I just picked up _____ on vinyl!
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John Mayer Trio - Try
John Mayer - Where the Light Is
Radiohead - Kid A mnesiac
Flag Day Soundtrack
Eddie Vedder - Earthling
The Cure - Disintegration (very excited about this one)1998: Barrie 2000: Toronto 2005: Kitchener, London, Hamilton, Toronto 2006: Toronto 1&2, Paris, Milan, Torino, Pistoia 2009: Calgary, Vancouver 2011: Canada 2013: London, Wrigley, Philly 1&2 2014: St. Louis, ACL 1, Detroit 2016: Lexington, Quebec, Ottawa, Toronto 1&2, Fenway 1&2, Wrigley 1&2 2017: EV - Louisville 2018: London 1&2, Milan, Padova, Rome, Prague, Krakow, Berlin, Wrigley 1&2, Fenway 1&2 2020: Toronto, Ottawa, Hamilton 2021: London 1&2 2022: Hamilton, Toronto 2023: Chicago 1&2, Noblesville 2024: Seattle 1&2, Noblesville, Wrigley 1&20 -
2-feign-reluctance said:Jeff Buckley Live at the Sine box set. A gorgeous document of music. Must listen for those that aren't familiar.Kansas City 7.03.98
St. Louis 10.11.00
Kansas City 10.12.00
St. Louis 4.22.03
Kansas City 6.12.03
St. Louis 10.5.04
Kansas City 5.3.10
Phoenix (EV) 4.13.12
Phoenix (EV) 11.4.12
Phoenix 11.19.13
Wrigley 1 8.20.16
Seattle 1 8.8.18
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Phoenix 5.9.22
Indianapolis 9.10.23
Los Angeles 1 5.22.24
Indianapolis 8.26.240 -
Just picked up the VMP edition of Tool's FI record. Looks super cool! Also ended up with a purple edition of the latest Modest Mouse record as a result of joining up. Win!www.cluthelee.com0
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MedozK said:@mrussel1 , just picked up the 3 LP Janos Starker, Suites for Unaccompanied Cello. Going to put it on tonight, the Speakers Corner is probably not going to be as good as the 45, but I kinda wanted the flow to be the same as the OG 3LP.0
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tempo_n_groove said:MedozK said:@mrussel1 , just picked up the 3 LP Janos Starker, Suites for Unaccompanied Cello. Going to put it on tonight, the Speakers Corner is probably not going to be as good as the 45, but I kinda wanted the flow to be the same as the OG 3LP.0
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mrussel1 said:tempo_n_groove said:MedozK said:@mrussel1 , just picked up the 3 LP Janos Starker, Suites for Unaccompanied Cello. Going to put it on tonight, the Speakers Corner is probably not going to be as good as the 45, but I kinda wanted the flow to be the same as the OG 3LP.0
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tempo_n_groove said:mrussel1 said:tempo_n_groove said:MedozK said:@mrussel1 , just picked up the 3 LP Janos Starker, Suites for Unaccompanied Cello. Going to put it on tonight, the Speakers Corner is probably not going to be as good as the 45, but I kinda wanted the flow to be the same as the OG 3LP.
These newly remastered Mercury Living Presence reissue LPs represent the state of the art of all-analog technology and production. Led by remastering supervisor Thomas Fine, son of high-fidelity recording pioneers C. Robert Fine and Wilma Cozart Fine of Fine Recording Inc. in New York City, these reissues were cut at 45 RPM directly from first-generation 3-track master tapes. A 3-2 channel mix was made directly to the cutting lathe, no "cutting master" tape stage, digital source or digital delay was used.
Thomas Fine made the 3-2 mixes with mastering engineer Ryan K. Smith at Sterling Sound's new facility in Nashville, Tennesee. Smith manually controlled groove margin and depth on his Neumann VMS-80 lathe, working with no preview signal and bypassing the lathe's margin-control computer. In doing so, he cut these sides the same way the original LP was cut by George Piros, who was Fine Recording Inc's VP and head of mastering. As with the original LP, no "sweetening" equalization or dynamic range control was used.
The Speakers Corner version is also cut from the three track master, but using a different engineer and pressing, not on 45 and not in the box. But I bet it sounds great too.
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mrussel1 said:tempo_n_groove said:mrussel1 said:tempo_n_groove said:MedozK said:@mrussel1 , just picked up the 3 LP Janos Starker, Suites for Unaccompanied Cello. Going to put it on tonight, the Speakers Corner is probably not going to be as good as the 45, but I kinda wanted the flow to be the same as the OG 3LP.
These newly remastered Mercury Living Presence reissue LPs represent the state of the art of all-analog technology and production. Led by remastering supervisor Thomas Fine, son of high-fidelity recording pioneers C. Robert Fine and Wilma Cozart Fine of Fine Recording Inc. in New York City, these reissues were cut at 45 RPM directly from first-generation 3-track master tapes. A 3-2 channel mix was made directly to the cutting lathe, no "cutting master" tape stage, digital source or digital delay was used.
Thomas Fine made the 3-2 mixes with mastering engineer Ryan K. Smith at Sterling Sound's new facility in Nashville, Tennesee. Smith manually controlled groove margin and depth on his Neumann VMS-80 lathe, working with no preview signal and bypassing the lathe's margin-control computer. In doing so, he cut these sides the same way the original LP was cut by George Piros, who was Fine Recording Inc's VP and head of mastering. As with the original LP, no "sweetening" equalization or dynamic range control was used.
The Speakers Corner version is also cut from the three track master, but using a different engineer and pressing, not on 45 and not in the box. But I bet it sounds great too.
I'm tempted to buy one but the prices are all over the place.0 -
tempo_n_groove said:mrussel1 said:tempo_n_groove said:mrussel1 said:tempo_n_groove said:MedozK said:@mrussel1 , just picked up the 3 LP Janos Starker, Suites for Unaccompanied Cello. Going to put it on tonight, the Speakers Corner is probably not going to be as good as the 45, but I kinda wanted the flow to be the same as the OG 3LP.
These newly remastered Mercury Living Presence reissue LPs represent the state of the art of all-analog technology and production. Led by remastering supervisor Thomas Fine, son of high-fidelity recording pioneers C. Robert Fine and Wilma Cozart Fine of Fine Recording Inc. in New York City, these reissues were cut at 45 RPM directly from first-generation 3-track master tapes. A 3-2 channel mix was made directly to the cutting lathe, no "cutting master" tape stage, digital source or digital delay was used.
Thomas Fine made the 3-2 mixes with mastering engineer Ryan K. Smith at Sterling Sound's new facility in Nashville, Tennesee. Smith manually controlled groove margin and depth on his Neumann VMS-80 lathe, working with no preview signal and bypassing the lathe's margin-control computer. In doing so, he cut these sides the same way the original LP was cut by George Piros, who was Fine Recording Inc's VP and head of mastering. As with the original LP, no "sweetening" equalization or dynamic range control was used.
The Speakers Corner version is also cut from the three track master, but using a different engineer and pressing, not on 45 and not in the box. But I bet it sounds great too.
I'm tempted to buy one but the prices are all over the place.
I think the Speakers Corner is the most accessible, being fairly priced (under $100) but still exceptional. The proper retail for the AP 45 is $180. I bought mine from AP so that's what mine cost. There will be a repress at some point, but it's expensive on Discogs now.0 -
mrussel1 said:tempo_n_groove said:mrussel1 said:tempo_n_groove said:mrussel1 said:tempo_n_groove said:MedozK said:@mrussel1 , just picked up the 3 LP Janos Starker, Suites for Unaccompanied Cello. Going to put it on tonight, the Speakers Corner is probably not going to be as good as the 45, but I kinda wanted the flow to be the same as the OG 3LP.
These newly remastered Mercury Living Presence reissue LPs represent the state of the art of all-analog technology and production. Led by remastering supervisor Thomas Fine, son of high-fidelity recording pioneers C. Robert Fine and Wilma Cozart Fine of Fine Recording Inc. in New York City, these reissues were cut at 45 RPM directly from first-generation 3-track master tapes. A 3-2 channel mix was made directly to the cutting lathe, no "cutting master" tape stage, digital source or digital delay was used.
Thomas Fine made the 3-2 mixes with mastering engineer Ryan K. Smith at Sterling Sound's new facility in Nashville, Tennesee. Smith manually controlled groove margin and depth on his Neumann VMS-80 lathe, working with no preview signal and bypassing the lathe's margin-control computer. In doing so, he cut these sides the same way the original LP was cut by George Piros, who was Fine Recording Inc's VP and head of mastering. As with the original LP, no "sweetening" equalization or dynamic range control was used.
The Speakers Corner version is also cut from the three track master, but using a different engineer and pressing, not on 45 and not in the box. But I bet it sounds great too.
I'm tempted to buy one but the prices are all over the place.
I think the Speakers Corner is the most accessible, being fairly priced (under $100) but still exceptional. The proper retail for the AP 45 is $180. I bought mine from AP so that's what mine cost. There will be a repress at some point, but it's expensive on Discogs now.
The AP 45 I see lowest at $320.
Speakers corner version I see at $120.0 -
tempo_n_groove said:mrussel1 said:tempo_n_groove said:mrussel1 said:tempo_n_groove said:mrussel1 said:tempo_n_groove said:MedozK said:@mrussel1 , just picked up the 3 LP Janos Starker, Suites for Unaccompanied Cello. Going to put it on tonight, the Speakers Corner is probably not going to be as good as the 45, but I kinda wanted the flow to be the same as the OG 3LP.
These newly remastered Mercury Living Presence reissue LPs represent the state of the art of all-analog technology and production. Led by remastering supervisor Thomas Fine, son of high-fidelity recording pioneers C. Robert Fine and Wilma Cozart Fine of Fine Recording Inc. in New York City, these reissues were cut at 45 RPM directly from first-generation 3-track master tapes. A 3-2 channel mix was made directly to the cutting lathe, no "cutting master" tape stage, digital source or digital delay was used.
Thomas Fine made the 3-2 mixes with mastering engineer Ryan K. Smith at Sterling Sound's new facility in Nashville, Tennesee. Smith manually controlled groove margin and depth on his Neumann VMS-80 lathe, working with no preview signal and bypassing the lathe's margin-control computer. In doing so, he cut these sides the same way the original LP was cut by George Piros, who was Fine Recording Inc's VP and head of mastering. As with the original LP, no "sweetening" equalization or dynamic range control was used.
The Speakers Corner version is also cut from the three track master, but using a different engineer and pressing, not on 45 and not in the box. But I bet it sounds great too.
I'm tempted to buy one but the prices are all over the place.
I think the Speakers Corner is the most accessible, being fairly priced (under $100) but still exceptional. The proper retail for the AP 45 is $180. I bought mine from AP so that's what mine cost. There will be a repress at some point, but it's expensive on Discogs now.
The AP 45 I see lowest at $320.
Speakers corner version I see at $120.0 -
Arrived today:
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maybe something from here? apparently got on a list....
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Not today Sir, Probably not tomorrow.............................................. bayfront arena st. pete '94
you're finally here and I'm a mess................................................... nationwide arena columbus '10
memories like fingerprints are slowly raising.................................... first niagara center buffalo '13
another man ..... moved by sleight of hand...................................... joe louis arena detroit '140 -
1ThoughtKnown said:Arrived today:0
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mickeyrat said:maybe something from here? apparently got on a list....0
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Just arrived today!
I LOVE MUSIC.
www.cluthelee.com
www.cluthe.com0 -
tempo_n_groove said:1ThoughtKnown said:Arrived today:I’ve been out of town. My wife sent me that photo. I’m pumped to be tearing into it tomorrow.0
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1ThoughtKnown said:tempo_n_groove said:1ThoughtKnown said:Arrived today:I’ve been out of town. My wife sent me that photo. I’m pumped to be tearing into it tomorrow.
Mine came in today!0
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