Binaural and No Code vinyl bootlegs

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Comments

  • PJ_Soul
    PJ_Soul Vancouver, BC Posts: 51,020
    With all its sham, drudgery, and broken dreams, it is still a beautiful world. Be careful. Strive to be happy. ~ Desiderata
  • hrd2imgn
    hrd2imgn Southwest Burbs of Chicago Posts: 4,940
    Bravo
  • Only a matter of time before 10C steps up. This money is coming right out of their pockets in lost sales. I imagine they will not like that.
    Then again, they have waited too long in re-issuing these middle era lp's.

    The reissue is more of an Epic/Sony thing than it is a 10C thing.
    I've posted this before in another thread, but to reiterate: I have a friend whom is very high up at Sony Legacy (the label that handles all the reissues). He has told me that all the reissue stuff is ultimately driven by Jeff. Jeff is the unofficial archivist for the band, and it is Jeff who pours through the old recordings and memorabilia. If he doesn't feel like taking it on, it's not happening (or so says my friend). My thought is that a simple reprint, without any extra goodies, doesn't make sense when the deluxe sets are likely a more profitable release. Maybe Jeff will feel motivated after the whole LB promo period dies down?
  • Ty
    Ty Posts: 1,007
    From the article above... "...professional organisations whose criminal activities inflict massive damage on artists and the recording industry". I definitely don't agree with this in the instance of repressing Binaural, etc. I can't imagine PJ getting that far along in their reissues. Maybe No Code and Yield... maybe. And fuck paying market price! I'd be keen for the Binaural and Avo boot copy, for sure. But with postage tacked on top it's still too pricey for me.
    PJ - Sydney 1998; Sydney 2003; Sydney, Melbourne, Newcastle 2006; Melbourne, Sydney 2009; Gold Coast, Melbourne, Sydney 2014.
    EV - Canberra, Newcastle, Sydney 2011; Sydney 2014.
  • RoleModelsinBlood31
    RoleModelsinBlood31 Austin TX Posts: 6,254
    hrd2imgn said:



    Why is buying this vinyl different than the old days of buying a bootleg concert CD??

    Agreed.
    I'm like an opening band for your mom.
  • PSUS2H
    PSUS2H USA Posts: 2,406
    Isnt part of the excitement of PJ vinyl and memorabilia the chase and hunt for it?
    Pittsburgh, PA September 28, 2005 || Washington, DC June 22, 2008 || Barstow, VA May 13, 2010 || Seattle, WA  August 10, 2018 || Dana Point, CA September 29, 2018 (EV) || Dana Point, CA September 28, 2019 (EV) || Dana Point, CA September 25, 2021 (EV) || Dana Point, CA October 1, 2021 || Dana Point, CA October 2, 2021 || Chicago, IL August 29, 2024 || Pittsburgh, PA May 16, 2025 || Pittsburgh, PA May 18, 2025
  • KWO
    KWO Posts: 13
    Yep, the No Code one sounds pretty horrible with surface noise. Especially Present Tense, which has an AWFUL scuff sound throughout the entire song (I asked the seller and he said they're all like that.) Yield is OK sounding, and the vinyl feels heavier. Not all that great, but I guess they'll tide me over until they are re-pressed (if they ever are.)
  • tempo_n_groove
    tempo_n_groove Posts: 42,094
    People are paying over $100 for these. You can get a decent used copy for that much.
  • jerparker20
    jerparker20 St. Paul, MN Posts: 2,529

    People are paying over $100 for these. You can get a decent used copy for that much.

    "... but it's on colored vinyl."
  • Advertised on ebay as being rare rerelease on coloured vinyl, german seller. €130 starting bit for a shitty orange binaural. Should not be allowed to advertise and mislead like this. I'd prefer to buy a used original instead of that amount of money on a bootleg
  • Ha, just noticed an offical red LB cheaper than a bootleg yield
  • mookeywrench
    mookeywrench Posts: 6,096
    edited August 2014
    Say you and your friends spent a month writing and working on a song, then recorded a rough draft and uploaded onto Youtube for some constructive feedback with no intent to make money off of the video.

    Then some Youtube viewer in Germany takes that same video and uploads it on their user account and for some reason it goes viral and advertisers start paying the Youtube account a royalty and now they're making $1,000 a month from a direct copy of your song and video.

    Would you be pissed off that someone is reaping all the benefits of you and your friends work? Or would say good for them and applaud their 'success' since you weren't going to release the song for money anyway?
    Post edited by mookeywrench on
  • Patrick_Sea3
    Patrick_Sea3 West Seattle Posts: 937
    I have a solution, PJ just reissues everything......
  • deadendp
    deadendp Northeast Ohio Posts: 10,434

    Say you and your friends spent a month writing and working on a song, then recorded a rough draft and uploaded onto Youtube for some constructive feedback with no intent to make money off of the video.

    Then some Youtube viewer in Germany takes that same video and uploads it on their user account and for some reason it goes viral and advertisers start paying the Youtube account a royalty and now they're making $1,000 a month from a direct copy of your song and video.

    Would you be pissed off that someone is reaping all the benefits of you and your friends work? Or would say good for them and applaud their 'success' since you weren't going to release the song for money anyway?

    PJ_Soul said:

    I don't support my local flipper either because I don't buy into the hype. It's odd how people justify buying counterfeit records because the band won't reissue them. Wow, the entitlement. The reissues might not even be a band issue. It might be a band/label issue. It might be case where they get their masters back after a certain amount of years like a lot of bands or might have to buy their back catalog back like Metallica did. Who knows what their contracts are. The bottom line is buying counterfeit products supports nothing but thieves. I don't support thieves.

    Pretty sure PJ can reissue if they want to but are choosing to hold off for now for whatever reason. But anyway, I totally agree with you. These are illegal counterfeits and the people who make them are stealing from the band we proclaim to love, yet people aren't hesitating to buy them. It's pretty low. Yez, i know people want the albuMs on vinyl and don't want to.wait for the reissues... but that shouldn't make anyone feel justified in participating in theft from Pearl Jam. Everyone should stop buying these things. I'm actually surprised how open people are being about it on 10C's boards and that the 10c mods haven't said anything.... maybe they and the band don't really care. Fair enough. That still doesn't make it right to be a part of the illegal counterfeit industry - one that truly does hurt artists...... Oh but yeah, who cares about any of that if you can save some money, right?! :-q

    I'm not trying to be a dick btw. I know some wonderful people buy these things.... but I do hope people stop and think about this issue and make the decision not to buy any more of them.
    My husband and I had a long discussion about this last night. We agree with both of you. Don't screw the band just in order to "complete your collection" or because it's cheaper. It's like borrowing a CD from a friend or the library, uploading it into iTunes, burning yourself copies and then saying that your collection is complete. Musically, it might be complete. If you care anything about a true collection (we're talking the whole package and quality considered) then you have no more than what you had before you purchased the bootleg.
    2014: Cincinnati
    2016: Lexington and Wrigley 1
  • RoleModelsinBlood31
    RoleModelsinBlood31 Austin TX Posts: 6,254

    ...then recorded a rough draft and uploaded onto Youtube for some constructive feedback with no intent to make money off of the video.

    If you had no intent on making money off of it why would you care? Any press is good press.
    I'm like an opening band for your mom.
  • Patrick_Sea3
    Patrick_Sea3 West Seattle Posts: 937
    edited August 2014
    But at the same time record stores across the US are selling these "Unofficial" releases. Not saying it's right and it's not just Pearl Jam. I can go into almost any record store in Seattle and find "unofficial releases" Danzig, Nick Cave, Stone Roses, NIN, U2, Beck etc. The list goes on and on. Unless you know what you are looking at most people won;t even realize these are bootlegs. If you local record store is selling them, it must be OK?
  • evsgjamm
    evsgjamm Posts: 2,109
    What is the quality of the packaging / jackets on these bootlegs to those who ordered them? How are the sleeves? What's the gatefold cardboard / paper quality like? Are the inner sleeves of high quality or cheap? I'm very very curious to know. Thanks :)
    Vancouver '03, Paramount Theatre '05, Saskatoon '05, Calgary '05, Edmonton '05, Saskatoon '11, Calgary '11, Calgary '13

    2010 WATCH IT GO TO FIRE!!
  • jrock60
    jrock60 Posts: 76
    evsgjamm said:

    What is the quality of the packaging / jackets on these bootlegs to those who ordered them? How are the sleeves? What's the gatefold cardboard / paper quality like? Are the inner sleeves of high quality or cheap? I'm very very curious to know. Thanks :)

    Was in Brussels last week and stumbled upon these at a record store. I have been curious about them for a while but since I own every studio album already I have no need to purchase them. They had Yield, Binaural, Avocado, and Ukulele. They were all open as this shop keeps the actual records behind the counter so I was able to inspect the packaging. The cardboard is very cheap and thin, almost flimsy. The printing is proper to the original albums with the exception of Ukulele as it did not have the gatefold and yield that did not have the removable yield sign. The printing quality is terrible, looks like it was done on a bubble jet compared to the originals. I asked to listen to Yield while I was there and the record is a whole different story, I was very impressed. It was on a thick marble white vinyl which is way thicker than my original copy. I would assume these copies are digital conversions and a true audiophile would be able to tell the difference but to me the sound was great. I listened to about 4 songs in different places and sides and they all sounded good. In my opinion as a novelty they are cool to have in your vinyl collection if you do not have the studio albums, if it is to display they look terrible. The packaging is as close to the real thing as the price is.
    I'll ride the wave...
  • robertstackarmy
    robertstackarmy So. WI Posts: 682
    Man, I was just at my local record store and they have Binaural and Avocado (orange, blue, respectively). The packaging is pretty bad but the vinyl does look great. I didn't ask to listen to it, as it was busy in the store. One of the workers said they heard Yield and it sounded great, and the others sound good too. I left it in the rack but I could totally see the appeal. Colored vinyl>Black Vinyl :)