A death
FinsburyParkCarrots
Seattle, WA Posts: 12,223
Hear me: Pete's red jackpot popping face,
spilling yellow coins of smoky light,
enriches beer reflections on the beige
pub tiles. Pete holds our space with flicks of ash
and Bushmill's breath. He's Elbows. Shoulders. Coughs
lung-rattling (like whalebone shores when black
ford waters clog the shallows of our ears
mixing with the fears of village drowning
down in highest sudden tidings) spew and shoal
(like useless poachings from a poison bay).
How now they sound at us echoings of songs
made in our youthful pouting mirrors. Shit.
It's shit. Here in this pub some glorify
as culture - still maintained in the fields
of peasantry's Idyll - Pete coughs and falls,
slowly, like the dropping glade where bees
don't settle, where no Yeats arises, goes
to find. The jackpot spills. The coins lay grey.
spilling yellow coins of smoky light,
enriches beer reflections on the beige
pub tiles. Pete holds our space with flicks of ash
and Bushmill's breath. He's Elbows. Shoulders. Coughs
lung-rattling (like whalebone shores when black
ford waters clog the shallows of our ears
mixing with the fears of village drowning
down in highest sudden tidings) spew and shoal
(like useless poachings from a poison bay).
How now they sound at us echoings of songs
made in our youthful pouting mirrors. Shit.
It's shit. Here in this pub some glorify
as culture - still maintained in the fields
of peasantry's Idyll - Pete coughs and falls,
slowly, like the dropping glade where bees
don't settle, where no Yeats arises, goes
to find. The jackpot spills. The coins lay grey.
Post edited by Unknown User on
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Comments
thanks for sharing.
~*STONEY PONY all the WAY!*~
~*~*~*~*~*~*~*~*~*~~*~*~
"For the world, not for the war"-Neil Finn
Yes. Just improvised, and edited a bit. Thanks.
spilling yellow coins of smoky light,
enriches beer reflections on the beige
pub tiles. Pete holds our space with flicks of ash
and Bushmill's breath. He's Elbows. Shoulders. Coughs
lung-rattling (like whalebone shores when black
ford waters clog the shallows of our ears
mixing with the fears of village drowning
down in highest sudden tidings) spew and shoal
(like useless poachings from a poison bay).
How now they sound at us echoings of songs
made in our youthful pouting mirrors. Shit.
It's shit. Here in this pub some glorify
as culture - still maintained in the fields
of peasantry's Idyll - Pete coughs and falls,
slowly, like the dropping glade where bees
don't settle, where no Yeats arises, goes
to find. The jackpot spills. The coins lay grey.[/quote]
Many a sad scene in the bars and cafe's.
It's very cacauphonous, Richard. The words just scrape against each other. Looks to be a-purpose?
That depends on what each individual reader thinks purpose in art to be.
It's about a death in a west of Ireland pub, and it does deliberately use anti-romantic language to challenge the lyricism of Yeats's "The Lake Isle of Innisfree" (alluded to in the last lines).
Well, I like to jar it up occasionally.
(guess what, someone in the bottle shop tonight wanted the cheapest bottle of whisky for 'massage purposes'......wow!!!!)
A whisky massage? I gave myself a poteen massage last week, but it was my tonsils I was massaging.
It's good stuff anyway. There were little black flakes in it. I think that was gunpowder.
I think you lifted it from the back of my brain.
Guttural, visceral, and incredibly real.
Your poems always astound because your words seem so carefully chosen; this one excels especially because it maintains careful word choice while shocking with imagery (olfactory even). You blast us.
Here is the sad part of humans; a churning. A burning despair.
I'm printing this one out.
I don't think you need to nominalize spill in the second line, and I think the first set of parentheses can be reworded a bit, the simile stacking works very affectively, but that one image seems to meander, and I'm personally a little confused by it. Also, I think "Shit. It's Shit." should have it's own line, it seems like a perfect break, or halfway point in the poem. And it would have an effect like cramming all the similes into a funnel, and then reading how they drifted into a new container, the play on Yeats, by the end of the poem.
But these are minor things, and since there's a bit of mimetics from a source I'm not familiar with I may be off base, still, stellar work. I love the line's "flicks of ash and bushmill's breath," and "the dropping glade where bees don't settle".
"pilling" isn't nominalised. It's syntactically a present participle verb referring to Pete's face (metaphorised as a jackpot machine shedding coins of light). Read the first couple of lines as a sentence and the word will take its correct place semantically and syntactically.
Hear me: Pete's red jackpot popping face, spilling yellow coins of smoky light, enriches beer reflections on the beige pub tiles.
I'm actually quite pleased it jars.
There are no breaks in the lines because it's blank verse. I want that jam packed effect. A breathless, tightchested, gas-gurgling, explosive effect of sudden death as it actually happens. I'm not going to give people the form they'd feel better with, aesthetically or even physically, with this one.
I suppose Pete's red jackpot popping face, spills yellow coins of smoky light, enriching beer reflections on the beige pub tiles. Amounts to the same thing anyway, just a personal preference I suppose. And I know you react like a hornet everytime I use the word "reader" so I suppose from now on I should just say "me." But there's still a difference between jarring and confusing, I still have no idea what that first parentheses means.
Bed first. I'll get to it after a bit.
But that would fuck the pentameter up.
Well la-dee-da, let me get on my gamaphone and hoist a grand putand to the dutchess of merriweather
...I don't even know where I am right now
As she slams the door in his drunken face
And now he stands outside
And all the neighbours start to gossip and drool
He cries oh, girl you must be mad,
What happened to the sweet love you and me had?
Against the door he leans and starts a scene,
And his tears fall and burn the garden green