"Poetry" by Pablo Neruda
Ms. Haiku
Posts: 7,265
And it was at that age ... Poetry arrived
in search of me. I don't know, I don't know where
it came from, from winter or a river.
I don't know how or when,
no they were not voices, they were not
words, nor silence,
but from a street I was summoned,
from the branches of night,
abruptly from the others,
among violent fires
or returning alone,
there I was without a face
and it touched me.
I did not know what to say, my mouth
had no way
with names,
my eyes were blind,
and something started in my soul,
fever or forgotten wings,
and I made my own way,
deciphering
that fire,
and I wrote the first faint line,
faint, without substance, pure
nonsense,
pure wisdom
of someone who knows nothing,
and suddenly I saw
the heavens
unfastened
and open,
planets,
palpitating plantations,
shadow perforated,
riddled
with arrows, fire and flowers,
the winding night, the universe.
And I, infinitesimal being,
drunk with the great starry
void,
likeness, image of
mystery,
felt myself a pure part
of the abyss,
I wheeled with the stars,
my heart broke loose on the wind.
in search of me. I don't know, I don't know where
it came from, from winter or a river.
I don't know how or when,
no they were not voices, they were not
words, nor silence,
but from a street I was summoned,
from the branches of night,
abruptly from the others,
among violent fires
or returning alone,
there I was without a face
and it touched me.
I did not know what to say, my mouth
had no way
with names,
my eyes were blind,
and something started in my soul,
fever or forgotten wings,
and I made my own way,
deciphering
that fire,
and I wrote the first faint line,
faint, without substance, pure
nonsense,
pure wisdom
of someone who knows nothing,
and suddenly I saw
the heavens
unfastened
and open,
planets,
palpitating plantations,
shadow perforated,
riddled
with arrows, fire and flowers,
the winding night, the universe.
And I, infinitesimal being,
drunk with the great starry
void,
likeness, image of
mystery,
felt myself a pure part
of the abyss,
I wheeled with the stars,
my heart broke loose on the wind.
There is no such thing as leftover pizza. There is now pizza and later pizza. - anonymous
The risk I took was calculated, but man, am I bad at math - The Mincing Mockingbird
The risk I took was calculated, but man, am I bad at math - The Mincing Mockingbird
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(Artichoke, after Neruda)
It is green at the artichoke heart,
but remember the times
you flayed
leaf after leaf,
the hoarding the pale silver paste
behind the fortresses of your teeth,
tonguing the vinaigrette,
only to find the husk of a worm
at the artichoke heart?
The palate reels like a wronged lover.
Was all that sweetness counterfeit?
Must you vomit back
world after vegetable world
for the sake of one worm
in the green garden of the heart?
(I haven't thought about it too awful much, but the vomiting back world after vegetable world lines bother me -- I don't know what exactly she's saying there.)
Any thoughts? I am not all that familiar with Neruda and thought maybe that's why I don't get the line.
You might as well haul up
This wave's green peak on wire
To prevent fall, or anchor the fluent air
In quartz, as crack your skull to keep
These two most perishable lovers from the touch
That will kindle angels' envy, scorch and drop
Their fond hearts charred as any match.
Seek no stony camera-eye to fix
The passing dazzle of each face
In black and white, or put on ice
Mouth's instant flare for future looks;
Stars shoot their petals, and suns run to seed,
However you may sweat to hold such darling wrecks
Hived like honey in your head.
Now in the crux of their vows hang your ear,
Still as a shell: hear what an age of glass
These lovers prophesy to lock embrace
Secure in museum diamond for the stare
Of astounded generations; they wrestle
To conquer cinder's kingdom in the stroke of an hour
And hoard faith safe in a fossil.
But though they'd rivet sinews in rock
And have every weathercock kiss hang fire
As if to outflame a phoenix, the moment's spur
Drives niimble blood too quick
For a wish to tether: they ride nightlong
In their heartbeats' blazing wake until red cock
Plucks bare that comet's flowering.
Dawn snuffs out star's spent wick,
Even as love's dear fools cry evergreen,
And a languor of wax congeals the vein
No matter how fiercely lit; staunch contracts break
And recoil in the altering light: the radiant limb
Blows ash in each lover's eye; the ardent look
Blackens flesh to bone and devours them.
as for the vomit... I think she means "must you purge everything (in your memory of this love) because you've found one little bad thing in it?" see?
right on Biblio... i've had this poem in my head today and thought to post it, but... you know... work schmerk... blegh
of delicate heart
erect
in its battle-dress, builds
its minimal cupola;
keeps
stark
in its scallop of
scales.
Around it,
demoniac vegetables
bristle their thicknesses,
devise
tendrils and belfries,
the bulb's agitations;
while under the subsoil
the carrot
sleeps sound in its
rusty mustaches.
Runner and filaments
bleach in the vineyards,
whereon rise the vines.
The sedulous cabbage
arranges its petticoats;
oregano
sweetens a world;
and the artichoke
dulcetly there in a gardenplot,
armed for a skirmish,
goes proud
in its pomegranate
burnishes.
Till, on a day,
each by the other,
the artichoke moves
to its dream
of a market place
in the big willow
hoppers:
a battle formation.
Most warlike
of defilades-
with men
in the market stalls,
white shirts
in the soup-greens,
artichoke field marshals,
close-order conclaves,
commands, detonations,
and voices,
a crashing of crate staves.
And
Maria
come
down
with her hamper
to
make trial
of an artichoke:
she reflects, she examines,
she candles them up to the light like an egg,
never flinching;
she bargains,
she tumbles her prize
in a market bag
among shoes and a
cabbage head,
a bottle
of vinegar; is back
in her kitchen.
The artichoke drowns in a pot.
So you have it:
a vegetable, armed,
a profession
(call it an artichoke)
whose end
is millennial.
We taste of that
sweetness,
dismembering scale after scale.
We eat of a halcyon paste:
it is green at the artichoke heart.
The artichoke in this poem seems to be someone who is more concerned with outward appearances then substance, call it a profession. Yet, since it is green, is it that the artichoke only sees the semblance of greatness and would not know hard work. I wonder if the vomit back is how Neruda's poetry has reached certain levels of familiarity, and he has become after death what he tried not to do in life. At the same time he won the Nobel Prize while still alive so that can't be it. I don't know, it must be her take on either him as a poet or on this poem. Does this Neruda poem shed any light for you?
The risk I took was calculated, but man, am I bad at math - The Mincing Mockingbird
Thank ya very much!
I can't believe it.....who could write like that.....and her husband a lumbering oaf......(as far as I know)