War Servant
FinsburyParkCarrots
Posts: 12,223
You gnarl like Oswald, fawning to command
from one who'd ban all fathers from the land
you plunder. Let true sons who crawl and starve
impale you on the crooked path you carve.
from one who'd ban all fathers from the land
you plunder. Let true sons who crawl and starve
impale you on the crooked path you carve.
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each eye blur-fixes on faint hierogylphs
no mortal eye might read upon the cracks
of buckling ceilings. Where your home is rent,
torn, and reckless paving blocks the damp
damp course about your shambling wall of brute
mute confidence in vague longevity,
you read deep ciphers no-one else might see,
calling indolence the seer's peace
that knows of gods in fast destruction.
Pale eye, false eye, look on this looking glass
for dusty uselessness you brought to pass.
(excuse my stilted gibberish, but I'm reading a novel from the 19th Century which has infected me with a twisted arcane grammar and vocabulary)...
hey there, finsbury... the ninety second improv yeilds so much... but is in itself, so incredibly vague and cryptific ...
regardless, i know this emotive... someone screening all the chaff for truth, absolute truth ~ that may not even be there. a lunacy best dealt with on copious amounts of lsd, lol
these are intimate writings, it would seem. curious letters to some unknown recipient. were they not, their meaning would be so much more clear, yes?
Nah, they're about Tony Blair.
they ain't gonna 'rest you, are they?
:^)
I'm re-reading loadsa Yeats at the moment and, funnily enough, William empson's "Seven Types of Ambiguity".
http://bitsofnews.com/modules.php?name=News&file=article&sid=832
you are a highly impressionable young man
(and I tease )
who crawled and starved for a chance at you.
I sharpened the knives behind his father's back.
Instead of one I gave him two.
I heard the story of his last plunge.
Torn from his shirt he screamed in rage.
The knives pocketed by a good friend.
His gold tooth like new whereabouts unknown.
The risk I took was calculated, but man, am I bad at math - The Mincing Mockingbird
one......lies
two......sophistry
three......obfuscation
four.......semantics
five.......games
six.......obscurity
seven......cleverness
Shakespeare, Sonnet 16
But wherefore do not you a mightier way
Make war upon this bloody tyrant, Time?
And fortify yourself in your decay
With means more blessed than my barren rhyme?
Now stand you on the top of happy hours,
And many maiden gardens yet unset
With virtuous wish would bear your living flowers,
Much liker than your painted counterfeit:
So should the lines of life that life repair,
Which this, Time's pencil, or my pupil pen,
Neither in inward worth nor outward fair,
Can make you live yourself in eyes of men.
To give away yourself keeps yourself still,
And you must live, drawn by your own sweet skill.
People argue whether Ed's a good songwriter but I think he has a gift that a lot of songwriters in the music scene haven't, and that's one of communicating on many different levels: natural, familial and sociopolitical.
is the peom about Yeats?
Yes, they have the power to keep an artistic autonomy from being categorized as political polemic. And I think what you say is vital to appreciating art, wherever it rates on anyone's canon. We personally construct the meaning of an artistic work, and the ambiguous nature of artistic theme and form makes us interpret it according to our lives and our linguistic/perceptive memories, associations and maybe above all, feelings. All poetry, if it's successful, makes use of ambiguity or at least some kind of transformation in language from an original idea to a novel way of describing and seeing it. That transformation or multi-facetedness brings us back to the work over and over again to find all kinds of responses to it, whatever they may be.
That old chestnut "The personal is the political" is important to art that can through the skilled use of ambiguity, tropes, images, metaphors and similes, explore personal themes and issues to make broader social points and observations.
I believe that the reader writes the poem so if you say it's about Yeats, it is!
"gimme some truth"... as it were
yes. art overflows in ambiguity where words are concerned. and generally I am a huge fan of putting the puzzle of someone else's emotive together. today, though... i'm tired, lol. as for politics, specifically, I say let 'em have it, bold and true... don't fight glad hands with glad hands. they're ass holes and they deserve nothing but the most open accusation. (did i say I was tired?... lol)
peace, yo!
But isn't truth impossible in language?
I'm not a Nietzschean but this is a good essay by him:
http://www.geocities.com/thenietzschechannel/tls.htm
Right, I'm off to feed my budgie a tomato.
photographs tell the truth and hopefully, poetry tells at the very least the truth, albiet in the given moment, yes?
i understand that my conveyance of truth only speaks to the reader's (or listener's) ability to find their own truth within it... BUT... i do believe that if I perservere, the listener can and WILL understand what I mean... what my truth is. which has an amazing effect of allowing them to convey thier truth and to also have it heard and understood
and all of a sudden, we evolve, don't you think?
I don't think photos tell the truth. They're art, which is arbitrary from truth. If photography was truth it wouldn't be art. I don't think we can ever know what truth is. It's something outside language and all we have to apprehend a truth is language, which isn't truth.