One-Nil

FinsburyParkCarrotsFinsburyParkCarrots Seattle, WA Posts: 12,223
edited February 2006 in Poetry, Prose, Music & Art
I started this about an hour ago and finished it about a minute ago. This is the first draft.

The evening went well, Jim thinks. They paid
him cash, always a bonus. Poetry
that pays. The reading flew. And not the staid
old tweedy lot you'd mainly get. To try
out all those newer pieces live was nice
road testing. And the girl sat at the front,
who mouthed out her number to him twice:
Should have spoken to her. Ah, you don't
Pass these chances up. That's what's at stake
in this: a lonesome gravestone. Pity the night
ended when it did, a little late to make
The Swimmers for last orders. Ah, the blight
of this old life: that words should be the curse
that keep one from good loving and the throng
of life out there. To write to make a purse
dries up the throat and falsifies the song.

He thanks the organisers, then shakes hands
and quits the 'net cafe. Coats and shoes
flap past him. Cold air breath streams past in bands
that smell of burger vans. Loud, banshee throes
of agonising wailing hit his ears:
Some lads, whose shouting out "One- nil, one- nil,
one-nil, one-nil" remind him of the good old years
when no-one read his work. "I'd party 'til
I couldn't stand, and talk, but never bore
and never talk of poetry. I'd swear,
love, curse, fall down, get up for more.
Then words came in the morning with my fear.
How dare these lovers mouth to me, how dare
these revellers of all nights come now to hound
me, left to walk alone these streets? O bare
face of life that mouths cruel, wordless sound!"

He slaps his forehead. "Thinking like an ass
again, old James?" Moonlight on his boots
makes a moment's poem. It will pass
when he looks before him and he roots
through faces passing for that prettiness
he saw tonight. And there she is, just by,
behind another cafe window, her dress
offpink, seamed with one red butterfly
sequined, a flash of memories
of Jean, his first wife. Pah. A young man sits,
just opposite. "Don't listen to his lies!"
He mutters on the glass. The kid takes hits
deep from his coffee cup and starts to mouth
something at length. The girl's eyes narrow now.
"Oh no. A would-be poet. Stupid youth!
Girl! Run from his sham, his flash, his show,

His verbless scrawl without a period,
His metaphors he mixes, his broad
fat brushstrokes that he hopes contains a god
inside his world view splodge. Run from that toad
and find a carpenter, a fisherman,
a coalman or a beggar, but don't fall
for someone with a notebook and a wan,
world-weary look and wish to offload all
his poetry on you. Get out of there,
live, start breathing, love, try not to care
about the Beat!" A pigeon raised its cere
to look up at him. "Tell me, does he scare
you, little birdy? Does your instinct say
That kid's a poet, summoning chill rain
over his lover's life? You'd run away,
dear bird! If only humans had your brain."

Jim heads through midnight crowds, and breathing in
he feels the river breeze upon his face
and reaches bridge still silence. There within
cool waters down below, there's the embrace
of lovers from high stars where no word
hinders kissings. Jim looks to the still
unrippling film of river. Night's word cord
to cling the eye to fear is cut. Until
the river ends, the heart of poetry
is nameless, moonknown, whiteblack; here
he knows in shadows where the song lies. "Try
not to make a sound", he thinks. "Not where
the light on water's all. I'll live from now
watching midnight water for the glow
of starlain lovers on the stream. And free
from words, I'll laugh, and dance, and learn to Be."
Post edited by Unknown User on

Comments

  • dyaogirldyaogirl Posts: 138
    This piece of work gives life and leaves me speechless, wordless. It stirs deeply into the pool of human emotions “Night's word cord, to cling the eye to fear is cut.” and echoes a life wanting, searching to be lived.

    An epoch. I loved it. Thank you just doesn’t seem enough, yet it’s the only words I have.

    Thank you Finsbury
    '..... Ah! A perfect illustration of the poststructuralist paradox. Does the signifier "Merlot" correspond with the 'truth' of the bottle I polished off last night, or do we hold in our thoughts a different "signified" of bottle-of-Merlot-ness? Perhaps we're dreaming of the same bottle!" -FinsburyParkCarrots

  • FinsburyParkCarrotsFinsburyParkCarrots Seattle, WA Posts: 12,223
    *Kisses dyaogirl in middle of thread*

    :cool:
  • FinsburyParkCarrotsFinsburyParkCarrots Seattle, WA Posts: 12,223
    Okay. This is the edited version.

    The evening went well, Jim thinks. They paid
    him cash, always a bonus. Poetry
    that pays. The reading flew. And not the staid
    old tweedy lot you'd mainly get. To try
    out all those newer pieces live was nice
    road testing. And the girl sat at the front,
    who mouthed out her number to him twice:
    Should have spoken to her. Ah, you don't
    Pass these chances up. That's what's at stake
    in this: a lonesome gravestone. Shame the night
    ended when it did, a little late to make
    The Swimmers for last orders. Ah, the blight
    of this old life: that words should be the curse
    to keep one from good loving and the throng
    of life out there. To write to make a purse
    dries up the throat and falsifies the song.

    He thanks the organisers, then shakes hands
    and quits the 'net cafe. Coats and shoes
    flap past him. Cold air breath streams past in bands
    that smell of burger vans. Loud, banshee throes
    of agonising wailing hit his ears:
    Some lads, whose shouting out "One- nil, one- nil,
    one-nil, one-nil" remind him of the good old years
    when no-one read his work. "I'd party 'til
    I couldn't stand, and talk, but never bore
    and never talk of poetry. I'd swear,
    love, curse, fall down, get up for more.
    Then words came in the morning with my fear.
    How dare these lovers mouth to me, how dare
    these revellers of night come now to hound
    me, left to walk alone these streets? O bare
    face of life that mouths cruel, wordless sound!"

    He slaps his forehead. "Thinking like an ass
    again, old James?" Moonlight on his boots
    makes a moment's poem. It will pass
    when he looks before him and he roots
    through faces passing for that prettiness
    he saw tonight. And there she is, just by,
    behind another cafe window, her dress
    offpink, seamed with one red butterfly
    sequined, a flash of memories
    of Jean, his first wife. Pah. A young man sits,
    just opposite. "Don't listen to his lies!"
    He mutters on the glass. The kid takes hits
    deep from his coffee cup and starts to mouth
    something at length. The girl's eyes narrow now.
    "Oh no. A would-be poet. Stupid youth!
    Girl! Run from his sham, his flash, his show,

    His verbless scrawl without a period,
    His metaphors he mixes, his broad
    fat brushstrokes that he hopes contain a god
    inside his world view splodge. Run from that toad
    and find a carpenter, a fisherman,
    a coalman or a beggar, but don't fall
    for someone with a notebook and a wan,
    world-weary look and wish to offload all
    his poetry on you. Get out of there,
    live, start breathing, love, try not to care
    about the Beat!" A pigeon raised its cere
    to look up at him. "Tell me, does he scare
    you, little birdy? Does your instinct say
    That kid's a poet, summoning chill rain
    over his lover's life? You'd run away,
    dear bird! If only humans had your brain."

    Jim heads through midnight crowds, and breathing in
    he feels the river breeze upon his face
    and reaches bridge still silence. There within
    cool waters down below, there's the embrace
    of lovers from high stars where no word
    hinders kissings. Jim looks to the still
    unrippling film of river. Night's word cord
    to cling the eye to fear is cut. Until
    the river ends, the heart of poetry
    is nameless, moonknown, whiteblack; here
    he knows in shadows where the song lies. "Try
    not to make a sound", he thinks. "Not where
    the light on water's all. I'll live from now
    watching midnight water for the glow
    of starlain lovers on the stream. And free
    from words, I'll laugh, and dance, and learn to Be."


    December 11th 2004
  • FinsburyParkCarrotsFinsburyParkCarrots Seattle, WA Posts: 12,223
    I Eliot's Pier-Glass Revisited

    An eminent philosopher, she said,
    taught to her a pier glass parable:
    the ego is a candle flame, its light
    radiates bright circles in its pass
    across thin scratches in its sphere. She laid
    down in prose, clear, inexorable,
    how the random scratches under bright
    candlelight seem shaped in the glass
    concentrically to the candle's keep.
    But prose might miss the magic of this sight,
    as science without soul will often do.
    The candlelight is Love, glass patterns deep
    soul glimmerings. The energy of light
    draws all within its simple orbit, so.

    II River Prayer

    Let the river beam my lover's eyes
    December sunned, where in morning come
    gulls making circles on the verging air
    above these reeds from which I sit and peer
    out upon the fenlands, black. Here, yes,
    here I'll summon magic, calling home
    five thousand miles of whispers from one, fair
    voice upon brook motion from a sheer
    silent field, southwestern. Let me behold
    my lover's eyes five thousand times in wide
    Washward rolls of northward riverflow:
    Let morning hang its tenderness like gold
    hair lain on my breast, her hair: Inside
    the river, beam my love's bejewelled glow.


    December 11th 2004
  • FinsburyParkCarrotsFinsburyParkCarrots Seattle, WA Posts: 12,223
    I have grown weary of all this, the ones
    who love and hate, the ones who make a scene
    sky broad. Arra. Give me earth. Mud. Dirt.
    Brown mud dirt. I'll put my boot deep down.
    There, ain't that like something that's real? God,
    that I once thought corpuscles in my eyes
    were ciphers, mysteries that love and hate
    might read. Blah, dreams, those idiotic specks
    of Truth that are deficiencies of sight.
  • AliAli Posts: 2,621
    Yumm Carrots..yumm..as usual:)
    Imagery:)
    A whisper and a thrill
    A whisper and a chill
    adv2005

    "Why do I bother?"
    The 11th Commandment.
    "Whatever"

    PETITION TO STOP THE BAN OF SMOKING IN BARS IN THE UNITED STATES....Anyone?
  • FinsburyParkCarrotsFinsburyParkCarrots Seattle, WA Posts: 12,223
    Talk in riddles, false man at the bar:
    indict them in some lie though they were far
    away from here, go on, sully their name.
    If they were lost they would not do the same.
  • FinsburyParkCarrotsFinsburyParkCarrots Seattle, WA Posts: 12,223
    I swear it, get me out of here, get, get,
    get me out of here, I swear it, it,
    get me out of here, get me, get, get,
    out! Get out! Out! It out! Get! Out!
  • Okay. This is the edited version.

    The evening went well, Jim thinks. They paid
    him cash, always a bonus. Poetry
    that pays. The reading flew. And not the staid
    old tweedy lot you'd mainly get. To try
    out all those newer pieces live was nice
    road testing. And the girl sat at the front,
    who mouthed out her number to him twice:
    Should have spoken to her. Ah, you don't
    Pass these chances up. That's what's at stake
    in this: a lonesome gravestone. Shame the night
    ended when it did, a little late to make
    The Swimmers for last orders. Ah, the blight
    of this old life: that words should be the curse
    to keep one from good loving and the throng
    of life out there. To write to make a purse
    dries up the throat and falsifies the song.

    He thanks the organisers, then shakes hands
    and quits the 'net cafe. Coats and shoes
    flap past him. Cold air breath streams past in bands
    that smell of burger vans. Loud, banshee throes
    of agonising wailing hit his ears:
    Some lads, whose shouting out "One- nil, one- nil,
    one-nil, one-nil" remind him of the good old years
    when no-one read his work. "I'd party 'til
    I couldn't stand, and talk, but never bore
    and never talk of poetry. I'd swear,
    love, curse, fall down, get up for more.
    Then words came in the morning with my fear.
    How dare these lovers mouth to me, how dare
    these revellers of night come now to hound
    me, left to walk alone these streets? O bare
    face of life that mouths cruel, wordless sound!"

    He slaps his forehead. "Thinking like an ass
    again, old James?" Moonlight on his boots
    makes a moment's poem. It will pass
    when he looks before him and he roots
    through faces passing for that prettiness
    he saw tonight. And there she is, just by,
    behind another cafe window, her dress
    offpink, seamed with one red butterfly
    sequined, a flash of memories
    of Jean, his first wife. Pah. A young man sits,
    just opposite. "Don't listen to his lies!"
    He mutters on the glass. The kid takes hits
    deep from his coffee cup and starts to mouth
    something at length. The girl's eyes narrow now.
    "Oh no. A would-be poet. Stupid youth!
    Girl! Run from his sham, his flash, his show,

    His verbless scrawl without a period,
    His metaphors he mixes, his broad
    fat brushstrokes that he hopes contain a god
    inside his world view splodge. Run from that toad
    and find a carpenter, a fisherman,
    a coalman or a beggar, but don't fall
    for someone with a notebook and a wan,
    world-weary look and wish to offload all
    his poetry on you. Get out of there,
    live, start breathing, love, try not to care
    about the Beat!" A pigeon raised its cere
    to look up at him. "Tell me, does he scare
    you, little birdy? Does your instinct say
    That kid's a poet, summoning chill rain
    over his lover's life? You'd run away,
    dear bird! If only humans had your brain."

    Jim heads through midnight crowds, and breathing in
    he feels the river breeze upon his face
    and reaches bridge still silence. There within
    cool waters down below, there's the embrace
    of lovers from high stars where no word
    hinders kissings. Jim looks to the still
    unrippling film of river. Night's word cord
    to cling the eye to fear is cut. Until
    the river ends, the heart of poetry
    is nameless, moonknown, whiteblack; here
    he knows in shadows where the song lies. "Try
    not to make a sound", he thinks. "Not where
    the light on water's all. I'll live from now
    watching midnight water for the glow
    of starlain lovers on the stream. And free
    from words, I'll laugh, and dance, and learn to Be."


    December 11th 2004


    okay Finsburry, I'll lay it down to ya. Most of the time I don't like reading you, cause youre - well - a bit too much for me, a bit too artsy, a bit too academical even. But this one is just a-m-a-z-i-n-g. You should do this more often, you know ;)
  • FinsburyParkCarrotsFinsburyParkCarrots Seattle, WA Posts: 12,223
    Fuck art, let's kick ass.

    Cheers, pearlwax.
  • FinsburyParkCarrotsFinsburyParkCarrots Seattle, WA Posts: 12,223
    Maybe it's a hormone that's released,
    maybe it's political events,
    maybe it's a curse: I've ceased
    to care for niceties. There's dents
    in me I made myself to cut the fist
    that pounds away on me. I'll bleed
    it, I'm so sharp. Please don't resist
    the wish to strike me. See? It's just my need.
  • AliAli Posts: 2,621
    I like the river poem the best for today...it suits my theatrical mood.
    A whisper and a thrill
    A whisper and a chill
    adv2005

    "Why do I bother?"
    The 11th Commandment.
    "Whatever"

    PETITION TO STOP THE BAN OF SMOKING IN BARS IN THE UNITED STATES....Anyone?
  • Okay. This is the edited version.

    The evening went well, Jim thinks. They paid
    him cash, always a bonus. Poetry
    that pays. The reading flew. And not the staid
    old tweedy lot you'd mainly get. To try
    out all those newer pieces live was nice
    road testing. And the girl sat at the front,
    who mouthed out her number to him twice:
    Should have spoken to her. Ah, you don't
    Pass these chances up. That's what's at stake
    in this: a lonesome gravestone. Shame the night
    ended when it did, a little late to make
    The Swimmers for last orders. Ah, the blight
    of this old life: that words should be the curse
    to keep one from good loving and the throng
    of life out there. To write to make a purse
    dries up the throat and falsifies the song.

    He thanks the organisers, then shakes hands
    and quits the 'net cafe. Coats and shoes
    flap past him. Cold air breath streams past in bands
    that smell of burger vans. Loud, banshee throes
    of agonising wailing hit his ears:
    Some lads, whose shouting out "One- nil, one- nil,
    one-nil, one-nil" remind him of the good old years
    when no-one read his work. "I'd party 'til
    I couldn't stand, and talk, but never bore
    and never talk of poetry. I'd swear,
    love, curse, fall down, get up for more.
    Then words came in the morning with my fear.
    How dare these lovers mouth to me, how dare
    these revellers of night come now to hound
    me, left to walk alone these streets? O bare
    face of life that mouths cruel, wordless sound!"

    He slaps his forehead. "Thinking like an ass
    again, old James?" Moonlight on his boots
    makes a moment's poem. It will pass
    when he looks before him and he roots
    through faces passing for that prettiness
    he saw tonight. And there she is, just by,
    behind another cafe window, her dress
    offpink, seamed with one red butterfly
    sequined, a flash of memories
    of Jean, his first wife. Pah. A young man sits,
    just opposite. "Don't listen to his lies!"
    He mutters on the glass. The kid takes hits
    deep from his coffee cup and starts to mouth
    something at length. The girl's eyes narrow now.
    "Oh no. A would-be poet. Stupid youth!
    Girl! Run from his sham, his flash, his show,

    His verbless scrawl without a period,
    His metaphors he mixes, his broad
    fat brushstrokes that he hopes contain a god
    inside his world view splodge. Run from that toad
    and find a carpenter, a fisherman,
    a coalman or a beggar, but don't fall
    for someone with a notebook and a wan,
    world-weary look and wish to offload all
    his poetry on you. Get out of there,
    live, start breathing, love, try not to care
    about the Beat!" A pigeon raised its cere
    to look up at him. "Tell me, does he scare
    you, little birdy? Does your instinct say
    That kid's a poet, summoning chill rain
    over his lover's life? You'd run away,
    dear bird! If only humans had your brain."

    Jim heads through midnight crowds, and breathing in
    he feels the river breeze upon his face
    and reaches bridge still silence. There within
    cool waters down below, there's the embrace
    of lovers from high stars where no word
    hinders kissings. Jim looks to the still
    unrippling film of river. Night's word cord
    to cling the eye to fear is cut. Until
    the river ends, the heart of poetry
    is nameless, moonknown, whiteblack; here
    he knows in shadows where the song lies. "Try
    not to make a sound", he thinks. "Not where
    the light on water's all. I'll live from now
    watching midnight water for the glow
    of starlain lovers on the stream. And free
    from words, I'll laugh, and dance, and learn to Be."


    December 11th 2004

    Some truths are too poignant to ever reach fruition for the masses, some phrases too naked to ever reach the bedside table, some thoughts too swollen with their own greatness and constricted by the indecency of pointing out limitations in others. Sometimes you floor me Fins. Even if it doesn't seem appreciated, your words blow through the dusty streets of the mind long after they hit the eyes.
  • FinsburyParkCarrotsFinsburyParkCarrots Seattle, WA Posts: 12,223
    Thanks. I've had another idea this morning to write about a migrant Mayo worker in England in the nineteen-fifties, and I have a narrative in my head, but I'm thinking whether a short story prose style might best suit. I might write it in the week sometime.
  • If nothing else Fins I have always admired your ability to be prolific
  • FinsburyParkCarrotsFinsburyParkCarrots Seattle, WA Posts: 12,223
    If nothing else Fins I have always admired your ability to be prolific

    Sometimes it's a curse.
  • FinsburyParkCarrotsFinsburyParkCarrots Seattle, WA Posts: 12,223
    I live at the end of a cul de sac
    on the corner of a ring road
    where cars get stuck in traffic jams
    and seagulls swoop, lost
    because they're seventy miles inland
    but below sea level

    and I can see four switched off floodlights
    overlooking a stadium of a team that never wins
    and the building work across the road that has stalled
    and the dust that is making the windows filthy

    and they've got four more years of Bush in America
    and we've got a mouthful of Blair's teeth
    and in December you'd think the sky was a big grey lid on cold stew
    and agh, shit, I might be getting a cold

    but my little budgie here doesn't mind being in his cage
    he is singing
    you should hear him threeble
    you should see him hop
    he's fluffy white with a sky blue breast
    like a sun cloud
    and with this little consolation
    trebly over dull fog
    tucked away in a corner with a song
    perhaps I don't mind being old after all
  • FinsburyParkCarrotsFinsburyParkCarrots Seattle, WA Posts: 12,223
    Joan Ryan saw her bruised eye shine out
    at her, from grey potato water. Frank
    would not be back in time for dinner. Gout
    could never keep him in. No, more, he drank.
    The clock's reflection: ripples in the mad
    sink dirt. Face of years, a bowl of stink
    and grey and promises, hot breath and sad
    honey words when fists are thrown in drink
    and sorries follow. Joan's potato knife
    peels to bareness nothingness, a life.
  • FinsburyParkCarrotsFinsburyParkCarrots Seattle, WA Posts: 12,223
    There's a great thread on the forum about poetry. I thought I'd dig up this recent poem about a poet for yez. :)
  • FinsburyParkCarrotsFinsburyParkCarrots Seattle, WA Posts: 12,223
    By the great thread, I mean Grooveamatic's. Not this bollocks. :D
  • grooveamaticgrooveamatic Posts: 1,374
    Joan Ryan saw her bruised eye shine out
    at her, from grey potato water. Frank
    would not be back in time for dinner. Gout
    could never keep him in. No, more, he drank.
    The clock's reflection: ripples in the mad
    sink dirt. Face of years, a bowl of stink
    and grey and promises, hot breath and sad
    honey words when fists are thrown in drink
    and sorries follow. Joan's potato knife
    peels to bareness nothingness, a life.

    I think the punctuation is key to this poem's greatness...
    .........................................................................
  • FinsburyParkCarrotsFinsburyParkCarrots Seattle, WA Posts: 12,223
    Bumping an old pile of poo I wrote a while back. I might do something with it. Any more thoughts on it? Be as hard on it as you like.
  • dyaogirldyaogirl Posts: 138
    Something I’ve noticed about dear old friends is life’s weathered etchings seem to make them that much more deep, rich and so very very dear.
    '..... Ah! A perfect illustration of the poststructuralist paradox. Does the signifier "Merlot" correspond with the 'truth' of the bottle I polished off last night, or do we hold in our thoughts a different "signified" of bottle-of-Merlot-ness? Perhaps we're dreaming of the same bottle!" -FinsburyParkCarrots

  • oldermanolderman Posts: 1,765
    Bumping an old pile of poo I wrote a while back. I might do something with it. Any more thoughts on it? Be as hard on it as you like.

    a pile of poo.. HA!

    my writing skills are technical. you're way out of my league, my friend. i will do nothing more than enjoy your work. after all, this forum is free. :)

    **kisses ass**

    :D

    honest to god, trooth!
    Down the street you can hear her scream youre a disgrace
    As she slams the door in his drunken face
    And now he stands outside
    And all the neighbours start to gossip and drool
    He cries oh, girl you must be mad,
    What happened to the sweet love you and me had?
    Against the door he leans and starts a scene,
    And his tears fall and burn the garden green
  • Bumping an old pile of poo I wrote a while back. I might do something with it. Any more thoughts on it? Be as hard on it as you like.

    What? Poo? Poo? :( Nah, more like truffles :) - just need to be sniffed out and gently uncovered, then you're left with a rare and much sought after prize. :)

    I liked "Winter Journal". I like poetry that takes you down and then, shows you that the simplest of pleasures can brighten your day, if you allow it. :) Maybe work some more magic on that one (not that I see anything wrong with it--you're hard on yourself, but that's probably why you're so damned good!)



    Hee Hee! olderman....Fins is talking poo and then you say **kisses ass**!!!!! :p:p:p:D LOL! EEEEWWWEEEEEE!!!! :D Talk about brown nosing it! ;)
    Forget your perfect offering, there is a crack in everything, that's how the light gets in. - Leonard Cohen
  • oldermanolderman Posts: 1,765
    What? Poo? Poo? :( Nah, more like truffles :) - just need to be sniffed out and gently uncovered, then you're left with a rare and much sought after prize. :)

    I liked "Winter Journal". I like poetry that takes you down and then, shows you that the simplest of pleasures can brighten your day, if you allow it. :) Maybe work some more magic on that one (not that I see anything wrong with it--you're hard on yourself, but that's probably why you're so damned good!)



    Hee Hee! olderman....Fins is talking poo and then you say **kisses ass**!!!!! :p:p:p:D LOL! EEEEWWWEEEEEE!!!! :D Talk about brown nosing it! ;)

    HA!! hilarious BE!!

    **olderman searches for the edit button and then remembers that it was taken away due to abuse.. olderman then celebrates memory**
    Down the street you can hear her scream youre a disgrace
    As she slams the door in his drunken face
    And now he stands outside
    And all the neighbours start to gossip and drool
    He cries oh, girl you must be mad,
    What happened to the sweet love you and me had?
    Against the door he leans and starts a scene,
    And his tears fall and burn the garden green
  • eMMIeMMI Posts: 6,262
    oh I like Winter Journal too. :) (thanks to BE for telling me to read it. :) )

    and you are being too hard on yourself, face it, you're good. :) (but I know, usually the toughest critic is the artist him/herself.)
    "Don't be faint-hearted, I have a solution! We shall go and commandeer some small craft, then drift at leisure until we happen upon another ideal place for our waterside supper with riparian entertainments."
  • I've read this thread quite a lot now since you brought it back up. Your writing reacts with me quite differently depending on what kind of a mood i'm in when i read it. It's strange but sometimes I don't appreciate the characters and the situation even if I do appreciate the content, but at the moment I feel it is great stuff. Especially the short ones, I guess the bar man or drinker sticks in my mind the most. Of course I like that you create characters and situations though!
    Salut baloo
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