Vault 7 processing/shipping has begun...
Comments
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            dankind said:
 I always liked that show, have not actually listened or watched the dvd in years, but I just don't see them releasing that, but certainly it would be a logical 2003 choice.Orlando 2003 was a good time, too.His eminence has yet to show.
 http://www.hi5sports.org/ (Sports Program for Kids with Disabilities)
 http://www.livefootsteps.org/user/?usr=36520
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            I've said it before, and I'll say it again: I'd like to see the BSE get the vault vinyl treatment.
 Sure, three are tons of bootleg import CDs, radio promo CDs, and incomplete bootleg vinyl releases out there. And I suppose that one could cobble together a nearly complete show from the various official "Dissident" releases.
 Still, the BSE deserves a vinyl release worthy of its greatness.I SAW PEARL JAM0
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 Fan made, sourced from a webcast.dankind said:
 But.. What the hell BSE means? I suppose you talking about Atlanta 94?
 0
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 BestJammalambo said:
 Fan made, sourced from a webcast.dankind said:
 But.. What the hell BSE means? I suppose you talking about Atlanta 94?
 Show
 Ever
 I SAW PEARL JAM0
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 Tough to argue with that. The energy, the performance, and no duds in the set.dankind said:
 BestJammalambo said:
 Fan made, sourced from a webcast.dankind said:
 But.. What the hell BSE means? I suppose you talking about Atlanta 94?
 Show
 Ever0
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            Jammalambo said:
 Fan made, sourced from a webcast.dankind said:
 But.. What the hell BSE means? I suppose you talking about Atlanta 94?
 I got mine on a Maxell XL Cassette tape... taped right off of 107.9 Pirate radio in Panama City, FLA. includes post show DJ set until the station faded out.livefootsteps.org/user/?usr=446 1995- New Orleans, LA : New Orleans, LA 1996- Charleston, SC 1998- Atlanta, GA: Birmingham, AL: Greenville, SC: Knoxville, TN 2000- Atlanta, GA: New Orleans, LA: Memphis, TN: Nashville, TN 2003- Raleigh, NC: Charlotte, NC: Atlanta, GA 2004- Asheville, NC (hometown show) 2006- Cincinnati, OH 2008- Columbia, SC 2009- Chicago, IL x 2 / Ed Vedder- Atlanta, GA x 2 2010- Bristow, VA 2011- Alpine Valley, WI (PJ20) x 2 / Ed Vedder- Chicago, IL 2012- Atlanta, GA 2013- Charlotte, NC 2014- Cincinnati, OH 2015- New York, NY 2016- Greenville, SC: Hampton, VA:: Columbia, SC: Raleigh, NC : Lexington, KY: Philly, PA 2: (Wrigley) Chicago, IL x 2 (holy shit): Temple of the Dog- Philly, PA 2017- ED VED- Louisville, KY 2018- Chicago, IL x2, Boston, MA x2 2020- Nashville, TN 2022- Smashville 2023- Austin, TX x2 2024- Baltimore 0
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            I think the problem they run into with newer shows is the length. The further back in time you go the shorter the shows were. Thus the older shows are easier to try and fit on a reasonable amount of records.
 I agree about Santa Barbara. That would be an epic one to put on vinyl. I'd gladly pay a little more for the set if it needed to be on 4 or 5 records to have nothing cut 
 0
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 I'm in the US and mine is still warehousedemetrios said:
 Nope, and also no date on the CD pre sale.mickcasey said:Is there a date for the Mp3's or FLAC files to be released?
 Did anyone outside the USA receive a shipping confirmation on their Vault 7 vinyl?
 6/26/98, 8/17/00, 10/8/00, 12/8/02, 12/9/02, 4/25/03, 5/28/03, 6/1/03, 6/3/03, 6/5/03, 6/6/03, 6/12/03, 6/13/03, 6/15/03, 6/18/03, 6/21/03, 6/22/03, 7/12/03, 7/14/03, 10/3/04, 10/5/04, 9/9/05, 9/11/05, 9/16/05, 5/16/06, 5/17/06, 5/19/06, 6/30/06, 7/23/06, 8/5/07, 6/30/08, 8/23/09, 8/24/09, 5/4/10, 5/7/10, 9/3/11, 9/4/11, 10/11/13, 10/17/14, 8/20/160
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            In the US, my label has been created.9/1/00, 4/28/03, 7/5/03, 7/6/03, 7/12/03, 10/1/04, 9/28/05, 5/27/06, 5/28/06, 6/1/06, 6/27/08, 6/30/08, 8/7/08 (EV), 6/12/09 (EV), 10/27/09, 10/28/09,10/30/09, 10/31/09, 5/21/10, 6/15/11 (EV), 9/2/12, 7/19/13, 10/21/13, 10/22/13, 10/27/13, 4/28/16, 4/29/16, 8/7/16, 11/4/16 (TOTD), 8/18/18, 8/20/18, 9/24/21 (EV&Earthlings), 9/26/21, 9/11/2022, 9/14/2022, 9/7/2024, 9/9/2024, 9/12/2024, 5/16/2025, 5/18/20250
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 Yes. As someone pointed out, fan made. Honestly as I've already said, I have not watched it in years.dankind said:His eminence has yet to show.
 http://www.hi5sports.org/ (Sports Program for Kids with Disabilities)
 http://www.livefootsteps.org/user/?usr=36520
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 Definitely one of the greatest encores if that or any era of PJ.dankind said:
 BestJammalambo said:
 Fan made, sourced from a webcast.dankind said:
 But.. What the hell BSE means? I suppose you talking about Atlanta 94?
 Show
 EverHis eminence has yet to show.
 http://www.hi5sports.org/ (Sports Program for Kids with Disabilities)
 http://www.livefootsteps.org/user/?usr=36520
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            PJ_Soul said:
 Yeah, I'd only want it if they can do the whole thing... Surely they could work that out. I.e. just ask the guests if they can do it. Surely nobody would refuse? It's not like any corporation has rights over those performances - I don't see why copyright or anything would be an issue in this case.DewieCox said:I’d love Santa Barbera, but it would probably be highly edited with all the guest spots.
 Youve got Jack Johnson, Cornell, John Frusciante and Lyle Workman. That’s probably at least 3 different record companies and 4 sets of management to go through to get clearance. Also, almost half the set is made up of covers.0
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 So? I don't see why it couldn't be done fairly easily, in relative terms. I mean, this is one of those things that band management gets paid for, right?? I hope we're not thinking that they shouldn't do anything unless it's super easy. Also, I'm not sure how much say a record company has over a live performance recording at someone else's show. And dealing with covers is par for the course.DewieCox said:PJ_Soul said:
 Yeah, I'd only want it if they can do the whole thing... Surely they could work that out. I.e. just ask the guests if they can do it. Surely nobody would refuse? It's not like any corporation has rights over those performances - I don't see why copyright or anything would be an issue in this case.DewieCox said:I’d love Santa Barbera, but it would probably be highly edited with all the guest spots.
 Youve got Jack Johnson, Cornell, John Frusciante and Lyle Workman. That’s probably at least 3 different record companies and 4 sets of management to go through to get clearance. Also, almost half the set is made up of covers.
 Post edited by PJ_Soul onWith all its sham, drudgery, and broken dreams, it is still a beautiful world. Be careful. Strive to be happy. ~ Desiderata0
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            We’re talking PJ’s management and their current frame of mind.
 Record companies usually have some say over their signed artists appearing on another act’s album and people will want their cut of the profits. A few covers for a bootleg is one thing, but they’d be paying royalties on nearly half of the song list and that will be a big chunk of the profit.
 0
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 Meh. Yeah, okay, if PJ management is feeling lazy and like nothing is worth putting in a little extra effort, then sure, we'll never see anything really cool again I guess? I hope that isn't the case though! I don't think just putting the whole Santa Barbara show on vinyl is an overwhelming, monumental task that is so difficult it's not perfectly doable - all they have to do is give a shit enough to get it done. There are live albums where many different artists have performed on them out there, and many, many more where the entire album is covers, let alone half of it. It's not like it's impossible or too great a financial issue to get done and make money with.DewieCox said:We’re talking PJ’s management and their current frame of mind.
 Record companies usually have some say over their signed artists appearing on another act’s album and people will want their cut of the profits. A few covers for a bootleg is one thing, but they’d be paying royalties on nearly half of the song list and that will be a big chunk of the profit.
 Post edited by PJ_Soul onWith all its sham, drudgery, and broken dreams, it is still a beautiful world. Be careful. Strive to be happy. ~ Desiderata0
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 I don't think any of that is really an issue. I think those are all logistical problems that are covered and sorted out by way of existing contracts etc. The bigger issue is likely, do they think this show warrants being released. If anything at this stage, it is also a bit of a challenge to do the complete show with Cornell's passing.PJ_Soul said:
 So? I don't see why it couldn't be done fairly easily, in relative terms. I mean, this is one of those things that band management gets paid for, right?? I hope we're not thinking that they shouldn't do anything unless it's super easy. Also, I'm not sure how much say a record company has over a live performance recording at someone else's show. And dealing with covers is par for the course.DewieCox said:PJ_Soul said:
 Yeah, I'd only want it if they can do the whole thing... Surely they could work that out. I.e. just ask the guests if they can do it. Surely nobody would refuse? It's not like any corporation has rights over those performances - I don't see why copyright or anything would be an issue in this case.DewieCox said:I’d love Santa Barbera, but it would probably be highly edited with all the guest spots.
 Youve got Jack Johnson, Cornell, John Frusciante and Lyle Workman. That’s probably at least 3 different record companies and 4 sets of management to go through to get clearance. Also, almost half the set is made up of covers.His eminence has yet to show.
 http://www.hi5sports.org/ (Sports Program for Kids with Disabilities)
 http://www.livefootsteps.org/user/?usr=36520
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 Yeah, I agree. I don't think those other issues are that big a deal. Sure, they have to think this show warrants release... I don't see why they wouldn't think so though. I've heard a shitty audience boot of it, and it's pretty cool. I don't see why it would really be a bigger challenge because Chris died.PB11041 said:
 I don't think any of that is really an issue. I think those are all logistical problems that are covered and sorted out by way of existing contracts etc. The bigger issue is likely, do they think this show warrants being released. If anything at this stage, it is also a bit of a challenge to do the complete show with Cornell's passing.PJ_Soul said:
 So? I don't see why it couldn't be done fairly easily, in relative terms. I mean, this is one of those things that band management gets paid for, right?? I hope we're not thinking that they shouldn't do anything unless it's super easy. Also, I'm not sure how much say a record company has over a live performance recording at someone else's show. And dealing with covers is par for the course.DewieCox said:PJ_Soul said:
 Yeah, I'd only want it if they can do the whole thing... Surely they could work that out. I.e. just ask the guests if they can do it. Surely nobody would refuse? It's not like any corporation has rights over those performances - I don't see why copyright or anything would be an issue in this case.DewieCox said:I’d love Santa Barbera, but it would probably be highly edited with all the guest spots.
 Youve got Jack Johnson, Cornell, John Frusciante and Lyle Workman. That’s probably at least 3 different record companies and 4 sets of management to go through to get clearance. Also, almost half the set is made up of covers.
 With all its sham, drudgery, and broken dreams, it is still a beautiful world. Be careful. Strive to be happy. ~ Desiderata0
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 Eddie was still rocking his David Soul look at this show, too.PB11041 said:
 I don't think any of that is really an issue. I think those are all logistical problems that are covered and sorted out by way of existing contracts etc. The bigger issue is likely, do they think this show warrants being released. If anything at this stage, it is also a bit of a challenge to do the complete show with Cornell's passing.PJ_Soul said:
 So? I don't see why it couldn't be done fairly easily, in relative terms. I mean, this is one of those things that band management gets paid for, right?? I hope we're not thinking that they shouldn't do anything unless it's super easy. Also, I'm not sure how much say a record company has over a live performance recording at someone else's show. And dealing with covers is par for the course.DewieCox said:PJ_Soul said:
 Yeah, I'd only want it if they can do the whole thing... Surely they could work that out. I.e. just ask the guests if they can do it. Surely nobody would refuse? It's not like any corporation has rights over those performances - I don't see why copyright or anything would be an issue in this case.DewieCox said:I’d love Santa Barbera, but it would probably be highly edited with all the guest spots.
 Youve got Jack Johnson, Cornell, John Frusciante and Lyle Workman. That’s probably at least 3 different record companies and 4 sets of management to go through to get clearance. Also, almost half the set is made up of covers.I SAW PEARL JAM0
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 For better or worse, things are in his estate's hands in the best case scenario if he had a will in order. If he did not have things in order it is increasingly challenging because unfortunately there will be lawyers.PJ_Soul said:I don't see why it would really be a bigger challenge because Chris died.His eminence has yet to show.
 http://www.hi5sports.org/ (Sports Program for Kids with Disabilities)
 http://www.livefootsteps.org/user/?usr=36520
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