Yales Series of Younger Poets Poem#4

Ms. HaikuMs. Haiku Posts: 7,265
June stretches a path for one block at a stoplight.
As she waits watery smoke folds pedestrians
within blinding metal scarves of noise.
The smoke, weighted, places second to heat that burns.

After crossing the street she spies a sense
dressed as a Venetian Carnival Harliquin.
It's blush is permanently painted.
It's eyes remained closed.
This Harliquin guides through heat
sidestepping envelopes of air sealed in soot.

Approaching Summer spots holes to burn through,
but the Harliquin changes it's colors to green.
It mimics pride with branches as oars,
and rows the air with a gondola breeze.
Moments later she spies the Harliquin
as it docks beneath of canopy of leaves.

Corner routine forces her to walk up the porch steps
as Harliquin trails a few paces behind.
She looks in the mirror, and agrees
to the removal of her necklace by heating fingers.


Ok, big revision. What stops you when you shouldn't be stoped? What lingers on past conversation into a bad monologue? Thanks again!
There is no such thing as leftover pizza. There is now pizza and later pizza. - anonymous
The risk I took was calculated, but man, am I bad at math - The Mincing Mockingbird
Post edited by Unknown User on

Comments

  • justamjustam Posts: 21,410
    I like the way it paints a vivid picture of a leaf canopy and the feeling of the breeze and the heat.
    &&&&&&&&&&&&&&
  • pearlmuttpearlmutt Posts: 392
    the way I'm reading it, it comes out like a speech, like a graduation speech.

    The images are fantastic.

    "A breeze converts this shade to a gift.
    An architect couldn't plan such efficiency."

    I like that the best. I might use a semicolon after gift.
  • ISNISN Posts: 1,700
    it's too stiff......I think
    ....they're asking me to prove why I should be allowed to stay with my baby in Australia, because I'm mentally ill......and they think I should leave......
  • Ms. HaikuMs. Haiku Posts: 7,265
    ISN wrote:
    it's too stiff......I think
    You are right. Ok, now try.
    There is no such thing as leftover pizza. There is now pizza and later pizza. - anonymous
    The risk I took was calculated, but man, am I bad at math - The Mincing Mockingbird
  • Hi, Bella. Given that this piece is going to Yale, I'm giving you a mixture of a proof reading and the kind of grilling that a trained critic would give you. One can't really spare on crit when this is aiming for a quality competition.


    June stretches a path for one block at a stoplight. (Less syllables? Any way to conflate this line?)
    As she waits watery smoke folds pedestrians
    within blinding metal scarves of noise. (I think there's some mixing of metaphors here; I'm not sure I can visualise metal scarves within watery smoke, unless, that is, you introduce an image of steelworks where steel and water are combined. And even then, what about the scarves? That image belongs in a trope about clothing, not steelworking)
    The smoke, weighted, places second to heat that burns.

    After crossing the street she spies a sense
    dressed as a Venetian Carnival Harliquin.(sp. Harlequin)
    It's blush is permanently painted. (Possessive pronoun should be 'its'; you only say 'it's' when you're truncating 'it is')
    It's eyes remained closed. (Again)
    This Harliquin guides through heat (sp. Harlequin)
    sidestepping envelopes of air sealed in soot.(I think this line has an excess of sibilance and is rhythmically a little awkward. I would substitute a two syllable word for 'sidestepping': rhythmically 'sidestepping' is a dactyl ( - //) and it's a bit top heavy for the metre on the line as a whole. The metaphor in the line works, though. Could you compact the phrase to 'soot-sealed envelopes of air'? Seal-ed could then be spoken as two syllables to give the piece extra bounce)

    Approaching Summer spots holes to burn through,
    but the Harliquin changes it's colors to green.(Harlequin; its)
    It mimics pride with branches as oars,
    and rows the air with a gondola breeze.
    Moments later she spies the Harliquin (say 'June spies the 'Harlequin')
    as it docks beneath of canopy of leaves.

    Corner routine forces her to walk up the porch steps (the language is a bit too prose-like in this line, since it foregrounds the narrative element of story in a prose-like fashion where all else in this poem is in a poetic register and tone)
    as Harliquin trails a few paces behind. (Harlequin)
    She looks in the mirror, and agrees (June looks)
    to the removal of her necklace by heating fingers.


    Hope that helps!
    :)
  • Ms. HaikuMs. Haiku Posts: 7,265

    Hope that helps!
    :)
    Excellent! Thank you. You brought up some really good points. I'm embarrased about the punctuation and spelling. I actually looked up Harlequin this morning, and I guess I still wrote it down wrong. I read books on punctuation recently, but obviously without the needed attention. Besides the other notes you brought up another good point. The main character is a woman, but the month is June. I didn't realize that they could be considered the same in this poem. I'll have to clarify that. Thank you very much for your feedback.
    There is no such thing as leftover pizza. There is now pizza and later pizza. - anonymous
    The risk I took was calculated, but man, am I bad at math - The Mincing Mockingbird
  • Excellent! Thank you. You brought up some really good points. I'm embarrased about the punctuation and spelling. I actually looked up Harlequin this morning, and I guess I still wrote it down wrong. I read books on punctuation recently, but obviously without the needed attention. Besides the other notes you brought up another good point. The main character is a woman, but the month is June. I didn't realize that they could be considered the same in this poem. I'll have to clarify that. Thank you very much for your feedback.

    I was going to ask about June, too, but I figured that when a pronoun so closely follows a proper noun they must correspond.

    Glad to be of help.
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