Fan-to-Fan Ticket Exchange for Dummies

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  • Saltzy23
    Saltzy23 Posts: 1,350
    A friend of mine from college has ALS (it's fucking awful, the guy is 40 years old and slowly dying), and is friends with Steve Gleason, and told me that if I ever really needed anything PJ related he would reach out to him for me and ask, but I just cannot get myself to do it.

    I'm not asking 2 guys with the worst disease I can imagine to please try and get me into a stupid rock concert.
    'I know I was born and I know that I'll die, the in between is mine.'
  • tdawe said:
    Is it safe to say that the Baltimore show is the hardest ticket to get in quite some time? I'm talking normal shows, not exclusive one-offs like the Apollo theater gig.
    I'm starting to think it's possible that the crowd at this show will be even more hyped than the Garden.
    Hail, Hail the lucky ones, indeed (myself not one among them)!
  • OceansJenny
    OceansJenny Manhattan, NY Posts: 3,410
    tdawe said:
    Is it safe to say that the Baltimore show is the hardest ticket to get in quite some time? I'm talking normal shows, not exclusive one-offs like the Apollo theater gig.
    I'm starting to think it's possible that the crowd at this show will be even more hyped than the Garden.
    Watch the show be a letdown. That would be something. 
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  • B4idiejets
    B4idiejets NJ Posts: 346
    Is it safe to say that the Baltimore show is the hardest ticket to get in quite some time? I'm talking normal shows, not exclusive one-offs like the Apollo theater gig.
     Being from Jersey, only having 2 east coast shows on this leg  is a huge reason these tix are in such high demand.  
  • MakeUSmile
    MakeUSmile NJ Posts: 1,156
    duffmann said:
    Just pulled a pair in STL  sec 318.  I will release a single GA sec 330BPV @ 9:30 est
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  • Is it safe to say that the Baltimore show is the hardest ticket to get in quite some time? I'm talking normal shows, not exclusive one-offs like the Apollo theater gig.
     Being from Jersey, only having 2 east coast shows on this leg  is a huge reason these tix are in such high demand.  
    Of course. The Baltimore show seems to be a perfect storm of reasons why the ticket would be so tough: Saturday night show in a tiny arena that's one of only 2 US East Coast appearances.
  • Saltzy23
    Saltzy23 Posts: 1,350
    edited February 2020
    Is it safe to say that the Baltimore show is the hardest ticket to get in quite some time? I'm talking normal shows, not exclusive one-offs like the Apollo theater gig.
    It's 'artificially' tough though.

    The Apollo and Borgata are/were impossible because the venues were so small.

    This is impossible because you can't buy any of the 14,000 seats anywhere, or even transfer them to someone else.

    If there was a StubHub listing for this show it would what, probably a $250-$300 ticket just to get in roughly?

    Expensive and hard to get no doubt, but it's this overall system that is making getting in impossible, not really the show itself.
    Post edited by Saltzy23 on
    'I know I was born and I know that I'll die, the in between is mine.'
  • Is it safe to say that the Baltimore show is the hardest ticket to get in quite some time? I'm talking normal shows, not exclusive one-offs like the Apollo theater gig.
     Being from Jersey, only having 2 east coast shows on this leg  is a huge reason these tix are in such high demand.  
    It's also a smaller venue
  • Gibson
    Gibson Chicago Posts: 2,671
    Saltzy23 said:
    Is it safe to say that the Baltimore show is the hardest ticket to get in quite some time? I'm talking normal shows, not exclusive one-offs like the Apollo theater gig.
    It's 'artificially' tough though.

    The Apollo and Borgata were impossible because the venues were so small.

    This is impossible because you can't buy any of the 14,000 seats anywhere, or even transfer them to someone else.

    If there was a StubHub listing for this show it would what, probably a $250-$300 ticket just to get in roughly?

    Expensive and hard to get no doubt, but its's this overall system that is making getting in so hard, not really the show itself.
    I'd pay $300 for that show without blinking. I bet a stubhub ticket would start at $1000 without hte bat of an eye.
    1998: Barrie  2000: Toronto  2005: Kitchener, London, Hamilton, Toronto  2006: Toronto 1&2, Paris, Milan, Torino, Pistoia  2009: Calgary, Vancouver  2011: Canada  2013: London, Wrigley, Philly 1&2  2014: St. Louis, ACL 1, Detroit  2016: Lexington, Quebec, Ottawa, Toronto 1&2, Fenway 1&2, Wrigley 1&2  2017: EV - Louisville  2018: London 1&2, Milan, Padova, Rome, Prague, Krakow, Berlin, Wrigley 1&2, Fenway 1&2  2020: Toronto, Ottawa, Hamilton  2021: London 1&2  2022: Hamilton, Toronto  2023: Chicago 1&2, Noblesville  2024: Seattle 1&2, Noblesville, Wrigley 1&2

  • Saltzy23 said:
    Is it safe to say that the Baltimore show is the hardest ticket to get in quite some time? I'm talking normal shows, not exclusive one-offs like the Apollo theater gig.
    It's 'artificially' tough though.

    The Apollo and Borgata are/were impossible because the venues were so small.

    This is impossible because you can't buy any of the 14,000 seats anywhere, or even transfer them to someone else.

    If there was a StubHub listing for this show it would what, probably a $250-$300 ticket just to get in roughly?

    Expensive and hard to get no doubt, but it's this overall system that is making getting in so hard, not really the show itself.
    100% agree with each of those points.
  • JimmyV
    JimmyV Boston's MetroWest Posts: 19,605
    Just scored GA for STL!!!!!
    YEAH BUDDY!!! Enjoy!
    ___________________________________________

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  • Saltzy23
    Saltzy23 Posts: 1,350
    edited February 2020
    Gibson said:
    Saltzy23 said:
    Is it safe to say that the Baltimore show is the hardest ticket to get in quite some time? I'm talking normal shows, not exclusive one-offs like the Apollo theater gig.
    It's 'artificially' tough though.

    The Apollo and Borgata were impossible because the venues were so small.

    This is impossible because you can't buy any of the 14,000 seats anywhere, or even transfer them to someone else.

    If there was a StubHub listing for this show it would what, probably a $250-$300 ticket just to get in roughly?

    Expensive and hard to get no doubt, but its's this overall system that is making getting in so hard, not really the show itself.
    I'd pay $300 for that show without blinking. I bet a stubhub ticket would start at $1000 without hte bat of an eye.
    Dude, MSG is like a $500, plus fees show right now as far as 'just get me in' tickets and that that is the Super Bowl of what a regular PJ arena show could ever be as far as secondary market prices.

    There is no way that Baltimore would ever be more than NYC (unless there were multiple shows at MSG maybe), and certainly not 2X more.
    Post edited by Saltzy23 on
    'I know I was born and I know that I'll die, the in between is mine.'
  • Weston1283
    Weston1283 Fredericksburg, VA Posts: 5,023
    Facebook has many more people looking to trade their MSG spare for a Baltimore spare than the other way around
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    2023: St. Paul II
    2024: Las Vegas I / Las Vegas II / New York City I / New York City II / Philly I / Philly II / Baltimore
  • Another pair for QC in section 113
  • Facebook has many more people looking to trade their MSG spare for a Baltimore spare than the other way around
    Maybe because Baltimore is on a Saturday night and is less expensive to stay overnight than NYC.
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  • tdawe
    tdawe Posts: 2,091
    Saltzy23 said:
    Gibson said:
    Saltzy23 said:
    Is it safe to say that the Baltimore show is the hardest ticket to get in quite some time? I'm talking normal shows, not exclusive one-offs like the Apollo theater gig.
    It's 'artificially' tough though.

    The Apollo and Borgata were impossible because the venues were so small.

    This is impossible because you can't buy any of the 14,000 seats anywhere, or even transfer them to someone else.

    If there was a StubHub listing for this show it would what, probably a $250-$300 ticket just to get in roughly?

    Expensive and hard to get no doubt, but its's this overall system that is making getting in so hard, not really the show itself.
    I'd pay $300 for that show without blinking. I bet a stubhub ticket would start at $1000 without hte bat of an eye.
    Dude, MSG is like a $500, plus fees show right now as far as 'just get me in' tickets and that that is the Super Bowl of what a regular PJ arena show could ever be as far as secondary market prices.

    There is no way that Baltimore would ever be more than NYC (unless there were multiple shows at MSG maybe), and certainly not 2X more.
    It is notable though that there are no behind the stage seats for Baltimore, nor (as far as I can tell) anything equivalent to the Chase Bridge (where I've never sat) or the barstools (which I have and they suck) which is where all of the $400-$500 tickets are. I do tend to agree with you that MSG would probably be more expensive in an apples-to-apples situation though.
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  • PSUS2H
    PSUS2H USA Posts: 2,389
    They should add a DC show to the second leg to help with the East coast show shortage. 
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  • PSUS2H said:
    They should add a DC show to the second leg to help with the East coast show shortage. 
    This.  10000x This.    Play Capital One Arena or JLL.
    1996 - Columbia MD
    1998 - Wash DC (Tibetan Freedom Fest), Constitution Hall VFC 
    2000 - Columbia MD
    2003 - Bristow VA
    2006 - Wash DC
    2010 - Bristow VA
    2013 - Baltimore, MD
    2016 - Philly 2, NYC 1
    2024 - Baltimore, MD
    2025 - FLA1 + FLA2
  • Weston1283
    Weston1283 Fredericksburg, VA Posts: 5,023
    edited February 2020
    PSUS2H said:
    They should add a DC show to the second leg to help with the East coast show shortage. 
    I think something in Ohio or Detroit as well as the usual Philly stop would have eased the demand a bit.  Baltimore is the easiest show for everyone in Ohio, Detroit, Pennsylvania, etc.  

    I think they snuck the MSG show in this spring as the Sea.Hear.Now radius clause may have blocked a NYC show in the fall
    2010: Cleveland
    2012: Atlanta
    2013: London ONT / Wrigley Field / Pittsburgh / Buffalo / San Diego / Los Angeles I / Los Angeles II
    2014: Cincinnati / St. Louis / Tulsa / Lincoln / Detroit / Denver
    2015: New York City
    2016: Ft. Lauderdale / Miami / Jacksonville / Greenville / Hampton / Columbia / Lexington / Philly II / New York City II / Toronto II / Bonnaroo / Telluride / Fenway I / Wrigley I / Wrigley - II / TOTD - Philadelphia, San Francisco
    2017: Ohana Fest (EV)
    2018: Amsterdam I / Amsterdam II / Seattle I / Seattle II / Boston I / Boston II
    2021: Asbury Park / Ohana Encore 1 / Ohana Encore 2
    2022: Phoenix / LA I / LA II / Quebec City / Ottawa / New York City / Camden / Nashville / St. Louis / Denver
    2023: St. Paul II
    2024: Las Vegas I / Las Vegas II / New York City I / New York City II / Philly I / Philly II / Baltimore
  • mpedone
    mpedone 540xxx - Manchester, NH Posts: 1,961
    Saltzy23 said:
    Is it safe to say that the Baltimore show is the hardest ticket to get in quite some time? I'm talking normal shows, not exclusive one-offs like the Apollo theater gig.
    It's 'artificially' tough though.

    The Apollo and Borgata are/were impossible because the venues were so small.

    This is impossible because you can't buy any of the 14,000 seats anywhere, or even transfer them to someone else.

    If there was a StubHub listing for this show it would what, probably a $250-$300 ticket just to get in roughly?

    Expensive and hard to get no doubt, but it's this overall system that is making getting in impossible, not really the show itself.

    I guess the question is, how many people who have tickets to this show are actually willing to sell them? Is only being able to sell them at face value forcing people to just suck it up and go to the show rather than using them to make a profit?

    If these were available on StubHub, I would not be surprised in the least to see them listing for as much as MSG. Sure, the venue doesn't have the prestige of MSG (and Baltimore isn't NYC), but Baltimore is way easier to get to and stay in than NYC from places like Boston and Manchester. Sure, there's the Canadian shows, but flying into Baltimore is still way cheaper than Toronto or Quebec. And then, it's on a Saturday? Everyone who missed out in the lottery/VF Sale/General Public sale would be buying on StubHub. There'd be a handful of seats left at astronomical prices.
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