The Salt Flats

grooveamaticgrooveamatic Posts: 1,374
edited September 2005 in Poetry, Prose, Music & Art
This one isn't set in stone. Any comments or suggestions are appreciated.
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Post edited by Unknown User on

Comments

  • Here be the salt flats of the soul;
    The long wide white expanse,
    The glowing blank field,
    The loving wide glowing blank
    Salt flats of the soul.

    When I used to drink everyday
    I got so lonely sometimes
    I could hear
    (and see!)
    My heart beating,
    Pumping gin & nicotine rapidly
    To my confused organs;

    I could get so drunk & lonely
    And all I could ever think about
    (and see when my stuttering eyes closed)
    Were those girls who'd taken their clothes off
    For me,
    Who had whispered sweet things,
    Blown kisses across parking lots.

    Near the end of the drinking
    I began to get hotel rooms
    For myself
    So I could drink with no one seeing me.
    I'd throw my bag on the bed
    Unwrap the complimentary plastic cup
    Mix a drink
    (three-fourths gin one-fourth Coke)
    & drain it like a marathon runner
    Drains water held out to him.

    After the first drink
    I was loose and steady
    (and maybe grinning a little)
    & I'd mix a second one,
    Take it into the shower with me.
    I never used soap or shampoo
    But just sat there
    With hot hot water dancing on me
    Thinking and drinking in the dark.

    For an hour or more I usually sat there.

    Out of the shower
    (the room now entirely humid everywhere,
    the mirrors fogged, the sheets damp,
    even the television needed wiping off)
    I’d position myself at the round oak table
    With the TV on
    & old newspapers or magazines
    Spread everywhere,
    The gin bottle & 2 liter of soda
    By my socked feet.

    It didn’t take much for the loneliness
    To happen;
    Two drinks? Three?
    Soon the naked whispering women filled the room
    (muttering about how great I was,
    what a shame life was).
    I rarely cried. I just tried not to think.

    Sometimes they’d taunt me.
    Sometimes they drank with me.
    Sometimes we’d argue,
    I’d call them whores and harlots
    And apologize & apologize.
    Usually they fucked me.
    Once they were there,
    They didn’t leave
    (until sunrise).

    After some weeks
    (a month, maybe more?
    I’ll never know)
    Of performing this ritual
    The newspapers, the magazines,
    The pre-emptive shower were no longer enough
    To hold off that miserable loneliness:
    It began as I walked through the door.
    Desperate, I tremblingly paged through
    The Gideon’s Bible
    (there was nothing there for me.
    It never left the bedside table).

    And then I found the phone book.

    I suppose I knew what I was looking for
    Because I turned right to it.
    Escorts, right there in the open
    For anybody to find.
    I was amazed!
    Women would actually come to my room
    (and do whatever I asked).
    The idea was a wonderment.

    The first time I called
    I requested an Asian woman
    (I’d never so much as held hands
    with a girl who wasn’t as white as
    freshly painted parking lot spaces);
    Immediately after hanging up
    I knew I wouldn’t sleep with her.

    She got to my room an hour later.
    She wasn’t Asian
    (she was whiter than me)
    And she wasn’t very pretty.
    But she wasn’t ugly.
    She smiled at me as though she were a whore.

    I knew she was a whore.

    I told her I was a writer
    (for a reputable magazine, no less)
    Doing a story on the lives of
    Young girls working for dreary escort services.
    I just wanted to talk, I told her,
    And she’d be paid for her time.

    I mixed her a drink,
    Which she gladly took.

    She told me all about herself,
    But I don’t remember any of it now.
    I just remember staring at her
    (taking fake notes)
    And smiling as she became more enchanting
    With each drink I took,
    Each word out of her mouth.

    After an hour she said it was time to go.
    I gave her the money I owed her.
    As she was gathering her things I managed to say
    How much more would it be
    For a quick handjob?

    That’s not what you want,

    She said. She shut the door behind her.

    I just sat there, mixing another drink.
    I remember it was snowing outside
    And the roads were icy.
    Letterman was on TV.

    Here be the salt flats of the soul;
    The long wide white expanse,
    The glowing blank field,
    The loving wide glowing blank
    Salt flats of the soul.
    .........................................................................
  • This is one of the best poems I've ever read on this board. I think you can completely eliminate the first stanza though. Just go from the title straight in, and maybe leave the end one there. But I think if you re-read it, you can see the first and last stanza are where you are trying to be "poety" and the reason you say it's not set in stone, not quite crafted, is because you've focused more on telling a story than being a poet, but the thing is, it's better poetry than the semi-pontification on a slightly forced metaphor. Live in the story, that's where the poem is. Amazing though. I rarely feel so spent after a poem on this board.
  • ISNISN Posts: 1,700
    I really liked that Groove......not much more to say......
    ....they're asking me to prove why I should be allowed to stay with my baby in Australia, because I'm mentally ill......and they think I should leave......
  • This is one of the best poems I've ever read on this board. I think you can completely eliminate the first stanza though. Just go from the title straight in, and maybe leave the end one there. But I think if you re-read it, you can see the first and last stanza are where you are trying to be "poety" and the reason you say it's not set in stone, not quite crafted, is because you've focused more on telling a story than being a poet, but the thing is, it's better poetry than the semi-pontification on a slightly forced metaphor. Live in the story, that's where the poem is. Amazing though. I rarely feel so spent after a poem on this board.

    wow...thanks ETE. I'll print it out w/o the first stanza and see how it reads....that may be a good idea. glad you liked it!
    .........................................................................
  • ISN wrote:
    I really liked that Groove......not much more to say......
    no need to say more Cath...thanks for reading....
    .........................................................................
  • yes, you definately tell a story
    The only thing I enjoy is having no feelings....being numb rocks!

    And I won't make the same mistakes
    (Because I know)
    Because I know how much time that wastes
    (And function)
    Function is the key
  • very powerful story, very detailed with inner emotion
    The only thing I enjoy is having no feelings....being numb rocks!

    And I won't make the same mistakes
    (Because I know)
    Because I know how much time that wastes
    (And function)
    Function is the key
  • Anyone like it better this way?


    The Salt Flats

    When I used to drink everyday
    I got so lonely sometimes
    I could hear
    (and see!)
    My heart beating,
    Pumping gin & nicotine rapidly
    To my confused organs;

    I could get so drunk & lonely
    And all I could ever think about
    (and see when my stuttering eyes closed)
    Were those girls who'd taken their clothes off
    For me,
    Who had whispered sweet things,
    Blown kisses across parking lots.

    Near the end of the drinking
    I began to get hotel rooms
    For myself
    So I could drink with no one seeing me.
    I'd throw my bag on the bed
    Unwrap the complimentary plastic cup
    Mix a drink
    (three-fourths gin one-fourth Coke)
    & drain it like a marathon runner
    Drains water held out to him.

    After the first drink
    I was loose and steady
    (and maybe grinning a little)
    & I'd mix a second one,
    Take it into the shower with me.
    I never used soap or shampoo
    But just sat there
    With hot hot water dancing on me
    Thinking and drinking in the dark.

    For an hour or more I usually sat there.

    Out of the shower
    (the room now entirely humid everywhere,
    the mirrors fogged, the sheets damp,
    even the television needed wiping off)
    I’d position myself at the round oak table
    With the TV on
    & old newspapers or magazines
    Spread everywhere,
    The gin bottle & 2 liter of soda
    By my socked feet.

    It didn’t take much for the loneliness
    To happen;
    Two drinks? Three?
    Soon the naked whispering women filled the room
    (muttering about how great I was,
    what a shame life was).
    I rarely cried. I just tried not to think.

    Sometimes they’d taunt me.
    Sometimes they drank with me.
    Sometimes we’d argue,
    I’d call them whores and harlots
    And apologize & apologize.
    Usually they fucked me.
    Once they were there,
    They didn’t leave
    (until sunrise).

    After some weeks
    (a month, maybe more?
    I’ll never know)
    Of performing this ritual
    The newspapers, the magazines,
    The pre-emptive shower were no longer enough
    To hold off that miserable loneliness:
    It began as I walked through the door.
    Desperate, I tremblingly paged through
    The Gideon’s Bible
    (there was nothing there for me.
    It never left the bedside table).

    And then I found the phone book.

    I suppose I knew what I was looking for
    Because I turned right to it.
    Escorts, right there in the open
    For anybody to find.
    I was amazed!
    Women would actually come to my room
    (and do whatever I asked).
    The idea was a wonderment.

    The first time I called
    I requested an Asian woman
    (I’d never so much as held hands
    with a girl who wasn’t as white as
    freshly painted parking lot spaces);
    Immediately after hanging up
    I knew I wouldn’t sleep with her.

    She got to my room an hour later.
    She wasn’t Asian
    (she was whiter than me)
    And she wasn’t very pretty.
    But she wasn’t ugly.
    She smiled at me as though she were a whore.

    I knew she was a whore.

    I told her I was a writer
    (for a reputable magazine, no less)
    Doing a story on the lives of
    Young girls working for dreary escort services.
    I just wanted to talk, I told her,
    And she’d be paid for her time.

    I mixed her a drink,
    Which she gladly took.

    She told me all about herself,
    But I don’t remember any of it now.
    I just remember staring at her
    (taking fake notes)
    And smiling as she became more enchanting
    With each drink I took,
    Each word out of her mouth.

    After an hour she said it was time to go.
    I gave her the money I owed her.
    As she was gathering her things I managed to say
    How much more would it be
    For a quick handjob?

    That’s not what you want,
    She said. She shut the door behind her.

    I just sat there, mixing another drink.
    I remember it was snowing outside
    And the roads were icy.
    Letterman was on TV.

    Here be the salt flats of the soul;
    The long wide white expanse,
    The glowing blank field,
    The loving wide glowing blank
    Salt flats of the soul.
    .........................................................................
  • ISNISN Posts: 1,700
    This is one of the best poems I've ever read on this board. I think you can completely eliminate the first stanza though. Just go from the title straight in, and maybe leave the end one there. But I think if you re-read it, you can see the first and last stanza are where you are trying to be "poety" and the reason you say it's not set in stone, not quite crafted, is because you've focused more on telling a story than being a poet, but the thing is, it's better poetry than the semi-pontification on a slightly forced metaphor. Live in the story, that's where the poem is. Amazing though. I rarely feel so spent after a poem on this board.

    okay, I have a bit more to say......

    it's the first verse which got me engaged with the poem......and the second and all the others just got better......and I was so startled by the whole thing, that it gave me a kind of quiet happiness.....although I'm sure it shouldn't have......etc etc (I'm just going to read the latest version, and then I'll tell you what I think probably) :) (I just read it - I prefer the first version better)
    ....they're asking me to prove why I should be allowed to stay with my baby in Australia, because I'm mentally ill......and they think I should leave......
  • very powerful story, very detailed with inner emotion

    thanks depop....glad you can feel the emotion. :)
    .........................................................................
  • ISN wrote:
    okay, I have a bit more to say......

    it's the first verse which got me engaged with the poem......and the second and all the others just got better......and I was so startled by the whole thing, that it gave me a kind of quiet happiness.....although I'm sure it shouldn't have......etc etc


    so you think the first verse should stay?
    .........................................................................
  • ISN wrote:
    it's the first verse which got me engaged with the poem......and the second and all the others just got better......

    I agree .
    The only thing I enjoy is having no feelings....being numb rocks!

    And I won't make the same mistakes
    (Because I know)
    Because I know how much time that wastes
    (And function)
    Function is the key
  • so you think the first verse should stay?

    Well here's the official connundrum. Seriously though, for yourself, the best way to edit your own stuff. Read it out loud.

    Another smidgeon, Hemmingway was famous for saying "Never be afraid to murder your darlings." I can't tell you how many times I've built a poem around a single image or metaphor only to find out I had to cut it because it didn't belong in the poem anymore.
  • Well here's the official connundrum. Seriously though, for yourself, the best way to edit your own stuff. Read it out loud.

    Another smidgeon, Hemmingway was famous for saying "Never be afraid to murder your darlings." I can't tell you how many times I've built a poem around a single image or metaphor only to find out I had to cut it because it didn't belong in the poem anymore.


    I admit I am torn. Aloud I truly like the first and last stanzas. But I also see your point. They may be unnecessay, forced.

    I began the poem a week ago and finished it five minutes ago. I probably need to wait a few days and come back to it with fresh ears.
    .........................................................................
  • I admit I am torn. Aloud I truly like the first and last stanzas. But I also see your point. They may be unnecessay, forced.

    I began the poem a week ago and finished it five minutes ago. I probably need to wait a few days and come back to it with fresh ears.

    I'm hoping to publish a manuscript one of these days just so I don't have to worry about changing all my poems from year to year.
  • I'm hoping to publish a manuscript one of these days just so I don't have to worry about changing all my poems from year to year.



    I know how you feel...unfortunatley, poets still change their poems after publication all the time. We can't get away from it.
    .........................................................................
  • twin2twin2 Posts: 894
    It held my interest as well. It gave me a very sad feeling-like you were trapped in a lifestyle that you couldn't free yourself from.
  • KovoKovo Posts: 255
    I could see the whole thing in my mind with perfect detail. This is one of my new favorites.
    I shouldn't have to fight a battle I'll never win, just to lose those I've never had.
  • ISN wrote:
    okay, I have a bit more to say......

    it's the first verse which got me engaged with the poem......and the second and all the others just got better......and I was so startled by the whole thing, that it gave me a kind of quiet happiness.....although I'm sure it shouldn't have......etc etc (I'm just going to read the latest version, and then I'll tell you what I think probably) :) (I just read it - I prefer the first version better)

    I wanted to mention Cath that I think it's perfect that it gave you a quiet happiness...I can't quite explain it but that's what I wanted it to do. The story itself is terribly depressing but for me the bookending stanzas lift it up, if not to happiness then at least to neutrality. And besides, the narrator basically tells you that he got out of that lifestyle, so you know there's a happy ending somewhere....
    .........................................................................
  • AliAli Posts: 2,621
    Groove...Thanks for the read.Very imppressive,and...did you know
    acting is 100% sex?
    Somehow...as an actress I can relate to this poem by just saying,
    "Fake an orgasm".
    What ever that means.
    A whisper and a thrill
    A whisper and a chill
    adv2005

    "Why do I bother?"
    The 11th Commandment.
    "Whatever"

    PETITION TO STOP THE BAN OF SMOKING IN BARS IN THE UNITED STATES....Anyone?
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