Does Mike deserve his own signature guitar?
sapperskunk
Posts: 684
I was wondering what some people thought on whether or not he was worthy of a signature strat?
There's a ton of signature guitars out there, here's a simple search. Some worthy, some not.
http://www.musiciansfriend.com/home/navigation?d=tp&q=signature+guitars&r=&src=00630
This guy deffinately deserved his.
http://www.gretschguitars.com/whatshot/rhh.html
It's like $ 3,300.00 bucks, yikes.
There's a ton of signature guitars out there, here's a simple search. Some worthy, some not.
http://www.musiciansfriend.com/home/navigation?d=tp&q=signature+guitars&r=&src=00630
This guy deffinately deserved his.
http://www.gretschguitars.com/whatshot/rhh.html
It's like $ 3,300.00 bucks, yikes.
www.myspace.com/olafvonmastadon
Post edited by Unknown User on
0
Comments
I'd say yes if it meant something. Dave Gilmour had to wait about 25 years.
old music: http://www.myspace.com/slowloader
http://www.wishlistfoundation.org
Oh my, they dropped the leash.
Morgan Freeman/Clint Eastwood 08' for President!
"Make our day"
Good point.
yeah, but when i think of mike mccready, i immediately think of the '59 strat... the "yellow ledbetter" guitar. that's the one i'd want to see as a signature model.
good description of it here:
http://www.sonymusic.com/artists/PearlJam/gear/mike.html
here's a masterbuilt '59 re-issue from fender:
http://www.fender.com/products/search.php?partno=9275000488
they would just have to give it the sunburst paint job and then apply "relic" treatment to make it look like mike's exact model. oh yeah... and a rosewood fretboard.
of course, this signature would be of absolutely no use to mike mccready (i'm sure he'd just buy another original '59 if he had to), and it's unlikely that he'd agree to have it built if it only served him for publicity purposes. but i know a lot fans (especially me) who would be very enthusiastic about the signature model.
I hear you, but when I think of Mike, I also think of him playing a Gibson Les Paul on "Alive" or his LP Jr.
I have nothing against the concept of signature guitars, especially as the proud owner of a John Mayer Strat, but most of the people I associate with signature guitars, like Mayer, or Clapton, seem to always be seen playing just those guitars, and no other brands.
clapton has signature guitars from at least three different companies that i can think of (fender, gibson, and martin). if mike wanted to go down that road, i'd be cool with it.
Good point!
JEFF HARDY AND JEFF AMENT USED TO LOOK THE SAME
"Pearl Jam always eases my mind and fires me up at the same time.”-Jeff Hardy
JEFF HARDY AND JEFF AMENT USED TO LOOK THE SAME
"Pearl Jam always eases my mind and fires me up at the same time.”-Jeff Hardy
it's got nothing to do with skill and everything to do with recognition, association and marketability.
Bingo.
JEFF HARDY AND JEFF AMENT USED TO LOOK THE SAME
"Pearl Jam always eases my mind and fires me up at the same time.”-Jeff Hardy
EXACTLY what I was thinking...
the concept of "selling out" is for kids detached from reality.
To me, however, it doesn't make all that much sense for Fender or Gibson to make a McCready signature guitar. Reason being, Mike plays vintage stock guitars, nothing customized, nothing that really makes it "his". They already do make reissues of late 50's strats and LPs, and they already make relics that show wear and tear...
"Japan is awesome; the fans there knew all the words to all the songs...at least phonetically." - Stone
"I know this song so well, I can smoke a cigarette, have a drink, brush my teeth, take a shit, and mow the lawn while singing it. But I'll only be doing a couple of those things during this version." - EV
That was going to be my next point.
http://www.wishlistfoundation.org
Oh my, they dropped the leash.
Morgan Freeman/Clint Eastwood 08' for President!
"Make our day"
I bet if you asked Mike, he would be more into people playing guitar because they love music, then spending 2-3000 on a Mike McCready signature guitar.
The music isn't in the guitar...it's in the person.
old music: http://www.myspace.com/slowloader
you sell out as soon as you play your first gig for beer quite honestly. it's a stupid concept.
they had just an much of a manufactured image before armstrong started to wear eyeliner.
http://www.guitaronemag.com/images/GuitarOne_03.gif
but the article isn't the point. the point is that eric clapton is a musician who has MANY signature guitars... but each one of them is unmistakably clapton. this does not make him a sellout.
the discussion to this point has generally been based around the question of whether or not having a signature model makes you a sellout. but there's another side to this topic that hasn't been brought up yet: the artistic aspect of the guitar-building craft.
building a great guitar is an artform in itself, just like playing music is. some musicians, such as clapton, clearly have a deep respect for the luthiers who build their instruments. therefore it is considered an honor for him to have his name associated with these instruments. i would be honored too (although personally undeserving). i'm not implying that mike lacks respect in this regard; clearly he just doesn't choose to demonstrate it in the same way that clapton does.
but obviously, not all musicians consider the building process. it really annoys me when i see some these pop bands prancing around the stage with paul reed smiths and custom shop gibsons. in my opinion, many of these guys do not measure up artistically to the person who built their guitars (relatively speaking). then of course it's always necessary for them to smash the guitars after their song is over. why don't you show some mastery of the instrument before you destroy somebody else's art? how does that sound?
DISCLAIMER: i am not stating that guitar smashing is always wrong. but it should never be done if it was built by a master luthier or if you fail to demonstrate an ability to play it well.
i really have no idea how i ended up on the topic of guitar smashing. sorry for going off on such a ridiculous tangent there. but i think i've said what i wanted to say.
+1...
http://toolshed.down.net/lyrics/aenimalyrics.php#07
I totally agree. I never got what selling out was to be quite honest.
JEFF HARDY AND JEFF AMENT USED TO LOOK THE SAME
"Pearl Jam always eases my mind and fires me up at the same time.”-Jeff Hardy
+ Avagadro's number
Everyone wants to be a rock star so they can be rich ! They also want the music they love to be loved by everybody, cos that proves what good taste they have. Then when that happens, "it's a sellout" !!
ON guitar smashing, I totally agree that it is a crime to smash a beautiful handbuilt guitar. As I have said, they are all female, and it's like bashing women. It shows a total lack of respect to the craftsman who built it, to the music and to themselves. Mass produced junk guitars, maybe under extreme circumstances, like it is old and unplayable and of no use to anyone.
Anyway, that's off topic :rolleyes:
If Mike had a signature guitar it would be a dark sunburst strat,.. like that ancient one he plays Even Flow on. But I love how he switches things up so much.. That's something that always bugs the hell out of me is when guitarists never change their guitar. Like Frusciante,.. he's great and all, but cmon, does he have to ALWAYS play a strat?
http://www.wishlistfoundation.org
Oh my, they dropped the leash.
Morgan Freeman/Clint Eastwood 08' for President!
"Make our day"