Hush Arbors
goldrush
everybody knows this is nowhere Posts: 7,634
Has anybody else been completely seduced by the new Hush Arbors cd? It truly is a thing of beauty and has been hypnotizing me for the last week or so. Check them out, you won't regret it!
http://www.myspace.com/husharborsmusic
"Keith Wood, along with constant foil Leon Dufficy, is Hush Arbors, and while his self-titled Ecstatic Peace! debut is not his first album by any means – he’s been at this almost ten years - it does provide the perfect introductory point to Hush Arbor’s distinctive take on psych folk. Combining the pensive songwriting of John Phillips circa Wolfking, the plaintive honesty of Neil Young, and the fishtank-gazing cacophony of Six Organs of Admittance (Wood is a frequent collaborator), Wood writes classic-sounding songs that sound readymade for AM radio, circa 1968.
These songs would play as comfortably over a scene from The Wonder Years as they would piping from a noxious chillout tent at Terrastock. There are songs here that resonate with the minor key melancholy of Bert Jansch or perhaps even Mark Kozelek, while others hint at a Wire subscriber’s Siamese Dream, all propulsive rhythms and lysergic electric guitar.
Some albums are ‘growers’ – not this one. While repeated listens reveal more and more details, as good albums should, this is also an album that commands immediate attention. Try to put it on in a crowded room – just try. You’ll have a ‘High-Fidelity-Beta-Band’ scene on your hands within two minutes."
http://www.myspace.com/husharborsmusic
"Keith Wood, along with constant foil Leon Dufficy, is Hush Arbors, and while his self-titled Ecstatic Peace! debut is not his first album by any means – he’s been at this almost ten years - it does provide the perfect introductory point to Hush Arbor’s distinctive take on psych folk. Combining the pensive songwriting of John Phillips circa Wolfking, the plaintive honesty of Neil Young, and the fishtank-gazing cacophony of Six Organs of Admittance (Wood is a frequent collaborator), Wood writes classic-sounding songs that sound readymade for AM radio, circa 1968.
These songs would play as comfortably over a scene from The Wonder Years as they would piping from a noxious chillout tent at Terrastock. There are songs here that resonate with the minor key melancholy of Bert Jansch or perhaps even Mark Kozelek, while others hint at a Wire subscriber’s Siamese Dream, all propulsive rhythms and lysergic electric guitar.
Some albums are ‘growers’ – not this one. While repeated listens reveal more and more details, as good albums should, this is also an album that commands immediate attention. Try to put it on in a crowded room – just try. You’ll have a ‘High-Fidelity-Beta-Band’ scene on your hands within two minutes."
“Do not postpone happiness”
(Jeff Tweedy, Sydney 2007)
“Put yer good money on the sunrise”
(Tim Rogers)
(Jeff Tweedy, Sydney 2007)
“Put yer good money on the sunrise”
(Tim Rogers)
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you're all missing out, seriously!
(Jeff Tweedy, Sydney 2007)
“Put yer good money on the sunrise”
(Tim Rogers)