Post Poems

Ms. HaikuMs. Haiku Washington DC Posts: 7,265
edited November 2005 in Poetry, Prose, Music & Art
A thread to introduce us to each other's favorite poems, or just poems that interest us. Please post the poems that have sparked your interest that you think would spark others' interest. I think this has been done often before, but it can't be done enough, eh?
There is no such thing as leftover pizza. There is now pizza and later pizza. - anonymous
The risk I took was calculated, but man, am I bad at math - The Mincing Mockingbird
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  • Ms. HaikuMs. Haiku Washington DC Posts: 7,265
    I don't love you as if you were the salt-rose, topaz
    or arrow of carnations that propagate fire:
    I love you as certain dark things are loved,
    secretly, between the shadow and the soul.

    I love you as the plant that doesn't bloom and carries
    hidden within itself the light of those flowers,
    and thanks to your love, darkly in my body
    lives the dense fragrance that rises from the earth.

    I love you without knowing how, or when, or from where,
    I love you simply, without problems or pride:
    I love you in this way because I don't know any other way of loving

    but this, in which there is no I or you,
    so intimate that your hand upon my chest is my hand,
    so intimate that when I fall asleep it is your eyes that close.
    There is no such thing as leftover pizza. There is now pizza and later pizza. - anonymous
    The risk I took was calculated, but man, am I bad at math - The Mincing Mockingbird
  • Ms. HaikuMs. Haiku Washington DC Posts: 7,265
    After Li Po

    While my hair was still cut straight
    across my forehead
    I played at the front gate, pulling
    flowers.
    You came by on bamboo stilts, playing
    horse,
    You walked about my seat, playing with
    blue plums.
    And we went on living in the village of
    Chokan:
    Two small people, without dislike or
    suspicion.

    At fourteen I married My Lord you.
    I never laughed, being bashful.
    Lowering my head, I looked at the wall.
    Called to, a thousand times, I never
    looked back.

    At fifteen I stopped scowling,
    I desired my dust to be mingled with
    yours
    Forever and forever and forever.
    Why should I climb the lookout?

    At sixteen you departed,
    You went into far Ku-to-en, by the river
    of swirling eddies,
    And you have been gone five months.
    The monkeys make sorrowful noise
    overhead.

    You dragged your feet when you went
    out,
    By the gate now, the moss is grown,
    the different mosses,
    Too deep to clear them away!
    The leaves fall early this autumn, in
    wind.
    The paired butterflies are already
    yellow with August
    Over the grass in the West garden;
    They hurt me. I grow older.
    If you are coming down through the
    narrows of the river Kiang,
    Please let me know beforehand,
    And I will come out to meet you
    As far as Cho-fu-sa.


    ETE don't you like this one, too?
    There is no such thing as leftover pizza. There is now pizza and later pizza. - anonymous
    The risk I took was calculated, but man, am I bad at math - The Mincing Mockingbird
  • Ms. HaikuMs. Haiku Washington DC Posts: 7,265
    Pity me not because the light of day
    At close of day no longer walks the sky;
    Pity me not for beauties passed away
    From field and thicket as the year goes by.
    Pity me not the waning of the moon,
    Or that the ebbing tide goes out to sea,
    Or that a man's desire is hushed so soon,
    And you no longer look with love on me.
    This have I always known: Love is no more
    Than the wide blossom which the wind assails,
    Than the great tide that treads the shifting shore,
    Strewing fresh wreckage gathered in the gales.
    Pity me that the heart is slow to learn
    What the swift mind beholds at every turn.
    There is no such thing as leftover pizza. There is now pizza and later pizza. - anonymous
    The risk I took was calculated, but man, am I bad at math - The Mincing Mockingbird
  • Ms. HaikuMs. Haiku Washington DC Posts: 7,265
    We real cool. We
    Left school. We

    Lurk late. We
    Strike straight. We

    Sing sin. We
    Thin gin. We

    Jazz June. We
    Die soon.
    There is no such thing as leftover pizza. There is now pizza and later pizza. - anonymous
    The risk I took was calculated, but man, am I bad at math - The Mincing Mockingbird
  • In Moonlight

    Something moves
    just beyond the mind's
    clumsy fingers.

    It has to do with seeds.
    The earth's insomnia.
    The garden going on
    without us

    needing no one
    to watch it

    not even the moon.



    A Prophet In His Own Country

    The gopher on his hind legs
    is taut with holiness and fright.
    Miniature and beardless,
    he could be stoned or flooded out,
    burnt alive in stubble fields,
    martry to children for a penny a tail.

    How can you not believe an animal
    who goes down head first
    into darkness, into the ceaseless
    pull of gravity beneath him?
    What faith that takes!

    I come to him with questions
    because I love his ears, how perfectly
    they fit, how flat they lie against his head.
    They hear the inner and the outer
    worlds: what rain says
    underground. The stone's praise
    for the sparrow's ankle bone.

    Little earth-otter, little dusty Lazarus,
    he vanishes, he rises. He won't tell us
    what he's seen.



    Blizzard

    Walking into wind, I lean into my mother's muskrat coat;
    around the cuffs her wristbones have worn away the fur.

    If we stood still we'd disappear. There's no up or down,
    no houses with their windows lit. The only noise is wind

    and what's inside us. When we get home my father
    will be there or not. No one ever looks for us.

    I could lie down and stay right here where snow is all
    that happens, and silence isn't loneliness just cold

    not talking. My mother tugs at me and won't let go.
    Then stops to find her bearings. In our hoods of stars

    we don't know if anyone will understand
    the tongue we speak, so far we are from home.
    Forget your perfect offering, there is a crack in everything, that's how the light gets in. - Leonard Cohen
  • After Li Po

    While my hair was still cut straight
    across my forehead
    I played at the front gate, pulling
    flowers.
    You came by on bamboo stilts, playing
    horse,
    You walked about my seat, playing with
    blue plums.
    And we went on living in the village of
    Chokan:
    Two small people, without dislike or
    suspicion.

    At fourteen I married My Lord you.
    I never laughed, being bashful.
    Lowering my head, I looked at the wall.
    Called to, a thousand times, I never
    looked back.

    At fifteen I stopped scowling,
    I desired my dust to be mingled with
    yours
    Forever and forever and forever.
    Why should I climb the lookout?

    At sixteen you departed,
    You went into far Ku-to-en, by the river
    of swirling eddies,
    And you have been gone five months.
    The monkeys make sorrowful noise
    overhead.

    You dragged your feet when you went
    out,
    By the gate now, the moss is grown,
    the different mosses,
    Too deep to clear them away!
    The leaves fall early this autumn, in
    wind.
    The paired butterflies are already
    yellow with August
    Over the grass in the West garden;
    They hurt me. I grow older.
    If you are coming down through the
    narrows of the river Kiang,
    Please let me know beforehand,
    And I will come out to meet you
    As far as Cho-fu-sa.


    ETE don't you like this one, too?

    This might be my life in a little while, excellent piece
  • Mingus in Shadow - William Mathews

    What you see in his face in the last
    photograph, when ALS had whittled
    his body to fit a wheelchair, is how much
    stark work it took to fend death off, and fail.
    The famous rage got eaten cell by cell.

    His eyes are drawn to slits against the glate
    of the blanched landscape. The day he died,
    the story goes, a swash of dead whales
    washed up on the Baja beach. Great nature grieved
    for him, the story means, but it was great

    nature that skewed his cells and siphoned
    his force and melted his fat like tallow
    and beached him in a wheelchair under
    a sombrero. It was human nature,
    tiny nature, to take the photograph,

    to fuss with the aperture and speed, to let
    in the right blare of light, just long enough
    to etch pale Mingus to the negative.
    In the small, memorial world of that
    negative, he's all the light there is.
  • Defenestrations in Prague - also William Mathews

    1419. Angry protestants stormed
    the town hall and tossed Catholic council
    members out the window. Those who survived
    the fall were sped to the next life by pikes.
    Of course Catholics were busy burning
    heretics at one stake or another.
    Did he who first learn to keep fire wait long
    to think how crisp it might singe his neighbor?

    1618 Three Catholics fell some
    fifty feet from a palace window
    to land on a dung heap and live to slink
    away and thank God for landing in shit.
    One side's miracle, the other's mistake.
    Sides? Sides demean the vast loneliness
    of prayer -- no answer, no neighbor, and death
    flickering in you like a pilot light.
  • Warren Pryor

    When every pencil meant a sacrafice
    his parents boarded him at school in town
    slaving to free him from the stony fields
    the meagre acreage that bore them down

    They blushed with pride when, at his graduation
    they watched him picking up the slender scroll,
    his passport from the years of brutal toil
    and lonely patience in a barren hole

    When he went in the Bank thier cups ran over
    They marvelled how he wore a milk-white shirt
    work days and jeans on Sundays. He was saved
    from their thistle-strew farm and it's red dirt

    And he said nothing. Hard and serious
    like a young bear inside his teller's cage
    his axe-hewn hands upon the paper bills
    aching with empty srength and throttled rage


    -Alden Nowlan
    Rarghstarfarian.
  • Ms. HaikuMs. Haiku Washington DC Posts: 7,265
    Mingus in Shadow - William Mathews

    What you see in his face in the last
    photograph, when ALS had whittled
    his body to fit a wheelchair, is how much
    stark work it took to fend death off, and fail.
    The famous rage got eaten cell by cell.

    His eyes are drawn to slits against the glate
    of the blanched landscape. The day he died,
    the story goes, a swash of dead whales
    washed up on the Baja beach. Great nature grieved
    for him, the story means, but it was great

    nature that skewed his cells and siphoned
    his force and melted his fat like tallow
    and beached him in a wheelchair under
    a sombrero. It was human nature,
    tiny nature, to take the photograph,

    to fuss with the aperture and speed, to let
    in the right blare of light, just long enough
    to etch pale Mingus to the negative.
    In the small, memorial world of that
    negative, he's all the light there is.
    I think some of your best poems focus on people who live and suffer in older age. Is he your inspiration for this?
    There is no such thing as leftover pizza. There is now pizza and later pizza. - anonymous
    The risk I took was calculated, but man, am I bad at math - The Mincing Mockingbird
  • Ms. HaikuMs. Haiku Washington DC Posts: 7,265
    Warren Pryor

    When every pencil meant a sacrafice
    his parents boarded him at school in town
    slaving to free him from the stony fields
    the meagre acreage that bore them down

    They blushed with pride when, at his graduation
    they watched him picking up the slender scroll,
    his passport from the years of brutal toil
    and lonely patience in a barren hole

    When he went in the Bank thier cups ran over
    They marvelled how he wore a milk-white shirt
    work days and jeans on Sundays. He was saved
    from their thistle-strew farm and it's red dirt

    And he said nothing. Hard and serious
    like a young bear inside his teller's cage
    his axe-hewn hands upon the paper bills
    aching with empty srength and throttled rage


    -Alden Nowlan

    This is very sharp. I don't know if I heard of him before. I haven't read some of the other poets, too. I hope people continue to post the poems/poets' work that they read. It's eye opening.
    There is no such thing as leftover pizza. There is now pizza and later pizza. - anonymous
    The risk I took was calculated, but man, am I bad at math - The Mincing Mockingbird
  • I think some of your best poems focus on people who live and suffer in older age. Is he your inspiration for this?

    Maybe subconsciously, but I think all of my subjects are chosen subconsciously, I usually just start with images and places, or a single metaphor I needed to write down, and then expand from that. I don't often decide, "I'm going to write a sad poem about a lonely old man" but sometimes it just comes out that way.

    But William Mathews is responsible for most of my style, the way he ends some of his stanzas in the middle of a line, the setup of the poem, the desire to find crisp images, all these things I get from him. He's the poet I fell in love with first, so no matter how many I read, he'll always be in the back of my mind.
  • i saw you
    vincent van
    gogh perched
    on those pennsylvania
    cornfields communing
    amid secret black
    bird societies. yes.
    i’m sure that was
    you exploding your
    fantastic delirium
    while in the
    distance
    red indian
    hills beckoned.

    -- Sonia Sanchez

    (it is full on fall here, and this poem just makes me think about the orange of the sky and the black lines of trees and crows -- everything crisp and fall. )
  • Ms. HaikuMs. Haiku Washington DC Posts: 7,265
    pearlmutt wrote:
    i saw you
    vincent van
    gogh perched
    on those pennsylvania
    cornfields communing
    amid secret black
    bird societies. yes.
    i’m sure that was
    you exploding your
    fantastic delirium
    while in the
    distance
    red indian
    hills beckoned.

    -- Sonia Sanchez

    (it is full on fall here, and this poem just makes me think about the orange of the sky and the black lines of trees and crows -- everything crisp and fall. )
    Sonia Sanchez rocks.
    There is no such thing as leftover pizza. There is now pizza and later pizza. - anonymous
    The risk I took was calculated, but man, am I bad at math - The Mincing Mockingbird
  • The Cloister - William Mathews

    The last light of a July evening drained
    into the streets below. My love and I had
    things to say and hear, and we sat over
    wine, faltering, picking our words carefully.

    The afternoon before I had lain across
    my bed and my cat leapt up to lie
    alongside me, purring and slowly
    growing dozy. By this ritual I could

    clear some clutter from my baroque brain.
    And into that brief vacancy the image
    of a horse cantered, coming straight to me,
    and I knew it brought hard talk and hurt

    and fear. How did we do? A medium job,
    which is well above average. But because
    she had opened her heart to me as far
    as she did, I saw her fierce privacy,

    like a gnarled, luxuriant tree all hung
    with disappointments, and I knew
    that to love her I must love the tree
    and the nothing it cares for me.
  • "Sonia Sanchez rocks."

    oh goodie!

    biblio, smooches to you.

    (have you ever read "just don't never give up on love"?)

    "No. Don't never go looking for love girl. Just wait. It'll come. Like the rain fallin' from heaven, it'll come. Just don't never give up on love."

    We hugged; then she walked her 84-year-old walk down the street. A black woman. Echoing gold. Carrying couplets from the sky to crease the ground.

    [the end]
  • Dreamers

    Soldiers are citizens of death’s grey land,
    Drawing no dividend from time’s to-morrows.
    In the great hour of destiny they stand,
    Each with his feuds, and jealousies, and sorrows.
    Soldiers are sworn to action; they must win
    Some flaming, fatal climax with their lives.
    Soldiers are dreamers; when the guns begin
    They think of firelit homes, clean beds and wives.

    I see them in foul dug-outs, gnawed by rats,
    And in the ruined trenches, lashed with rain,
    Dreaming of things they did with balls and bats,
    And mocked by hopeless longing to regain
    Bank-holidays, and picture shows, and spats,
    And going to the office in the train.
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