Mixtape Alert: Savants 'R' Us
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I'm a sucker for a good mixtape. Once the audio cassette came along, mixtapes completely changed the listening experience for music lovers, and well beyond physical format. They allowed the audiophile to become a part of the production and create an entirely new patchwork piece of art. Making mixtapes for girls in school was better than any love note or retarded poem- it was a way to flirt and even show off a little without tripping over your braces or showing the world how epileptic your handwriting was. Sure, our tastes in music were, in retrospect, shotgun-gobbling bad, but hey, we were kids.
But I was the fucking champion, man. Before I could afford one of those space-age dual-cassette recorders, I remember waiting all goddamned day by the radio for the right song to come on so I could hit record. Practical? Hell no. But I was a kid with all the time in the pre-internet world, and getting that mix right meant everything to me.
Then the CD came along, and the terms convenience and versatility were entirely redefined. Did we notice that the sound quality had diminished a bit? Sure, and some of us even cared. But not nearly enough to convince anybody that cassettes weren’t dead in the water.
The MP3 was the weird guy in school for a good period of time. It took a few years to catch on with the masses, but now it’s far and away the most popular format. Once Napster took hold, there was no turning back. P2P and online music services enabled us to access an unprecedented wealth of music; you’ve now got access to any album you can fathom, virtually any song that’s ever been recorded. And if you know where to look, it’s free. Like I said before, CD sales are tanking, labels are fucked, and there’s, inarguably, a new school rising. Notice how I said ’school’ there, and not ‘order.’ Because there is no fucking order. It’s chaos. It’s pure goddamned insanity, and it perfectly suits the state of the world today.
The soul-mate union of CD burners and the internet allowed the mixtape to evolve exponentially. I was ecstatic. I went through blank CDs like the disposable coasters they are, burning mixes for my friends and my damn self, sampling new bands, sharing newly-discovered classics and revisiting old humiliating glory days in music within a 74 minute timeframe. Each became a sonic canvas of pure entertainment, and served as a time capsule of favorites and listening habits- nearly as much a snapshot of yourself as of the music.
Now we're even farther in the future, and CDs are fast approaching the obsolete. Long story short, I've hopped in the time machine and moved my mixes over to the digital world, and my most recent one can be found here: http://www.antiquiet.com/features/mixtapes/2009/01/savants-r-us/
Puscifer, 8mm, Kings of Leon, Jack Conte, Fight Like Apes, Electric Six... some shit you may not have heard of. Hope you dig it.
But I was the fucking champion, man. Before I could afford one of those space-age dual-cassette recorders, I remember waiting all goddamned day by the radio for the right song to come on so I could hit record. Practical? Hell no. But I was a kid with all the time in the pre-internet world, and getting that mix right meant everything to me.
Then the CD came along, and the terms convenience and versatility were entirely redefined. Did we notice that the sound quality had diminished a bit? Sure, and some of us even cared. But not nearly enough to convince anybody that cassettes weren’t dead in the water.
The MP3 was the weird guy in school for a good period of time. It took a few years to catch on with the masses, but now it’s far and away the most popular format. Once Napster took hold, there was no turning back. P2P and online music services enabled us to access an unprecedented wealth of music; you’ve now got access to any album you can fathom, virtually any song that’s ever been recorded. And if you know where to look, it’s free. Like I said before, CD sales are tanking, labels are fucked, and there’s, inarguably, a new school rising. Notice how I said ’school’ there, and not ‘order.’ Because there is no fucking order. It’s chaos. It’s pure goddamned insanity, and it perfectly suits the state of the world today.
The soul-mate union of CD burners and the internet allowed the mixtape to evolve exponentially. I was ecstatic. I went through blank CDs like the disposable coasters they are, burning mixes for my friends and my damn self, sampling new bands, sharing newly-discovered classics and revisiting old humiliating glory days in music within a 74 minute timeframe. Each became a sonic canvas of pure entertainment, and served as a time capsule of favorites and listening habits- nearly as much a snapshot of yourself as of the music.
Now we're even farther in the future, and CDs are fast approaching the obsolete. Long story short, I've hopped in the time machine and moved my mixes over to the digital world, and my most recent one can be found here: http://www.antiquiet.com/features/mixtapes/2009/01/savants-r-us/
Puscifer, 8mm, Kings of Leon, Jack Conte, Fight Like Apes, Electric Six... some shit you may not have heard of. Hope you dig it.
Post edited by Unknown User on
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Comments
I am not one to hate on cd's... i think they sound just fine and I don't get this poor sound argument, especially when compared to tapes. But I AM nostalgic for tape making...
I couldn't have said it any better myself. I still make mix tapes for people, but the sad part is, nobody even owns a tape player anymore. A friend of mine bought a walkman at a garage sale just so she could keep listening to my tapes.
And I totally agree with the OP when he said that the mixtape was the best kind of love letter you could ever create. I always said "forget flowers, make me a fuckin' mixtape if you want me to know how you feel!" Haha.
"You damn well can't lick the system,but you can sure give it a good fondeling."-sleazy estate man(Hugh Laurie on A bit of Fry and Laurie)
"Judas Priest on a two stroke moped!"(Stephen Fry)
Hell yeah - nothing like being stuck without the latest technologies to get you in touch with the good old days.
"You damn well can't lick the system,but you can sure give it a good fondeling."-sleazy estate man(Hugh Laurie on A bit of Fry and Laurie)
"Judas Priest on a two stroke moped!"(Stephen Fry)
I was a master of mix tapes as well.
However...
Not all CD mixes are shoddy. I put a LOT of time into mix CDs....more than mix tapes. I never drag and drop from playlists. I always rip songs directly to wav files from CD. I normalize them, fade in and out where approriate, etc etc. Plus all of my mixes come with custom artwork. I've made a lot of them over the past 8-9 years. Friends and family always love them. They show as much dedication as an old mix tape, they don't degrade as easily and they sound better. I love them!
Take for example the slimline discs I put together a few weeks ago for my band. Mind you I normally make mixes w/ regular size jewel cases, complete with tray liners and side text, but this gives you an example of how much effort I put into them:
http://www.cheesemerge.com/images/rando ... -Cover.jpg
http://www.cheesemerge.com/images/rando ... Inside.jpg
http://www.cheesemerge.com/images/rando ... s-Both.jpg
My mix tapes were legendary, and now my CD mixes have a loyal fan base as well!
Typo Man: "Thanks kidz, but remembir, stay in skool!"
That is pretty cool. I'm too computer illiterate to produce artwork though... plus my printer sucks
Though, now that you mention it, I HAVE made a lot of mix cd's in similar style... A lot of bands I grew up on that I love a few songs but felt I didn't need all their albums around anymore (Collective Soul, for instance), I went through and ripped the songs I dug in WAV format and burned them into my own little greatest hits comps. They're all in a big leather case though... no artwork or cases. Maybe I'll look into doing something about that!
I have very fond memories of doing this. Actually i did it with friends sometimes we would wait for the songs togetehr and play nintendo (8bit mind you) Ahh the good ole days
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