement, you really need to listen to BMF again
Katowice 2007
London 2007
THE
DAY
I
TRIED
TO
LIVE
:rolleyes:
superunknown, fell on black days, like suicide, limo wreck... love it, love it, love it
STILL: BADMOTORFINGER STANDS ABOVE SUPERUNKNOWN
I'll Hold The Pain... Release...
Yourself
Wait, what???
i bought Superunknown the day it was released on the strength of the radio hit "Spoonman". over the years i've grown to love:
Mailman
Head Down
Let Me Drown
Limo Wreck
4th of July
Like Suicide
Fell On Black Days
although i don't listen to this record as much as i should it's still in the top 30 all time for me. probably top 25.
I agree. Down On The Upside too.
I love Soundgarden's darker, slower songs.
one minute shorter for the songs? i really cannot see where you are coming from. the songs are perfectly constructed the way they are.
and what about the thread starter saying Superunknown would be better with Black Hole Sun. Like holy shit. Thats like a family with one of the kids taken away. Black Hole Sun is a FANTASTIC song, regardless of whether or not it was a smash hit, and its one of their best ever.
Butthead: It means that his friends are like turds and that they like suck.
Beavis: Heh heh. Oh yeah. Yeah! Get those spoons out of my face before I shove them up your butt!
Butthead: Huh huh.
It's all opinion man, believe me I've heard both albums plenty of times. I don't think SUK drags at all. I think we need to take this out in halo :-)
That was me. I wasn't saying I didn't like the song because it was a radio hit, and I didn't say it was a bad song. I just heard it too many times and got sick of it. I also think its overrated and just wanted to see what the album would sound like without it. I mean, if I always skip the track, why not just take it out? Personally I prefer it that way.
I think Down On The Upside is a good album full of missed oppurtunities. The heavier songs sound really muddeled. Good mellow stuff though.
I really, really, REALLY, dislike the effects and production used on Chris' voice on that record.
That would be like taking Stairway To Heaven from Zeppelin IV, or Alive from Ten - yes they are all over played songs, and it goes without saying that all those bands have better songs on the album, but they all play a part in making the record what it is. I very rarely listen to Black Hole Sun, and wouldn't be at all bothered if Cornell skipped it live, BUT I still think it's an incredibly well written song and deserves to be on the record.
I'm not saying it shouldn't have been written. I just like the album more without it. That's the beauty of taste, mine is mine, and yours is yours. And with these new machines called ipods, I can do whatever I want to the tracklisting on the album. If I really wanted, I could put on a couple of Disney songs.