Delux Cd w Bluray

2

Comments

  • KV4053
    KV4053 Mike's side, crushed up against the stage Posts: 1,514
    dobyblue said:
    Unfortunately the LPCM is as you'd expect the same atrocious mastering found everywhere else for the stereo mix, whether that's Spotify, Apple, Qobuz, HDTracks, Pro Studio Masters, CD, whatever.

    Thankfully the TrueHD/Atmos track is night and day from the stereo, not only is it beautifully mastered with more dynamics than even Ten originally had in 1991, but the mix is really well done too! And we don't have to suffer a fidelity loss by going to streaming DD+/Atmos, such a thrill to finally get an audiophile release of a Pearl Jam album after so many years of loudness wars vinyl and CD/digital offerings.
    Can you play the TrueHD / Atmos version on a 2-channel stereo?  And if so, does it sound better than the stereo mix?
    I know I was born and I know that I'll die. The in between is mine.
  • bobasfeet
    bobasfeet Posts: 1,197
    SM187650 said:
    So the blu ray doesn’t have the cool visualizers from the theatre screening? 
    That is why I bought it. I am bummed out that it doesn't.
  • axellaire8
    axellaire8 Belgium Posts: 235
    edited April 2024
    I'm reading mixed answers on how exactly this works. Does ATMOS work on two channel stereo? The first time I listened to the Blu-ray, I had it on ATMOS and it sounded fantastic, but it also seemed to be missing something. LPCM sounded fuller but muddy 
    I'm wondering the same. I hear the same with my two channel stéréo. With atmos, I don't hear the bass, the sound seem muffled sometimes and sometimes like something is missing. Same as you for LPCM.

    Post edited by axellaire8 on

    1996: Paris/2006: Paris/2007: Werchter/2010: Werchter/2012: Amsterdam 1 and Werchter/2014: Amsterdam 1&2 and Werchter/2018: Amsterdam 1&2 and Werchter/2022: Werchter and Amsterdam 2

    EV: 2012: Amsterdam/2017: Antwerpen/2019: Bruxelles

  • axellaire8
    axellaire8 Belgium Posts: 235
    KV4053 said:
    dobyblue said:
    Unfortunately the LPCM is as you'd expect the same atrocious mastering found everywhere else for the stereo mix, whether that's Spotify, Apple, Qobuz, HDTracks, Pro Studio Masters, CD, whatever.

    Thankfully the TrueHD/Atmos track is night and day from the stereo, not only is it beautifully mastered with more dynamics than even Ten originally had in 1991, but the mix is really well done too! And we don't have to suffer a fidelity loss by going to streaming DD+/Atmos, such a thrill to finally get an audiophile release of a Pearl Jam album after so many years of loudness wars vinyl and CD/digital offerings.
    Can you play the TrueHD / Atmos version on a 2-channel stereo?  And if so, does it sound better than the stereo mix?
    Someone know this?

    1996: Paris/2006: Paris/2007: Werchter/2010: Werchter/2012: Amsterdam 1 and Werchter/2014: Amsterdam 1&2 and Werchter/2018: Amsterdam 1&2 and Werchter/2022: Werchter and Amsterdam 2

    EV: 2012: Amsterdam/2017: Antwerpen/2019: Bruxelles

  • dobyblue
    dobyblue Posts: 84
    KV4053 said:
    Can you play the TrueHD / Atmos version on a 2-channel stereo?  And if so, does it sound better than the stereo mix?
    Yes you can play it back, Atmos works with whatever your speaker layout is whether it's a massive 7.2.4 layout or just a pair of bookshelf speakers in stereo. Even on the fancy pants systems you can select "STEREO" as the listening mode and it will downmix to just your front speakers and subwoofer.

    The second question is wholly subjective but I can't stand the sonic signature of egregious dynamic range compression so to me the Atmos played back in stereo is a massive improvement over the stereo mix whether you're listening via Blu-ray, vinyl, CD or download.

    Here's the DR log for the Atmos mix downmixed to stereo, what a joy!

    foobar2000 2.1.2 / Dynamic Range Meter 1.1.1
    log date: 2024-04-23 14:46:41

    --------------------------------------------------------------------------------
    Analyzed: Pearl Jam / Dark Matter
    --------------------------------------------------------------------------------

    DR         Peak         RMS     Duration Track
    --------------------------------------------------------------------------------
    DR11      -5.01 dB   -18.37 dB      4:24 01-Scared Of Fear
    DR12      -3.95 dB   -19.16 dB      3:31 02-React, Respond
    DR12      -2.07 dB   -18.28 dB      5:01 03-Wreckage
    DR13      -1.02 dB   -17.77 dB      3:31 04-Dark Matter
    DR12      -4.24 dB   -18.65 dB      3:29 05-Won't Tell
    DR11      -2.74 dB   -18.63 dB      5:57 06-Upper Hand
    DR12      -4.28 dB   -18.49 dB      5:41 07-Waiting For Stevie
    DR12      -4.31 dB   -18.28 dB      2:19 08-Running
    DR13      -1.97 dB   -18.46 dB      4:07 09-Something Special
    DR12      -4.78 dB   -19.49 dB      4:37 10-Got To Give
    DR12      -2.77 dB   -18.73 dB      5:44 11-Setting Sun
    --------------------------------------------------------------------------------

    Number of tracks:  11
    Official DR value: DR12

    Samplerate:        48000 Hz
    Channels:          2
    Bits per sample:   24
    Bitrate:           1532 kbps
    Codec:             FLAC
    ================================================================================

  • dobyblue
    dobyblue Posts: 84
    bobasfeet said:
    SM187650 said:
    So the blu ray doesn’t have the cool visualizers from the theatre screening? 
    That is why I bought it. I am bummed out that it doesn't.

    I don't know what the visualizers were but the album does play with Dark Matter-themed graphics playing throughout, not just a black screen or title track etc screen.
  • KV4053
    KV4053 Mike's side, crushed up against the stage Posts: 1,514
    edited April 2024
    dobyblue said:
    KV4053 said:
    Can you play the TrueHD / Atmos version on a 2-channel stereo?  And if so, does it sound better than the stereo mix?
     to me the Atmos played back in stereo is a massive improvement over the stereo mix whether you're listening via Blu-ray, vinyl, CD or download.




    That is what I thought as well.  Ed's vocals are more up front and clearly centered in the soundstage.  Jeff's bass is also clear.  Mike's guitar wanders all over the soundstage...and is magnificent.
    Post edited by KV4053 on
    I know I was born and I know that I'll die. The in between is mine.
  • What software did you use to rip/downmix? Makemkv>dvdae is what I’m using I left the house for work after hitting the button to down mix the atmos so haven’t listened back. I also set lpcm as a 16 bit rip but am now suspecting it’s 24/48 not 16/48, anybody’s system tell you whether stereo lpcm it’s 24bit or 16bit as it’s playing? Goal is to get the hires files into Pono for headphone listening! 
    1996-09.22; 1998-06.14,07.02,07.13,07.14,08.17,08.18; 2000-08.18,08.20,10.11,10.27,10.28; 2003-04.23,04.26,06.18,06.19,06.22; 2004-10.02,10.03,10.05; 2006-05.16,05.17,05.19,05.20,06.23,06.24; 2007-08.05; 2009-08.23,08.24,09.28,10.31; 2010-05.06,05.07; 2011-09.03,09.04; 2013-07.19; 2014-10.01; 2016-04.26,08.20,08.22; 2018-08.18, 08.20; 2022-09.17; 2023-09.05, 09.07; 2024-08.26
  • dobyblue
    dobyblue Posts: 84
    What software did you use to rip/downmix? Makemkv>dvdae is what I’m using I left the house for work after hitting the button to down mix the atmos so haven’t listened back. I also set lpcm as a 16 bit rip but am now suspecting it’s 24/48 not 16/48, anybody’s system tell you whether stereo lpcm it’s 24bit or 16bit as it’s playing? Goal is to get the hires files into Pono for headphone listening! 

    It is 24/48 LPCM but I would highly recommend using a downmix 24/48 LPCM from the Atmos mix for your Pono.

    I use AudioMuxer after MakeMKV...a long time ago in the SACD/DVD-A days I used DVDAE but AudioMuxer provided a much more seamless dts-HD Master Audio solution before anyone else so I've never gone back.
  • CarryTheZero
    CarryTheZero Posts: 3,509
    dobyblue said:
    bobasfeet said:
    SM187650 said:
    So the blu ray doesn’t have the cool visualizers from the theatre screening? 
    That is why I bought it. I am bummed out that it doesn't.

    I don't know what the visualizers were but the album does play with Dark Matter-themed graphics playing throughout, not just a black screen or title track etc screen.
    There were individual visualizers for each song , I think they might be on YouTube.
  • IALauder
    IALauder Posts: 16
    In regards to the 2 channel downmix of the TrueHD.  Standard TrueHD provides a 2 channel, 6 channel and 8 channel presentation.  The Atmos metadata is most likely only applied to the 6 and 8 channel presentations, but it will still provide a stereo downmix.
  • KV4053
    KV4053 Mike's side, crushed up against the stage Posts: 1,514
    IALauder said:
    In regards to the 2 channel downmix of the TrueHD.  Standard TrueHD provides a 2 channel, 6 channel and 8 channel presentation.  The Atmos metadata is most likely only applied to the 6 and 8 channel presentations, but it will still provide a stereo downmix.
    Thank you. This is helpful. Based on what you're saying, for clarity, should I use the Atmos (TrueHD) option rather than the LPCM option on the blu-rays top menu?
    I know I was born and I know that I'll die. The in between is mine.
  • dobyblue said:
    What software did you use to rip/downmix? Makemkv>dvdae is what I’m using I left the house for work after hitting the button to down mix the atmos so haven’t listened back. I also set lpcm as a 16 bit rip but am now suspecting it’s 24/48 not 16/48, anybody’s system tell you whether stereo lpcm it’s 24bit or 16bit as it’s playing? Goal is to get the hires files into Pono for headphone listening! 

    It is 24/48 LPCM but I would highly recommend using a downmix 24/48 LPCM from the Atmos mix for your Pono.

    I use AudioMuxer after MakeMKV...a long time ago in the SACD/DVD-A days I used DVDAE but AudioMuxer provided a much more seamless dts-HD Master Audio solution before anyone else so I've never gone back.
    Thanks for talking nerd with me! Off to hunt that down 
    1996-09.22; 1998-06.14,07.02,07.13,07.14,08.17,08.18; 2000-08.18,08.20,10.11,10.27,10.28; 2003-04.23,04.26,06.18,06.19,06.22; 2004-10.02,10.03,10.05; 2006-05.16,05.17,05.19,05.20,06.23,06.24; 2007-08.05; 2009-08.23,08.24,09.28,10.31; 2010-05.06,05.07; 2011-09.03,09.04; 2013-07.19; 2014-10.01; 2016-04.26,08.20,08.22; 2018-08.18, 08.20; 2022-09.17; 2023-09.05, 09.07; 2024-08.26
  • dobyblue
    dobyblue Posts: 84
    KV4053 said:
    IALauder said:
    In regards to the 2 channel downmix of the TrueHD.  Standard TrueHD provides a 2 channel, 6 channel and 8 channel presentation.  The Atmos metadata is most likely only applied to the 6 and 8 channel presentations, but it will still provide a stereo downmix.
    Thank you. This is helpful. Based on what you're saying, for clarity, should I use the Atmos (TrueHD) option rather than the LPCM option on the blu-rays top menu?

    The LPCM is horrendously compressed (dynamically) - definitely choose the Atmos track as long as your system supports TrueHD.
  • dobyblue said:
    KV4053 said:
    IALauder said:
    In regards to the 2 channel downmix of the TrueHD.  Standard TrueHD provides a 2 channel, 6 channel and 8 channel presentation.  The Atmos metadata is most likely only applied to the 6 and 8 channel presentations, but it will still provide a stereo downmix.
    Thank you. This is helpful. Based on what you're saying, for clarity, should I use the Atmos (TrueHD) option rather than the LPCM option on the blu-rays top menu?

    The LPCM is horrendously compressed (dynamically) - definitely choose the Atmos track as long as your system supports TrueHD.
    ^ this is the way. Finally got the disc out of my computer and into the Oppo- the atmos mix on the bluray is much better to listen to than any other version. I’ve heard dark matter the most and the difference is night and day. The drums sound realer, all kinds of crazy fills that are buried in the other mix come out, you hear Jeff doing some things that are hard to hear otherwise, and even some reverb on the vocal thats hard to hear otherwise is there. It just breathes a little more. Love it. 
    1996-09.22; 1998-06.14,07.02,07.13,07.14,08.17,08.18; 2000-08.18,08.20,10.11,10.27,10.28; 2003-04.23,04.26,06.18,06.19,06.22; 2004-10.02,10.03,10.05; 2006-05.16,05.17,05.19,05.20,06.23,06.24; 2007-08.05; 2009-08.23,08.24,09.28,10.31; 2010-05.06,05.07; 2011-09.03,09.04; 2013-07.19; 2014-10.01; 2016-04.26,08.20,08.22; 2018-08.18, 08.20; 2022-09.17; 2023-09.05, 09.07; 2024-08.26
  • bobasfeet
    bobasfeet Posts: 1,197
    dobyblue said:
    bobasfeet said:
    SM187650 said:
    So the blu ray doesn’t have the cool visualizers from the theatre screening? 
    That is why I bought it. I am bummed out that it doesn't.

    I don't know what the visualizers were but the album does play with Dark Matter-themed graphics playing throughout, not just a black screen or title track etc screen.
    Yes and that's cool but the it just makes sense they would use the theater visuals.
  • BIGDaddyWil
    BIGDaddyWil Michigan Posts: 3,080
    dobyblue said:
    KV4053 said:
    Can you play the TrueHD / Atmos version on a 2-channel stereo?  And if so, does it sound better than the stereo mix?
    Yes you can play it back, Atmos works with whatever your speaker layout is whether it's a massive 7.2.4 layout or just a pair of bookshelf speakers in stereo. Even on the fancy pants systems you can select "STEREO" as the listening mode and it will downmix to just your front speakers and subwoofer.

    The second question is wholly subjective but I can't stand the sonic signature of egregious dynamic range compression so to me the Atmos played back in stereo is a massive improvement over the stereo mix whether you're listening via Blu-ray, vinyl, CD or download.

    Here's the DR log for the Atmos mix downmixed to stereo, what a joy!

    foobar2000 2.1.2 / Dynamic Range Meter 1.1.1
    log date: 2024-04-23 14:46:41

    --------------------------------------------------------------------------------
    Analyzed: Pearl Jam / Dark Matter
    --------------------------------------------------------------------------------

    DR         Peak         RMS     Duration Track
    --------------------------------------------------------------------------------
    DR11      -5.01 dB   -18.37 dB      4:24 01-Scared Of Fear
    DR12      -3.95 dB   -19.16 dB      3:31 02-React, Respond
    DR12      -2.07 dB   -18.28 dB      5:01 03-Wreckage
    DR13      -1.02 dB   -17.77 dB      3:31 04-Dark Matter
    DR12      -4.24 dB   -18.65 dB      3:29 05-Won't Tell
    DR11      -2.74 dB   -18.63 dB      5:57 06-Upper Hand
    DR12      -4.28 dB   -18.49 dB      5:41 07-Waiting For Stevie
    DR12      -4.31 dB   -18.28 dB      2:19 08-Running
    DR13      -1.97 dB   -18.46 dB      4:07 09-Something Special
    DR12      -4.78 dB   -19.49 dB      4:37 10-Got To Give
    DR12      -2.77 dB   -18.73 dB      5:44 11-Setting Sun
    --------------------------------------------------------------------------------

    Number of tracks:  11
    Official DR value: DR12

    Samplerate:        48000 Hz
    Channels:          2
    Bits per sample:   24
    Bitrate:           1532 kbps
    Codec:             FLAC
    ================================================================================


    Thanks for this info!!!!
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  • johns224
    johns224 Posts: 6
    This is a great thread - I got the bluray the other day when I heard about the mix - I've used MakeMKV for years for movies, but it won't recognize my disc - did you guys have to do anything special to rip it?
  • Go Beavers
    Go Beavers Posts: 9,623
    dobyblue said:
    KV4053 said:
    IALauder said:
    In regards to the 2 channel downmix of the TrueHD.  Standard TrueHD provides a 2 channel, 6 channel and 8 channel presentation.  The Atmos metadata is most likely only applied to the 6 and 8 channel presentations, but it will still provide a stereo downmix.
    Thank you. This is helpful. Based on what you're saying, for clarity, should I use the Atmos (TrueHD) option rather than the LPCM option on the blu-rays top menu?

    The LPCM is horrendously compressed (dynamically) - definitely choose the Atmos track as long as your system supports TrueHD.
    LPCM sounds better than Atmos on my blu ray player. It could be the gear (5.1 10-12 year old Sony). In Atmos, the elevated signal in the 2 rear channels was nice, and there was more bass, so those two things were better, but Ed’s vocals are buried and there’s too much separation between the interments so it has less of a “surround sound”. 
  • OceansJenny
    OceansJenny Manhattan, NY Posts: 3,410
    Disappointing it doesn’t sound awesome out of the box and we have to do all this work. 
    DC '03 - Reading '04 - Philly '05 - Camden 1 '06 - DC '06 - E. Rutherford '06 - The Vic '07 - Lollapalooza '07 - DC '08 - EV DC 1 & 2 '08 (Met Ed!!) - EV Baltimore 1 & 2 '09 - EV NYC 1 '11 (Met Ed!) - Hartford '13 - GCF '15 - MSG 2 '16 - TOTD MSG '16 - Boston 1 & 2 '18 - SHN '21 - EV NYC 1 & 2 '22 - MSG '22