Wu-Tang: better together or on their own?

catch22catch22 Posts: 1,081
edited September 2008 in Other Music
sure, 36 chambers is a classic. but the rest of the wu-tang releases are so loaded with filler and uneven. i said elsewhere that pearl jam is greater than the sum of its parts, i feel wu-tang is the opposite, far less than the sum of its parts. in fact, my second favorite wu-tang album is 8 diagrams, if only because it is so clearly rza's project which gives it a cohesion none of their other releases has.

compare that to solo releases by the various mc's. wu tang itself has one classic album (36 chambers) and a bunch of good to marginal albums. on the flipside, individual members are responsible for:

only built 4 cuban linx
liquid swords
ironman
supreme clientele
fishscale

ghostface himself has put out more brilliant albums than wu-tang.
and like that... he's gone.
Post edited by Unknown User on

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  • catch22 wrote:
    sure, 36 chambers is a classic. but the rest of the wu-tang releases are so loaded with filler and uneven. i said elsewhere that pearl jam is greater than the sum of its parts, i feel wu-tang is the opposite, far less than the sum of its parts. in fact, my second favorite wu-tang album is 8 diagrams, if only because it is so clearly rza's project which gives it a cohesion none of their other releases has.

    compare that to solo releases by the various mc's. wu tang itself has one classic album (36 chambers) and a bunch of good to marginal albums. on the flipside, individual members are responsible for:

    only built 4 cuban linx
    liquid swords
    ironman
    supreme clientele
    fishscale

    ghostface himself has put out more brilliant albums than wu-tang.

    Ghost and, to some extent, GZA, are exceptions to the rule, but virtually none of the 2nd wave (and beyond) of solo albums can touch the material released prior to 1998 and it's because those original solo albums were very much "Wu-Tang" albums. They all shared a very cohesive vision and were all helmed by RZA, with a little help from the Wu-Tang Elements. Wu-Tang Clan members were featured throughout. You can create a compilation of tracks from all those records and they'd all fit together very nicely.

    They were created as true ALBUMS - as opposed to compilation-style records that followed as individual Wu emcees started to use outside producers and fell into the trap of creating "a little something for everyone," as Raekwon used to say.

    Wu-Tang Forever had some filler; a fault of it being a double album...but if you take away the small handful of filler, it's an amazing album. The W was also slightly uneven, but RZA did a nice job of refocusing the group vision after years of turmoil. Iron Flag, on the other hand, was a travesty. And 8D like you said is bery good, largely bc it's overwhelmed by RZA...but again, due to turmoil in the group, none of the others wanted any part of the record and set it up for failure by being uninspired and so dismissive of the project that they refused to perform the new songs on the promotion tour! And Ghost was MIA due to his own conflicts with RZA and Wu-Tang as a business.

    I'll agree with you that there are a greater quantity of quality solo album than group albums, but that's just a product of the problems a large group like this faced. However, if you take those first few years of solo albums and recognize the group dynamic in them, it's Wu-Tang as a group, hands down. Hell, just compare THOSE solos to what followed and you'll see that the emcees come off like completely different artists.
    also throw in Masta Killa's No Said Date since it went back to those same roots as the original solos
    <a href="http://www.shawnsmithsinger.com">Shawn Smith</a> / <a href="http://www.thebandbrad.com">Brad</a&gt; / <a href="http://www.allhailthecrown.com">All Hail the Crown</a> / <a href="http://www.satchelpartnership.com">Satchel</a&gt;

    (Shawn Smith's official website, but not Thee Shawn Smith)
  • catch22catch22 Posts: 1,081
    that's a good point. there's something about that sounds that is just addictive. and isn't there a compilation album that drew tracks from all the different first-wave solo albums? that might be an interesting listen.

    wu-tang forever did have its moments, but i generally feel like each of those next 3 albums could have been on par with 36 chambers if they had had the discipline to pare it down to the 11-12 song 50 minute knockout that album was. each of the albums after felt bloated.

    that seems to be a problem with hip hop generally though. talib kweli's albums are always 75 minutes... it's not necessary. lupe fiasco does it. nas did it on several albums (and his best albums are his shortest... illmatic, stillmatic, lost tapes). hell, snoop's entire career has been destroyed by releasing inevitably bloated 20-track albums with tons of filler. doggystyle had, what, 13 songs?

    oh well, so it goes.
    and like that... he's gone.
  • catch22 wrote:
    that's a good point. there's something about that sounds that is just addictive. and isn't there a compilation album that drew tracks from all the different first-wave solo albums? that might be an interesting listen.

    Yep - Wu-Chronicles...it only collected singles from those albums though, and in my opinion, some of those were the weakest tracks from those albums. BUT it does all come together very well!
    catch22 wrote:

    each of the albums after felt bloated. that seems to be a problem with hip hop generally though.

    Agreed. Generally speaking, look at the greatest rap albums of all time and you'll find that they're motly handled by one producer (maybe two) and are built as true albums.

    Rakim had Eric B
    Kool G Rap had DJ Polo
    A Tribe Called Quest had Ali Shaheed Muhammad
    Naughty by Nature had Kay Gee
    The entire Juice Crew had Marley Marl
    CL Smooth had Pete Rock
    Guru and the entire Gangstarr Foundation had Premier
    Snoop's first album had Dr. Dre
    Public Enemy and Ice Cube's first few records had the Bomb Squad
    LL Cool J had Rick Rubin
    Jurassic 5 had Nu-Mark and Cut Chemist
    Ugly Duckling had Einstein
    De La Soul and Jungle Brothers had Prince Paul
    Wu-Tang had RZA and the Wu-Elements

    this list can go on for some time...but the point is, look at most of the albums these artists cut together and you'll find that they're incredibly strong and timeless, unlike many albums that followed when these and other rappers (often forced by labels) got into the idea of assembling a stable of beatmakers. And when I say BEATMAKERS, I differentiate between them and PRODUCERS. A producer does much, much more than simply hand in a beat for some rapper to spit over. There are, of course, exceptions to every rule and there's still great hip-hop being made if you know where to look; there are still guys creating true ALBUMS...but you're totally right for the most part...we're getting so many bloated, unfocused compilations disguised as albums, it's pathetic.

    With that said, it should be noted that many rappers have acknowledged this and started releasing official mixtape cd's that collect these standalone type songs so they can get them out there while still trying to create a cohesive album. Many of the artists doing this regularly and well are Wu-Tang affiliates and Boot Camp emcees.
    <a href="http://www.shawnsmithsinger.com">Shawn Smith</a> / <a href="http://www.thebandbrad.com">Brad</a&gt; / <a href="http://www.allhailthecrown.com">All Hail the Crown</a> / <a href="http://www.satchelpartnership.com">Satchel</a&gt;

    (Shawn Smith's official website, but not Thee Shawn Smith)
  • jasonwjasonw Posts: 424
    catch22 wrote:
    that's a good point. there's something about that sounds that is just addictive. and isn't there a compilation album that drew tracks from all the different first-wave solo albums? that might be an interesting listen.

    wu-tang forever did have its moments, but i generally feel like each of those next 3 albums could have been on par with 36 chambers if they had had the discipline to pare it down to the 11-12 song 50 minute knockout that album was. each of the albums after felt bloated.

    that seems to be a problem with hip hop generally though. talib kweli's albums are always 75 minutes... it's not necessary. lupe fiasco does it. nas did it on several albums (and his best albums are his shortest... illmatic, stillmatic, lost tapes). hell, snoop's entire career has been destroyed by releasing inevitably bloated 20-track albums with tons of filler. doggystyle had, what, 13 songs?

    oh well, so it goes.

    doggystyle had at least 18 tracks i think
  • jasonwjasonw Posts: 424
    I think Liquid Swords is one of the finest rap albums ever made.
  • catch22catch22 Posts: 1,081
    jasonw wrote:
    doggystyle had at least 18 tracks i think

    http://allmusic.com/cg/amg.dll?p=amg&sql=10:hnftxqrgldse

    13. one of which is just a skit/intro. 12 songs.
    and like that... he's gone.
  • jasonwjasonw Posts: 424
    catch22 wrote:
    http://allmusic.com/cg/amg.dll?p=amg&sql=10:hnftxqrgldse

    13. one of which is just a skit/intro. 12 songs.

    Ok i have the original tracklist on my version.....19 tracks
    http://www.mp3.com/albums/20056057/summary.html
  • catch22catch22 Posts: 1,081
    jasonw wrote:
    Ok i have the original tracklist on my version.....19 tracks
    http://www.mp3.com/albums/20056057/summary.html

    i think all the interludes are just rolled into the individual tracks on the cd i have. so they're not counted separate. regardless, the point is there's only 12-13 songs. now snoop releases albums with 20 SONGS, half of which are shit. it's seems like an epidemic in hip hop.
    and like that... he's gone.
  • Niko80Niko80 Posts: 1,610
    jasonw wrote:
    I think Liquid Swords is one of the finest rap albums ever made.

    I can drink to that!
    I will swallow poison
  • jasonwjasonw Posts: 424
    Niko80 wrote:
    I can drink to that!

    I slayed MC's back in the rec room era
    My style broke motherfuckin backs like Ken Patera
  • mole1985mole1985 Posts: 1,119
    jasonw wrote:
    I think Liquid Swords is one of the finest rap albums ever made.
    I don't listen to much hip hop / rap but this is a great album. Never listened to Wu-tang tho.
    Dublin 2006
    Katowice 2007
    London 2007
  • 36 Chambers is brilliant, some songs on Forever and a few on The Wu are good, everything as a group after is total crap. The first solo records of almost every member are really good but most since have been crap as well though Ghostface has put out some decent stuff.
    Alpine Valley 2000
    Summerfest 2006

    "Why would they come to our concert just to boo us?" -Lisa Simpson
  • jasonw wrote:
    I think Liquid Swords is one of the finest rap albums ever made.
    Well said my friend, I agree 100% with this statement. One of best hip hop albums ever released. Its an underrated gem that should be in every hip hop fans collection. The beats, lyrics and precision of this album are second to none.
    "I sang "The Sound of Silence" in high school. It was a duet with this girl I had a crush on. And then she saw me at a party later on and I was really stoned, and she had nothing to do with me after that. Yeah, I guess I've always kind of crooned." - Matt Cameron on being asked about singing.
  • jasonwjasonw Posts: 424
    facelift25 wrote:
    Well said my friend, I agree 100% with this statement. One of best hip hop albums ever released. Its an underrated gem that should be in every hip hop fans collection. The beats, lyrics and precision of this album are second to none.

    4th Chamber is one of my favorites

    Verse One: Ghostface Killah

    The only man I hold wake for
    Is the sky-blue Bally kid, in eighty-three, rocked Taylor's
    My Memorex performed tape decks, my own phone sex
    Watch out for Haiti bitches, I heard they throw hex
    Yo, Wu whole platoon is filled with rac-coons
    Corner sittin wine niggaz sippin Apple Boone, this ain't no white cartoon
    Cuz I be duckin crazy spades
    The kid hold white shit, like blacks rock ashy legs
    Why is the sky blue? Why is water wet?
    Why did Judas rat to Romans while Jesus slept? Stand up
    You're out of luck like two dogs stuck
    Iron Man be sippin rum, out of Stanley Cups, unflammable
    Noriega, aimin knives which stay windy in Chicago
    spine-tingle, mind boggles
    Kangols in rainbow colors, promoters try to hold dough
    Give me mine before Po, wrap you up in so-and-so
    I ran the Dark Ages, Constantine and great Henry the Eighth
    Built with Ghengis Khan, the wreck suede wiley Don

    Verse Two: Killah Priest

    I judge wisely, as if nothin ever surprise me
    Loungin, between two pillars of ivory
    I'm lively, my dome piece, is like buildin stones in Greece
    my poems are deep from ancient thrones I speak
    I'm overwhelmed, as my mind, roams the realm
    My eye's the vision, memory is the film
    Others act sub-tile, but they fragile above clouds
    They act wild and couldn't budge a crowd
    No matter how loud they get, though they growl and spit
    Clutch they fists, and throw up signs like a Crip
    And throw all types of fits
    I leave em split, like ass cheeks and ragged pussy lips

    Verse Three: The RZA

    Aiyyo, camoflouge chameleon, ninjas scalin your buildin
    No time to grab the gun they already got your wife and children
    A hit was sent, from the President, to rage your residence
    Because you had secret evidence, and documents
    On how they raped the continents, and it's the prominent
    dominant Islamic, Asiatic black hebrew
    The year two thousand and two, the battle's filled with the Wu
    Six million devils just died from the Bubonic Flu
    Or the Ebola Virus, under the reign of King Cyrus
    You can see the weakness of a man right through his iris
    Un-loyal snakes get thrown in boilin lakes
    of hot oil, it boils your skin, chickenheads gettin slim
    like Olive Oyl, only plant the seed deep inside fertile soil
    Fortified with essential, vitamin and mineral
    use the sky for a blanket, stuffin clouds inside my pillow
    Rollin with the Lands, the tribe's a hundred and forty four thousand chosen
    Protons Electrons Always Cause Explosions

    Verse Four: The Genius/GZA (Maximillion)

    The banks of G, all CREAM downs a vet
    Money feed good, opposites off the set
    It ain't hard to see, my seeds need God-degree
    I got mouths to feed, unnecessary beef is more cows to breed
    I'm on some tax free shit by any means
    Whether bound to hit scheme or some counterfeit CREAM
    I learned much from such with cons who run scams
    Veterans got the game spiced like hams
    And from that, sons are born and guns are drawn
    Clips are fully loaded, and then blood floods the lawn
    Disciplinary action was a fraction of strength
    that made me truncate the length one tenth
    with the stump, treat his hips like air pumps
    RZA shaved the track, niggaz caught razor bumps
    Scarred tryin to figure who invented
    this unprecented, opium-scented, dark-tinted
    Now watch me blow him out his shoes without clues
    Cuz I won't hesitate to detonate my short fuse
  • Jeremy1012Jeremy1012 Posts: 7,170
    It's not that they are better apart, it's just that, with the exception of ghostface, they haven't been any good for 10 years.

    From 36 Chambers through to parts of Forever, they were amazing. Since then, Ghost is really the only member to keep bringing it.

    36 Chambers, Liquid Swords, Cuban Linx, Ironman, these all came pretty early in the Wu's career.
    "I remember one night at Muzdalifa with nothing but the sky overhead, I lay awake amid sleeping Muslim brothers and I learned that pilgrims from every land — every colour, and class, and rank; high officials and the beggar alike — all snored in the same language"
  • pirlo21pirlo21 Posts: 534
    Loved the first Wu-Tang Clan album and Method Man's Tical. But since then the novelty has kind of worn off.
    Cymru Am Byth

    PJ albums, at the moment!! -
    1,Vs 2,Vitalogy 3,No Code 4,Yield 5,Ten 6,Backspacer, 7Pearl Jam 8,Binaural 9,Riot Act.
  • South of SeattleSouth of Seattle West Seattle Posts: 10,724
    catch22 wrote:

    that seems to be a problem with hip hop generally though. talib kweli's albums are always 75 minutes... it's not necessary. lupe fiasco does it. nas did it on several albums (and his best albums are his shortest... illmatic, stillmatic, lost tapes). hell, snoop's entire career has been destroyed by releasing inevitably bloated 20-track albums with tons of filler. doggystyle had, what, 13 songs?

    oh well, so it goes.

    It's killing Kweli right now. He's put out too much readily available music. I agree with the Snoop Comment as well.
    NERDS!
  • South of SeattleSouth of Seattle West Seattle Posts: 10,724
    Yep - Wu-Chronicles...it only collected singles from those albums though, and in my opinion, some of those were the weakest tracks from those albums. BUT it does all come together very well!



    Agreed. Generally speaking, look at the greatest rap albums of all time and you'll find that they're motly handled by one producer (maybe two) and are built as true albums.

    Rakim had Eric B
    Kool G Rap had DJ Polo
    A Tribe Called Quest had Ali Shaheed Muhammad
    Naughty by Nature had Kay Gee
    The entire Juice Crew had Marley Marl
    CL Smooth had Pete Rock
    Guru and the entire Gangstarr Foundation had Premier
    Snoop's first album had Dr. Dre
    Public Enemy and Ice Cube's first few records had the Bomb Squad
    LL Cool J had Rick Rubin
    Jurassic 5 had Nu-Mark and Cut Chemist
    Ugly Duckling had Einstein
    De La Soul and Jungle Brothers had Prince Paul
    Wu-Tang had RZA and the Wu-Elements

    this list can go on for some time...but the point is, look at most of the albums these artists cut together and you'll find that they're incredibly strong and timeless, unlike many albums that followed when these and other rappers (often forced by labels) got into the idea of assembling a stable of beatmakers. And when I say BEATMAKERS, I differentiate between them and PRODUCERS. A producer does much, much more than simply hand in a beat for some rapper to spit over. There are, of course, exceptions to every rule and there's still great hip-hop being made if you know where to look; there are still guys creating true ALBUMS...but you're totally right for the most part...we're getting so many bloated, unfocused compilations disguised as albums, it's pathetic.

    With that said, it should be noted that many rappers have acknowledged this and started releasing official mixtape cd's that collect these standalone type songs so they can get them out there while still trying to create a cohesive album. Many of the artists doing this regularly and well are Wu-Tang affiliates and Boot Camp emcees.

    Well said.


    The mix-tape thing is really the best way to find quality hip-hop. http://www.hiphopsite.com is a good place to pick them up.

    Look what mixtapes did for "The Carter 3" this year alone.
    NERDS!
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