hey...
FancyFacade
Posts: 330
could yall please critique this. i know parts of it are very cliche, please tell me how to improve it. thank you.
"Waiting"
here he comes with his funny walk
sometimes i wear it too
always leaving church alone
wish i could be leaving with you
Spirit says dont awaken love
until it pleases
but its always hard
still ill listen to Jesus
this feeling when i look at your face
is like ive known you forever
sitting peacefully in my heart
it would survive any weather
Spirit says dont awaken love
until it pleases
but its always hard
still ill listen to Jesus
the loner and his reserved wife
were made for each other
carved and molded into a creation together
joined as one forever
ive never seen a painting
as beautiful as this
colors that have never been seen
saved for each other; our shared dream.
Spirit says dont awaken love
until it pleases
but its always hard
yet, ill listen to Jesus
"Waiting"
here he comes with his funny walk
sometimes i wear it too
always leaving church alone
wish i could be leaving with you
Spirit says dont awaken love
until it pleases
but its always hard
still ill listen to Jesus
this feeling when i look at your face
is like ive known you forever
sitting peacefully in my heart
it would survive any weather
Spirit says dont awaken love
until it pleases
but its always hard
still ill listen to Jesus
the loner and his reserved wife
were made for each other
carved and molded into a creation together
joined as one forever
ive never seen a painting
as beautiful as this
colors that have never been seen
saved for each other; our shared dream.
Spirit says dont awaken love
until it pleases
but its always hard
yet, ill listen to Jesus
Post edited by Unknown User on
0
Comments
Peace Out
I like that advice.
Another tip I might suggest is to try rhymes that almost border on doggerel. That kind of deliberate slackness frees your poem up from the risk of self-importance. Auden tried this, as did Kavanagh. When you're making a 'deep' point, modify its sermonising propensities somewhat, in the next line, with a rhyming word from our most mundane everyday life. The juxtaposition in a couplet of profundity and mundanity will work! It might jar, and there will be those who think it a "bad rhyme", but they know nothing: Nothing is more dull than a blanket wall of seriousness, after all! Nothing is more human than the play between the serious and the silly. Enjoy playing with cliche! You use it well and balance it enjoyably with your deeper insights. Your work will be all the more beautiful for it.
every time i have ever felt feelings for anyone else
it has been silly---
but its right with you
its just dumb
to consider these other tawdry roads
everywhere i go
you are with me
your face...
I feel a peom coming on....gotta go....