Book 'em Danno
FinsburyParkCarrots
Seattle, WA Posts: 12,223
Okay, it starts like this.....
fast wah-wah geetar in E...a minor pentatonic....
ker- THWAKKADAH- THWAAKADAHH-thawakkadahh....
et cetera....
then, a telephone voice:
McGARRETT: ....McGarrett...
McGarett Five-O...
Calling Dispatch....
Calling HPD....
Calling All Cars...
Kono....
Chin Ho....?
Kemo.....?
Come in, Danno.....!!!!
WHERE'S DANNO????
(then the vocals, at half-speed, like Pinky and Perky)
Aftah years ah'm back in circulah-shion
An' these days I've ah river in muh view
Uh guess you fantasise duh retribu-shion ....
Wo Fat!... you wage; "When uh git back tuh YOU!...."
...Well, if youh like to see me at mah brightest
Then meet me at duh bridge where all kin see
Uh got sum friendes dat won't hurt yooz the slightest
But they'll conduct their duties
jus' for me....
(CHORUS)
Ah'll say
BOOK 'EM, DANNO
POETRY-MURDAH ONE....
you'll seee dah stake-out,
then yoo'll know yerr done.....
Dat's right: ah jus' been waitin' wid muh homework
Ah've bin puttin all de info intah shape
An' now ah say ah trapped yew intah deadlock (Gid work, Kono)
Coz, now, Wo Fat, frim truth yah kant escape...
Yah, yew ran a very clever opera-shion
An' gavvuz many detours on der way
We waz dafe frim idle observa-shion
but we had a helicopter near duh sea...
Ah said
BOOK' EM DANNO
POETRY MURDAH-ONE
WE TRACED DUH LINE
TO YUH SUBMARINE IN DUH SUN
(Country and western bit in A major)
Am uh sulf-righteous?
Am uh sulf-righteous?
Am uh sulf-righteous?
POW!!!
Fuh Good...
GOOD!!!
(Back to E minor pentatonic RAWK. McCready on guitar, going as apeshit-bluesy as he likes)
TANNOY:
POLICE SIREN WHOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
OOOOOOOOOOHHHHHHH
McGARRETT: No track marks, huh?
So, where'd yah take it?
Between dah toes?
Backs ah dah knees?
backs ah da knees, huh?
OK - Book 'em, Danno,
Take ' em dahnnnnnn.....
(Nice lil' modula-shion back to country bit in A)
SIREN.......WHOOOOOO....
(Siren sings, Tim Buckley backup)
Am uh silf righteis?
Am uh silf righteis?
Am uh silf righteis?
Pow, for gidd gidd gidddd.....
(BLUES FAST SHARP NINTH FUNK FASTFASTFAST!!!!)
McGARRETT: Thankyuh Danno
Yiz auh gid cop
Uh'll see duh govnuh commends yuh for dis...
Yuh own office
in duh imperial palace
Yuh own room
Dannuh....
Ba-ba-ba-ba- BAH-BAHHHH
ba-ba ba- bah - BAHHHHHHHHH
ba-ba-ba-ba- BAH- BUHHHHHHHHH
ba-ba-ba- BUHHHHHHHHHHHHH..........
(Fade out 'n' nevuh endin' McCready solo in bluesy E-uh.......)
fast wah-wah geetar in E...a minor pentatonic....
ker- THWAKKADAH- THWAAKADAHH-thawakkadahh....
et cetera....
then, a telephone voice:
McGARRETT: ....McGarrett...
McGarett Five-O...
Calling Dispatch....
Calling HPD....
Calling All Cars...
Kono....
Chin Ho....?
Kemo.....?
Come in, Danno.....!!!!
WHERE'S DANNO????
(then the vocals, at half-speed, like Pinky and Perky)
Aftah years ah'm back in circulah-shion
An' these days I've ah river in muh view
Uh guess you fantasise duh retribu-shion ....
Wo Fat!... you wage; "When uh git back tuh YOU!...."
...Well, if youh like to see me at mah brightest
Then meet me at duh bridge where all kin see
Uh got sum friendes dat won't hurt yooz the slightest
But they'll conduct their duties
jus' for me....
(CHORUS)
Ah'll say
BOOK 'EM, DANNO
POETRY-MURDAH ONE....
you'll seee dah stake-out,
then yoo'll know yerr done.....
Dat's right: ah jus' been waitin' wid muh homework
Ah've bin puttin all de info intah shape
An' now ah say ah trapped yew intah deadlock (Gid work, Kono)
Coz, now, Wo Fat, frim truth yah kant escape...
Yah, yew ran a very clever opera-shion
An' gavvuz many detours on der way
We waz dafe frim idle observa-shion
but we had a helicopter near duh sea...
Ah said
BOOK' EM DANNO
POETRY MURDAH-ONE
WE TRACED DUH LINE
TO YUH SUBMARINE IN DUH SUN
(Country and western bit in A major)
Am uh sulf-righteous?
Am uh sulf-righteous?
Am uh sulf-righteous?
POW!!!
Fuh Good...
GOOD!!!
(Back to E minor pentatonic RAWK. McCready on guitar, going as apeshit-bluesy as he likes)
TANNOY:
POLICE SIREN WHOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
OOOOOOOOOOHHHHHHH
McGARRETT: No track marks, huh?
So, where'd yah take it?
Between dah toes?
Backs ah dah knees?
backs ah da knees, huh?
OK - Book 'em, Danno,
Take ' em dahnnnnnn.....
(Nice lil' modula-shion back to country bit in A)
SIREN.......WHOOOOOO....
(Siren sings, Tim Buckley backup)
Am uh silf righteis?
Am uh silf righteis?
Am uh silf righteis?
Pow, for gidd gidd gidddd.....
(BLUES FAST SHARP NINTH FUNK FASTFASTFAST!!!!)
McGARRETT: Thankyuh Danno
Yiz auh gid cop
Uh'll see duh govnuh commends yuh for dis...
Yuh own office
in duh imperial palace
Yuh own room
Dannuh....
Ba-ba-ba-ba- BAH-BAHHHH
ba-ba ba- bah - BAHHHHHHHHH
ba-ba-ba-ba- BAH- BUHHHHHHHHH
ba-ba-ba- BUHHHHHHHHHHHHH..........
(Fade out 'n' nevuh endin' McCready solo in bluesy E-uh.......)
Post edited by Unknown User on
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Comments
how delightfully full of energy!
i can practically see you playing.
How'd you do dem Bolds?
Damn... ah'm s'posed to be gettin' up soon....
you want something to see?
i see a double oh seven getting down with me
and we got FPC
he's da mad MC
fucking fond over da pond
you know it just like me
fuck dat yo
we outta here
there's
INSTRUCTIONS
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i'm LOVIN it!!!
It all seems so different a day later.....
God, I love to laugh. I can hear it. I can see it.
LOL
In synchronistic harmony
I'll dance across the
Freshwater blue cascades
As you play
Lured by the beauty
Humming with sweet vibrations
I'll tap twice....
astraljammin'
hawaii 5-O
kamikaze
cosmopolitan
cranberry blue
surprise
undercover
angel--book em dyao
but
ah
get
de
crazy
feelin'
dat
ah'm
gonna
be
fallin'
in
lurve.......
I think that was my line.
transatlantic blush....
we're a pair of blushing beacons in a sea of excitation
LINGUINE AMARETTO CON COLORI (BELLEZA CONFUSIADAS)
Linguistic phenomena is completely fascinating–how sound moves into symbol. This utterance meant to convey a concrete object, a feeling, in real objects: words.
Frustration and misunderstandings result because it is impossible to share (precisely) direct experience. Then, even if we could do that, the other person has many life associations that would COLOR her perceptions differently. Remember the futility of Dostoevski’s ridiculous man
trying to explain what he’d seen.
Poetry can play with abstracts in such a way as to release the chemicals of beauty...and recreate a type of experience....
But I think the answer to refreshing the old forms, taking the cliches....and just getting hyperspecific....(more color, smile) so that
In Minute Observation...observvaashun...we might describe...
Through intuition. Channeling the collective. Til we all remember (something). I believe in telepathic possibilites...recall the other day when the computer system glitched and you jested about trying to send out your Tagorian reply...
think of the marvel of telephones, of this computer internetting, microchips and such getting smaller and smaller. In the minute details...
Our minds traveling out, ......yes, like astral perhaps, entering some “space” where we have
immediate access....more love/more becoming “one”–of one mind. One psychic-soul language transcending barriers, transcending even physical experience
a zone of archetypes, face to face, an explanation, a grace---bliss.
*****
Ahhh~
I’m so almost there, smiles. And giggles, as this girl thinks of talking...telepathically..with the animals Xena beast mistressy like, ha Liza Doolittle meets Dr. Doolittle and they’re rain in Spaining with dolphins and chimpanzees and we're most Zenish when we Do-Little.
Vast interior chuckles, oh and LOVE
Meanwhile...back at the Academy of Macadamy, frau aloha luaus in the laboratory....whee/
exploring morpheming relishments of extensual pseudo-structural complexities of Whirreds.
Wielding, weirdly, wildly, well-woven wonderments of whale-sized Walliterations.
Someone stop them, they’re mad I tell you. Mad...
Squigglacious///
anywiz, um spozed tb workin
ah git back to work
("Gid work, Chin Ho")